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Taiwan POP Music

From EverybodyWiki Bios & Wiki



Japanese rule to post-war

The Beginning of Taiwan Pop Music - "A Sad Love Story"

The Era of Taiwanese Opera

The Sprouting of Local Songwriting - Then Yí-hièn's Story

Before and after the war, contemporary characteristics of Taiwanese songs, and the intervention of Eastern and Western music.

The "Two Kings and a Queen" of Taiwan Ballad - Ang It Hong, Bûn-hā, Chi Lu-Hsia

Republic of China rule

Conversion of Languages (1)-Pop Music during the White Terror Period

Conversion of Languages (2) - The Popularity of Western Music during the Vietnam War

What is the Sound of Sentimentalism? Intellectuals and Local Complex Compassion

The Generation of Superstars - The Impact of Stars Gathering

Radio Programming as a Boost to Western Pop Music-Tao Xiaoqing and Yu Kuang

Star-driven era - Teresa Teng, Liu Wenzheng, Cui Tiejing, Fong Feifei

Taiwan's First Alternative Legend-Chen Da

Mainstream and Taboo - On Patriotic Songs and Banned Songs

Campus folk song period

Sing Our Own Song - The Abuse of Folk Song Movement

Creative Flag Bearer - Lee Shuang-tze's Story

How Campus Folk Songs Influenced Taiwan Pop Music

Western Culture and Eastern Tradition in Campus Folk Song Composition

The two major record labels during the Campus Folk song era - Synco and Hai Sha Records.

The 1980s

The Continuation of Patriotic Songs - Fei Yu Ching's "Ode to the People's Republic of China" and Li Chien-Fu's "The Descendants of the Dragon"

The Rise of Rock and UFO Records - A Primer on the Record Industry

Collaborative Relationship between TV Programs and Recording Artists - A Case Study of Popular Variety Shows

The whirlwind of singer-songwriters - Lo Ta-yu, Li Zong-Sheng, etc.

Tomorrow Will Be Better - Origin and Implications

The Abuse of Fashion - How Eastern and Western Trends Influence Taiwan's Music Industry

After the lifting martial law

The Liberating Power of Taiwan's Social Forces (1)-An Alternative Raid of Crystal Records

The Liberating Power of Taiwan's Social Forces (2)-What is Underground Music?

The Cohesion of Taiwan's Local Consciousness-New Taiwanese Song Movement

Commercialization of Pop Music - The Rise of Star Producers

Idolized Artists and Youth Culture - The Influence of Idol Groups such as The Little Tigers

Genre-based music styles-rock, alternative and female compositions

The Cultural Significance of Concerts in the 1990s

The Industrialized Operation of International Record Labels and Its Impact

The Competition between Mainstream and Non-mainstream, the Diversification of Taiwan Pop Music

How KTV Culture Influences Taiwan Pop Music

The Age of Marketing, on the "Philosophy of Money" at record labels

The age of the singer's explosion, the heyday of the CD

Charts are the only mainstream - radio, record labels, TV programs chart culture

The millennium period

The First Post-Millennium Creative Superstar - Jay Chou

The Styles of Taiwanese Pop Music - Urban Love Songs and Ballads

The Age of Market Decline - CDs Fade and Piracy Runs Rampant

The Rise of Online Platforms - A Key Factor in Changing the Contemporary Recording Industry

Talent shows become a pipeline for record labels - “One Million Star”, etc.

Underground Jumps Aboveground - Alternative Singer's Blossom

The Boom in Music Festivals and Concerts - From Listening to Music to Seeing Music

The Interactive Influence of Pop Music in China and Taiwan

2010 to present

The First Band to Surpass 100 Major Concerts - Mayday Phenomenon

The Birth of Feminine Power and Acquired Talent - The Jolin Tsai Phenomenon

Golden Melody Awards 30 Years - How the Official Ceremony Leads Taiwan Pop Music

The Indie Pop Culture of Taiwan Pop Music

Mixed Music and Computer Music: The Creative Characteristics of Contemporary Taiwanese Musicians

The Hip-Hop Era - The Subcultural Power of Taiwan's Hip-Hop Artists

Rock Music, Rock Bands-The 30-Year Evolution of Taiwan's Rock Musicians

Releasing 10,000 singles a day? -Pop Music Without Albums

What are internet songs? What is TikTok? -How Internet culture polarizes pop music

The Evolution of Copyright in Taiwanese Pop Music

The Quality and Quantity of Record Labels: The Dilemma and Consolidation of the Record Industry in the Internet Generation

The Indie Music Scene is now settled - There is no underground music scene.

Music Winter - The Pop Music Industry in the Pandemic

How the music industry is embracing the era of new technologies and techniques

References


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