You can edit almost every page by Creating an account. Otherwise, see the FAQ.

Shakira Studies

From EverybodyWiki Bios & Wiki


The impact that Shakira has been used as essays, papers and theses by various university students.

Shakira Studies is the study of the work of Colombian pop singer Shakira using an interdisciplinary approach that incorporates cultural studies and media studies. Various media assure that her Lebanese ancestry with her Latin nationality makes her possess a multiculturality that at the same time makes her a phenomenon within the industry since she is capable of mixing diverse cultures and fusing them in an excellent way both in music and outside of it.[1][2][3] also mentioning the lyrics of her songs such as "Pies Descalzos, sueños blancos", "Octavo Día", "How do you do" and more are seen from a philosophical point of view,[4][5][6] several other of her songs such as She Wolf, No, No creo and Te Necesito have shown a great knowledge of the different philosophical currents in the history of mankind and her music is a reflection of this, her name is taken as an example of a powerful brand in the world by various universities.[7]

History[edit]

Shakira first achieved fame in the mid-1990s thanks to her international debut album "Pies Descalzos", quickly becoming the center of attention by various Colombian and Latin media in general for her lyrics, sounds and appearance, differentiating herself from Latin pop artists.[8] From then on, her school years were spent at the Barranquilla school "La Enseñanza" where she developed her faith in God..[9]

At the beginning of the 1990s, she was the subject of the greatest interest in the media and commentators on whether she would be a new promise of Colombian or even Latin music,[10] being compared on many occasions by magazines with the Canadian singer "Alanis Morissette" . In the early 2000s,[11] many media outlets spoke of the impact that Shakira had achieved around the globe, especially in her native Colombia, being variously titled "The New Goddess of Rock"[12] and accrediting her for having broken language barriers in a genre As marginal as pop rock is in Latin America,[13] as well as its crossover, it was seen as quite a feat in the music industry for bringing rhythms such as tango and folklore to the top of the popularity charts in almost the entire globe.[14] Thanks to the success achieved with Hips Don't Lie, Shakira returned to the media's eye, being praised for putting a song with rhythms of salsa, Colombian cumbia and Latin pop at number 1 in the world's largest market, achieving an impact never seen before by a Latin person and less South American.[15] After the release of her albums She Wolf, Sale el Sol and Shakira, she was seen as a chameleonic artist being well received by critics thanks to her musical versatility and success with all her record projects.[16]

Shakira handles her own aesthetic idiolect, uses various

lexical resources such as metaphor, simile, antonym, anaphora or repetition, hyperbole, enumeration, among others, thus achieving, that the people who listen to his music denote and connote a

message, although the final proposal is different.

Universidad de San Carlos de Guatemala escuela de ciencias de la Comunicación[17]

A key factor differentiating Shakira from other artists, which is also a trait considered to have impacted pop culture, is her multiculturalism. Her Latin identity fused with her Lebanese heritage have made a lasting impact in America.[18] Her Cross-cultural approach in music has made her one of the few musicians to have a strong fan-base in all corners of the World. Culturs magazine notes that Shakira has a big and diverse fanbase in Latin America, United States and places as odd as Saudi Arabia. Journalist Brook Farely with a background in ethnic studies wrote "She (Shakira) exposes her U.S. listeners to music that is influenced by different cultures other than their own... Shakira's music transcends cultural norms, and takes on a life and personality of its own."[19] In a 2002 article, Bruce Britt from BMI Foundation wrote that Shakira's multicultural influences have helped Shakira to "shake up the pop world. He also added, "If a team of scientists were commissioned to build the perfect pop star, chances are the result would bear a striking resemblance to Colombian singing sensation Shakira."[20] The book "Musical imagiNation: U.S. "Colombian identity and the Latin music boom" discusses the creative work and media personas of talented Colombian artists like Shakira.[21]

Currently the work and cultural impact of Shakira is used by several students in various universities in Latin America or more foreign countries using its success in the world without losing its essence and Latin roots, one of the most popular topics. Other popular topics are how the name Shakira has become a millionaire and giant brand in the entertainment industry, in the same way, essays are made about Shakira and the representation of women throughout the planet, strongly associating it with the feminist idea.[22] Her songs, especially from her first albums, are studied for hidden messages that can be found, be it criticism or point of view about a subject without supporting or being against it.[23]

References[edit]

  1. "Shakira". BMI.com. 2000-04-30. Archived from the original on 2022-03-03. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  2. "Pop Star Shakira is Devoted to her cross cultural origins". CULTURS — lifestyle media for cross-cultural identity. 2018-10-01. Archived from the original on 2021-12-19. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  3. "Shakira's Multicultural Music Shook the Industry and World". Vinyl Me, Please. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  4. Shakira Pies descalzos, sueños blancos Reacciones filosóficas, archived from the original on 2021-01-01, retrieved 2022-03-07 Unknown parameter |url-status= ignored (help)
  5. "Análisis Canción: Octavo día - Shakira". LiberArte (in español). Archived from the original on 2020-02-21. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  6. "Shakira "How do you do" reacción filosófico - TEOLÓGICA". Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  7. Shock, Redacción (2020-04-23). "5 canciones en las que Shakira evocó a grandes filósofos". Shock (in español). Archived from the original on 2021-04-17. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  8. Diego, Ximena (2001). Shakira : mujer llena de gracia. New York: Libros en Español. ISBN 0-7432-1599-0. OCLC 47201284. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  9. "Shakira volvió al colegio donde estudió en Barranquilla". RCN Radio (in español). Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  10. Wilson, Wayne (2002). Shakira (1st print ed.). Bear, Del.: Mitchell Lane Publishers. ISBN 1-58415-071-8. OCLC 45668897. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  11. Nast, Condé (2021-06-22). "'Y aprendí a quitarle al tiempo los segundos'... El icónico look de Shakira en Antología". Vogue (in español). Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  12. Ochoa Flash, Edgard García. (2001). Shakira : nueva diosa del rock. Bogotá: Planeta. ISBN 958-42-0103-4. OCLC 47789713. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  13. Santana, Nicole Collazo. "When I Want To Feel Something, I Turn To '90s Shakira". www.refinery29.com. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  14. Rando, Phil (2003). Shakira : l'ange de Colombie. Lausanne: Favre. ISBN 2-8289-0756-2. OCLC 85302806. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  15. Babion-Collet, Arnaud (2007). Shakira : la bomba latina. Enghien-les-Bains: Lagune. ISBN 978-2-84969-055-0. OCLC 190797042. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  16. "Shakira: un fenómeno camaleónico que siempre da en el clavo". La Nación. Archived from the original on 2018-03-06. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  17. Sete, Karina. "Análisis seminologico del mensaje oculto en las canciones de la cantautora Shakira" (PDF). Universidad de San Carlos de Guatemala escuela de ciencias de la Comunicación. Archived from the original (PDF) on March 7, 2022. Retrieved April 18, 2021. Unknown parameter |url-status= ignored (help)
  18. "Pop Star Shakira Is Devoted To Her Cross-Cultural Origins". Culturs. October 2018. Archived from the original on December 19, 2021. Retrieved July 19, 2021. Unknown parameter |url-status= ignored (help)
  19. Farely, Brook (24 November 2020). "Cultural Fluidity Is How Shakira Gained Fans Around The World". Culturs. Archived from the original on 14 April 2021. Retrieved July 19, 2021. Unknown parameter |url-status= ignored (help)
  20. Britt, Bruce (26 March 2002). "Multi-Cultural Influences Help Shakira Shake Up the Pop World". BMI Foundation. Archived from the original on 19 July 2021. Retrieved July 19, 2021. Unknown parameter |url-status= ignored (help)
  21. Cepeda, María Elena (2010). Musical imagiNation : U.S.-Colombian identity and the Latin music boom. New York: New York University Press. ISBN 978-1-4416-3661-4. OCLC 558991451. Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help) Search this book on
  22. Ortega, Mercedes (January 2017). "Shakira como tecnología de género: representaciones de la identidad femenina". Archived from the original on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)
  23. Sete, Karina. "ANÁLISIS SEMIOLÓGICO DEL MENSAJE OCULTO EN LAS CANCIONES DE LA CANTAUTORA SHAKIRA" (PDF). Archived from the original (PDF) on 2022-03-07. Retrieved 2022-03-07. Unknown parameter |url-status= ignored (help)


This article "Shakira Studies" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Shakira Studies. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.