Seyir
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Seyir, in Turkish makam theory, is a pattern of movement of notes in a certain order (route) within a makam.[1][2][3]
The three types of Seyir are:[4]
- Ascending (çıkıcı): starts at the initial Durak note and continues to the final Tiz Durak.
- Descending (inici): starts at the final Tiz Durak note and continues to the initial Durak.
- Descending-ascending (inici-çıkıcı): starts at the middle Güçlü note and continues to the Durak and back to the Tiz Durak.
See also[edit]
References[edit]
- ↑ "MAKAM". TDV İslâm Ansiklopedisi (in Türkçe). Retrieved 2024-10-15.
- ↑ "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Türkçe). Retrieved 2024-10-16.
- ↑ KAÇAR, Dr. Gülçin YAHYA (2008). "TÜRK MÛSİKÎSİNDE MAKAM". DergiPark (11): 153.
- ↑ "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Türkçe). Retrieved 2024-10-15.
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