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Sreenanda Shankar

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Sreenanda Shankar
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OccupationDancer, Actor
Parent(s)Uday Shankar (father), Tanusree Shankar (mother)
RelativesUday Shankar (grandfather)
Ravi Shankar (granduncle)

Sreenanda Shankar is an Indian actress and dancer, trained in contemporary and fusion dance forms. Her mother Tanusree Shankar is herself a prolific ( not neutral ) dancer and Sreenanda is actively ( clarify ) involved in their dance troupe - Tanusree Shankar Dance Company. She performs in majority of their dance programs performed around the world, along with their highly talented ( not neutral ) troupe of dancers. Sreenanda is also a renowned ( not neutral ) actress associated ( how? ) with the Bengali film industry. Two of her films Basu Poribar and Ek Je Chhilo Raja are currently awaiting release.


Born to the illustrious and talented ( clarify ) Shankar family, Sreenanda Shankar is the daughter of Indian fusion sitarist Ananda Shankar and the multi-talented ( clarify ) artist Tanusree Shankar, who is a dancer, choreographer and actress. She is the grand-daughter of famous ( clarify ) dancers Uday Shankar and Amala Shankar and grand-niece of the Indian sitarist Ravi Shankar. On November 2009, she married Gev Satarawalla and her marriage ceremony was attended by Kolkata’s famous personalities ( clarify ).[1] ( irrelevant source, it does not contain this information...? )


Born to an extremely talented and artistic ( vague ) family, Sreenanda grew up being inspired by art ( vague ). While growing up ( in what age specifically? ), she used to tour with her parents’ dance troupe as they performed in various countries ( which? ). Her grandfather Uday Shankar is a legendary figure ( not neutral ) and is revered as the father of modern Indian dance ( citation needed ). These influences have made her the dancer that she is today ( vague, not neutral ). Sreenanda is a dancer in the Tanusree Shankar Dance Company. ( this does not tell the reader anything, they do not know this company - specify the relevance of this company in the country )[2] ( this source is not relevant, it does notmention the 'Tanusree Shankar Dance Company...? )

Apart from dancing, she is generating interest ( vague, unclear. can this entire sentence be removed? ) as an actress. Since the beginning of her career ( since what year? ) she has worked in a number of ( what number? with what studio? ) short films.[3] ( this source only talks about one film not 'a number of'. the film is one hour. is it 'short'? what are the other films...? )

Sreenanda has worked in a Zee Bangla ( what is that? context missing ) original film ‘Jodi Bolo Hyan’ starring alongside Mir[4]. Recently she has completed shooting for director Suman Ghosh’s Bengali film ‘Basu Poribaar’ ( what is that? context missing. add 2-3 words which provide context to the reader )[5] and can be seen sharing the screen with Bengali film veterans ( clarify ) like Soumitra Chatterjee and Aparna Sen. Currently, Sreenanda is shooting for Srijit Mukherji’s Bengali film ‘Ek Je Chhilo Raja’ ( citation needed ).

Sreenanda Shankar is also preparing for the upcoming Udayananda World Heritage Dance Tour where Tanusree Shankar Dance Company will tour the world during 2018-2019 ( citation needed ).

External links[edit]


This article "Sreenanda Shankar" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Sreenanda Shankar. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.

  1. "Sreenanda Shankar's perfect match - Times of India". indiatimes.com.
  2. Indiablooms. "Kolkata pays tribute to virtuoso Ananda Shankar; Tanusree Shankar announces Udayananda World Heritage Dance Tour - Indiablooms - First Portal on Digital News Management". indiablooms.com.
  3. "Talking of Michelangelo". 17 November 2017 – via www.imdb.com.
  4. "Catch Jodi Bolo Hyan's premiere tonight on Zee Bangla - Times of India". indiatimes.com.
  5. "Ask me, the silver spoon that people talk of is a myth: Sreenanda - Times of India". indiatimes.com.

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