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Emma Webster (artist)

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Emma Webster (born 1989) is a British-American artist based in Los Angeles. "A painter of landscapes but not a landscape painter,"[1] she refabricates nature from still life models and scenographic studies. [2][3][4]

Webster's exhibitions have been reviewed in publications including The New Yorker,[5] Los Angeles Times,[6] Artforum International,[7] and Artsy;[8] her painting(s) have appeared in Harper's Magazine,[9] New American Paintings,[10] and Jana Prikryl's Midwood (cover).[11]


Education

Stanford University (2011)
Yale School of Art (2018)

Honours Royal Drawing School at Dumfries House, Scotland (2017)

Raina Giese Award in Creative Painting (2011)

Websiteemmawebster.com

Solo exhibitions[edit]

Publications[edit]

  • Emma Webster: Green Iscariot, 2021, Alexander Berggruen[16]
  • Lonescape: Green, Painting and Mourning Reality, 2021, Emma Webster[17]

Collections[edit]

References[edit]

  1. Kopel, Danny. “Press Release.” Stems Gallery | Emma Webster - Ready the Lanterns!, Stems Gallery, Nov. 2021
  2. Fontaine, Pearl. "Emma Webster Paints Ethereal Landscapes from a Virtual Reality". Whitewall. ART, 28 December 2021.
  3. Alfred, Brian. "Episode 291 / Emma Webster". Sound & Vision (podcast), 11 November 2021.
  4. 2019 Abrams, Loney. "Highlights from UNTITLED, Art Miami Beach 2019". Artspace, 3 December 2019.
  5. 2021 Fateman, Johanna. "Emma Webster". The New Yorker, 27 September 2021.
    From review: "It’s an imaginative approach to the centuries-old genre of landscape, one that the artist shares with other Fauvist-inspired contemporary painters, including Shara Hughes and Matthew Wong. But the strange, engulfing sense of depth in Webster’s luscious canvases also hints at the 3-D seduction of virtual-reality adventures..."
  6. Pagel, David. "Review: Emma Webster's Landscapes Take You into a Sublime, Magical World". Los Angeles Times, 10 March 2019, p. F2.
    From review: "Emma Webster’s paintings are grand affairs: sweeping landscapes filled with forests and mountains and rivers and lakes, some bathed in golden light and others shrouded in shadows so deep you shudder."
  7. Malone, Tyler. "Critic's Pick Los Angeles: Emma Webster at Diane Rosenstein". Artforum International, 4 March 2019.
    From review: "Yet the postlapsarian world of Webster’s pastoral dreamscapes somehow retains an Edenic sublimity through its foregrounded artificiality—these locales, while uncannily familiar, are like no place on earth, each so perfect a model of a model of some heavenly dwellings."
  8. https://www.artsy.net/artist/emma-webster.
    Editorial, Artsy. “Summer's Not over Yet: A New NORCAL Exhibition Celebrates the Dog Days of Our Favorite Season.” Artsy, 1 Sept. 2014
    From review: "Webster applies colorful brush strokes to compose a rich jungle landscape. ...Webster’s paintings stitch together abstract gestures into a legible portrait."
  9. Harper's Magazine,, October 2021, p. 13.
  10. New American Paintings Pacific Issue 139 (2019). Print. New American Paintings Pacific Issue 127 (2016). Print.
  11. ISBN: 978-1-324-03521-3,
    via author's Instagram
  12. https://www.artforum.com/artguide/alexander-berggruen-19978/green-iscariot-196876.
  13. Osberg, Annabel. "Emma Webster's Complicated Vistas of Human Nature in Dioramic Landscapes". AEQAI, Winter 2019.
  14. Johnson, Cooper. "Emma Webster at Diane Rosenstein". Artillery Magazine, 12 March 2019.
  15. Zellen, Jody. "Emma Webster at Diane Rosenstein Gallery". Art and Cake, 7 March 2019.
  16. ISBN: 978-1-7342921-4-5, Dimensions: 12 x 9 x 0.27 in., Publisher: Alexander Berggruen, Year: 2021, Pages: 60
    https://alexanderberggruen.com/product/emma-webster-green-iscariot.
  17. ISBN: 978-1-7375585-0-4, Dimensions: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Publisher: Emma Webster, Year: 2021, Pages: 240
    https://alexanderberggruen.com/product/emma-webster-lonescape.
  18. "Golden Hour - Institute of Contemporary Art, Miami".



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