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Bedroom production

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A home studio
Bedroom Producer
Occupation
NamesRecord producer, music producer, bedroom producer
Occupation type
Profession
Activity sectors
Music Industry
Specialty{{#statements:P1995}}
Description
CompetenciesInstrumental skills, keyboard knowledge, songwriting, arranging, mixing, equalizing, recording skills, audio manipulation skills
Fields of
employment
Home studio

A bedroom producer is a musician who creates, performs, and records their music independently using a home studio, either as a profession or as a hobby. Typically bedroom producers use accessible digital technology that costs less than the equipment in a professional studio, such as MIDI controller-based instruments and virtual studio technology (software synthesized instruments and digital effects), to create music for release to the world.[1] While a traditional record producer oversees and guides the recording process, often working alongside multiple people such as studio musicians, singers, engineers, mixers, songwriters, arrangers, and orchestrators, a bedroom producer does everything independently: creating the ideas, recording them and processing them for release.[2] Bedroom producers are often self-taught, learning sound design, mixing and music theory by reading music production blogs and watching tutorials on the internet.[3][better source needed] As bedroom producers depend on the accessibility of music technology, bedroom production has been made easier with advances in home computing power and digital audio workstations (DAW).[4]

Characteristics[edit]

A small home studio with a Korg MicroX synthesizer, a Korg Electribe R (ER-1), Denon DN-2500F & Remote Control Unit RC-44, and a Behringer VMX-100.

A majority of bedroom producers employ the MIDI sequencing capabilities of digital audio workstations, in conjunction with recorded sounds, to create musical compositions.[5][6] These DAWs may be set up alongside high-quality recording equipment such as microphones and USB interfaces which enable bedroom producers to emulate full recording studio environments in a home studio. These home studios can be created for professional and hobbyist use. Despite economic advantages of the home studio, sometimes the more accessible technology that is used may hinder the collaborative creative processes because this recording technology may not be as effective as in traditional recording studios.[7]

While in the 1990s and the 2000s, music that was popular on the radio tended to be highly guitar-centric, over the last decade bedroom producers have had the ability to create deceptively sophisticated musical productions (with digital string orchestra, for example) which have become prominent on the radio, impacting mainstream culture.[4] While rock musicians would have to perform live to make a name for themselves, bedroom producers often prefer the more intimate solitude of their own homes and using the internet allows them to not only release their music but also have maximum control over their own image as independent artists.[8] This has also lead to a rise in independent producing entrepreneurs for the first time since the 1950s/1960's.[9]

The heightened accessibility of production software such as Ableton and equipment has led to a "rapid democratisation of the tools in terms of creating music."[10] Today, many young musicians are leaning towards to getting into music through software instead of through instruments because the startup cost is so low, especially with the piracy of software onto personal laptops.[11][10] This has created the trend of engineering producers, or at least producers who have basic audio engineering knowledge.[9] Because bedroom produced music is made independently or in small collaborations, it is often strongly connoted with being DIY.[12] Bedroom produced music is also often referred to as being made "in the box," which is when all or part of the music production is completed with software processing of samples, VSTs and synths within a DAW. Bedroom produced music relies largely on sharing music through social media. Recorded music, especially bedroom produced and independent music is regarded as an internet industry.[13]

History[edit]

A 1980s home studio with a reel-to-reel tape recorder.

Although there was some early bedroom production before the 1990's using hardware instruments and recording to tape, the rise of bedroom production is more often closely related to an increase in computing power and decrease in cost of music technologies which allowed for DAWs to become more accessible towards the end of the 20th century.[14][4] In the early 1990s Steinberg released its DAW; Cubase Audio and in 1996 Steinberg invented the VST and remodeled the Cubase interface to emulate a full hardware recording environment.[15] DAWs today are inexpensive, and most bedroom producers use them to create their music.[6] Even before the invention of DAWs people recorded in home studios on tape.[16] A home studio is simply a music setup in a person's home that has most of the recording capabilities of a traditional recording studio.[3] The invention of MIDI "allowed the first home studios to be born."[17] Despite the term "bedroom producers", they may have their studio in other rooms, such as a basement. Indeed it may not be necessary to have a home studio at all, since all that is needed is a laptop with a DAW.[10]

Before the invention of DAWs, MIDI could only be utilised through external hardware setups which was very expensive. Since the monetary cost of recording software and technology has decreased and laptops with DAW software have become more available, there has been a very large increase in the number of producers creating music using DAWs as an all in one solution. Because of this large increase in the number of music producers some people believe the overall quality of electronic music has increased, while others say that with the saturation of electronic producers releasing in the music market, it has become significantly harder for producers to become recognised.[3]

During the lineage of bedroom production, the style has crossed many genres of music. Although most closely with forms of electronic music ranging from earlier forms such as techno, and dubstep and electronica, bedroom producers include pop musicians and hip hop musicians. In the 2000s and 2010s, House, Cloud Rap, Chillwave, Bedroom Pop and Downtempo have been popular genres of music created by bedroom producers such Flume, Kaytranada, Chet Faker (Nick Murphy) and Clairo. Many bedroom producers such as Flume draw from various music styles to create eclectic compositions which incorporate musical elements. Despite Flume's success in music, he still lives with his parents and produces from his bedroom home studio.[18] Many bedroom producers have also been hired to write music or create "beats" for significantly larger, more commercial artists such as 21 Savage, Young Thug and Rihanna.[19]

Software[edit]

This section will describe the common use of DAWs and VST software for creating bedroom-produced music. First, MIDI will be explained to clarify its use in DAW.

MIDI stands for Musical Instrument Digital Interface and is the most common way of connecting musical equipment to various devices and to a central DAW. Because MIDI information is non-acoustic, in the form of data instead of sound waves, it can be used to send musical information from one VST device to another or through external hardware which can be connected to a DAW, such as a MIDI keyboard or other MIDI controller. For example, if a melody is performed on a MIDI keyboard, this melody could be plugged into a synth module so that it might sound like any instrument, from a flute or electric guitar, or even a sampled full orchestra. When MIDI information is sent to different VST devices, new sounds are created from the same musical data. For example, a melody played by a virtual MIDI (VST) piano could be moved into a guitar track in a DAW to have exactly the same passage played by a virtual guitar. Because MIDI is a form of data, it is typically viewed in the form of a piano roll, not as waveforms. MIDI was created in the early 80's by multiple large instrument manufacturers working together to standardise the communication between the devices of different instrument manufacturers.[20][21]

A DAW is a Digital Audio Workstation. This is an electronic device or more commonly a musical software used for recording, mixing, editing and processing digital audio. While the structure of a DAW can vary greatly from being a single software to a series of connected hardware, all DAWs have a central interface for processing audio into a final composition on a laptop or computer.[5]

Virtual Studio Technologies or VSTs are devices used to replicate analog effects, instruments and effects that used to be commonly found in studios, for audio processing and synthesis within DAW software. VST instruments and VST effects are most commonly used; however, other types of VSTs also exist, such as various spectrum analysers. Some VSTs also emulate traditional synthesisers and samplers. VST instruments synthesise sound by taking a MIDI input and then sending it to an output or through VST effects via effects chaining.[22]

Common types of VST:

VST Effects, which manipulate the audio signal of a track or group of tracks. Examples include EQ, compression, delay.

VST Instruments, which generate their own audio signal like a musical instrument. These can be highly manipulated to create synthesised sounds or they may be samples that imitate the sound of real acoustic instruments.

VST MIDI effects: Manipulates the MIDI information, such as arpeggiation of the notes in a sustained chord.[3]

Bedroom producers may use VSTs such as Massive, Serum, Spire, or Nexus. Flume has said that electronic production techniques have provided expanded creative possibilities.[23]

Bedroom producers may "pirate" their music software using torrenting or "cracking", which leads to an even higher level of access to DAWs and VSTs for bedroom producers. In some cases the pirating of music software in this way has led to increased sales for these larger companies. However, pirating software can cause problems for less established VST companies.[24]

Equipment[edit]

MIDI keyboards, a laptop, a record player, a reel-to-reel tape machine, and electronic devices can be seen in this home studio.

While setups between individuals may vary, the basic setup of a bedroom home studio includes: a computer connected to a DAW, a microphone with a pop filter running through an audio interface, headphones and/or monitors and a MIDI controller such as a MIDI keyboard or drum machine.[25] The microphone will record the vocals, sounds and acoustic instruments that may be used by sending the audio into the DAW through the audio interface. The sound of the music in the DAW is played back through the audio interface in playback. The pop filter is used to reduce the loud signal of word plosions such as when pronouncing words starting with 'p' or 'b' sounds. Headphones and monitors are used to listen to the playback and for mixing. A MIDI controller works as the instrument for producers, to use instead of programming individual notes into sequences in the DAW.[26] While it is common to record in a bedroom studio, Sampling is also widely used in bedroom production. Bedroom producers typically uses drum samples as a cheaper alternative to recording drums, however a huge range of different kinds of samples are used in bedroom productions. Such as: chord loops, vocal samples, kit dimples and sometimes even entire sections of songs (although this often infringes copyright).[27]

Market saturation[edit]

Due to massive increase in producers releasing music from home studios, the market of electronic music, especially EDM has become over-saturated. One producer, Deadmau5, claims that this is because the sounds of popular electronic dance music are easily reproducible so many artists who are seeking mainstream success are making very stylistically similar sounding music. This is especially true for EDM mixing techniques and the trend of mixing for loud volumes instead of mixing for dynamics.[11] From an economic perspective Forbes believes the EDM industry (now $7.4billion US) still has growth potential and that this growth is not only coming from live performances such as from festivals but also from streaming and downloading, which contributes largely to the total revenues of EDM. For the broader electronic music genre, many believe that its largely instrumental nature makes it highly transferable to markets which speak different languages. So, even if a point of saturation is reached in some countries, market growth of the genre will likely continue in others.[28]

References[edit]

  1. Walzer, Daniel A. (2016-10-25). "Independent music production: how individuality, technology and creative entrepreneurship influence contemporary music industry practices". Creative Industries Journal. 10 (1): 21–39. doi:10.1080/17510694.2016.1247626. ISSN 1751-0694.
  2. "Becoming a Music Producer - What You Need to Know - EDMProd". EDMProd. 2014-02-25. Retrieved 2018-10-25.
  3. 3.0 3.1 3.2 3.3 "The Rise Of Bedroom Producer's And Oversaturation Of Electronic Music". Underground Production. 2017-07-05. Retrieved 2018-09-07.
  4. 4.0 4.1 4.2 "We don't play guitars: How bedroom producers came to dominate the airwaves". ABC News. 2017-07-22. Retrieved 2018-10-05.
  5. 5.0 5.1 "What is a DAW? | The Basics". reverb.com. Retrieved 2018-10-20.
  6. 6.0 6.1 "Introduction to music production for bedroom producers | the iiNet Blog". blog.iinet.net.au. Retrieved 2018-10-20.
  7. Groenningsaeter, Anders (July 2017). "Musical bedroom: Models of creative collaboration in the bedroom recording studio" (PDF). Queensland University of Technology.
  8. Jonze, Tim (2010-04-03). "The bedroom artists who prefer creative solitude". The Guardian. Retrieved 2018-10-05.
  9. 9.0 9.1 "Journal on the Art of Record Production » A New Breed of Home Studio Producer?: Agency and the Idea 'Tracker' in Contemporary Home Studio Music Production". www.arpjournal.com. Retrieved 2018-10-27.
  10. 10.0 10.1 10.2 "We don't play guitars: How bedroom producers came to dominate the airwaves". ABC News. 2017-07-22. Retrieved 2018-10-27.
  11. 11.0 11.1 "On The Over Saturation of EDM". Nova Spire. 2014-05-25. Retrieved 2018-10-27.
  12. "Bedroom Pop is Dead: Listen to Mini Dresses' new 'Sad Eyes' EP, recorded by the duo in their kitchen - Vanyaland". Vanyaland. 2016-09-12. Retrieved 2018-10-05.
  13. Browning, Yanto. "Independent artists call the shots, ARIAs or not". The Conversation. Retrieved 2018-10-05.
  14. "How the 1990s Changed Recording and Music Production Forever". reverb.com. Retrieved 2018-10-19.
  15. "A brief history of Steinberg Cubase". MusicRadar. Retrieved 2018-10-20.
  16. "History Files: Inside The Development Of What We Know As Digital Audio Workstations - ProSoundWeb". ProSoundWeb. 2011-02-07. Retrieved 2018-10-25.
  17. Bateman, Tom (2012-11-28). "How MIDI changed the world of music". BBC News. Retrieved 2018-10-18.
  18. "From The Bedroom To The Stadium: Electro Producer Flume Talks Making Beats". Creators. 2013-04-22. Retrieved 2018-10-26.
  19. "Meet the NZ Producers Making Hits From Their Bedrooms". Vice. 2018-05-30. Retrieved 2018-10-27.
  20. "30 years of MIDI: a brief history". MusicRadar. Retrieved 2018-10-27.
  21. "What Is MIDI?: 11 Things You Need to Know About Music's Most Powerful Tool | LANDR Blog". LANDR Blog. 2016-11-16. Retrieved 2018-10-27.
  22. "Up Your Audio Game With VST Plug-Ins". ThoughtCo. Retrieved 2018-10-20.
  23. "From The Bedroom To The Stadium: Electro Producer Flume Talks Making Beats". Creators. 2013-04-22. Retrieved 2018-10-05.
  24. Production, Underground (2017-07-05). "The Rise Of Bedroom Producer's And Oversaturation Of Electronic Music". Underground Production. Retrieved 2018-10-26.
  25. "Home Recording Studio Setup For Beginners | Key Recording Essentials". Music Repo. 2015-12-10. Retrieved 2018-10-25.
  26. "Recording Studio Equipment List: The Essential 33 Items". E-Home Recording Studio. 2012-09-27. Retrieved 2018-10-25.
  27. "Modern Approaches: Sampling". Red Bull Music Academy Daily. Retrieved 2018-10-20.
  28. Owsinski, Bobby. "Electronic Dance Music Still Has Room For Growth Despite Predictions". Forbes. Retrieved 2018-10-27.

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