Melanie Challenger
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| Melanie Challenger | |
|---|---|
| Born | |
| 🏫 Education | Exeter College, Oxford. |
| 💼 Occupation | Writer, researcher and broadcaster. |
| 🌐 Website | https://www.melaniechallenger.com/ |
Melanie Challenger is a writer, researcher and broadcaster on environmental history and philosophy of science, Deputy Co-Chair of the Nuffield Council on Bioethics[1], and a Vice President of the RSPCA[2], UK. She wrote How to Be Animal: What it Means to Be Human (2021).
Her first non-fiction book On Extinction: How We Became Estranged from Nature[3] was published in 2011. It was selected by Publishers Weekly as one of the best non-fiction books of 2012 and received the Santa Barbara Library’s Green Award for environmental writing.
She is a member of CEP[4], a new global collective of environmental philosophers and a founding member of the Animals in the Room[5] project, involved in devising new models for representing the interests of non-human animals in decisions critical to their lives.
Early work[edit]
Challenger began her career in the arts, writing poetry and libretto. She has published two collections of poetry, ‘Galatea’, which won an Eric Gregory Award for poetry in 2005 and was shortlisted for the Forward Prize for Best First Collection, and a second collection, ‘The Tender Map’ published in 2017.
In 2003, she adapted the Anne Frank diaries for a choral work by James Whitbourn[6][7]. As the librettist for British composer Mark Simpson[8], she provided the text for his oratorio, The Immortal[9], which won the 2016 South Bank Sky Arts Award for classical music and received its London premiere at the 2017 BBC Proms under Juanjo Mena. Their first opera together, Pleasure[10], was co-commissioned by Royal Opera House, Opera North and Aldeburgh Music.
Books[edit]
- On Extinction: How We Became Estranged from Nature[3] (2011)
- How to be Animal[11] (2021)
- Animal Dignity: Philosophical Reflections on Non-Human Existence (2023)
References[edit]
[12][13][14][15][16][11][17][18]
- ↑ "Nuffield Council appoints new members". The Nuffield Council on Bioethics. Retrieved 2024-04-29.
- ↑ "Melanie Challenger | High profile supporter | RSPCA - RSPCA - rspca.org.uk". RSPCA. Retrieved 2024-04-29.
- ↑ 3.0 3.1 Laing, Olivia (2011-10-01). "On Extinction: How We Became Estranged from Nature by Melanie Challenger – review". The Observer. ISSN 0029-7712. Retrieved 2024-04-26.
- ↑ "Our Members – CEP – Consortium of Environmental Philosophers". Retrieved 2024-04-29.
- ↑ "Animals in the Room – A New Approach to Compassion". Retrieved 2024-04-29.
- ↑ "James Whitbourn". www.classical-music.com. Retrieved 2024-04-29.
- ↑ Pritchard, Stephen (2024-03-26). "James Whitbourn obituary". The Guardian. ISSN 0261-3077. Retrieved 2024-04-29.
- ↑ Simpson, Mark (2016-04-28). "Welcome to the Pleasuredome … Mark Simpson's opera debut". The Guardian. ISSN 0261-3077. Retrieved 2024-04-29.
- ↑ Hickling, Alfred (2015-07-05). "The Immortal/Mark Simpson review – a blazingly original oratorio". The Guardian. ISSN 0261-3077. Retrieved 2024-04-27.
- ↑ Hickling, Alfred (2016-04-29). "Pleasure review – Lesley Garrett shines as the lady of the loo". The Guardian. ISSN 0261-3077. Retrieved 2024-04-26.
- ↑ 11.0 11.1 "Book Excerpt From How to Be Animal". The Scientist Magazine®. Retrieved 2024-04-26.
- ↑ Nature and Us: A History Through Art | BBC Select. Retrieved 2024-04-26 – via www.youtube.com.
- ↑ "The myth of value-free science | Melanie Challenger". IAI TV - Changing how the world thinks. 2023-05-19. Retrieved 2024-04-26.
- ↑ "On Death and Love – Melanie Challenger". Emergence Magazine. 2022-01-20. Retrieved 2024-04-26.
- ↑ Challenger, Melanie (2021-05-17). "Animals are our overlooked allies in the fight against Covid". The Guardian. ISSN 0261-3077. Retrieved 2024-04-26.
- ↑ "Why insulting people's intelligence is incompatible with open debate". New Scientist. Retrieved 2024-04-26.
- ↑ Challenger, Melanie (2023-11-01). "Who Speaks for the Whales?". Nautilus. Retrieved 2024-04-26.
- ↑ Hickling, Alfred (2015-07-05). "The Immortal/Mark Simpson review – a blazingly original oratorio". The Guardian. ISSN 0261-3077. Retrieved 2024-04-26.
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