Buruh Tani
| "Pembebasan" | |
|---|---|
| Protest song | |
| Written | 1996 |
| Composer(s) | Safi’i Kemamang |
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"Buruh Tani" (lit. Worker-Farmer ) is an Indonesian protest song that originated in the mid-1990s. Despite its common title, the song was originally titled "Pembebasan" (Liberation). It was composed in 1996 by Safi’i Kemamang, a young activist from Lamongan, East Java. At the time, Safi’i was involved in the clandestine Partai Rakyat Demokratik (PRD), an underground pro-democracy movement opposing President Suharto’s authoritarian New Order regime.[1]
Safi’i composed Pembebasan to boost the morale of activists engaged in high-risk resistance activities, later explaining that political struggle without music felt incomplete, and that songs and poetry could function as unifying instruments for the movement.[2] The Indonesian Anarcho-punk and activist band Marjinal became aware of the song after the Reformasi period and contributed to its popularization in the 2000s by recording it under the title Buruh Tani.[3] Commonly misattributing the song to the band.[2][1] The song is popular among Indonesian pro-democracy camps, student activist, labourers, socialists, and anarcho-syndicalists.
Composition and origins

“Buruh Tani” was born in the last years of Suharto’s New Order (Orde Baru), when political freedoms were severely restricted. In 1996–97, Indonesia’s security forces were cracking down on student activists and labor organizers, especially members of PRD, whom the regime vilified as communist subversives.[4][5] Safi’i Kemamang and his PRD sector in East Java, operating underground amid intense state repression, realized their struggle "needed encouragement" and a sense of unity. Safi’i later recounted that one way to keep the fighting spirit alive was through music as a medium of solidarity. Thus, he penned Pembebasan in Surabaya in 1996, envisioning an anthem to inspire unity among the oppressed classes of workers, peasants, students, and urban poor against the tyranny of the regime. The song’s lyrics explicitly call out these groups and urge them to "unite in solidarity to seize back democracy”. This was a radical message in a time when Suharto’s dictatorship tightly controlled political expression.[6][2] Having little knowledge in foreign language, Safi’i had to take reference from Indonesian Revolutionary era songs such like "Halo, Halo Bandung" and "Garuda Pancasila".[7]
The New Order government’s response to such dissent was harsh. Simply being associated with PRD or its “people’s songs” could be life-threatening. Safi’i Kemamang himself was abducted by security forces on 2 July 1996 in an attempt on his life from which he narrowly escaped. Like other protest art, “Buruh Tani” had to circulate covertly in the late New Order period. Openly singing revolutionary songs associated with leftist or populist resistance was extremely dangerous; the regime had long banned communist or “subversive” music, forcing works like Pembebasan into the underground. Only after Suharto’s fall in 1998 could the song emerge publicly. Even then, Indonesia’s legacy of anti-communist laws (which outlaw Marxist-Leninist symbols) meant that protest songs remained under unofficial scrutiny.[8]
Versions
Safi’i Kemamang declined to patent the song, allowing others to adapt and reinterpret it freely.[9] Over time, the lyrics gradually evolved, although it is unclear when or by whom these changes were made. The version most commonly associated with protest movements was recorded by the Indonesian anarcho-punk and activist band Marjinal. However, the rendition most frequently used in demonstrations is an acoustic cover performed by an unidentified male and female student.[10]
| Lagu Pembebasan[11] | Marjinal's Buruh Tani[10] | English Translation |
|---|---|---|
Buruh, tani, mahasiswa, kaum miskin kota |
Buruh, tani, mahasiswa, rakyat miskin kota |
O, Workers, farmers, students, and the urban poor |
References
- ↑ 1.0 1.1 Nawawi, Alfian. "Judul lagu ini bukan 'Buruh Tani' yang sering membahana dalam aksi demo, ini dia penciptanya". Warta Bulukumba (in Bahasa Indonesia). Retrieved 2025-08-11.
- ↑ 2.0 2.1 2.2 Hariyadi, Toni (2021). "Semiotic Analysis: Social Critics Towards Government Depicted in the Songs of Marjinal Band". International Journal of Arts and Social Science. 4 (7): 160–166. Retrieved 9 June 2025.
- ↑ InsertLive. "Lirik Lagu Buruh Tani - Marjinal". film-dan-musik (in Bahasa Indonesia). Retrieved 2025-08-11.
- ↑ Alliance of Independent Journalists (AJI), Asian Forum for Human Rights and Development, and Institute for the Studies on Free Flow of Information (ISAI) (1997). Jakarta Crackdown. Asian Forum for Human Rights and Development. pp. 94–102. ISBN 978-974-89934-4-7.CS1 maint: Multiple names: authors list (link) Search this book on
- ↑ Friend, Theodore (2003). Indonesian destinies. Cambridge, Mass.: Belknap Press of Harvard Univ. Press. pp. 226–230. ISBN 978-0-674-01834-1. Search this book on
- ↑ Haryanto, Alexander. "Sejarah". tirto.id (in Bahasa Indonesia). Retrieved 2025-08-11.
- ↑ Era.id. "Mengenal Pencipta "Pembebasan" atau "Buruh Tani", Lagu Khas Demonstran Indonesia". ERA.ID (in Bahasa Indonesia). Retrieved 2025-08-11.
- ↑ Weintraub, Andrew N. (December 2021). "The Act of Singing: Women, Music, and the Politics of Truth and Reconciliation in Indonesia". Yearbook for Traditional Music. 53: 1–44. doi:10.1017/ytm.2021.6. ISSN 0740-1558.
- ↑ "Alasan Safi'i Kemamang Enggan Patenkan Lagu Pembebasan". Teras.id. Teras.id. 21 September 2020. Archived from the original on 17 April 2025. Retrieved 9 June 2025. Unknown parameter
|url-status=ignored (help) - ↑ 10.0 10.1 seobeta01 (2017-03-13). "Asal Usul Lagu "Buruh Tani" dan Penciptanya". Berdikari Online. Retrieved 2025-08-11.
- ↑ Haryanto, Alexander. "Lirik Lagu Buruh Tani yang Diciptakan Safii Kemamang". tirto.id (in Bahasa Indonesia). Retrieved 2025-08-11.
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