Raaz Muradabadi
Raaz Muradabadi | |
|---|---|
| Born | Sajid Ali Khan 1916 Moradabad, India |
| Died | 1982 Pakistan |
| Occupation | Poet, Editor, Broadcaster |
| Language | Urdu |
| Nationality | Pakistani |
| Genre | Ghazal |
| Notable works | Harf-e-Raaz |
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Raaz Muradabadi (1916–1982), born Sajid Ali Khan, was a Pakistani Urdu poet, editor, and broadcaster known for his mastery of the classical ghazal and his contributions to Urdu literature across the subcontinent. A devoted disciple of Jigar Moradabadi, Raaz infused his poetry with spiritual and philosophical depth, becoming a respected voice in modern Urdu poetic tradition.[1]
Early Life & Education
Born in 1916 in Moradabad, India, Raaz came from a family rich in literary and spiritual heritage. His maternal lineage especially nurtured his early interest in poetry. In 1933, he began composing verse under the guidance of the celebrated poet Jigar Moradabadi, who gave him the pen name "Raaz".
He moved to Aligarh in 1935 and became deeply involved in its vibrant literary circles, interacting with figures such as Janisar Akhtar, Majaz, Jazbi, Akhtar-ul-Iman, Shakeel Badayuni, and Shahid Latif. He studied under renowned scholars including Rashid Ahmad Siddiqui, Maulana Ahsan Mahirvi, and Jalil Qidwai.
Raaz and his close friend Shakeel Badayuni often represented Aligarh Muslim University in poetry competitions, winning many prizes and bringing recognition to the institution. Their teacher Maulana Ahsan Marehrarvi not only mentored them but also travelled with them to these events, offering guidance and encouragement. This trio—teacher and two gifted students—became a symbol of Aligarh’s literary excellence during that era.
He earned his M.A. in Urdu in 1940, briefly joined the army, and later returned to Aligarh as a research scholar. He began Ph.D. work but soon transitioned into broadcasting.
Literary & Professional Career
Raaz served as Secretary of Anjuman Hadiqa-ul-Sher and as Editor of Aligarh Magazine, where he curated the notable Fani Number in tribute to Fani Badayuni.
In 1944, he joined All India Radio, and after Partition migrated to Pakistan, continuing his broadcasting career with Radio Pakistan and later with BBC London (1952–56). He had the unique distinction of announcing Radio Pakistan Dacca’s inaugural Urdu broadcast on 14 August 1947, marking a historic moment in the country’s media and cultural history.
Upon returning to Pakistan, Raaz resumed work with Radio Pakistan and later served for 15 years as Public Relations Officer at Pakistan Ordnance Factories (POF) Wah Cantt, retiring in 1975. During his time at POF, he also served as Editor of Wah Karigar, a magazine that blended literature with the voices and experiences of factory workers. Through this platform, Raaz brought poetry and cultural expression into the industrial environment, fostering a unique connection between literary tradition and working-class life.
Published Work
His poetry collection Harf-e-Raaz was published in November 1978 by Karachi University and later included in its curriculum. The preface was written by distinguished scholars Professor Waqar Azim, Majnooh Gorakhpuri, and Abu Laes Kashfi.[2]
Style & Influence
Raaz was a devout classicalist, committed to the traditional ghazal form. His poetry, deeply influenced by Jigar Moradabadi, emphasized themes of love, mysticism, and cultural refinement. His ghazals resonate with lyrical elegance and spiritual introspection, reflecting the high tradition of Urdu poetic expression.
At Aligarh, Raaz was mentored by distinguished scholars including Maulana Ahsan Marehrarvi and Rashid Ahmad Siddiqui, both of whom played a key role in shaping his literary style and intellectual depth. Among his close friends was Shakeel Badayuni, with whom he shared a deep literary bond and mutual admiration.
Critical Appreciation & Correspondence
Raaz’s poetry was praised by many respected literary critics. Scholars such as Dr. Tauseef Tabassum and Dr. Ghulam Mustafa wrote about his work, highlighting its depth, beauty, and classical strength.
He also maintained warm and thoughtful correspondence with leading poets of his time, including Jigar Moradabadi, Shakeel Badayuni, Majrooh Sultanpuri, and Naseeruddin Nasir. These letters reflect the mutual respect and literary friendship he shared with his peers, offering insight into the creative and emotional world of Urdu poetry.
Legacy
Raaz Muradabadi passed away in 1982 and is remembered as Jigar Moradabadi’s last prominent disciple. His work continues to be respected in literary circles across Pakistan and India. He was profiled on Rekhta, and his death was noted in newspapers and memorialized by literary organizations, including a condolence letter from the Pakistan Academy of Letters.
One of his verses reflects the introspective spirit of his poetry:
- Yeh aur baat zamana humein samajh na saka
- Nigaah-e-ishq mein lekin khuli kitaab the hum
Digital Presence
Raaz is profiled on Rekhta.org, the premier digital archive for Urdu poetry. His page includes selected ghazals, biographical notes, and occasionally audio recordings. This is the most authoritative online source for his poetic work.
In addition, Raaz has a significant presence on UrduPoint, which covers famous Urdu poets and writers across the globe.[3]
External Links
- Rekhta profile
- Poetry tribute on YouTube
- Recitation on YouTube
- Poetic recording on YouTube
- Literary tribute
- Interview clip
- Audio recording
- Poetry session
- Memorial discussion
References
- ↑ "Raaz Muradabadi - Profile". Rekhta. Retrieved 4 October 2025.
- ↑ Raaz Muradabadi (1978). Harf-e-Raaz. Karachi University. Search this book on
- ↑ "Raaz Muradabadi – UrduPoint Profile". UrduPoint. Retrieved 4 October 2025.
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