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Performance Tour

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Performance tour
Tour by Pet Shop Boys
Location
  • Asia
  • North America
  • Europe
Associated albumBehaviour
Start date11 March 1991
End date14 June 1991
Pet Shop Boys concert chronology
  • MCMLXXXIX Tour
    (1989)
  • Performance
    (1991)
  • Discovery Tour
    (1994)

Listen to this concert Performance Tour or buy cd/DVDs of this concert on amazon

The Performance Tour was a concert tour by English synthpop duo Pet Shop Boys launched in 1991 to promote their fourth studio album Behaviour (1990). Despite being their second tour overall, this was their first world tour to visit the US. Spanning all in all three continents, the tour lasted three months, starting on 11 March 1991 in Tokyo, Japan, and concluding on 14 June 1991 in Dublin, Ireland.

The show was directed by David Alden and designed by the award-winning stage designer David Fielding, a cutting edge duo known for their their avantgarde reworkings of traditional operas.[1] In the same vein, Performance purported to stage a theatrical presentation of the band's music.

Background and concept[edit]

Despite ambitious plans for a theatrical live show in 1986 and 1987, Pet Shop Boys soon realised that the financial realities of the pop music industry clashed with their vision, forcing them to cancel the planned tours. Thanks to a kind offer from a Japanese promoter, the idea was revived in 1989, but even then Pet Shop Boys were not entirely convinced of the idea of nightly performances in front of fans.[2] The band's first small-scale tour consisting of 14 dates visited Japan, Hong Kong and the UK.[3] "We're not a live band, really," remarked lead singer Neil Tennant during one of the press conferences held to promote the tour.[2] Despite this, the band returned to the road two years later announcing that the new tour would be even more theatrical than the previous one.[4]

The Performance tour was conceived with no live band on stage; instead, it involved background singers, dancers and "more costume changes than at a Cher concert".[5] With the emphasis on theatrical elements and choreography, the show prioritised a dramatic presentation over traditional band performance with Neil Tennant and Chris Lowe adopting a more actor-like stage presence.[6]

With the set design visualising the themes of the songs in the set list, the show featured a slew of characters including, among others, English schoolboys in uniforms, women in 1950s attire and a ballerina with a gun. The concert's imagery also included an act of self-strangulation with a telephone cord and Neil Tennant being electroshocked while sitting in a cage.[7][8]

The tour kicked off in Tokyo on 11 March 1991, the same day as the double-A side single 'How Can You Expect to Be Taken Seriously? / Where the Streets Have No Name" was released.[4]

Critical Response[edit]

North America[edit]

The tour sparked diverse reactions in the press. Many American reviewers were left unimpressed with stage reimaginings of Pet Shop Boys' songs and the overall emphasis on theatrics over musicianship. "Was all this a crutch for songs that couldn't stand on their own?", asked a reviewer in San Jose Mercury News.[9]

While acknowledging the uniqueness of the theatrical concert experience, critic Barbara Jaeger of The Record (New York) found Performance devoid of both drama and humour. Instead, she described the show as a sequence of "grotesque characters" and disturbing visuals.[10] Dan Aquilante of New York Post described the concert as "a stunning display of pretentiousness", which was "overdone, under-thought and outrageous".[8] He was particularly displeased with the show's eroticism, particularly the scene of simulated masturbation (during the English schoolboy number) at the end of This Must Be the Place I've Waited Years to Leave, calling on the Radio City Music Hall "to install windows to air the place out".[5]

Other reviewers were more favourable, likening the audacity and scope of the show to Broadway productions.[11] Richard Cromelin of the Los Angeles Times compared Performance to other concerts in the rock-theater tradition, such as David Bowie’s Diamond Dogs Tour and Madonna’s Blond Ambition. He particularly praised the set and staging noting that it "serves the sense and the tone of the song".[12]

Continuing the comparisons with Madonna's Blond Ambition tour, Barry Walters of San Francisco Examiner described the show as bold and sensational. He recognised the shared influences between Madonna and Pet Shop Boys noting how both drew on "similar sources – cabaret, disco escapism, post modern deconstruction, religion, sex, camp and the love of a good, gaudy show-stopper." The result, according to Walters, was "more performance art than rock concert", which could be "the future of pop".[citation needed]

Rob Taunenbaum in his Rolling Stone review of the New York concert further acknowledged the show's potential impact, suggesting it could "set a new standard for pop flamboyance and grandiosity" and even become one of "pivotal events in concert history." However, Taunenbaum also recognised how it could be perceived as "an epic display of pretentiousness".

Personnel[edit]

Vocals (additional)[edit]

Sylvia Mason-James, Derek Green and Pamela Sheyne

Dancers[edit]

Petee Aloysius, Trevor Henry, Craig Maguire, Catherine Malone, Mark Martin, Leon Maurice Jones, Suki Miles, Katie Puckrick, Sarah Toner and Noel Wallace

Choreography[edit]

Jacob Marley

Recording[edit]

The tour was captured on film by director Eric Watson and released as a concert film in 1991. Alongside the live show the film features backstage footage.

The VHS release of the film skips the latter portion of the "Where the Streets Have No Name / I Can't Take My Eyes Off You" medley, which was removed from the recording due to copyrights issues, although it was shown in full length on British television in 1991. The missing segment was later included in a 2004 DVD release.[1]

Set list[edit]

  1. "This Must Be the Place I've Waited Years to Leave"
  2. "It's a Sin"
  3. "Losing My Mind"
  4. "This Must Be the Place I've Waited Years to Leave" (Reprise)
  5. "What Have I Done to Deserve This?"
  6. "My October Symphony"
  7. "I'm Not Scared"
  8. "We All Feel Better in the Dark"
  9. "So Sorry, I Said"
  10. "Suburbia"
    Interval
  11. "So Hard"
  12. "Opportunities (Let's Make Lots of Money)"
  13. "How Can You Expect to Be Taken Seriously?"
  14. "Rent"
  15. "Where the Streets Have No Name (I Can't Take My Eyes Off You)"
  16. "West End Girls"
  17. "Jealousy"
    Encore
  18. "Always On My Mind"
  19. "Being Boring"
  20. "Your Funny Uncle"

Tour dates[edit]

Date City Country Venue
Asia
11 March 1991 Tokyo Japan Yoyogi Olympic Pool
12 March 1991 Osaka Castle Hall
14 March 1991 Yokohama Gym
15 March 1991 Tokyo Budokan
North America
20 March 1991 Miami United States Knight Center
21 March 1991 New Orleans McAllister/Saenger
23 March 1991 Houston Southern Star Amphitheatre
27 March 1991 San Francisco Warfield Theater
28 March 1991 San Francisco Warfield Theater
29 March 1991 Los Angeles Universal Amphitheatre
30 March 1991 Universal Amphitheatre
1 April 1991 Salt Lake City Kingsbury Auditorium
3 April 1991 Minneapolis Orpheum Theater
4 April 1991 Chicago Rivera Theater
5 April 1991 Detroit Clubland
7 April 1991 Washington DC Bender Arena/American University
9 April 1991 New York City Radio City Music Hall
10 April 1991 Radio City Music Hall
11 April 1991 Boston Orpheum Theater
14 April 1991 Toronto Canada Varsity Arena
15 April 1991 Montreal Verdun Auditorium
Europe
18 April 1991 Paris France Zenith
19 April 1991 Brussels Belgium Forest National
21 April 1991 Berlin Germany Deutscheland Halle
22 April 1991 Bremen Stadhalle
23 April 1991 Dortmund Westfallen Halle
25 April 1991 Frankfurt Festhalle
26 April 1991 Mannheim Eisstadion
28 April 1991 Munich Olympia Halle
30 April 1991 Hannover Eilenriede Halle
2 May 1991 Copenhagen Denmark Valby Hotel
3 May 1991 Gothenburg Sweden Scandanavium
4 May 1991 Stockholm The Globe
6 May 1991 Helsinki Finland Ishallen
9 May 1991 Prague Czechoslovakia CSTV Sportshal
10 May 1991 Ostrava Palace of Sports and Culture
11 May 1991 Vienna Austria Stadhalle
12 May 1991 Budapest Hungary Sportshall
14 May 1991 Zagreb Croatia Sportshall
16 May 1991 Stuttgart Germany Hans Martin Schleyer Halle
17 May 1991 Zurich Switzerland Hallen Stadion
18 May 1991 Milan Italy Palatrussardi
21 May 1991 Madrid Spain Palacio De Los Deportes
22 May 1991 Barcelona Palau De San Jordi
24 May 1991 Rotterdam Netherlands The Ahoy
27 May 1991 Blackpool England Opera House
28 May 1991 Glasgow Scotland S.E.C.C.
29 May 1991 Aberdeen Exhibition Centre
1 June 1991 Birmingham England N.E.C.
2 June 1991
3 June 1991
5 June 1991 Whitley Bay Ice Rink
7 June 1991 London Wembley Arena
8 June 1991
9 June 1991
13 June 1991 Belfast Northern Ireland Kings Hall
14 June 1991 Dublin Ireland The Point

References[edit]

  1. 1.0 1.1 Griffiths, James (2004-10-01). "Pet Shop Boys, Performance". The Guardian. ISSN 0261-3077. Retrieved 2024-01-03.
  2. 2.0 2.1 "How the Pet Shop Boys accidentally made the best tour diary in pop history". 2020-03-22. Retrieved 2024-01-03.
  3. "History: 1989". Pet Shop Boys. Retrieved 2024-01-03.
  4. 4.0 4.1 "History: 1991". Pet Shop Boys. Retrieved 2024-01-03.
  5. 5.0 5.1 Heath, Chris (2020-03-19). Pet Shop Boys versus America. Random House. ISBN 978-1-4735-7568-4. Search this book on
  6. Nast, Condé. "Pet Shop Boys: Discovery: Live in Rio 1994". Pitchfork. Retrieved 2024-01-03.
  7. Pareles, Jon (1991-04-11). "Review/Pop; Serious Spectacle From the Pet Shop Boys". The New York Times. ISSN 0362-4331. Retrieved 2024-01-03.
  8. 8.0 8.1 "USA Tour". Pet Shop Boys, Literally. Issue 6. 1992.
  9. Alwakeel, Ramzy (2016-07-21). Smile If You Dare. Watkins Media Limited. ISBN 978-1-910924-23-5. Search this book on
  10. "Chris's flat". www.petshopboys.cz. Retrieved 2024-01-03.
  11. "Literally 6 Page 1 – Absolutely Pet Shop Boys". Retrieved 2024-01-03.
  12. Cromelin, Richard (1991-04-01). "POP MUSIC REVIEW : Rock-Theater Revival : The Pet Shop Boys' fans finally get to see the band in the flesh, in its first U.S. concert tour since its ironic records hit the charts". Los Angeles Times. Retrieved 2024-01-03.


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