Mozes Kahana
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Mozes Kahana | |
|---|---|
| Born | November 26, 1897 Gyergyóbékás, Hungary, Austria-Hungary (now Romania) |
| Died | April 11, 1974 (aged 76) Budapest, Hungary |
| Resting place | Kerepesi Cemetery, Budapest |
| Occupation |
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| Language | Hungarian, Romanian, Russian, Esperanto |
| Period | 1916[1]–1974 |
| Genre | Proletarian literature,[2] socialist realism |
| Literary movement | Expressionism, then Proletkult |
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Mozes Kahana (Script error: The function "langx" does not exist.; Script error: The function "langx" does not exist.; Script error: The function "langx" does not exist., 26 November 1897 – 11 April 1974) was a Hungarian-born writer, poet, essayist and revolutionary active in Romania, the Soviet Union[3] and Hungary.[4]
Biography
Early life
Kahana was born in 1897 into a Jewish family in Gyergyóbékás, Kingdom of Hungary, Austria-Hungary (now Bicazu Ardelean, Neamț County, Romania).[5][6] He was the younger brother of psychiatrist Ernő Kahána (1890–1982).[7] In his hometown, Kahana published his first poems under the name Joel Béla.
Political and literary career
In 1918, with the formation of the First Hungarian Republic, he moved to Budapest, where he published under the pseudonym Gyergyai Zoltán. In the following year, when the Hungarian Soviet Republic was established, he became a member of the Communist Party of Hungary, with the help of Aladár Komját, and worked as a journalist for the newspaper "Vörös Újság" (Red Newspaper).[8] He also served in a Red Regiment in Csepel.[8] After the fall of the republic, he was arrested and imprisoned for six months. Subsequently, he was expelled to Austria, where he continued to write and publish. In 1921, he published the volume of dadaist[9] and expressionist[10] poems Túl a politikán (with illustrations by Hans Mattis-Teutsch). Here he founded in 1922 the magazine Egyseg („Unity”), meant to unite the leftist Hungarian emigration from Vienna.
In 1923 he returned to Transylvania, settling in the city of Târgu Mureș, which was already part of Romania.[8] He joined the Romanian Communist Party[11][12] (becoming a member of its Central Committee in 1924),[10][13][1] which is why, in 1926, he was arrested[14] and imprisoned at the infamous Doftana prison. His arrest was condemned by the International Union of Revolutionary Writers.[10] The same year, he escaped and moved to the Soviet Union, where he worked as a translator and lexicographer.[citation needed] He settled in the Moldavian Autonomous Soviet Socialist Republic and was one of the founders and the first leader of the Moldovan Writers' Union (USM).[15] He was involved in the Proletkult movement and published poetry and essays in various Soviet journals. He also contributed to the development of the Esperanto language in the USSR.
In 1929, at the instructions of the Komintern, he was sent to Berlin, then to Paris, where he began to publish prose in Hungarian.[15] Some of his works were published by the Hungarian publishing house in Cleveland, USA, under the pseudonym Köves Miklós. In Paris he also published journalistic and literary criticism works about other writers, such as Leo Tolstoy, Mihail Sadoveanu,[16] Cezar Petrescu,[16] and Miklos Radnoti. He returned to the USSR in 1931[13] and was part of the Romanian communist exile.[17] In 1940, after the Soviet occupation of Bessarabia and Northern Bukovina, he moved to Cluj, where he published his most famous novel: Hat nap és a hetedik.[18] He was a contributor to the Korunk newspaper.[19] In 1941 he settled in Chișinău, in the Moldavian SSR.[20]
During the Second World War he was evacuated to Central Asia, after the war he returned to Chișinău.[10] He later settled in Bender (Tighina), where he began working on lexicographical works, and in 1946 published a Hungarian-Russian dictionary, which he updated in 1951 and 1959. In 1954, Kahana's first novel in the planned trilogy on collectivization and collective farm life, Costea Gingaș, was published in "Moldovan language" (the official designation for Romanian in the Moldavian SSR).[21] In 1956, the second novel was published. For the last novel, Kahana was severely criticised, being accused by USM President Andrei Lupan of revisionism. He was thus removed from Moldovan literature.[22] He was criticised again at the Congress of the Union of Soviet Writers in 1959, having to apologise. He did not return to Moldova, but stayed in Moscow, where he worked as a translator.[22]
Later years and death
In 1964, he returned to Hungary,[23] where he continued writing and translating. He was welcomed as a master of modern Hungarian literature (he received the Attila József Prize in 1968). He joined the Hungarian Socialist Workers' Party[24][25] and held various positions in the cultural sector. Successively, re-edits of his early novels appeared: Biharvári taktika (1965), Tarackos (1971), Két nő egy képen (1974), precum și noi romane, cărți de proză scurtă și memorii: Földön, föld alatt (1967), Legyen másként (1967), Szabadság, szerelem (1968), Íratlan könyvek könyve, önéletrajzi (1969), Vízesés: Mai moldován elbeszélők (1971), Szélhordta magyarok (1971), Lemegy a nap (1973), Sóvárgások könyve, önéletrajzi (1973).
Although at the time, he was one of the most famous and popular Hungarian writers, Mozes Kahana committed suicide[26] on April 11, 1974, throwing himself out of the window of a hospital in Budapest.[27] His ashes were stored in the Kerepesi Cemetery in Budapest.[6]
Legacy
Mozes Kahana was an important figure in socialist literary movements in Eastern Europe, particularly in Romania, Moldova, Russia and Hungary, contributing to proletarian literature and socialist realism.[28] His works and translations helped shape the cultural landscape of Hungary and the Soviet Union in the 20th century.
References
- ↑ 1.0 1.1 "Élet és Irodalom, 1964. július-december (8. évfolyam, 27-52. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Steaua, 1979 (Anul 30, nr. 1-12) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Foaia Noastră, 1960 (Anul 4, nr. 1-24) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Произведение «Москва и москвичи Александра Тимофеичева (Александрова). Часть II. Список людей, вошедших в проект (К-П)» автора Александр Тимофеичев (Александров) - Литературный сайт Fabulae (страница 13 из 178)".
- ↑ "Vatra, 2007 (Anul 37, nr. 1-12) | Ziarele Arcanum".
- ↑ 6.0 6.1 "Архивы писатели - Страница 11 из 24".
- ↑ Mihailide, Mihail (June 14, 2013). "Un careu de aşi pentru sănătatea lui Dej & co". Viața Medicală (in română). Retrieved 4 April 2025.
- ↑ 8.0 8.1 8.2 "Kahána Mózes | Magyar életrajzi lexikon | Kézikönyvtár".
- ↑ "Ifjú Kommunista, 1972. (16. évfolyam, 1-12. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ 10.0 10.1 10.2 10.3 "Kahána Mózes".
- ↑ "Marisia - Anuarul Muzeului Judeţean Mureş 3-4. (1972) | Ziarele Arcanum".
- ↑ "Anale de Istorie, 1977 (Anul 23, nr. 1-6) | Ziarele Arcanum".
- ↑ 13.0 13.1 "Magyar Életrajzi Lexikon 3., kiegészítő kötet A-Z (1981) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Patria, octombrie 1926 (Anul 8, nr. 215-239) | Ziarele Arcanum".
- ↑ 15.0 15.1 "Архивы Евреи Молдовы - Страница 27 из 89".
- ↑ 16.0 16.1 "Marisia - Anuarul Muzeului Judeţean Mureş 7. (1977) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Népszabadság, 1977. november (35. évfolyam, 257-281. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Contemporanul, iunie-decembrie 1957 (Anul 11, nr. 24-52) | Ziarele Arcanum".
- ↑ "Lupta de clasă, iulie-decembrie 1956 (Anul 36, nr. 7-12) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Tekintet, 2003 (16. évfolyam, 1-6. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ https://kniganika.ru/antikvarnye-knigi/kostya-gyngash/
- ↑ 22.0 22.1 "Архивы писатели - Страница 11 из 24".
- ↑ "Советская Молдавия, April-June 1967 (No. 77-152) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Magyar Nemzet, 1974. április (30. évfolyam, 77-99. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Népszabadság, 1974. április (32. évfolyam, 77-99. szám) | Ziarele Arcanum". adt.arcanum.com.
- ↑ "Observator Cultural, ianuarie-iunie 2009 (Anul 9-10, nr. 456-480) | Ziarele Arcanum".
- ↑ "Литературные дневники / Стихи.ру".
- ↑ "Nemîngîiaţii". Observator Cultural.
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