G.O.D.TECH

G.O.D.TECH
Directed by	David John Jeffery
Produced by	David John Jeffery
Written by	David John Jeffery
Starring	Eric Roberts; Jama Dandy; Jessica Shuey; Kent Goldfinch; Bella Cai; Nicole McClean; Abid Shamim PM; Dani Raza; Gabriela Dubiago
Production; companies	Invisible Sword Productions Ltd
Distributed by	Porter & Craig Film and Media Distribution
Release date	2025
Running time	105 minutes
Country	United Kingdom
Language	English

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G.O.D.TECH is a British dystopian science-fiction feature film written, directed and produced by David John Jeffery. The film explores artificial intelligence, genetic engineering, political control, faith, free will and technological attempts to recreate human consciousness.

The title is an abbreviation of Genetics on Digital Technology, the fictional system at the centre of the film.

The film stars Eric Roberts as the Angel of the Messiah, alongside Jama Dandy, Jessica Shuey, Kent Goldfinch, Bella Cai, Nicole McClean, Abid Shamim PM, Dani Raza and Gabriela Dubiago.

G.O.D.TECH was developed from themes and concepts originating in Jeffery's novel God Tech: Mark of the Beast. The feature was produced by Invisible Sword Productions Ltd and later secured international distribution through Porter & Craig Film and Media Distribution.

Plot

In a dystopian near future, humanity has surrendered much of its freedom to a new global government known as the World Parliament. Its supreme leader, Piotr Jan, presents himself as a messianic visionary and introduces G.O.D.TECH—short for Genetics on Digital Technology—a system that merges human genetics with artificial intelligence.

The technology promises a form of "digital salvation", allowing human consciousness to be uploaded into a synthetic version of Heaven.

Piotr Jan's devoted servant, known as the Angel of the Messiah, promotes the system through broadcasts that combine religious language with political obedience. Those who refuse the required implant, known as the "unmarked", are treated as enemies of the new world order.

Mary and Matthew Corby are a Christian couple attempting to survive outside the system. Their lives are disrupted when government soldiers raid their home and abduct their daughter, Gemma. They are subsequently drawn into a resistance movement opposed to G.O.D.TECH.

Their friends Thomas and Alice, who have also experienced loss under the regime, join an underground Christian resistance led by Pastor Elikai. Elikai secretly distributes banned Bibles disguised as ordinary electronic books while helping believers evade government surveillance.

Meanwhile, Lydia Nadine, an operative working for Piotr Jan, combines advanced science with occult practices while developing methods of controlling human consciousness.

She becomes involved with the government's secret Heaven Project, which publicly promises technological immortality but is in reality used to create obedient citizens through cloning, psychological conditioning and manipulation of the human mind.

Thomas and Alice are eventually captured and taken to the Heaven Project facility. Inside, captives are subjected to conditioning designed to convince them that submission to the system represents salvation.

Alice gradually becomes convinced that she has been specially chosen, while Thomas encounters Nicky, a rebellious worker who reveals that the implants are designed to suppress free will and permanently control their recipients.

After becoming separated from Matthew, Mary seeks refuge in a church operated by Pastor Carolyn. Carolyn initially appears sympathetic to persecuted Christians, but Mary later discovers that she is an android created by G.O.D.TECH to identify, attract and neutralise believers who remain outside the system.

Matthew, meanwhile, becomes increasingly vulnerable to Lydia's influence.

As Mary and Matthew struggle with temptation, fear and doubt, the film examines the meaning of faith and human identity in a society where consciousness itself can be digitally manipulated.

The surviving resistance members ultimately attempt to destroy the Heaven Project facility and expose Piotr Jan's deception.

As the conflict between the resistance and G.O.D.TECH escalates, the distinction between biological humanity and artificial intelligence becomes increasingly uncertain.

The film concludes by presenting faith and free will as aspects of human identity that cannot be fully reproduced or controlled by technology.

Cast

Eric Roberts as Angel of the Messiah
Jama Dandy as Piotr Jan
Jessica Shuey as Mary Corby
Kent Goldfinch as Matthew Corby
Bella Cai as Gemma
Nicole McClean as Ruth
Abid Shamim PM as Thomas
Dani Raza as Helper 18
Gabriela Dubiago as Nurse Sue Simmons

Additional cast members appear in supporting roles connected with the World Parliament, the resistance and the Heaven Project.

Production

Development

G.O.D.TECH was developed by David John Jeffery from concepts originally explored in his novel God Tech: Mark of the Beast.

The project evolved from a literary work into a feature screenplay exploring artificial intelligence, genetics, digital consciousness and religious belief.

Jeffery wrote, directed and produced the film through Invisible Sword Productions Ltd.

Filming

Principal photography took place between May and July 2025.

The film was shot using ARRI Alexa digital cinema cameras.

Jeffery oversaw the project through production, editing and post-production.

The completed film has an approximate running time of 105 minutes.

Sound and post-production

The film was completed with a Dolby Atmos sound mix.

The production used a 16-speaker Atmos environment during the final sound process.

No automated dialogue replacement (ADR) was used in the completed film.

Post-production included editing, sound design, colour work and visual effects.

Themes

G.O.D.TECH combines dystopian science fiction with Christian, political and philosophical themes.

Major themes include:

Artificial intelligence
Genetic engineering
Free will
Religious faith
Digital consciousness
Political authoritarianism
Surveillance
Mind control
Technological immortality
Human identity
Spirituality
Corporate and governmental power

A central theme of the film is the contrast between spiritual salvation and salvation offered through technology.

The fictional G.O.D.TECH system promises freedom from death through the uploading of consciousness, while simultaneously reducing individual autonomy.

The film also examines the concept of humanity attempting to assume the role of creator through scientific and technological advancement.

Christian themes

Christian faith is central to the narrative.

The story incorporates themes of persecution, temptation, false messiahs, free will, redemption and spiritual resistance.

The character of Piotr Jan functions as a false messianic figure, while the Angel of the Messiah uses religious imagery to promote political obedience.

The resistance led by Pastor Elikai represents believers who refuse to surrender their faith to the technological system.

The film draws loosely on biblical ideas associated with the Mark of the Beast, global political authority and deception.

Artificial intelligence and technology

The film portrays artificial intelligence not simply as a technological threat but as part of a broader system of political, psychological and spiritual control.

G.O.D.TECH combines genetics, digital consciousness and artificial intelligence to create a fictional mechanism capable of manipulating both human bodies and minds.

The Heaven Project further develops this idea by presenting technology as a means of recreating life, consciousness and identity.

Release

G.O.D.TECH began its international screening and festival campaign following completion.

A screening took place at Queen Mary University of London on 14 October 2025.

In May 2026, the film received an official screening at Cineum Cannes during the Cannes market.

A London screening followed on 2 July 2026.

A United States screening was subsequently organised at the Fine Arts Theatre in Beverly Hills, California.

Film festival recognition

G.O.D.TECH received selections, nominations and awards at a number of international film festivals.

Recognition associated with the film includes:

Asian Talent International Film Festival – Best Feature
Five Continents International Film Festival – Nominee
Cannes Cineum – Official Screening
Toronto International Film Festival – Official Selection
Athens IMAFF – Honorary Best Film
Roshani International Film Festival – Best Feature
London Night Film Festival – British Director Feature Film nominee

Distribution

International distribution for G.O.D.TECH was arranged through Porter & Craig Film and Media Distribution.

The distribution strategy includes international streaming, cable and other media platforms.

Reception

The film's festival campaign focused on its dystopian themes, international cast and exploration of artificial intelligence and faith.

Sequel

A sequel titled G.O.D.TECH 2: Battlefield of the Mind entered development following completion of the first film.

The sequel expands on the themes of neural control, artificial intelligence and political domination.

A third film, G.O.D.TECH 3: The Great Delusion, was later developed as part of the wider franchise.

Animated adaptation

An animated adaptation of G.O.D.TECH has also been developed.

The planned adaptation reimagines the original feature as an anime-style production while retaining the major characters and themes of the live-action film.

References

External links