Antonio Peticov
 | This article contains a translation of [/Pt:Antonio_Peticov Antonio Peticov] from [/Pt: pt.wikipedia]. |
| Antonio Peticov | |
|---|---|
| File:Paletó Branco.jpgFile:Paletó Branco.jpg Antonio Peticov in 2015 | |
| Born | 2 July 1946 Assis, São Paulo, Brazil |
| 💼 Occupation | |
| Known for | Painting Sculpture |
| 🌐 Website | http://www.peticolors.com |
Search Antonio Peticov on Amazon.
Antonio Peticov (born July 2, 1946.[1]) is a Brazilian painter, designer, sculptor, and engraver. [2]
Self-taught, at the age of twelve he was sure that he wanted to follow the path of the arts; in order to achieve his goal, he sought information in books and magazines.
His artistic training is based on systematic personal research in the history of art and its integration into avant-garde artistic movements in the second half of the 60s.
He specialized in sacred geometry and the Golden ratio, giving his work a strong mathematical character.
In 1967, together with artists Aldir Mendes de Souza and Gilberto Salvador, he founded the group Vanguarda Jovem no Arena participating in several exhibitions. In the same period, he began his involvement with the Tropicália movement]].
In 1970 he moved to London, where he expanded his studies. The following year, he moved to Milan and, in 1986, moved again, this time to New York, only returning to Brazil in 1999.
Throughout his career, his work was spread worldwide through album covers and books, as well as calendars, postcards, and posters, usually associated with his shows.
He specialized in periodic and aperiodic tiling with the largest collection of mathematical games - puzzles - in Brazil.[3]
His production was diverse and follows varied trends of the international artistic avant-garde of recent decades. He made environmental installations and murals in Italy, Switzerland, the United States, and Brazil.
He was president of the cooperative of Visual Artists of Brazil between 2003 and 2007.[4]
He is a member of the Lewis Carroll Society of North America (LCSNA) and is one of the “Friends of Martin Gardner” participating, since 1999, in the Gathering for Gardner.
He founded and directed the Núcleo de Arte Contemporânea (NAC) in São Paulo, between 1999 and 2006.
In 2016, at the age of 70, he opened the Antonio Peticov Institute of Art and Culture.[5]
Since then, he has continued to create various works, including participating in livestreams and audiovisual productions in 2020 and 2021.
Biography
Childhood and Youth
Like so many other immigrants from various parts of the world, the Peticovs came to Brazil in the 1920s in search of security, peace and conditions to thrive. Bulgarians of humble origin, the serious and dedicated farmers crossed the Atlantic with tickets paid for by the Brazilian government who, after abolishing slavery, needed labor in the field.
The family faced the adversities generated by the language, the precarious conditions of the farms, the strange food and the hot climate. But, with a lot of faith and dedication, he was building the future in the strong colors of the Paulista countryside. Their son André married, widowed and became a pastor graduating with a degree in Theology from the Baptist Seminary of Rio de Janeiro, when he met a woman from Cachoeiro de Itapemirim, Gláucia Curvacho.
On July 2, 1946, Antonio Peticov was born, in a strategic stop in the city of Assis, in São Paulo, almost bordering Paraná. In the midst of the travels of the evangelizer André, his wife, Gláucia delivered the couple's second child to the world. Throughout his life Antonio witnessed the evangelizing work of his father, preaching the word of God throughout Brazil. At first, in Espírito Santo; then, in São Paulo, Rio de Janeiro and, again, in São Paulo.
As a result of his incessant curiosity, Antonio was discovering and learning, experiencing different scenarios and assimilating colors, aromas, flavors, sounds and assembling a balanced rational and emotional archive of all this.
It was in 1960, in his early teens, when his father was involved in the Organization of the X Congress of the World Baptist Alliance[6], in Rio de Janeiro, that Antonio discovered his vocation when he met Mauro Salles Júnior, the art director of the Batista publishing house.
When he saw the creativity of the graphic artist materializing in models, mobiles, posters, and other pieces, he realized that his relationship with the world would be through art. His older brother, Walter, the "artist" of the family, got a nice painting kit. With the present came a toy, a mini kit, which was left to the youngest, Antonio.
At the age of 14, he made his first works, which he sold during an event of his parents' religion. It was the beginning of an awakening that, in truth, would become eternal.
Adult Life
In 1969, he went to the MIDEM Festival in Cannes with his friends from the band Os Mutantes - who he helped found, given that he was the manager of the band Six Sided Rockers, the previous band of some of the members - as well as visited London where he was an assistant to his friend and artist Hélio Oiticica in the assembly of his historic exhibition at the Whitechapel Gallery.
In the late 60s, influenced by the Beat Generation, Antonio Peticov saw himself as a hippie.
In 1970, at the age of 23, he was arrested for being a pioneer in the dissemination of lysergic acid (L.S.D.) in Brazil, being surprised by police investigators, among them the investigator and torturer Angelino Moliterno, the Russinho, who was part of the so-called “Death Squads”. Conforme a matéria da VICE, According to the matter of VICE, despite being tortured and taken to Carandiru Penitentiary, Antonio was subsequently cleared in what was the first judicial process of this matter in Brazil.
During the 70 days he was at Carandiru, he translated 3books, completed 24 drawings, and 3 paintings, thanks to the art material given to him by his fellow prisoner, Giuseppe Baccaro, a great Italian intellectual, important art merchant, who was arrested for the mere possession of a "joint".
On the program Provocações on TV Cultura, he was interviewed by António Abujamra in 2016 and stated: "A large amount of lysergic acid appeared in my hand, which was perhaps the most important invention of the 20th century, because it was the opportunity to have in my hand, in my pocket, or in my wallet the ticket for the most important trip that a person can have in his life, which is the trip to his interior. I felt obliged to disclose that."
The severity of the prison experience, as well as the strong repression of the military dictatorship, in conjunction with the fact that he was newly married to his first wife Maria Luiza, motivated Antonio to leave for exile in London, still in the year 1970, at the age of 24.
Upon arrival he met Gilberto Gil, and rented a flat near the singer's residence.
He had certainly unique experiences, such as the visit to Radio_Caroline, a remarkable clandestine radio that played rock'n'roll 24 hours a day, without government authorization, or the discovery of the art of M. C. Escher who, as Peticov says in his biography, was a milestone: "This was one of the most important 'meetings' that I remember. Bingo!".
He renovated the Poster Shop on rua Augusta, which opened in 1968, as a way to raise funds to leave Brazil, given the risk of being arrested again. He gathered his money and embarked again for England.
In London, he attended the legendary Isle of Wight Festival, in search of finding friends, and witnessed Jimi Hendrix's last performance in England.
At the end of 1971 he went to visit Milan, where he remained for 14 years, in a period of great learning, forming strong friendships in Italy, a country rich in artistic and cultural heritage, and at the time still curious about new artists.
Antonio was invariably well treated and admired when he said he was a painter (a plastic artist), considering the connection of those people to the arts. He had a relationship with Serena Nozolli, an important Italian feminist, when he began his Jungian studies, traveling around the country, forming solid friendships, in particular Claudio Rocchi, Matteo Guarnaccia, the Camerini brothers (Alberto and Mario), Alberto Salmona, Danilo Marcheselli, Michel Kanah, and others.
In 1985 he moved again, this time to New York City, where he lived until 1999. He was a neighbor of Jean-Michel Basquiat, launched alongside Brooke Shields the poster for the inauguration of the Jacob Javits Convention Center Archived 2021-05-10 at the Wayback Machine, created several of his best known works, was accompanied by his friend and photographer Valdir Cruz, assistant and, later, successful artist Vik Muniz among many other rich experiences and friendships.
He later married Elizabeth dos Santos Peixoto, with whom he had son Pedro Antonio, born in Brazil in 1990. He went back and forth between the United States and Brazil.
He returned to Brazil permanently in 2000, moving to Brooklin in the house he lived in until 2019. He developed his most recent works, among them several canvases and sculptures, series of rereadings. In this place he received children and teachers from several schools in São Paulo curious to know the Instituto de Arte e Cultura Antonio Peticov, where through his collection of puzzles (the largest in Brazil) he tried to break the stereotype that mathematics is something boring and difficult, presenting, first hand, the fantastic world of the arts.
From 2017, Antonio begins his autobiography. In 2020, he participated in a FUNARTE project, presenting as a result "6 Peticov Rereadings: An Exhibition Guided by the Artist", directed by his son Pedro Antonio. Due to the COVID-19 pandemic, he starts to participate actively in livestreams of varied themes, usually art, mathematics, music, sacred geometry and curiosities.
Installations and Productions
Antonio Peticov has a diversified production that follows varied tendencies of the international artistic avant-garde of the last decades. He has made environmental installations and murals in Italy, Switzerland, the United States, and Brazil. He has also produced audiovisual productions.
Among them:
- Balli Ballet (1982), Cloudwalk Farm, Connecticut (USA)[7]
- In 1983, he installed "The Big Ladder" in front of the Coliseum in New York.
- In Rio de Janeiro, in 1986, the installation "Sete Anéis"[8].
- In 1988, he delivered the sculpture The Golden Wall (in the form of a large spiral, in honor of the town of Aiuruoca (Minas Gerais)[9]
- In 1989, presents the Natura Project - Pinheiros River at the 20th São Paulo International Biennial[10]
- In 1992, the Bosque Natura Project in Rio de Janeiro[11]
- In November 1990, he gives the city the remarkable mural "Momento Antropofágico com Oswald de Andrade"[12] in the Republica metro station in São Paulo.
- In 1995 he delivered to the city the Transburti tower<ref"Peticov - Official Site". peticov.co.uk (in português). 2018-02-21.</ref> and three other murals at CPTM's Santo Amaro station.[13]
- In 2020, in collaboration with FUNARTE, launched the mini documentary ""6 Peticov Rereadings: An Exhibition Guided by the Artist".
Golden Ratio and Sacred Geometry
Having moved to Milan in 1972, Antonio acquired Aldo Montù's 1970 book Φ = 1.61803398875... Appunti ed annotazioni su NATURA E GEOMETRIA - Progressione Aurea e forme pentagonali in a bookshop next to the Museum of Academy of Fine Arts of Brera. This book full of detailed illustrations and graphs, had a great influence on his work. He was also introduced to the Fibonacci Sequence, with whole numbers mirroring the irrational numbers derived from Φ.
In addition, the influence of Martin Gardner, through his constant participation, since 1999, in the meeting of international science and mathematics notables at the "Gathering 4 Gardner" convention, known as G4G (Gathering for Gardner), further deepens the relationships of his work to numbers and geometry in general.
In this vein, one should mention Antonio's complete work regarding the non-periodic tiles, resulting, for example, in the tiles that make up the work "Momento Antropofágico com Oswald de Andrade" of 1990, installed in São Paulo's República metro station - a work full of mathematical references.
A scholar of puzzles, he has a large and varied collection of mathematical objects, puzzles, non-periodic tiles (which he also designs), and paradoxical objects in the largest collection of its kind in Brazil.
Posters, Book and Album Covers
Created posters and book and album covers for varied events and artists, both in Brazil and abroad.[14]
Some of these works, among others:
- X National Congress of Education
- "PrimaVera" - Festival in São Paulo (forbidden by the dictatorship 48 hours before its undertaking) (1969)
- Renudo Pop Festival (1973)
- Cover of the album "Visões" by Léo Gandelmann (1981)
- Art Expo '86 - Inauguration of the Javis Convention Center (1986)
- Heitor Villa-Lobos - 100th Birthday Poster (1986/1987)
- 38th Barretos Cowboy Festival (1993)
- "The Phoenix Symphony" - Saracura. Poster for the orchestra in NY (1993/1994)
- Monark Travel Agency - Poster (1994)
- Heineken Concerts - São Paulo/Rio de Janeiro (1995)
- Sofia National Library - Poster for the Meeting of creative Bulgarians abroad (1996)
- Rock in Rio and Coca-Cola (2001)
Exhibitions
- 1965 - Salão Paulista de Arte Moderna, São Paulo, Brazil
- 1965 - Salão Paranaense de Belas Artes, Curitiba, Brazil
- 1965 - Salão de Arte Contemporânea de Campinas, Campinas, Brazil
- 1966 - Salão Paulista de Arte Moderna, São Paulo, Brazil
- 1967 - Vanguarda Jovem no Arena, Teatro de Arena, São Paulo, Brazil
- 1967 - Salão de Arte Contemporânea de Campinas, Campinas, Brazil
- 1967 - “Seis Jovens Pintores na FAAP”, São Paulo, Brazil
- 1967 - Salão Nacional de Artes Plásticas, Vitória, Brazil
- 1967 - Salão Paulista de Arte Moderna, São Paulo, Brazil
- 1967 - Salão de Abril, Museu de Arte Moderna, Rio de Janeiro, Brazil
- 1967 - ART-ART Galley, São Paulo, Brazil
- 1967 - IX Bienal de São Paulo, São Paulo, Brazil
- 1968 - Galeria Ponto de Encontro, São Paulo, Brazil
- 1969 - X Bienal de São Paulo, São Paulo, Brazil
- 1971 - Camden Arts Center, London, UK
- 1972 - “Le Jardin D’Explosition”, San Paul de Vince, France
- 1973 - “Ipotesi per un’Arte Simbolica”, Panelle Gallery, Locarno, Switzerland
- 1973 - “Situazione Simbolo”, Galeria San Fedele, Milan, Italy
- 1975 - Galeria Arte Global, São Paulo, Brazil
- 1975 - “Artistas e a Comunicação”, Rede GLOBO television network, Brazil
- 1976 - Gabinete de Artes Gráficas, São Paulo, Brazil
- 1976 - “Arte Braziliana Secolo XX”, Bologna, Italy
- 1976 - “Couleurs de Bresil”, Crearco Galerie, Lausanne, Switzerland
- 1976 - X Salão de Arte Contemporânea, São Paulo, Brazil
- 1977 - Galerie du Vieux Caveau, Pully, Switzerland
- 1977 - Galeria Luiza Strina, São Paulo, Brazil
- 1978 - Museu de Arte Moderna, Rio de Janeiro, Brazil
- 1979 - National Arts Center, New York, USA
- 1979 - “Drei Brasilianish Kunstler”, Galerie B14, Stuttgart, Germany
- 1980 - Galeria San Michelle, Brescia, Italia
- 1980 - “Fisionomie”, Arts Gallery, Milão, Italy
- 1980 - “In a Small Frame”, Kassel, Alemanha
- 1980 - Village House Galerij, Deurle, Belgica
- 1981 - Galeria del Naviglio, Milão, Italy
- 1982 - Galeria Suzanna Sassoun, São Paulo, Brazil
- 1982 - Owens Gallery, Locarno, Suîça
- 1982 “Bali Ballet” - instalação ambiental permanente em “Cloudwalk Farm”, Conecticut,USA.
- 1983 - Galerie 212, Paris, França -
- 1983 - “THE BIG LADDER” - Installation of a sculpture in front of the Coliseum (Columbus Circus - N.Y.) for the New York Art Expo ‘86.
- 1983 - Escultura Efêmera, Art Galeria, Fortaleza, Brazil
- 1983 - Panorama da Pintura Brasileira, Museu de Arte Moderna, São Paulo, Brazil
- 1984 - “Labirinto” , Galeria GB, Rio de Janeiro, Brazil
- 1984 - L’Afiche Gallery, Milan, Italy
- 1984 - “The Kiss”, Galeria ARCO, São Paulo, Brazil
- 1984 - “10 Anos de VOGUE”, Museu de Arte de São Paulo, Brazil
- 1984 - “Landscapes”, Galeria Alberto Bonfiglioli, São Paulo, Brazil
- 1985 - Posters para Crianças Autistas, Banco América do Sul, São Paulo, Brazil
- 1985 - “Destaques”, Museu de Arte Moderna de São Paulo, Brazil
- 1985 - “Drawings”, Fred Dorfman Gallery, New York, USA
- 1986 - Gallery By Svetlana, Munik, Germany
- 1986 - Pery-Reneth Gallery, South Hampton - USA
- 1986 - Jacob Javis Center - New York, - inaugural poster - USA
- 1986 - Judith Posner Gallery, Milwaukee, USA
- 1986 - “Sete Anéis”, Galeria do Centro Empresarial, Rio de Janeiro, Brazil
- 1986 - Galeria Luisa Strina, São Paulo, Brazil
- 1987 - Galeria Montessanti, São Paulo, Brazil
- 1987 - Galeria Montessanti, Rio de Janeiro, Brazil
- 1987 - “Light Symphony”, Galeria Susanna Sassoun, São Paulo, Brazil
- 1988 - “Byrds of Paradise”. Fred Dorfman Gallery, New York, USA
- 1988 - Gallery SHO, Tokyo, Japan
- 1988 - “Multiplos”, Galeria Monica Filgueiras, São Paulo, Brazil
- 1989 - Galeria Montessanti-Roesler, São Paulo, Brazil
- 1989 - Galeria Montessanti-Roesler, Rio de Janeiro, Brazil
- 1989 - Metalgravura, Galeria Monica Filgueiras, São Paulo, Brazil
- 1989 - “Projeto Natura”, XX Bienal de São Paulo, São Paulo, Brazil
- 1990 - Pindar Gallery, New York, USA
- 1990 - Galeria Múltipla, São Paulo, Brazil
- 1990 - Galeria Mirian Mamber, São Paulo, Brazil
- 1990 - “Pantanal”, Galeria Sadala, São Paulo, Brazil
- 1990 - “Momento Antropofágico com Oswald de Andrade” - Permanent installation in the São Paulo República metro station - São Paulo, Brasil
- 1991 - Galeria Novo Tempo, Belo Horizonte, MG, Brazil
- 1991 - Galeria ARTE E USO, São José dos Campos, S. P., Brazil
- 1991 - Latin Art Gallery , Nagoya, Japão
- 1991 - Registro Gráfico, Galeria Kramer, São Paulo, Brazil
- 1992 - “Musicas”, Museu do Cartaz, Curitiba, Paraná, Brazil
- 1992 - “Musicas”, Galeria Banestado, Londrina, Paraná, Brazil
- 1992 - “Soluções Ambientais Criativas”, Villa Riso, Rio de Janeiro, Brazil
- 1992 - Galeria Multipla, São Paulo, Brazil
- 1992 - “Lab-Ir-In-Ton”, Instalação “cinetico-sensorial”, SESC, São Paulo, Brazil
- 1992 - Arte no Shopping, Campo Grande, MGS, Brazil
- 1993 - “Primavera Cultural”, Gabinete de Arte Raquel Arnaud, São Paulo, Brazil
- 1993 - “Pinturas”, Galeria Nara Roesler, São Paulo, Brazil
- 1993 - “Candelária Urgente”, FASAM, São Paulo, Brazil
- 1993 - ARS, ARTIS, São Paulo, Brazil
- 1993 - Museu Capitania das Artes, Natal, Rio Grande do Norte, Brazil
- 1994 - Iconografia e Arte do Carnaval- sec. XIX/XX, Pinacoteca do Estado, São Paulo, Brazil
- 1994 - Paulina Rieloff Gallery, New York, USA
- 1994 - Galeria Nara Roesler, Recife, Brazil
- 1994 - “Luminous”, Objetos de cerâmica, Home Style, São Paulo, Brazil
- 1995 - Center for the BOOK ARTS, New York, USA
- 1995 - “Visões”, Galeria Hebraica, São Paulo, Brazil
- 1995 - “Spiritual Art”, Casa da Cultura de Santo Amaro, São Paulo, Brazil
- 1995 - Exposição de Arte Contemporânea Brasileira, Chapel Art Show, São Paulo
- 1995 - “Arte no Shopping”, Florianópolis, SC, Brazil
- 1995 - Museu de Artes Plasticas Quirino da Silva, Mocóca, SP, Brazil
- 1995 - “Transcala Cromatica”, Permanent installation of a 40-meter neon tower on top of a building in the highest point of São Paulo, Brazil
- 1995 - The Brazilian Art Exhibition, Hong Kong, HK
- 1995 - “80 Obras no Conjunto Nacional”, Brazilia, Brazil
- 1995 - “United Artists”, Casa das Rosas, São Paulo, Brazil
- 1996 - “A Patafísica nos Trópicos”, Museu de Arte Brasileira, São Paulo, Brazil
- 1996 - “Latin American Book Arts”, Mexic-Arte Museum. Austin, Texas, USA
- 1996 - “Seis Pintores e a Musica”, Galeria Nara Roesler, São Paulo, Brazil
- 1996 - “Criative Bulgarians Abroad”, Modern Art Gallery, Sofia - Bulgaria
- 1996 - “Posters ans Prints” , Sófia National Library, Sófia - Bulgaria
- 1996 - “Paintings and Prints”, Galeria Nara Roesler, Campos do Jordão, São Paulo, Brazil
- 1996 - “1ª Mostra Nacional de Vitrines”, Shopping Eldorado, São Paulo, Brazil
- 1996 - “São Paulo Off Bienal”, Museu Brasileiro de Escultura - São Paulo, Brazil
- 1997 - “Arte do Brasil”, Swiss Bank Gallery - Punta del Este - Uruguay
- 1997 - “The Brain and the Mind”, Centro de Convenções Rebouças - São Paulo, Brazil
- 1997 - “United Artists III”, Casa das Rosas, São Paulo, Brazil
- 1997 - “2ª Mostra Nacional de Vitrines”, Shopping Morumbi , São Paulo, Brazil
- 1997 - “Learning” - American Chamber of Commerce, São Paulo, Brazil
- 1997 - “Pentagramas” - Bourbon Street, São Paulo, Brazil
- 1998 - “Futebol Arte” - Palacio dos Arcos - Itamaraty - Brasilia, Brazil
- 1998 - “Futebol Arte” - Memorial da América Latina - São Paulo, Brazil
- 1998 - “Futebol Arte” - Casa França-Brasil - Rio de Janeiro - Brasil
- 1998 - “Futebol Arte” - Conseille Economique et Social - Paris, France
- 1998 - “Futebol Arte” - Palais de la Bourse - Marseille, France
- 1998 - “Canibália Afetiva” - Espaço Cultural A ESTUFA - São Paulo, Brazil
- 1998 - “Iconoclastias Culturais” - Casa das Rosas - São Paulo, Brazil
- 1998 - “Libros de Artista” -Instituto de A. Graficas de OAXACA - Oaxaca, Mexico
- 1999 - “IV Mostra Nacional de Vitrines” - Morumbi Shopping - São Paulo, Brazil
- 1999 - “Livros-Objeto” -Galeria de Arte “A HEBRAICA” - São Paulo, Brazil
- 2000 - “Gathering for Gardner 4” - Hyatt Hotel - Atlanta - USA
- 2001 - “Snoopy Art” - EPA - São Paulo, Brazil
- 2001 - “Ponte Aérea” - Galeria GB ARTE - Rio de Janeiro, Brazil
- 2001 - “Arte Hoje” - Arvani Arte - São Paulo, Brazil
- 2002 - “Gathering for Gardner 5” - Ritz Carlton Hotel - Atlanta - Usa
- 2002 - “8 Artistas Brasileiros Contemporâneos” - Casa Das Rosas - São Paulo, Brazil
- 2002 - Salão de Arte Contemporânea de Piracicaba (invited artist), São Paulo, Brazil
- 2002 - III Bienal São João da Boa Vista - São Paulo, Brazil
- 2002 - “Humanidade no Patrimônio Urbano no Brasil - um olhar de A. Peticov” - S. Iguatemi - São Paulo, Brazil
- 2002 - “22 Clássicos de A. Peticov” - Galeria Hebraica - São Paulo, Brazil
- 2003 - “Trabalhos Escolhidos” - lançamento do livro e exposição - MASP - São Paulo, Brazil
- 2003 - “Humanidade no Patrimônio Natural no Brasil - um olhar de A. Peticov” - Tock-Stock- São Paulo, Brazil
- 2004 - “Gathering for Gardner 6” - Ritz Carlton Hotel - Atlanta, Georgia, USA
- 2004 - “I Exposição Coletiva da Cooperativa” - Gal Municipal de Artes - Baruerí, Brazil
- 2004 - “Homenagem a Arcangelo Ianelli” - Mube - São Paulo, Brazil
- 2004 - “Olhar impertinente” - Museu de Arte Contemporanea de São Paulo - São Paulo, Brazil
- 2004 - “O Cérebro e a Mente” - Pinacoteca da APM- São Paulo - São Paulo, Brazil
- 2005 - “Art du Bresil” coletiva da C.A.V.B. - Domaine de L’Amiraute - Deauville - França
- 2005 - “Arte em Metropolis” - Instituto Tomie Ohtake - São Paulo, Brazil
- 2005 - Exposição Individual na galeria da BMF - São Paulo, Brazil
- 2005 - Desenhos dos Anos ‘80 - IQ Art Gallery - São Paulo, Brazil
- 2005 - Chappel Art Show - Artista Homenageado - São Paulo, Brazil
- 2006 - “Gathering for Gardner 7” - Ritz Carlton Hotel - Atlanta - USA
- 2006 - Os “ONZE” - Embaixada Do Brasil - Berlin, Germany
- 2006 - OFF BIENAL - Museu Brasileiro de Escultura - São Paulo, Brazil
- 2006 - Os “ONZE” - Museu Brasileiro de Escultura - São Paulo, Brazil
- 2007 - “Obra Viva” - launching of a documentary short film at the São Paulo Museum of Image and Sound - São Paulo, Brazil
- 2007 - “Os ONZE” - Estação Cultural Mapocho - Santiago, Chile
- 2007 - “Parede da Fama” - Galeria André - São Paulo, Brazil
- 2007 - AFTER SCHOOL - 1ª Bienal de Brasilia - Brasilia, Brazil
- 2008 - G4G8 - Atlanta, Georgia, USA
- 2008 - “NÚS” -Galeria Jô Slaviero- São Paulo, Brazil
- 2008 - Pinturas de A. P. - Galeria Patricia Costa - Rio de Janeiro, Brazil
- 2008 - NOVE CAMINHOS - Dalmau Studio - São Paulo, Brazil
- 2008 - BRASILBRASILEIRO - CCBB - São Paulo, Brazil
- 2008 - OFF Bienal - Galeria Jô Slaviero - São Paulo, Brazil
- 2008 - BRASILBRASILEIRO - CCBB - Rio de Janeiro, Brazil
- 2009 - Artestudio Mauro Chaves - São Paulo, Brazil
- 2009 - 40 Chapel Art Show - São Paulo, Brazil
- 2009 - Estéticas, Sonhos e Utopias dos Artistas do Brasil pela Liberdade - Museu Salvador Allende, Chile
- 2009 - Eu Tenho um Sonho - Museu Afro Brasil - São Paulo, Brazil
- 2009 - “A OBRA COMO PERCURSO” - SESC IPIRANGA - São Paulo - São Paulo, Brazil
- 2009 - “After School”- Centro Mabeu - Belém, Brazil
- 2010 - G4G9 - Atlanta - Ga - EEUU
- 2010 - “Curto Circuito - O Encontro da Poesia com as Artes Visuais” - IQ Gallery - São Paulo, Brazil
- 2010 - Brasilia 50 Anos - Senado Federal - Brasilia, Brazil
- 2010 - Autoretrato e “Autoretratos” - Espaço Pantemporâneo - São Paulo, Brazil
- 2010 - Antonio Peticov e a forma oculta - Espaço Cultural City - São Paulo, Brazil
- 2010 - G11 - After School - Futebol Arte - Johanesburg - South Africa
- 2012 - ART&MATH - Atlanta Public Library - Atlanta - USA
- 2012 - Gil 70 - Centro Cultural dos Correios - Rio de Janeiro, Brazil
- 2013 - VIAJANTE - book launch and solo exhibition - São Paulo Museum of Image and Sound - São Paulo, Brazil
- 2013 - Galerie Ricardo Fernandes - Paris, France
- 2014 - Futebol Arte - Museu de Arte Contemporânea de Sorocaba - São Paulo, Brazil
- 2014 - As Mesas de Picasso - Galeria 22 - São Paulo, Brazil
- 2014 - G4G11 - Atlanta, Georgia, USA
- 2015 - Alice no País de Peticov - Deco Art Club - São Paulo, Brazil
- 2015 - Alice no País de Peticov - Galeria Patricia Costa - Rio de Janeiro, Brazil
- 2016 - G4G12 - Atlanta - Georgia - USA
- 2016 - LUZ DO SOL - Galeria Nu Vem - São Paulo, Brazil
- 2016 - Seleção de Obras - Espaço Flavio de Carvalho - Valinhos, Brazil
- 2016 - Retrospectiva da Obra Gráfica - Metrô de São Paulo, Brazil
- 2017 - GRAVURAS - STJ - Brasilia, Brazil
- 2017 - Telas e Objetos Recentes - A Estufa - São Paulo, Brazil
- 2017 - ANIWA - Ibiza, Spain
- 2017 - American Disasters - Galeria Oscar Cruz - São Paulo, Brazil
- 2017 - Chappel Art Show - São Paulo, Brazil
- 2017 - Pinturas Recentes - Casa Wolf - São Paulo, Brazil
- 2018 - Desastres Americanos - Galeria Oscar Cruz - São Paulo
- 2018 - “A Matemática e a Arte” - Universidade Federal do Pará - Pará, Brazil
- 2018 - Desenhos Recentes - Galeria Detalhe - São Paulo, Brazil
- 2019 - M. C. Escher (and friends) - Different Trains Gallery - Decatur, Georgia, USA
- 2019 - A Luz de Antonio Peticov - Galeria Ricardo Von Brusky - São Paulo, Brazil
- 2020 - 6 releituras de Antonio Peticov - FUNARTE (virtual exhibition) - São Paulo, Brazil
This article "Antonio Peticov" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Antonio Peticov. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.
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This page exists already on Wikipedia. |
- ↑ http://www.itaucultural.org.br/aplicexternas/enciclopedia_ic/index.cfm?fuseaction=artistas_biografia&cd_verbete=1119&cd_item=1&cd_idioma=28555[permanent dead link]
- ↑ https://www.peticov.com.br/wp-content/uploads/2015/12/17-o-mestre-das-cores_layout-1.pdf
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "COOPERATIVA DE ARTISTAS DO BRASIL — Fórum Permanente". Fórum Permanente (in português). Retrieved 2018-02-22.
- ↑ "Peticov faz 70 anos e festeja com instituto - Geral - Estadão". Estadão (in português).
- ↑ "BRASIL - Aliança Batista Mundial - 10. Congresso - Rio de Janeiro - 1960". Retrieved 2018-02-22.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.com.br (in português). Retrieved 2018-02-21.
- ↑ "Peticov - Official Site". peticov.co.uk (in português). 2018-02-21.
- ↑ "Peticov - Official Site". peticov.co.uk (in português). 2018-02-21.
