Bernard Bouts
Comment: The English Wikipedia does not accept AI-generated material. ‑‑gurkubondinn 17:17, 29 July 2026 (UTC)
- Comment: Most of the draft is unreferenced. Every paragraph in each section should include at least one inline citation from a reliable source. Paul W (talk) 20:54, 24 July 2026 (UTC)
- Comment: Colaboro con la Galería MAPA, que organizó la exposición y representa la obra de Bernard Bouts Jon Victor Lara (talk) 14:52, 2 July 2026 (UTC)
| Bernard Bouts | |
|---|---|
| Born | Bernard Robert Marie Bouts 2 December 1909 Versailles, France |
| 💀Died | 2 March 1986 Rio de Janeiro, Brazil2 March 1986 |
| 🏳️ Nationality | French (based in Argentina and Brazil) |
| 🏫 Education | Trained under sculptor and philosopher Henri Charlier (1930-1940) |
| 💼 Occupation | |
| Known for | Painting, seascapes |
Search Bernard Bouts on Amazon.
Bernard Bouts (Versailles, 2 December 1909 – Rio de Janeiro, 2 March 1986) was a French painter who lived in Argentina and later Brazil, known for his seascapes and for spending roughly a decade living and painting aboard his schooner, the Cisne ("Swan"), which doubled as his studio.[1]. He trained under the Christian sculptor and philosopher Henri Charlier (1883–1975), from whom he adopted a rejection of chiaroscuro and geometric perspective in favor of a painting built on line and form[1][2]. He exhibited regularly at the New York gallery Wildenstein between the 1950s and 1970s[1][3] and took part in the 1st Bienal of the Museu de Arte Moderna de São Paulo in 1951.[1]
Born in Versailles, from a Dutch family, he was said to be a descendant of the Flemish painter Dirk Bouts. Bouts grew up in Brittany, where his deep interest in the sea began.[4] He began his career as an apprentice to the sculptor and philosopher Henri Charlier from 1929 until the outbreak of the Second World War, in the Champagne region.[4] He remained close to Charlier until Charlier's death in 1975. During the Second World War, in 1941, Bouts left Europe with his wife and children for Buenos Aires, where he lived from then on, aside from extended trips to Bolivia, Peru and Brazil.[4] There he devoted himself to painting and taught philosophy and history of art at the Institut Français d'Études Supérieures in Buenos Aires, and painted murals for churches and private homes in Argentina.[4] He held his first solo exhibition in Buenos Aires in 1944.[4] He took part in the 1st Bienal de São Paulo in 1951, and went on to have a number of shows in Argentina, Brazil and France, exhibiting again at Galerie Wildenstein in Buenos Aires in October 1952[5] and in Paris in 1953.[6][4] ```
- === The floating studio and Brazil ===
```wikitext From the mid-1950s, Bouts lived aboard his sailboat "Andariego," sailing the Atlantic coasts of Brazil, Uruguay and Argentina.[4] In 1961, Bouts acquired the schooner "Cisne" in Salvador, Bahia, and lived aboard it with his family for the next decade, sailing the Brazilian coast. In 1970, he sold the boat and settled in Rio de Janeiro, in Cosme Velho, where he lived until his death. ```
- === Career and recognition ===
```wikitext Bouts exhibited repeatedly at Galerie Wildenstein in Buenos Aires, including in October 1952[5] and October 1954[7], and at Wildenstein & Co. in New York in November 1957.[4] He exhibited "Peintures Péruviennes" at the Galerie Beaux-Arts in Paris.[6] He took part in the 1st Bienal de São Paulo in 1951.[4] Bernard Bouts was included in the Bénézit dictionary of painters, sculptors, draughtsmen and engravers. "Bouts, Bernard". Bénézit Dictionary of Artists (in français) (1976 ed.). Oxford University Press. He published two books: Pages de journal, a collection of journal entries, published by Éditions Dominique Martin Morin[8], and Oeuvres, an album of 120 reproductions of his paintings, drawings and sculptures, also published by Éditions Dominique Martin Morin.[9] ```
- === Style ===
```wikitext In his own writing, Bouts described his aim as finding "a special quality of shape and color in a free rhythm," rejecting the idea that "exactitude of proportion, perspective and anatomy" was necessary for artistic merit.[4] In the catalogue for his 1953 Paris exhibition, Bouts wrote that his approach was to "preserve the nature of things, remain within the limits of necessary abstraction, seek expression through form, [and] push colour to its maximum."[6] ```
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- Plantillas de referencia completas (para poner al final del artículo o en Módulo:Citas)
```wikitext
Bernard Bouts. New York: Wildenstein & Co., Inc. 1957. Search this book on
Exposición Bernard Bouts (in español). Buenos Aires: Wildenstein. October 1952. Search this book on
Exposición B. Bouts (in español). Buenos Aires: Wildenstein. October 1954. Search this book on
Exposition Bernard Bouts: Peintures Péruviennes (in français). Paris: Galerie Beaux-Arts / Wildenstein & Co. 1953. Search this book on
Bouts, Bernard (1985). Pages de journal (in français). Éditions Dominique Martin Morin. ISBN 978-2-85652-082-6. Search this book on
Bouts, Bernard (2000). Oeuvres (in français). Éditions Dominique Martin Morin. p. 144. ISBN 978-2-85652-083-3. Search this book on
Selected exhibitions
| Year | Location | Venue |
|---|---|---|
| 1943 | Buenos Aires | Instituto de Arte Moderna |
| 1951 | São Paulo | 1st MAM Biennial |
| 1951, 1952 | Buenos Aires | Galería Wildenstein |
| 1953 | Paris | Galerie Beaux-Arts |
| 1957 | New York | Wildenstein Gallery |
| 1966 | São Paulo | MASP |
| 1968, 1970 | Buenos Aires | Galería Wildenstein |
| 1969, 1979 | São Paulo | Chelsea Art Galleries |
| 1972 | New York | Wildenstein Gallery |
| 1992 | Rio de Janeiro | CCBB (retrospective) |
| 2025 | São Paulo | Galeria MAPA ("Dentro do Cisne") |
References
- ↑ 1.0 1.1 1.2 1.3 1.4 Official website of the artist, maintained by his son Denis Bouts. Available at: bernard.bouts.nom.br. A primary/family source — used here only for uncontroversial biographical facts, to be corroborated by independent sources wherever possible.
- ↑ Escritório de Arte (source: artist's website). "Bernard Bouts". Available at: escritoriodearte.com.
- ↑ Auction records with provenance from "Wildenstein Arte, Buenos Aires" independently corroborate his relationship with the gallery. See, for example: Clarke Auction Gallery, lot "Figuras," 2025.
- ↑ 4.00 4.01 4.02 4.03 4.04 4.05 4.06 4.07 4.08 4.09 Wildenstein1957.
- ↑ 5.0 5.1 Wildenstein1952BsAs.
- ↑ 6.0 6.1 6.2 Wildenstein1953Paris.
- ↑ Wildenstein1954BsAs.
- ↑ BoutsPagesDeJournal.
- ↑ BoutsOeuvres.
- ↑ Cite error: Invalid
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