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319 Scholes

From EverybodyWiki Bios & Wiki

319 Scholes was a project space that supported digital art and experimentation[1] through exhibitions, workshops, and live performances, founded and co-directed by artist Igal Nassima and curator Lindsay Howard.[2] The exhibitions featured emerging artists working with the internet and digital technology.[3] The programs were a "sure sign that the digital counterculture is alive and well."[4] It operated out of a 9,000 square foot warehouse[5] in Bushwick, Brooklyn.

Exhibitions explored topics such as: ideas of utopia and energy that emerged from rave’s legacy;[6] freedom, dissent, surface and experience;[7] digital immersion; social lives of a group of artists whose practices were defined by a high online presence;[8] net art culture and artist surf clubs;[9] the continued relevance of Dungeons & Dragons on the culture,[10] and "spoke to a newer audience, one that is perhaps more familiar with an iPhone than a paintbrush."[11]

319 Scholes organized two editions of Art Hack Day[12], an event for hackers whose medium is art and artists whose medium is tech.[13] Sixty artists-hackers and hacker-artists were invited to inhabit the gallery and create an exhibition from scratch within 48 hours.[14] Hyperallergic called it "the most entertaining event I've been to in months" and Fast Company described it as "top talent from the creative tech space exploring the future of art."[15] Participants included Casey Pugh, Christopher Poole, Theo Watson,[16] Reed and Rader,[17][18] Jamie Wilkinson,[19] Ramsey Nasser,[20] and members of Free Art and Technology Lab and OpenFrameworks.[21]

Recognition

  • Critic's Pick: Big Reality curated by Brian Droitcour, Artforum[22]
  • Ten Pivotal Moments for Digital Art, Hyperallergic[23]
  • 10 Best Exhibitions of 2011, L Magazine[24]
  • 10 Best Exhibitions of 2010, L Magazine[25]

Exhibition Program

  • #FUTUREMYTH (2013) curated by Christina Latina and Daniel Leyva[26]
  • If I Die Young (2013) curated by Gene McHugh[27]
  • Collect the WWWorld: The Artist as Archivist in the Internet Age (2012) curated by Domenico Quaranta[28][29]
  • Code of Contingency (2012) curated by Lisa Baldini & Sarah Jury[30]
  • E-Vapor-8 (2012) curated by Francesca Gavin[31]
  • Big Reality (2012) curated by Brian Droitcour[32]
  • Art Hack Day (2012) curated by 319 Scholes and Art Hack Day organizers[33]
  • Notes on a New Nature (2011) curated by Nicholas O'Brien[34]
  • Ecologías Correlativas (2011) curated by: chimera+[35]
  • WALLPAPERS: Sara Ludy and Nicolas Sassoon (2011) curated by Lindsay Howard[36][37]
  • Read/Write (2011) curated by jstchillin.org (Caitlin Denny and Parker Ito)[38][39][40][41]
  • DUMP.FM IRL (2010) curated by Lindsay Howard[42][43]

Publications

  • After Brad Troemel by Chris Coy with an introduction by Artie Vierkant[44]
  • Collect the WWWorld. The Artist as Archivist in the Internet Age by Domenico Quaranta[45]

References

  1. "The Whitney Biennial Snubs Internet Art". artnet News. 2014-03-27. Retrieved 2019-08-07.
  2. Jeffries, Adrianne (2012-10-20). "'Collect the WWWorld' attempts to archive the internet through art". The Verge. Retrieved 2019-08-07.
  3. "Fleeting Youth, Captured in YouTube Videos and Modeling Photos". Hyperallergic. 2013-03-28. Retrieved 2019-08-07.
  4. "Recap and Highlights from Art Hack Day at 319 Scholes". Core77. Retrieved 2019-08-05.
  5. "319 Scholes Street | TRD Research". therealdeal.com. Retrieved 2019-08-07.
  6. "RAVE NEW WORLD: E-Vapor-8 by Antonia Marsh - BOMB Magazine". bombmagazine.org. Retrieved 2019-08-07.
  7. "RAVE NEW WORLD: E-Vapor-8 by Antonia Marsh - BOMB Magazine". bombmagazine.org. Retrieved 2019-08-07.
  8. "Away From Keyboard: Parker Ito by - BOMB Magazine". bombmagazine.org. Retrieved 2019-08-07.
  9. "Surf clubs - Monoskop". monoskop.org. Retrieved 2019-08-07.
  10. Gilsdorf, Ethan (2012-01-04). "Mitt Romney as a D&D Character? NYC Show Celebrates Art and Gaming". Wired. ISSN 1059-1028. Retrieved 2019-08-07.
  11. "#FUTUREMYTH: Digital Myth-Making in Physical Space". ANIMAL. 2013-04-25. Retrieved 2019-08-07.
  12. "Art Hack Day Is Tomorrow at 319 Scholes". Hyperallergic. 2012-01-28. Retrieved 2019-08-07.
  13. "Art Hack Day". TechCrunch. Retrieved 2019-08-07.
  14. "Art and Tech Collide at Art Hack Day in Brooklyn [UPDATED]". Observer. 2012-01-29. Retrieved 2019-08-07.
  15. Lipinski, Jed (2012-01-31). "From An iPhone-Powered Jump Rope To Kinect Russian Roulette: Art Hack Day Melds Tech And Creativity". Fast Company. Retrieved 2019-08-07.
  16. Lipinski, Jed (2012-01-31). "From An iPhone-Powered Jump Rope To Kinect Russian Roulette: Art Hack Day Melds Tech And Creativity". Fast Company. Retrieved 2019-08-07.
  17. Lhooq, Michelle (2013-03-07). "Someone Finally Made A Cat God For Us To Worship". Creators. Retrieved 2019-08-07.
  18. "Art Hack Day Is Tomorrow at 319 Scholes". Hyperallergic. 2012-01-28. Retrieved 2019-08-07.
  19. "Art Hack Day". TechCrunch. Retrieved 2019-08-07.
  20. Kaganskiy, Julia (2013-03-19). "If God.js Existed, What Would It Do?". Fast Company. Retrieved 2019-08-07.
  21. Lipinski, Jed (2012-01-31). "From An iPhone-Powered Jump Rope To Kinect Russian Roulette: Art Hack Day Melds Tech And Creativity". Fast Company. Retrieved 2019-08-07.
  22. ""Big Reality" at 319 Scholes". www.artforum.com. Retrieved 2019-08-07.
  23. "10 Pivotal Moments for Digital Art in 2012". Hyperallergic. 2012-12-28. Retrieved 2019-08-07.
  24. "The 10 Best Exhibitions of 2011". The L Magazine. 2011-12-21. Retrieved 2019-08-07.
  25. "The 10 Best Exhibitions of 2010, and the 3 Worst". The L Magazine. 2010-12-22. Archived from the original on 2019-08-05. Retrieved 2019-08-07.
  26. "#FUTUREMYTH | 319 Scholes". Retrieved 2019-08-05.
  27. "Fleeting Youth, Captured in YouTube Videos and Modeling Photos". Hyperallergic. 2013-03-28. Retrieved 2019-08-05.
  28. "Rhizome". Rhizome. Retrieved 2019-08-05.
  29. Jeffries, Adrianne (2012-10-20). "'Collect the WWWorld' attempts to archive the internet through art". The Verge. Retrieved 2019-08-07.
  30. "Brooklyn Museum Presents GO, a community-curated open studio project". Art in Brooklyn. 2012-06-13. Retrieved 2019-08-05.
  31. "RAVE NEW WORLD: E-Vapor-8 by Antonia Marsh - BOMB Magazine". bombmagazine.org. Retrieved 2019-08-05.
  32. "10 pivotal moments for digital art in 2012". Salon. 2012-12-31. Retrieved 2019-08-05.
  33. "Art Hack Day Is Tomorrow at 319 Scholes". Hyperallergic. 2012-01-28. Retrieved 2019-08-05.
  34. "Hyperjunk: Notes on a New Nature | Bad at Sports". Retrieved 2019-08-05.
  35. "Plugging Art into the Environment". Hyperallergic. 2011-10-25. Retrieved 2019-08-05.
  36. Palop, Benoit (2014-10-13). "Desktop Wallpaper Gets An Update (On Actual Walls)". Creators. Retrieved 2019-08-05.
  37. Bianchi, Silvia (2011-10-03). "Lindsay Howard: 319 Scholes And Online Curating • Digicult | Digital Art, Design and Culture". Digicult | Digital Art, Design and Culture. Retrieved 2019-08-07.
  38. "Away From Keyboard: Parker Ito by - BOMB Magazine". bombmagazine.org. Retrieved 2019-08-05.
  39. Flood, Kathleen (2011-03-31). "Chillin In Cyberspace: Q&A With Parker Ito". Creators. Retrieved 2019-08-07.
  40. "After Brad Troemel". Issuu. Retrieved 2019-08-07.
  41. "Participate Don't Dominate: An Interview with Curator and Activist Ben Vickers". Spike Art Magazine.
  42. "Dump'n w/ Ryder Ripps | Bad at Sports". Retrieved 2019-08-05.
  43. jonCates (2017-02-19). "DigitalAnalog, Aram Bartholl and New Media Art IRL — jonCates (2011)". Medium. Retrieved 2019-08-07.
  44. "After Brad Troemel". Issuu. Retrieved 2019-08-07.
  45. "Collect the WWWorld. The Artist as Archivist in the Internet Age | Link Center for the Arts of the Information Age -". www.linkartcenter.eu. Retrieved 2019-08-07.

319 Scholes


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