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Anna Aleksandrovna Suvorova

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Anna Aleksandrovna Suvorova
Anna Alexandrovna Suvorova.jpg
Born3.8.1977
Perm, USSR
🏳️ Nationality Russia
🎓 Alma materSaint Petersburg Academy of Arts named after Ilya Repin|SPbGAIZHSA named after I. E. Repin (2002)
💼 Occupation
🏅 Awardsacademic degree doctor|of arts (2021)

Anna Aleksandrovna Suvorova (Russian: Анна Александровна Суворова; b. August 3, 1977, Perm, USSR) — Russian cultural theorist and art historian. Much of her work focused on developing the theory and history of Outsider Art, Art Brut and Soviet Naive Art. Habilitated Doctor of Science in History and Theory of Art. Member of International Conceal of Museums (ICOM) and European Outsider Art Association.

Biography[edit]

Anna Suvorova was born in Perm, USSR. She studied Theory and History of Art at The Russian Academy of Arts in Saint Petersburg, and later at Helsinki University, Tallinn University, Bard-college

In 2000s-2010s Anna Suvorova was working in Perm State Gallery and Museum of Contemporary Art PERMM (Head of Exhibition Department and Science Department). Co-founder and scientific director of Museum of Soviet Naive Art. Anna Suvorova was a curator of more than 50 exhibition in Perm State Gallery, Museum of Contemporary Art PERMM, Museum of Soviet Naive Art, etc.

She is a full Professor at the Herzen University and the National Research University Higher School of Economics. Visiting Professor at the School of Advanced Studies.[1].

Contributions[edit]

Anna Suvorova's key areas of scientific research are Outsider Art and Naive Art, the discourse-analysis of various complex phenomena of art, as well as phenomena of Modern Art in the perspective of gender studies, the discourse of power, in the context of theories of posthumanism. Her studies are dedicated to Outsider Art in psychiatric discourse, Visionary Art, Avant-Garde Art (Expressionism and Surrealism)[2][3][4] and philosophy.[5]

Anna Suvorova research Soviet and Russian Outsider Art,[6] its connections with the context of psychiatry and ideologies,[7] collections of Art Brut and Outsider Art[8][9][10]. Anna Suvorova's books and monographic articles are dedicated to Alexander Lobanov[11], Alex Xatkevich, Vladimir Zoroastrov and others. Anna Suvorova studies Soviet Naive Art in the perspective of discourse analysis.[12] The most significant articles dedicated to Soviet Naive Art and the phenomenon of collective memory, the construction of identities, and ideological narratives.

Selected Bibliography[edit]

Books[edit]

  • Suvorova А.А. Outsider Art and Avant-Guard. – Мoscow: New Literture Review, 2022. - 156 p. (In Russian)[13]
  • Suvorova А.А.  Outsider Art in Russia: tendencies, themes and images. – Мoscow: Grorodets Publishing House , 2020. – 200 p. (In Russian)[14]
  • Rhodes C., Suvorova A. Alex Xatkevich. The Purpose Will be Afterwards to Forget / С. Rhodes, А. Suvorova. – Kindle Edition, 2020. – 48 p.
  • Suvorova A. Russian Outsider Art and Religion / А. Suvorova. – London: Lighting Source UK Ltd.; Milton Keynes UK, 2020. - 96 p.

Articles[edit]

  • Suvorova А.А. (2017) Amateur Art Discourse in the Era of Stagnation (With Reference to Art Magazines). // Izvestia of the Ural Federal University. Series 2 Humanities and Arts 19(4 (169)):241-254 DOI:10.15826/izv2.2017.19.4.077 (In Russian)[15]
  • Suvorova А.А. (2018) The tactics of 'Marginals': the Issue of Methodology in Analysing Outsider Art in the Case of the Post-soviet Space // The Journal of Social Policy Studies (JSPS) . Vol. 16, 2: 237–250 (In Russian)[16]
  • Suvorova А.А. (2020) Alexander Lobanov: political reception in Soviet Outsider Art // Quaestio Rossica. 4: 1581-1596. (In Russian)[17]
  • Suvorova A. (2023) Modes of Monstrosity in Visionary and Outsider Art: from Divine to Machine and back // The Art and Science of Television. 19 (3): 175-197. DOI: https://doi.org/10.30628/1994-9529-2023-19.3-175-197. EDN: AWWRNY[18]
  • Suvorova A.A. (2019) La révolution de 1917 et la période post-révolutionnaire dans l'art naïf soviétique et post-soviétique. ILCEA est la revue portée par l'ILCEA4 (Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie – E.A. 7356) #36. URL: https://journals.openedition.org/ilcea/6739
  • Suvorova A. (2018) Dynamic Similarity: Outsider Art and Avant-garde / A. Suvorova // Convention 2017 "Modernization and Multiple Modernities" (ISPS Convention 2017) (Ekaterinburg, Russia, 28–29 April, 2017). – Dubai: Knowledge E, 2018. – KnE Social Sciences, 3 (7): 162-174. DOI 10.18502/kss.v3i7.2472[19]
  • Suvorova А. А. (2012) Soviet Naive Art: between conformity and nonconformity // New Art Studies. 3: 82-90. (In Russian)
  • Suvorova Anna, Rhodes Colin. A Purpose To Remember / A. Suvorova, C. Rhodes // Raw Vision. – 2022/2023. Winter (113): 42-49[20]
  • Suvorova А. А. (2023) Outsider Аrt in Art Museum: from "Comparative Material" to Art History (Case of the Museum of Modern Art) // International Journal of Cultural Research. 3 (52): 6–21. DOI: 10.52173/2079-1100_2023_3_6 (In Russian)[21]
  • Suvorova A. A. (2023) Outsider art in contemporary Russia: сuratorial strategies and institutional optics. Yaroslavl pedagogical bulletin. (2): 190-197. http://dx.doi.org/10.20323/1813-145X_2023_2_131_190. https://elibrary.ru/UWUREY (In Russian)[22]

References[edit]

  1. ↑ "The SAS media library is an archive of media content related to faculty, students, partners, and the SAS community".
  2. ↑ Суворова, Анна. "Экспрессионизм и искусство душевнобольных" (PDF).
  3. ↑ "Сюрреализм и искусство аутсайдеров". cyberleninka.ru. Retrieved 2024-01-19.
  4. ↑ Suvorova, Anna (2019-06-20). "La révolution de 1917 et la période post-révolutionnaire dans l'art naïf soviétique et post-soviétique". ILCEA. Revue de l'Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie (in français) (36). doi:10.4000/ilcea.6739. ISSN 1639-6073.
  5. ↑ "Искусство аутсайдеров и авангард". НЛО (in русский). Retrieved 2024-01-19.
  6. ↑ Суворова, Анна. "АУТСАЙДЕРСКОЕ ИСКУССТВО В РОССИИ" (PDF).
  7. ↑ Суворова, Анна (2018-07-03). "Тактики «маргиналов»: к проблеме методологии аутсайдерского искусства (постсоветский кейс)". The Journal of Social Policy Studies (in русский). 16 (2): 237–250. doi:10.17323/727-0634-2018-16-2-237-250. ISSN 1727-0634.
  8. ↑ Суворова, Anna. "Коллекционер как актор культуры: от личной истории к новым феноменам. Владимир Гаврилов: коллекционер, исследователь, просветитель. 1970-1990-е. Часть 1 // Общество. Среда. Развитие. – 2020, № 3. – С. 55–59" (PDF). terrahumana.ru.
  9. ↑ Суворова, Анна. "Коллекционер как актор культуры: от личной истории к новым феноменам. Владимир Гаврилов: коллекционер, исследователь, просветитель. 1970–1990-е. Часть 2 // Общество. Среда. Развитие. – 2020, ¹ 4. – С. 8–12" (PDF).
  10. ↑ Суворова, Анна. "Коллекционер как актор культуры: Владимир Абакумов и Музей творчества аутсайдеров // Общество. Среда. Развитие. – 2021, ¹ 1. – С. 46–50" (PDF).
  11. ↑ Suvorova, Anna. "Alexander Lobanov: The Reception of the Political in Soviet Outsider Art. In Quaestio Rossica. Vol. 8, № 5. P. 1581–1596. DOI 10.15826/qr.2020.5.546" (PDF).
  12. ↑ Суворова. "Дискурс самодеятельного искусства в период застоя" (PDF).
  13. ↑ "Искусство аутсайдеров и авангард". НЛО (in русский). Retrieved 2024-01-19.
  14. ↑ Суворова, Анна. "Аутсайдерское искусство в России: тенденции, темы, образы" (PDF).
  15. ↑ Суворова, Анна. "Дискурс самодеятельного искусства в период застоя" (PDF).
  16. ↑ Суворова, Анна (2018-07-03). "Тактики «маргиналов»: к проблеме методологии аутсайдерского искусства (постсоветский кейс)". The Journal of Social Policy Studies (in русский). 16 (2): 237–250. doi:10.17323/727-0634-2018-16-2-237-250. ISSN 1727-0634.
  17. ↑ Suvorova, Anna. "Alexander Lobanov: The Reception of the Political in Soviet Outsider Art. In Quaestio Rossica. Vol. 8, № 5. P. 1581–1596" (PDF).
  18. ↑ "19.3 Modes of Monstrosity in Visionary and Outsider Art: From divine to Machine and Back". Наука телевидения - научный журнал о цифровых медиа. Retrieved 2024-01-22.
  19. ↑ Suvorova, Anna. "Dynamic Similarity: Outsider Art and Avant-garde" (PDF).
  20. ↑ "ALEX XATKEVICH: A PURPOSE TO REMEMBER". RAW VISION. Retrieved 2024-01-22.
  21. ↑ "Outsider Аrt in Art Museum: from "Comparative Material" to Art History (Case of the Museum of Modern Art) – МЕЖДУНАРОДНЫЙ ЖУРНАЛ ИССЛЕДОВАНИЙ КУЛЬТУРЫ" (in русский). Retrieved 2024-01-22.
  22. ↑ Суворова, Анна. "Аутсайдерское искусство в современной России: кураторские стратегии и институциональные оптики" (PDF).

External links[edit]


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