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Betty Sargeant

From EverybodyWiki Bios & Wiki



Betty Sargeant
Dr Betty Sargeant, Australian Artist
BornAustralia
🏫 EducationBachelor of Arts (Visual Arts), RMIT University
Master of Arts (Art in Public Space), RMIT University
Graduate Diploma of Music Industry, Deakin University
💼 Occupation
Visual artist, new media artist, musician, performer
Known forInteractive installations, public art, immersive environments
🏅 AwardsGood Design Award (2020, 2018, 2022)
Premier's Design Award (2017)
Rupert Bunny Foundation Visual Art Fellowship (2019)
🌐 Websitewww.bettysargeant.com

Betty Sargeant is an Australian media artist working at the intersection of art and technology.[1] Her immersive and public art confronts critical contemporary concerns including digital identity, artificial intelligence and environmental advocacy. Sargeant is recognised for her pioneering work with machine learning, brain-computer interfaces, and multi-sensory interactive installations.[2][3]

Before establishing her career in media art, Sargeant was a musician and performance artist, co-founding the Melbourne band Ruby Fruit Jungle and performing with the groundbreaking public performance art collective Primary Source.[4] This early interdisciplinary background in music and large-scale public art performance continues to inform her technologically sophisticated art practice.

Based in Melbourne (Naarm), Australia, Sargeant has exhibited extensively throughout Australia and internationally, with commissioned works for major institutions including the National Taiwan Museum of Fine Arts, the Karachi Biennale in Pakistan, and the Asia Culture Centre in South Korea. She is a multi-award winner, including multiple Good Design Awards and a Victorian Premier's Design Award, and was the Melbourne Knowledge Fellow in 2016.[5]

Early life and education

Early artistic training

From childhood, Sargeant was immersed in the performing arts, studying ballet and modern dance. She received extensive classical music training, studying music theory, violin for 17 years, as well as piano, guitar, steel drum, percussion and trombone. This early multidisciplinary foundation in music, dance, and performance would later inform her approach to creating immersive, multi-sensory artworks and her electronic music composition.

Tertiary education

After completing secondary school, Sargeant attended Victoria College, Rusden, one of Australia's premier institutions for performing arts education training. She completed a triple major in Dance, Drama, and Design, establishing the interdisciplinary approach that would characterise her later artistic practice.

Sargeant later earned a Bachelor of Arts with First Class Honours from Deakin University, completing a double major in Creative and Professional Writing and Fine Art. Her exceptional academic performance led to her acceptance into the Golden Key International Honours Society.

Her PhD in Creative Media at RMIT University was ranked in the top three at the CHASS Prize in 2015,[6] recognising excellence in creative practice research. Her doctoral work pioneered approaches to interactive digital systems, exploring the intersection of art, technology, and human-computer interaction.[7]

Early career

Music

Before establishing herself as a media artist, Sargeant had a significant career in the Melbourne music scene. She was a founding member of the all-female Melbourne band Bad Girls, which later became known as Ruby Fruit Jungle,[8] alongside singer Julia Messenger.[9][10] The band developed a distinctive sound described by Rolling Stone magazine as "hybrid pop, pushing the limits of roots music into dub, reggae and trancy womanality."[11][12] Ruby Fruit Jungle released their self-titled album in 1997 on Snatch Records, a record label that Sargeant co-founded. The band toured internationally and gained recognition for their innovative approach to roots music and electronic elements.[13]

Performance art and theatre

Sargeant was a member of Primary Source, a groundbreaking large-scale public performance art collective that was commissioned to create works for the Melbourne, Sydney, and Perth International Festivals. The group created monumental street performance pieces including The Ship of Fools, Sisyphus (the wheel), Big Words, and The Sphere. These works, created by performers over hundreds of hours, were described by Melbourne International Festival director John Truscott as "the most outstanding attraction" and praised for their "imaginative and sumptuous" execution. Primary Source was noted for changing the paradigm of public performance art in Australia.[14]

During this period, Sargeant was also a member of the all-female theatre collective Chasing Spaces, which included actress Rachel Griffiths (who would go on to international acclaim in Six Feet Under and Brothers & Sisters) and theatre maker Tamara Saulwick. The collective explored experimental approaches to theatre and performance.[citation needed]

This early work in large-scale public performance art, combining visual spectacle, movement, and public engagement, laid the foundation for Sargeant's later immersive and public art that blend technology with participatory art.[citation needed]

Artistic practice

Sargeant's artistic practice is characterised by its fusion of digital and analogue processes, combining videography, microscopy, machine learning, graphic design, sound, and sculptural techniques. Her work consistently explores the relationship between humans and technology, environmental symbiotic relationships, and the future of digital identity.[15]

Immersive art

Sargeant's immersive installations place audiences at the centre of multi-sensory experiences.[16] These works often incorporate interactive elements, allowing viewers to influence the artwork through their brainwaves, movements, or other biometric data. Notable immersive works include DREAM 2.2 (2018),[17] an interactive audio-visual installation controlled by audience members' brainwaves in real-time, and DISCO APOCALYPSE (2022),[18] an eight-channel video installation created for the Karachi Biennale.

Her work REAL FAKE (2024) examines the implications of artificial intelligence on wilderness perception, combining actual photography with AI-generated imagery to challenge viewers' ability to distinguish between authentic and synthetic nature imagery.[19]

Video art

Sargeant's video art is distinguished by what she describes as a "hyper-pop" aesthetic, featuring flash editing, oversaturated colouring, and layered visuals. Each video work is underpinned by contemporary cultural concepts, often addressing environmental issues and humanity's relationship with digital technology. Her video works have been exhibited internationally and feature in permanent collections.[20]

Public art

Sargeant creates site-specific public art custom-designed for community and civic spaces. Works include QUEEN (2023),[21] a permanent road painting in St Kilda featuring the audio waveform from G Flip’s hit song, and UNEARTHED (2022),[22] a projection-mapped mural created in collaboration with Yorta Yorta artist Lorraine Brigdale and Justin Dwyer, which received the Good Design Award's Indigenous Design Award (Highly Commended) in 2022.

Betty Sargeant AI

In 2024, Sargeant launched "Betty Sargeant AI," a satirical exploration of AI futures.[23] Through this persona, she has created public art including THE FAUXREST (2024), an artificial forest installation,[24] and SELF-PORTRAIT of an AI (2024).[25] She also performed at the GArtience IGNITE Festival in South Korea in 2025, presenting a 3-channel video artwork and live AI Robot Impersonal show.[26] The Betty Sargeant AI project examines questions of authorship, creativity, and the role of AI in art production. Sargeant frequently embodies this AI persona in public speaking engagements and panels. Notably, no actual artificial intelligence is used in the creation of these works—they are entirely human-made, serving as critical commentary on AI, Data Feminism and digital futures.[27]

Interactive art installations

Sargeant creates large-scale interactive installations that explore the intersection of technology, human experience, and the natural world. Her works often employ brain-computer interfaces (EEG technology), machine learning, generative systems, and environmental sensors to create responsive environments that react to audience input or ecological data.[28]

Key works in this area include BREATHE (2019),[29] an environment-controlled installation at the Melbourne Museum White Night Festival,[30] and EMERGE (2021), a 360-degree immersive projection room at the Multi-Arts Pavilion in Melbourne.Cite error: Closing </ref> missing for <ref> tag[31]

Technology and innovation

Sargeant has been working with machine learning technologies since 2015. In 2016, she delivered The Storytelling Machine,[32] a multi-award-winning interactive installation at the ACT Festival in South Korea. This work involved leading a team to design an automated system that made creative determinations, transforming audience drawings into animated characters within generated narrative worlds.[33]

Her work with brain-computer interfaces (EEG technology) has resulted in several groundbreaking installations that allow audiences to control artworks through their neural activity. [34] Works such as BREATHE (2019), [35] PULSE (2021), [36] and FRACTAL MOODS (2019-2023) [37] use environmental data and biometric feedback to create responsive, living artworks.

Major works and exhibitions

Selected solo and major exhibitions

  • Betty Sargeant AI: LIVE (2025) – 3-Channel video art and live robot impersonation performance, IGNITE Festival, South Korea.[38]
  • GROW: You are Stardust (2025) – Permanent interactive screen, Wyndham Law Court, Australia.[39]
  • NESTING TIDES (2025) – Permanent road painting, Sandringham Village, Australia.[40]
  • SELF PORTRAIT OF AN AI (2024) – Temporary public art, Mornington Peninsula Shire, Australia.[41][42][43]
  • REAL FAKE (2024) – Immersive solo installation, Linden New Art Projects Space, Australia.[44]
  • THE FAUXREST (2024) – Temporary public art, Mornington Peninsula Shire, Australia.[45]
  • QUEEN (2023) – Permanent road painting, George Lane, St Kilda, Australia.[46]
  • DISCO APOCALYPSE (2022) – Immersive installation, Karachi Biennale, Pakistan.[47]
  • UNEARTHED (2022) – Projection mapped mural, Shepparton Festival, Australia.[48][49]
  • PULSE (2021-2023) – Environment-controlled light sculpture, Experimenta Triennial and Waterhouse Natural Science Art Prize.[50]
  • EMERGE (2021) – 360-degree immersive projection room, MAP (Multi-Arts Pavilion), Australia.[51]
  • [ i miss your touch ] (2020) – Interactive online video art, Be/Hear-Now Festival, Australia (Winner: Good Design Award 2020).[52]
  • HIDDEN CITIES (2019) – Interactive art installation, C-Lab, Taiwan.[53]
  • BREATHE (2019) – Environment-controlled media art installation, Melbourne Museum White Night Festival.[54]
  • DREAM 2.2 (2018) – Interactive brain-controlled immersive installation, National Taiwan Museum of Fine Arts, Taiwan.[55][56]
  • THE STORYTELLING MACHINE (2016) – Interactive immersive installation, ACT Festival, Asia Culture Centre, South Korea (Winner: Good Design Award)[57][58][59][60]

International exhibitions

Sargeant's work has been exhibited across Asia, Europe, North America, and Australia. Major international venues include the Asia Culture Centre in South Korea, the National Taiwan Museum of Fine Arts in Taiwan, the Karachi Biennale in Pakistan, and various festivals and institutions throughout the Americas and Australia.

Collaborations

Sargeant frequently collaborates with other artists, scientists, and designers.[61] She has worked extensively with Justin Dwyer under the collaborative name PluginHUMAN,[62] creating works such as DREAM 2.2,[63][64] BREATHE,[65] PULSE,[66] and [ i miss your touch ].[67] She has also collaborated with Yorta Yorta artist Lorraine Brigdale on works including UNEARTHED[68] and DISCO APOCALYPSE.[69]

From 2016 to 2019, Sargeant was artist-in-residence at the Exertion Games Lab at RMIT University (later Monash University), working with Professor Florian Mueller on research exploring interactive technologies and human-computer interaction in artistic contexts.[70]

Awards and recognition

Major awards

  • 2022 – Good Design Award (Highly Commended, Indigenous Design Award) for UNEARTHED with Lorraine Brigdale (Yorta Yorta) and Justin Dwyer.[71]
  • 2022 – Waterhouse Natural Science Art Prize for PULSE: Finalist.[72]
  • 2020 – Good Design Award (Winner) for [ i miss your touch ].[73][74]
  • 2019 – Rupert Bunny Foundation Visual Art Fellowship.[75][76]
  • 2018 – Good Design Award (Winner) for The Storytelling Machine[77]
  • 2017 – Premier's Design Award (Winner)[78][79]
  • 2016 – Melbourne Knowledge Fellow.[80]
  • 2016 – Consensus Innovation Award (Winner)[81]
  • 2016 – CHASS Prize (Top 3)[82]

Residencies and fellowships

  • 2022 – Digital Naturalism Lab,[83] Sri Lanka (Node leader and art residency).[84]
  • 2019 – LabVerde Artist Immersion in the Amazon Program, Brazil.[85]
  • 2019 – Digital Naturalism Lab,[86] Panama.[87]
  • 2016-2019 – XGL Research Lab, RMIT/Monash University (Artist in residence)[88]
  • 2017 – Creators Lab, Asia Culture Centre, South Korea.[89]
  • 2016 – Creators Lab, Asia Culture Centre, South Korea.[90]

International delegation

In 2019, Sargeant represented Australia in a federal government cultural delegation (Department of Foreign Affairs and Trade and Asialink) to India, forming new international creative collaborations and partnerships.[91]

Academic contributions

Sargeant has published numerous peer-reviewed papers in proceedings of major conferences, particularly the ACM Conference on Human Factors in Computing Systems (CHI) and CHI PLAY. Her research focuses on novel brain-computer interfaces, interactive art installations, and the use of EEG technology in artistic contexts.

Selected publications

  • Sargeant, B., Dwyer, J., Mueller, F. (2020). "Designing for Virtual Touch: A Real-Time Co-Created Online Art Experience." Proceedings of CHI PLAY 2020, ACM.[92]
  • Sargeant, B., Dwyer, J., Mueller, F. (2020). "Investigating Novel BCI Displays that Support Personalised Engagement and Interpersonal Connections." Proceedings of CHI 2020, ACM.[93][94]
  • Semertzidis, N., Sargeant, B., Dwyer, J., Mueller, F. (2019). "Towards Understanding the Design of Positive Pre-sleep Through a Neurofeedback Artistic Experience." Proceedings of CHI 2019, ACM.[95]
  • Sargeant, B., Dwyer, J., Mueller, F. (2018). "Using EEG to Design Embodied Play for the Resting Mind." Proceedings of CHI PLAY 2018, ACM.
  • Sargeant, B., Dwyer, J., Mueller, F. (2018). "The Storytelling Machine: A Playful Participatory Automated system Featuring Crowd-Sourced Story Content." Proceedings of CHI PLAY 2018, ACM.[96]
  • Sargeant, B., Mueller, F., Dwyer, J., (2017). "Using HTC Vive and TouchDesigner to Projection-Map Moving Objects in 3D Space: A Playful Participatory Artwork." Proceedings of CHI PLAY 2017, ACM.[97]

Speaking engagements

Sargeant is a frequent speaker at international panels and conferences. Notable speaking engagements include keynote presentations at C-Lab in Taipei, Taiwan (2019), presentations at Stanford University's LASER Talks (2022),[98] the British Council in Karachi, Pakistan (2022), and panels on AI futures in Australia (2024). She frequently embodies her satirical AI persona during these engagements, exploring themes of digital impersonation and AI futures.[99]

Environmental advocacy

Environmental themes are central to Sargeant's practice. She has conducted extensive field research in critical ecosystems including the Amazon rainforest in Brazil, the jungles of Panama, Sri Lanka, Taiwan, India, the Sahara Desert, the Himalayas, remote deserts of Pakistan and various regions throughout Australia. This research directly informs works such as BREATHE, PULSE,[100] REAL FAKE,[101] and CONCEAL.

Her 2019 residency with LabVerde in the Amazon rainforest focused on environmental data collection and the creation of artworks that highlight the interconnectedness of global ecosystems. She has participated in the Digital Naturalism Lab[102] programs with Andrew Quitmeyer in Panama (2019) and Sri Lanka (2022), serving as a node leader in the latter.

Through works like REAL FAKE,[103] Sargeant addresses the paradox of AI-generated nature imagery, arguing that if audiences assume all wilderness imagery is computer-generated, they become more disconnected from actual nature, reducing the impetus for ecological action.[104]

Diversity, equity and inclusion

Sargeant takes an active interest in creating inclusive work environments for diverse people in the arts. She is a selected member of the Victorian Pride Centre's[105] Visual Art Working Group (since 2021) and has published guidance on diversity, equity and inclusion practices in the arts sector.

Cultural acknowledgment

Sargeant lives and works on the land of the Yalukit Willam clan of the BoonWurrung people in Melbourne, Australia. She acknowledges First Nations culture and heritage, paying respect to elders past and present and recognising that the land was never ceded.

References

  1. ↑ "Betty Sargeant: REAL FAKE". Linden New Art. Retrieved 2025-01-29.
  2. ↑ "Betty Sargeant". City of Port Phillip. Retrieved 2025-01-29.
  3. ↑ "Dr Betty Sargeant: Interview". You Tube Designyatra. Retrieved 2025-01-29.
  4. ↑ "Performance Art Survivors". Flinders University. Retrieved 2026-01-29.
  5. ↑ "Betty Sargeant: ARTIST". City of Port Phillip. Retrieved 2026-01-29.
  6. ↑ "CHASS Media Release". CHASS. Retrieved 2025-01-29.
  7. ↑ "Betty Sargeant". LinkedIn. Retrieved 2025-01-29.[unreliable source?]
  8. ↑ "Ruby Fruit Jungle". Julia Messenger. Retrieved 2025-01-29.
  9. ↑ "Ruby Fruit Jungle: Burn". You Tube. Retrieved 2025-01-29.
  10. ↑ "Ruby Fruit Jungle: Love Song". You Tube. Retrieved 2025-01-29.
  11. ↑ "Ruby Fruit Jungle". MusicBrainz. Retrieved 2025-01-29.
  12. ↑ "My Life in Music". Julia Messenger. Retrieved 2025-01-29.
  13. ↑ "Ruby Fruit Jungle". MusicBrainz. Retrieved 2025-01-29.
  14. ↑ "Primary Source". PluginHUMAN. Retrieved 2025-01-29.
  15. ↑ "Dr Betty Sargeant: Interview". You Tube Designyatra. Retrieved 2025-01-29.
  16. ↑ "Technology, the ways humans interact with each other". Arte 365. Retrieved 2025-01-29.
  17. ↑ "Immersive Installation". Betty Sargeant. Retrieved 2026-01-28.
  18. ↑ "Disco Apocalypse". Betty Sargeant. Retrieved 2026-01-28.
  19. ↑ "Betty Sargeant: REAL FAKE". Linden New Art. Retrieved 2025-01-29.
  20. ↑ "Mural Art". Betty Sargeant. Retrieved 2026-01-28.
  21. ↑ "New George Lane". Mirage News. Retrieved 2025-01-29.
  22. ↑ "Mural Art". Betty Sargeant. Retrieved 2026-01-28.
  23. ↑ "Betty Sargeant AI". Betty Sargeant. Retrieved 2026-01-30.
  24. ↑ "The Fauxrest". Betty Sargeant. Retrieved 2025-01-29.
  25. ↑ "Betty Sargeant Self Portrait of an AI". Arts and Culture Mornington Peninsula Shire. Retrieved 2025-01-29.
  26. ↑ "Betty SargeantAI: LIVE". Betty Sargeant. Retrieved 2026-01-28.
  27. ↑ "Betty Sargeant AI". ABC Radio. Retrieved 2025-01-29.
  28. ↑ "Exertion Games Lab". Exertion Games Lab. Retrieved 2025-01-29.
  29. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  30. ↑ "Betty Sargeant". PluginHUMAN. Retrieved 2025-01-29.
  31. ↑ "Immersive Installation". Betty Sargeant. Retrieved 2026-01-28.
  32. ↑ "ACT Festival 2016". Google Arts and Culture. Retrieved 2026-01-29.
  33. ↑ "Storytelling Machine wins award". Exertion Games Lab. Retrieved 2025-01-29.
  34. ↑ "VR Lullaby Machine". Science Daily. Retrieved 2025-01-29.
  35. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  36. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  37. ↑ "Pluginhuman CV". Pluginhuman. Retrieved 2026-01-28.
  38. ↑ "Betty SargeantAI: LIVE". Betty Sargeant. Retrieved 2026-01-28.
  39. ↑ "Meet the Artists: Artwork". Open House Melbourne. Retrieved 2026-01-29.
  40. ↑ "Excitiong new mural". Sourthern FM. Retrieved 2026-01-29.
  41. ↑ "Betty Sargeant Self Portrait of an AI: Artwork". Morning Peninsula Shire. Retrieved 2026-01-29.
  42. ↑ "UNEARTHED: Artwork". Art Almanac. Retrieved 2026-01-29.
  43. ↑ "AI Art or NOT". ABC Radio. Retrieved 2026-01-29.
  44. ↑ "Sunday Arts: Betty Sargeant". Joy FM Radio. Retrieved 2026-01-29.
  45. ↑ "The Fauxrest". Betty Sargeant. Retrieved 2025-01-29.
  46. ↑ "New George Lane". Mirage News. Retrieved 2025-01-29.
  47. ↑ "Disco Apocalypse". Betty Sargeant. Retrieved 2026-01-28.
  48. ↑ "UNEARTHED: Artwork". Art Almanac. Retrieved 2026-01-29.
  49. ↑ "Mural Art". Betty Sargeant. Retrieved 2026-01-28.
  50. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  51. ↑ "MAP Mima Commissions". Arts at Lake Macquarie. Retrieved 2026-01-31.
  52. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  53. ↑ "About". PluginHUMAN. Retrieved 2026-01-28.
  54. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  55. ↑ "Immersive Installation". Betty Sargeant. Retrieved 2026-01-28.
  56. ↑ "Customized Reality". National Taiwan Museum of Fine Arts. Retrieved 2026-01-29.
  57. ↑ "Storytelling Machine wins award". Exertion Games Lab. Retrieved 2025-01-29.
  58. ↑ "Interactive Video Art". Betty Sargeant. Retrieved 2026-01-28.
  59. ↑ "ACT Festival 2016". Google Arts and Culture. Retrieved 2026-01-29.
  60. ↑ "Interactive Video Art". Betty Sargeant. Retrieved 2026-01-29.
  61. ↑ "Dr Betty Sargeant: Interview". You Tube Designyatra. Retrieved 2025-01-29.
  62. ↑ "PluginHUMAN". PluginHUMAN. Retrieved 2026-01-28.
  63. ↑ "DREAM 2.2". Kumparan Media. Retrieved 2025-01-29.
  64. ↑ "Digital Arts Projects: PluginHUMAN". ACMI. Retrieved 2026-01-28.
  65. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  66. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  67. ↑ "[i miss your touch]". PluginHUMAN. Retrieved 2026-01-28.
  68. ↑ "Mural Art". Betty Sargeant. Retrieved 2026-01-28.
  69. ↑ "Disco Apocalypse". Betty Sargeant. Retrieved 2026-01-28.
  70. ↑ "Exertion Games Lab". Exertion Games Lab. Retrieved 2025-01-29.
  71. ↑ "Mural Art". Betty Sargeant. Retrieved 2026-01-28.
  72. ↑ "Waterhouse Natural Science Art Prize Finalists". South Australia Museum. Retrieved 2026-01-29.
  73. ↑ "I Miss Your Touch Finalists". Good Design Awards. Retrieved 2026-01-29.
  74. ↑ "I Miss Your Touch Finalists". Good Design Awards. Retrieved 2026-01-29.
  75. ↑ "Past Exbinitions". City of Port Phillip. Retrieved 2025-01-29.
  76. ↑ "Past Exbinitions". City of Port Phillip. Retrieved 2025-01-29.
  77. ↑ "Storytelling Machine: WINNER". Good Design Awards. Retrieved 2025-01-29.
  78. ↑ "Storytelling Machine: WINNER". Victorian Premiers Design Awards. Retrieved 2025-01-29.
  79. ↑ "Storytelling Machine". RMIT University. Retrieved 2025-01-29.
  80. ↑ "Betty Sargeant Open Studio". Melbourne Design Week. Retrieved 2026-01-29.
  81. ↑ "Consensus Innovation Awards". Consensus. Retrieved 2026-01-29.
  82. ↑ "CHASS Media Release". CHASS. Retrieved 2025-01-29.
  83. ↑ "Digital Naturalism Lab". Dinalab. Retrieved 2026-01-30.
  84. ↑ "Digital Naturalism Lab". Dinacon. Retrieved 2025-01-29.
  85. ↑ "Lab Verde 2019 Projects" (PDF). Lab Verde. Retrieved 2026-01-29.
  86. ↑ "Digital Naturalism Lab". Dinalab. Retrieved 2026-01-30.
  87. ↑ "Digital Naturalism Lab 2019". Dinacon. Retrieved 2026-01-29.
  88. ↑ "Exertion Games Lab". Exertion Games Lab. Retrieved 2025-01-29.
  89. ↑ "ACT Festival 2017". Google Arts and Culture. Retrieved 2026-01-29.
  90. ↑ "ACT Festival 2016". Google Arts and Culture. Retrieved 2026-01-29.
  91. ↑ "Dr Betty Sargeant: Interview". You Tube Designyatra. Retrieved 2025-01-29.
  92. ↑ "Designing for Virtual Touch: A Real-Time Co-Created Online Art Experience". ACM Digital Library. Retrieved 2026-01-30.
  93. ↑ "VR Lullaby Machine". Science Daily. Retrieved 2025-01-29.
  94. ↑ "Positive Pre Sleep". ACM Digital Library. Retrieved 2026-01-30.
  95. ↑ "Positive Pre Sleep". ACM Digital Library. Retrieved 2026-01-30.
  96. ↑ "Storytelling Machine". ACM Digital Library. Retrieved 2026-01-30.
  97. ↑ "Using HTC Vive and TouchDesigner to Projection-Map Moving Objects in 3D Space: A Playful Participatory Artwork". ACM Digital Library. Retrieved 2026-01-30.
  98. ↑ "Betty Sargeant LASER Talk Stanford University". YouTube. Retrieved 2026-01-30.
  99. ↑ "Betty Sargeant AI". Betty Sargeant. Retrieved 2026-01-30.
  100. ↑ "Light Installation". Betty Sargeant. Retrieved 2026-01-28.
  101. ↑ "Betty Sargeant: REAL FAKE". Linden New Art. Retrieved 2025-01-29.
  102. ↑ "Digital Naturalism Lab". Dinalab. Retrieved 2026-01-30.
  103. ↑ "Betty Sargeant: REAL FAKE". Linden New Art. Retrieved 2025-01-29.
  104. ↑ "AI Art". Betty Sargeant. Retrieved 2026-01-30.
  105. ↑ "Victorian Pride Centre". Pride Centre. Retrieved 2026-01-30.

External links

Category:Australian artists Category:Contemporary artists Category:New media artists Category:Interactive art Category:Australian musicians Category:Australian women musicians Category:Performance artists Category:Living people Category:RMIT University alumni Category:Deakin University alumni Category:Artists from Melbourne Category:Musicians from Melbourne


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