Natasha Ginwala
Natasha Ginwala (born 1985 in Ahmedabad, India) is a curator, writer, and critic. She currently is associate curator at Martin-Gropius-Bau in Berlin, Germany. Co-artistic director of the 13th Gwangju Biennale (with Defne Ayas)[1] and artistic director of the interdisciplinary arts festival COLOMBOSCOPE[2], Colombo, Sri Lanka. Due to the COVID-19 pandemic, the 13th Gwangju Biennale had to be postponed[3] and is set to take place between February 26 and May 9, 2021. Ginwala has curated several international exhibitions and writes on contemporary art and visual culture.[4]
Work
Ginwala curated Contour Biennale 8, Polyphonic Worlds: Justice as Medium[5] and was part of the curatorial team of documenta 14, 2017.[6] Other recent projects include Arrival, Incision. Indian Modernism as Peripatetic Itinerary in the framework of Hello World Revising a Collection at Hamburger Bahnhof - Museum für Gegenwart[7] Berlin, 2018. My East is Your West at the 56th Venice Biennale, 2015,[8] Still Against the Sky featuring Hajra Waheed at KW Institute for Contemporary Art, Berlin, 2015,[9] Corruption: Everybody Knows... with e-flux, New York, 2015,[10] and Mind Moves Matter at L'appartment 22 in Rabat, Morocco. Ginwala has co-curated The Museum of Rhythm, at Taipei Biennial 2012 and at Muzeum Sztuki, Łódź, 2016–17.[11] From 2013–15, in collaboration with Vivian Ziherl, she led the multi-part curatorial project Landings[12] presented at Witte de With Center for Contemporary Art, David Roberts Art Foundation, Stedelijk Museum Amsterdam, and other partner organizations. In 2016, she received the India Today Art Award.[13] Ginwala regularly publishes on e-flux journal.[14]
Selected Bibliography
Editor, Jitish Kallat, Prestel Publishing, 2019.
Co-Editor (with Daniel Muzyczuk), The Museum of Rhythm, Muzeum Sztuki Lodz and Sternberg Press, 2018.
Editor, Hearings: A Reader for Contour Biennale 8, Contour and Sternberg Press, 2017.
Guest-Editor, Supercommunity: Diabolical Togetherness Beyond Contemporary Art, Verso Books, 2017.[15]
“So Many Hungers”, in South as a State of Mind, Issue #8 (documenta 14 #3), 2017.[16]
"Lala Rukh", in South as a State of Mind, Issue #8 (documenta 14 #3), 2017.[17]
Guest Editor, “Kochi-Muziris Biennale”, MARG Magazine, Vol. 68, Number 2, December 2016 - March 2017.
Editor, My East is Your West, at 56th Venice Biennale, Gujral Foundation and Harper Collins, India, 2015.
“Maps That Don’t Belong”, in Ibraaz, Platform 008 / 26 February 2015.[18]
Catalogue Entries for Mariam Suhail, Raqs Media Collective, Rupali Gupte & Prasad Shetty in All the Worlds Futures, Short Guide, 56. International Art Exhibition, La Biennale di Venezia 2015.
“The Fortress is Adjacent to the Mountains: Miniaturizing the Anthropocene” in Grain I Vapor I Ray, Eds. Katrin Klingan, Ashkan Sepahvand, Christoph Rosol, and Bernd M. Scherer. A Publication of The Anthropocene Project, The MIT Press and The House of World Cultures (Berlin).
“Sensing Grounds”, in "Networks, Whitechapel: Documents of Contemporary Art", Ed. Lars Bang Larsen, White Chapel Gallery and The MIT Press, February 2014.
“The Palace of False Mirrors”, in Art-Agenda, Dossier #1, Venice Special, October 6, 2013.
TAKE on Art Magazine #5 ‘Curation’. Eds. Natasha Ginwala and Vidya Shivadas, August 2011.
Geeta Kapur: On the Curatorial in India, in Afterall Online, 12 July 2011.[19]
Education
Natasha Ginwala pursued her postgraduate degree in Visual Studies at The School of Arts & Aesthetics, Jawaharlal Nehru University (2008-10), trained in Broadcast Journalism at Asian College of Journalism (2006-07). She participated in de Appel Curatorial Programme in Amsterdam (2010-11).[20]
References
- ↑ "Defne Ayas and Natasha Ginwala appointed artistic directors of 13th Gwangju Biennale". e-flux. e-flux. Retrieved 16 March 2019.
- ↑ "COLOMBOSCOPE". COLOMBOSCOPE. Retrieved 12 March 2019.
- ↑ https://news.artnet.com/art-world/gwangju-biennale-postponed-1859286
- ↑ E.g.: Regular contributions to e-flux Journal: https://www.e-flux.com/search?q=natasha+ginwala, retrieved: August 30, 2020
- ↑ "Contour Biennale 8". Retrieved 16 March 2019.
- ↑ Happener! (15 October 2015). "Documenta 14: Adam Szymczyk Announces his Team". Happening. Retrieved 17 March 2019.
- ↑ ""Hello World": What is curator Natasha Ginwala up to?". smb museum. Staatliche Museen zu Berlin. Retrieved 12 March 2019.
- ↑ Spence, Rachel (1 May 2015). "Venice Biennale: Indian-Pakistan art collaboration". Financial Times.
- ↑ Pett, Inge (21 November 2015). "Sehen und gesehen werden: Still Against the Sky. Hajra Waheed in the KW". Art in Berlin. Retrieved 17 March 2019.
- ↑ Ginwala, Natasha (November 2015). "Corruption: Three Bodies, and Ungovernable Subjects". E-flux (67). Retrieved 17 March 2019.
- ↑ Fite-Wissalak, Chris (16 March 2017). "The Museum of Rhythm". Frieze (187). Retrieved 17 March 2019.
- ↑ Ginwala, Natasha; Ziherl, Vivian (May 2013). "Sensing Grounds: Mangroves, Unauthentic Belonging, Extra-Territoriality". E-flux (45). Retrieved 13 March 2019.
- ↑ Bhalla, Radhika (6 February 2017). "India Today Art Awards: A brush with celebration". India Today. Retrieved 13 March 2019.
- ↑ "Natasha Ginwala". e-flux. Retrieved 17 March 2019.
- ↑ "Supercommunity: Diabolical Togetherness Beyond Contemporary Art". e-flux. Retrieved 17 March 2019.
- ↑ Ginwala, Natasha (2017). "So Many Hungers". South as a State of Mind. documenta 14 #3 (8). Retrieved 12 March 2019.
- ↑ Ginwala, Natasha (2017). "Lala Rukh". South as a State of Mind. documenta 14 #3 (8). Retrieved 17 March 2019.
- ↑ Natasha, Ginwala (26 February 2015). "Maps that Don't Belong". Ibraaz (Platform 008). Retrieved 13 March 2019.
- ↑ Ginwala, Natasha (12 July 2011). "Geeta Kapur: On the Curatorial in India". Afterall Online (32). Retrieved 13 March 2019.
- ↑ Maunder, Tess (15 February 2017). "Natasha Ginwala in Conversation". Ocula. Retrieved 17 March 2019.
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