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Flickerfest

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Flickerfest[edit]

Flickerfest is an International Short Film Festival held annually between the 11th - 20 January in Bondi Beach, Sydney. It is an Academy® certified and BAFTA recognised Short Film Festival for both International and Australian film makers.[1] The festival is considered to be one of Australia's most competitive short film festivals and has become internationally renowned as a key festival on the world stage. [1]

Flickerfest Short Film Festival opens at Bondi Pavilion, Bondi Beach, Sydney, Australia, on 11 January 2013.

History[edit]

The festival originated as a small, local festival at Balmain High School in 1991. Flickerfest is now regarded as an important short film festival internationally. It has premiered an increasingly broader range of international short films since its establishment.[2]

Notability of the festival

In 2003, Flickerfest was recognised by the Academy of Motion Picture Arts and Science to qualify for Best Animation and Best Short Film categories of the Academy® Awards.[2]

In 2010, the British Academy of Film and Television Arts (BAFTA) recognised that if a film from the UK won a category at Flickerfest, the film then became eligible for a BAFTA nomination.[2]

In 2013, Flickerfest received Academy® accreditation for the Australian competition and in 2014 the Documentary section of the festival received Academy® accreditation.[2]

Growth of the festival

Since 1991, Flickerfest has grown substantially. In its 27th year, the festival has grown to include 22 different programmes which are shown throughout the ten-day festival with over 2 500 entries and 100 international shorts being chosen to be showcased at the event.[3]

Team[edit]

Flickerfest Director, Bronwyn Kidd

Bronwyn Kidd is the festival's current director. Kidd curates several hundred short films for the annual event, and the consequential national tour. She also contributes notably to the curation of numerous international film festivals which includes, The London Australian Film Festival at The Barbican.[4] Kidd is a key organiser and management committee member of the International Short Film Conference (ISFC), a role she has held since 2002.[5] The international organisation aims to create and recommend protocol for short film festivals around the globe.

She founded the Flickerfest Short Film Bureau in 2002. The main aim of the organisation is to administer short Australian films globally. The bureau represents over 200 Australian short films and markets them to international platforms and broadcasters.[6]

Kidd has been a judge on the jury of several short film competitions that are internationally renowned and respected. This festivals include, the CFC Worldwide Short Film Festival in Toronto, Canada, the International Short Film Festival of Drama in Greece, and Kortfilmfestivalen held in Norway.[7][8][9]

Flickerfest Production and Tour Manager, Shane Rennie

Shane Rennie had been involved in the production of Flickerfest since 2000. Rennie is involved in web population, technical presentation, festival production, and festival photography. He is also a member of the Flickerfest selection committee.[10] Since 2005, he has organised the Flickerfest National Tour, by coordinating this event, Rennie works directly with venues that the tour will be held at to establish dates, media and online strategies, programme suggestions, and logistics.[11][12]

Flickerfest Industry Liaison, Leigh Russell

Leigh Russell is the primary coordinator of the 2018 Flickerfest jury and FlickerUp, a nationwide competition for primary and high school students.[13] Russell is the co-founder of Film In Revolt, which is a platform a for young Australians who want to create, talk and write about film.[14] She is also the founder of Film Festival Guide, Australia.[15][10]

She has judged on numerous short film panels and committees, including the 2017 SAE ATOM Awards, 21st WOW Film Festival and Flickerfest.[16][17][18] Russell is also trained in arts administration.[10]

Flickerfest Festival Assistant, Fabienne Neff

Originally from Switzerland, Fabienne Neff completed high school education with a major in art.[10] She studied at Lucerne University of Applied Science and Art for two years, before travelling to Australia to pursue a degree in film at SAE Qantm.[19] Neff works as a Festival Assistant as part of her internship for her SAE studies.

Flickerfest Programming Manager, Lies Bruines

Lies Bruines is the 2018 programme manager of Flickerfest. She began her career in 2009 working at Go Short: International Short Film Festival in the Netherlands.[20] Since then, Bruines has programmed short films for InScience: Dutch International Science Film Festival, been part of the selection committees of the Dendy awards for Australian Short Film and Go Short: International Short Film Festival and been a judge on the jury of the Drone Film Festival of Australia and New Zealand.[21][22][23]

Flickerfest International Programming Team, Liz Harkman

Liz Harkman has worked in the film industry for over 15 years in the UK, initially working in roles within national institutions including the UK Film Council and the British Film Institute. Harkman went on to work on the Edinburgh International Film Festival, Animated Exeter and became the Managing Director for Encounters Short Film and Animation Festival for five years.[24][25][26][27] She has been part of the Flickerfest International programme selection since 2014.[12] In 2016, Harkman became part of the selection committee for the Pardi di domani at the Locarno Film Festival, Switzerland.[28]

Flickerfest International Programming Team, Rich Warren

Rich Warren is the Festival Director for Encounters Short Film and Animation Festival, one of the UK's most prominent animation and short film festival in Bristol, UK.[29] The festivals primary aim is to support, progress and showcase of emerging and new talent in animation and film. He began working for Flickerfest in 2008, during his time working for the festival he was also involved in several other roles, which included being a talent scout for the UK's National and Television School and working with Metro Screen. Warren's role in Flickerfest constitutes attending film festivals throughout Europe and exploring the internet for emerging and new talent.[30][31]

Flickerfest International Programming Team, Linda O. Olszewski

Linda O. Olszewski is a member of the Academy of Motion Picture Arts and Sciences (AMPAS), and was in charge of acquisitions of the Oscar Shorts Theatrical, VOD and iTunes since 2006.[32] Olszewski has judged on over 100 international film festival panels and juries across the globe. She has programmed and organised short films for Palm Springs Shortfest, DreamWorks Short Film Festival, Sofia Independent Film Festival and Newport Beach Film Festival, whilst pre-screening features and shorts for Sundance Film Festival and Fear Fete.[33][34][35][36][37]

Flickerfest LGBTQ Shorts Programmer, Craig Boreham

Craig Boreham is an Australian director whose films have been shown in over 200 international festivals, including Cannes and Flickerfest. Boreham's films have won several awards and nominations which include, Best Film at My Queer Career, The City of Melbourne Best Short Film Award and the Mardi Gras Film Festival.[38][39][40][41] He works as a script assessor for Metro Screen and Screen NSW and acts a a jury member for the Mardi Gras Film Festival, the Iris Prize and the Sydney Film Festival Dendy Awards.[42][43][44]

Entry requirements and eligibility[edit]

For films to be eligible to be shown in Flickerfest they must meet the festivals requirement standards. These entry requirements are:

  • All short films should not exceed 35 minutes.
  • The film must be completed within two years of the closure of the entry date.
  • Films must either be in English or be provided with English subtitles.
  • All films must be compatible with the H.264 or ProRes format.
  • With exception to other Australian festivals that are Academy® qualifying, Flickerfest favours Australian films that are Australian premieres.
  • International short films are favoured if it is their Australian premiere.
  • Before the beginning of the competition, all films must not be available to access on the internet or broadcast throughout Australia.[45]

Programmes[edit]

Throughout the duration of the festival, short films are showcased that are of a competitive and non-competitive nature. These films are presented in eight different categories.

The "Best of Australian" category showcases the films short listed for the Academy® accredited award "Best Australian Short Film". In 2018, there were seven separate screenings of the competition, ranging between seven and nine individual films every screening.[46]

The "Best of International" category shows international films in competition for the awards; Best Short Animation and Best Short Drama which are both Academy® accredited awards. In 2018, the programme was separated into five parts, premiering seven films in each screening.[47]

The "FlickerKids" section of the festival is non-competitive. It showcases films that are "delightfully entertaining" and that will "appeal to the kid in everyone”.[48] In 2018, 11 films were shown in this category with only one screening.[48]

The "Best of Documentary" category showcases the films short listed for the Academy® accredited award "Best Documentary Short Film". In 2018, there were two separate screening of the competition, with seven films being shown in each individual screening.[49]

The "Best of EU Shorts" is a non-competitive section of the festival. It showcases shorts that are "moving and entertaining" that are drawn from within the European Union.[50] In 2018, the programme was showcased in two sections with seven films shown in each part. [50] The "Short Laughs Comedy" category of the festival is non-competitive. It showcases international "hilarious off-kilter" shorts.[51] In 2018, the section was shown in two sections with ten films shown in each section.[51]

The "FlickerUp" category showcases the finalists of the national competition for primary and secondary school aged students or individuals under the age of 18. In 2018, the section consisted of 22 short films.[52]

The "Rainbow Shorts" section of the festival. It is a non-competitive section and "celebrates"[53] international LGBTQI+ stories. The section premiered in 2018 with seven films in the programme.[53]

Tour[edit]

The Flickerfest national tour was established in 1995. The tour consists of the central competitive programmes of the festival which include Best of Australian Shorts, Best of International Shorts and Shorts Laugh Comedy. The tour travels to rural, regional and metropolitan areas, to showcase the shorts.[54]

Flickerfest showcase short films at 50 venues throughout Australia.[54]

Media coverage

The Flickerfest Tour is frequently publicised in regional and rural local newspapers. The Clarence Daily Examiner writes that the tour brings a "new arsenal of hilarious entertaining and thought-provoking micro cinema from across the country".[55] The Newcastle Herald talks of local filmmaker's work being "brought to the big screen."[56] The Illawarra Mercury writes on the local Kiama short film Buoy being selected to be shown in the Flickerfest Tour.[57] The Wauchope Gazette reports the tour visiting Port Macquarie, the article primarily focuses upon the animation Lost Property Office and short film Miro, an Aboriginal Western film, describing the short to be "delightfully quirky and creative".[58]

Awards[edit]

International Competition Awards [59][edit]

Flickerfest Award for Best International Short Film: Academy® Accredited

Special Jury Prize: Best International Short Film

Yoram Gross award for Best International Short Animation: Academy® Accredited

SAE Creative Media Institute Award for Best Use of Digital Technology in a Short Film

Flickerfest Award for Best Short Documentary Film: Academy® Accredited

Special Mention for Documentary

European Union delegation in Australia Best EU Short Film

Australian Competition Awards [59][edit]

Virgin Australia Award for Best Australian Short Film: Academy® Accredited

Media Super Award for Best Screenplay in an Australian Short Film

Canon Award for Best Direction in an Australian Short Film

Yoram Gross Award for Best Australian Short Animation

John Barry Award for Best Cinematography in an Australian Short Film

Avid Award for Best Editing in an Australian Short Film

Flickerfest Award for Best Performance in an Australian Short Film

Rebel8 Award for Outstanding Emerging Female Director

Previous winners[edit]

International Awards[edit]

Winners of the Flickerfest Award for Best International Short Film
Year Film Director Nationality
1997 81 Stephen Burke  Ireland[60]
1998 81 Stephen Burke  Ireland[60]
2002 In Search of Mike Andrew Lancaster  Australia[61]
2003 Golden Gate (Palace II) Kátia Lund, Fernando Meirelles  Brazil[62]
2004 Malcom Baker Karim  Sweden[63]
2005 The Scree Paul McDermott, Justine Kerrigan  Australia[64]
2007 Small Boxes Rene Hernandez  USA[65]
2008 Pop Foul Moon Molson  USA[66]
2009 Dennis Mads Matthiesen  USA[67]
2010 The Six Dollar Fifty Man Mark Albiston, Louis Sutherland  New Zealand[68]
2011 ¿Donde está Kim Basinger? Edouard Deluc  France[69]
2012 Je pourrais être votre grand-mère Bernard Tanguy  France[70]
2013 Tiger Boy Gabriele Mainetti  Italy[71]
2014 Summer Vacation Tal Granit, Sharon Maymon  Israel[72]
2015 Oh Lucy Atsuko Hirayanagi  Japan, USA[73]
2016 Balcony Toby Fell-Holden  UK[74]
2017 Ungar (Cubs) Nanna Kristín Magnúsdóttir  Iceland[75]
2018 The World in Your Window Zoe McIntosh  New Zealand[76]
Winners of the Yoram Gross Award for the Best International Short Animation
Year Film Director Nationality
2010 The Cat Piano Eddie White, Ari Gibson  Australia[68]
2011 The External World David O'Reilly  Germany,  Ireland[77]
2012 It's Such a Beautiful Day Don Hertzfeldt  USA[78]
2013 Edmond Was a Donkey Franck Dion  France,  Canada[79]
2014 Miniyamba Luc Perez  Denmark[80]
2015 Symphony No. 42 Réka Bucsi  Hungary[73]
2016 He Who Has Two Souls / Celui Qui a Deux Âmes Fabrice Luang-Vija  France[74]
2017 Mr. Madila Rory Waudby-Tolley  UK[75]
2018 Sog Jonatan Schwenk  Germany[76]
Winners of the Flickerfest Best International Short Documentary Film
Year Film Director Nationality
2010 Wagah Supriyo Sen  Germany[68]
2011 The Lucky Ones (Szczesciarze) Tomasz Wolski  Poland[69]
2012 Cutting Loose Adrian McDowall, Finlay Napier  UK[81]
2013 Crossed Out Robert Duarte  Sweden[79]
2014 SloMo Josh Izenberg  USA[80]
2015 Shipwreck Morgan Knibbe  The Netherlands[73]
2016 A Tale of Love, Madness and Death Mijael Bustos  Chile[74]
2017 Więzi (Close Ties) Zofia Kowalewska  Poland[82]
2018 Hello Salaam Kim Brand  The Netherlands[76]

Australian Awards[edit]

Winners of the Virgin Australia Award for Best Australian Short Film
Year Film Director
2010 Celestial Avenue Colin and Cameron Cairnes[68]
2011 The Lost Thing Andrew Ruhemann, Shaun Tan[69]
2012 The Palace Anthony Maras[83]
2013 Yardbird Michael Spiccia[84]
2014 The Kingdom of Doug Victoria Thaine[80]
2015 Grey Bull Eddy Bell[73]
2016 Slingshot David Hansen[74]
2017 Beast Carl J Sorheim[75]
2018 On Hold Jake Nielsen[76]

Partners[edit]

Partners of FlickerFest
Major Government Partner Screen Australia
Major Partners SAE Institute Australia: Creative Media Education, Create NSW: Arts, Screen & Culture, Sydney City of Film, Canon, European Union: Delegation to Australia, Virgin Australia: Entertainment
Touring Partners Screen Territory, Screen Queensland, Screen West
Award Partners SAE Institute Australia: Creative Media Education, Virgin Australia: Entertainment, Canon, Yoram Gross Films, European Union: Delegation to Australia, John Barry Sales, Avid, Media Super, Parker's Juicery
Media Partners TimeOut, Brag magazine, The Beast Magazine, 2ser 107.3, Concrete Playground, City Hub, Film Ink

Media coverage of the festival[edit]

The Sydney Morning Herald conducts an interview with festival director Bronwyn Kidd in relation to gender parity. Kidd states "When I started out, female directors were a rare breed. Now hopefully we're encouraging a whole new generation to come into the industry."[85]

Broadsheet, Sydney gives a thorough synopsis of the festivals proceedings, displaying the prestige of the festival by stating "Australia's a great country of storytellers. The list of films on show [at the festival] has been narrowed down from over 2500 to 110.”[86] The article also highlights the benefits of short film writing “[Short films are] so contemporary. A feature can take seven years from start to finish, [for] a short you can grab a camera and in two weeks you make a statement.”[86]

The Brag labels the festival as "nothing less than a bona fide Australian institution"[87] and writes that "Flickerfest is unique in that the judging process doesn’t take the entrant’s budget into consideration – films are instead judged against the strength of the storytelling and the authenticity of the director’s voice." [87] 

References[edit]

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