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Tripurari Sharma

From EverybodyWiki Bios & Wiki





Tripurari Sharma is a playwright, theatre director, screenwriter, theatre professor and women's activist based in New Delhi, India. She retired as Professor of Acting from the National School of Drama (NSD), New Delhi, in 2018. Over a career spanning over 40 years, she has been closely involved with street theatre at the grassroots, folk theatre, proscenium theatre, as well as the teaching of theatre and acting. Her approach of collectively evolving a play through group interaction has helped bring theatre out of the closed spaces it inhabited and into the lives of ordinary women, both as players, and audiences.[1][2][3][4]

Early life[edit]

Tripurari Sharma was born in 1956 in Delhi. She grew up in the Kashmere Gate neighborhood of Old Delhi. She attended the Presentation Convent school.[5]

Education[edit]

Tripurari completed her BA(Honours) in English Literature from Miranda House, University of Delhi in 1976. There, she was Secretary of the College Students Union, and was active in debating and in dramatics. She won a number of debating competitions, and was part of socialist and feminist study groups during her college days. Her interest in theatre began through a theatre workshop she attended in college. She participated in some theatre during her college days, and after graduating, in order to further pursue her interest in theatre, she joined the National School of Drama (NSD) as a student in 1976. She graduated from NSD with a specialization in Direction in 1979.[1][5] Her third year student production was a self-written full length play in Hindi/Punjabi titled Bahu, and was highly acclaimed for its strong woman protagonist and feminist theme.[6][7][8][9] The play was later directed by other directors in Delhi, such as Rati Bartholomew[10][11] and Bhanu Bharti.[1]

Career[edit]

Work in Theatre: Street, Stage and Folk[edit]

Freelancing[edit]

In 1979, Tripurari began her career in theatre as a freelancer, interested in taking her formal training in theatre to the grassroots, and using it as a medium to communicate the social and political messages of grassroots collectives. Sharma saw theatre as a means to share and talk about the lives of women .Her travels across the country, performing plays, conducting workshops and working in close coordination with the local people helped in the genesis of her approach - to evolve plays collectively. This is a method of devising plays through the use of theatre exercises and improvisation with the participants of the workshop, as opposed to the method of rehearsing a pre- written script. She has used this method to develop many of her plays since then, and the scripts of these plays are thus written as the play is developed with the actors. The groups she worked with in the early years of her career included labour unions, student groups, women's groups, and organizations engaged in social work.[4][12][1]

Some of the important self-scripted stage plays during this period were: Birsa Munda- researched & created on the legendary tribal hero & performed with Nacha Artists in villages across Jharkhand (erstwhile Bihar) and Chhatisgarh (erstwhile Madhya Pradesh);[1][3] Aks Paheli[10] - on the portrayal of women in the media, performed in Delhi; Baanjh Ghaati - On victims of the Bhopal Gas Tragedy, directed by Alakhnandan, performed at Bharat Bhawan, Bhopal  ; while some important street theatre plays were Acchhaa Master Chahiye

[13]- on what children desire in a teacher, developed with tribal and rural youth near Chaibasa, in erstwhile Bihar; Uplabdhiyaan[14]- a satire on development, developed and performed first in Saharanpur with Tehreek theatre group, and Ehsaas, women reflecting on their lives as affected by gender discrimination, developed and performed for first time in Delhi University.[1][4][15]

Alarippu[edit]

Tripurari co-founded, with Lakshmi Krishnamurthy, Alarippu (Tamil word for blossoming), a non-profit organization in 1984, to formalize her ongoing work in using theatre at the grassroots.[1][2][15] The group has been active in using theatre as a medium to engage with socioeconomic reality at the grassroots since then. Tripurari has written and directed various plays with Alarippu over the years, both street and staged. Some of the stage plays include Kath ki Gadi[16][17][18] - researched and created on the lives and experiences of people living with of leprosy in India, performed by NSD Repertory Company, with support from UNICEF and Alarippu in 1984;[4][19] Reshmi Rumaal[20]- on women's lives in cloistered households,[1] performed with Alarippu team, first at Pragati Maidan, Delhi in 1986 ; Daiyre- on the theme of mother-daughter relationship, performed with Alarippu team, first at Sri Ram Centre(SRC),[1] 1989; Badlaav - looking back at 1984 Delhi riots, performed at SRC, 1989; Lado Mausi- on the theme of an ageing woman's un-ageing desires, performed at Pragati Maidan; Anlikha Khat -on the theme of domestic violence, performed first at India Habitat Centre (IHC), Delhi in 1998; Luna -on Punjabi legend Luna's perspective on her life and Puran Bhagat, performed at NSD, Delhi; The Gift - on gender imbalance as a theme for children, performed first in Delhi in 2001; Mahabharat Se- looking at women characters in the Mahabharat collaboratively with Pandvani and the urban acting method, performed in 2002 at NSD, Delhi; 'Beech Sheher' -on Gujarat 2002, performed first in 2013 at NSD. Some of the street plays included Kiski Adaalat[21]- on the handling of rape by the law, performed by Alarippu team, in Delhi, 1988 ; Fark- on the property rights of women, performed first time in 1989 in Delhi;[21] Amrikaka- on the GATT treaty, performed in 1993; and Gumrah- on slum youth, performed in Delhi in 1993.

Through Alarippu, Tripurari also engaged with various folk art forms, steering a project on co-developing new plays with traditional artists, keeping within the parameters of their forms. Under this, she worked deeply with the following forms: (i) Nautanki Form - First in Kanpur with Asha Ji and Madhu ji of The Great Gulab Theatre (Play Developed: Teen Betiyaan ,1997, written by Sri Siddeshwar Awasthi,[22][23] performed in Kanpur), and then in Banda with Kiran ji and her group, Nautanki Kala Kendra (Play developed: Bedin Nartaki ki Bediyan, performed in Banda); (ii) Pandvani Form of Chhatisgarh- With Shanti Bai Chelak and her group[24](plays developed on Amba, Kunti and Bhanumati of the Mahabharata with support from Sri Alakhanandan, performed first in Bhopal); (iii) Khayal form of Rajasthan,[25] with Ugamraj Ji of Medhta's team (play developed on Meera and Piu Sindhu, written by Asuji and Bhanwar Gopal), (iv) Surabhi theatre company of Hyderabad, Telegana- erstwhile Andhra Pradesh (Plays developed: Chandipriya and Adaptation of Brecht's Good Woman of Szechwan, both plays directed by B. V Karanth); and (v) Tamasha form of Maharashtra, with Sri Madhukar Niralay's group.

The method of creating plays through theatre workshops with local communities developed further and concretized through her work with Alarippu, and is described along with some experiences from the workshops in the book 'Searching for a Voice[12]', published by Alarippu in 2000.

Beyond Alarippu, throughout the 1980s and early 1990s, Tripurari worked with various groups, writing and directing plays with various groups such as Sazaa (play based on Tagore's story,[26] directed for the Sri Ram Centre Repertory in 1988) and Mohan Rakesh's Aadhe Adhure, directed for the NSD Repertory Company in 1992, acclaimed for its woman-centered interpretation.

Mazdoor Kisaan Shakti Sangathan (MKSS)[edit]

Tripurari Sharma has been associated with the Mazdoor Kisan Shakti Sangathan (MKSS), the Rajasthan-based movement, and its campaign on Right to Information, from the very beginning. She has toured through villages in Rajasthan many times with MKSS, devising and performing plays. One of the plays is Khazaana, on the process by which people's access to their own wealth is taken away by Zimmedaar, Jaankaar and Chowkidaar, through the creation of an opaque wall-like system.[27] It has been performed multiple times and by multiple groups since. She also devised the play Dastak with them in 2008, on the revelations of corruption that come to light when the opaque wall is slashed by the Right to Information (RTI) . The first show was held in Delhi, while many shows have happened since.[27]

National School of Drama as Faculty[edit]

In 1996, Tripurari joined NSD as Associate Professor of Acting. She retired as Professor in 2018. Through the years she directed multiple plays with the students of NSD, including self-written plays such as 'Sampada' (On the tentacles of inheritance, performed also in China ) and 'Azizun' , adaptations such as 'Maun ek Masoom Sa' (Hindustani Nautanki Adaptation of Shakespeare's Othello, Music by veteran Nautanki artist Krishna Mathur), and devised plays such as 'Rangdhuli' (A devised play about women performers of the Bedin community, with support from Kiran Ji, in research ) ; Radha (On the interplay of memory, search and homelessness); Bina Thaur (Fully devised play on migrant folk artists in Delhi); as well as plays written by other writers, such as Vijaydan Detha's Kath ka Hans; Lorca's House of Bernada Alba; and Chekhov's Cherry Orchard and Uncle Vanya.

She also engaged with the NSD Repertory on several occasions during this period (after 'Kath ki Gadi' and 'Adhe Adhure' earlier on), for the productions of 'San Sattavan ka Qissa: Azizun-Nissa'[28]( on Azizun, the Kanpur courtesan who picked up arms against the British during the revolt of 1857, 1998), 'Poshaak' (self-written play on the conflict between expectations, and self identity, 2005), and Adha Chand (devised play on the lives of young people working in call centres, 2016[29]). She directed Maya Megh (An adaptation of a Gond folktale, rendered in Nepali) with NSD Sikkim Repertory in 2017.[30]

She also directed the children's plays 'Laal Laal Haathi' (on children's imaginations in an adult amosphere, perfomed in 1999) , and Hello to Myself ( on the journey to the self) with the Theatre-in-Education (TIE) wing of NSD.

Outside of NSD, during this period she directed 'Traitors' (Self-written play on personal trauma post 1857, perfomed with Delhi Actors in 2008, supported by Sangat), 'Shaayar: Shutter Down' (Devised Play on Loneliness in Cities, collaborating with Teekam Joshi), 'Roop Aroop' (Devised play on female impersonation by the male actor being challenged by the presence of the female actor herself, performed first in Mumbai , International Playwright's Conference[31][32]) , 'Maybe this Summer' (on the theme of live-in relationships), 'Shifa' (On the life and experiences of people living with HIV, developed at Bhartendu Natya Akademi, Lucknow); 'Dara' (Suryakanthi Tripathi's play on the Mughal Prince, Dara Shikoh[33] ), 'Azad Maulana' (Suryakanthi Tripathi's play on the thoughts of Maulana Azad) , Badal Sarkar's 'Abu Hasan' (With SRC Repertory) , 'Talchhat' ( Adaptation of Gorky's Lower Depths, done with students of MP Drama School, Bhopal), and 'Taming of the Shrew '(Musical Adaptation of Shakespeare's Original), among many others.

Work in Films[edit]

In 1987, Tripurari wrote dialogues for the film Mirch Masala, directed by Ketan Mehta. The film went on to win the National Film Award for Best Feature Film in Hindi.[34] In 1996, she co-wrote the script for the film Sansodhan, directed by Govind Nihalani. In 1998, she wrote dialogues for the film Hazaar Chauraasi ki Maa, directed by Govind Nihalani, which won the National Film Award for Best Feature Film in Hindi.[35] She also co-directed the film Armaan, on adolescent girl child, with Sanjoy Roy, which has been screened extensively at the grassroots.[36]

Filmography[edit]

Film Credit Director Year Notes
"Mirch Masala" Dialogues Ketan Mehta 1987 National Film Award for Best Feature Film in Hindi- Winner
"Armaan" Script & Co-Direction Tripurari Sharma/Sanjoy Roy 1990 A film on adolescence & girls used extensively in the field.[36]
"Sansodhan" Script Govind Nihalani 1996 A film on women and the Panchayati Raj
"Hazaar Chaurasi Ki Maa" Dialogues Govind Nihalani 1998 National Film Award for Best Feature Film in Hindi- Winner


Work as a Writer[edit]

Throughout her career, Tripurari has written plays, short stories and articles, which have been published as books as well as in anthologies, journals and magazines. Below are lists of her works published over the years.[1]

Original Plays[edit]

Play Name Language Publisher/ Details Year Reference
Plays Published as Books
"Bahu" & "Aks Paheli" Hindi/Punjabi Rajkamal Prakashan, Delhi 1984 [10]
"Kath Ki Gadi" Hindi Vidya Prakashan, Delhi 1986 [16]
"Reshmi Rumaal" Hindi Vidya Prakashan, Delhi 1989 [20]
"San Sattavan ka Qissa: Azizun-Nissa" Hindustani Vaani Prakashan, Delhi 1999 [37]
"The Gift" (translated by Self into English) English Seagull Books, Kolkata 2008 [38]
"Sampada" Hindi Bodhi Prakashan, Jaipur 2013 [39]
"The Red Elephant" (Translation of Laal Laal Haathi. Translator: Self) English Helen O'Grady International 2017
Plays Published in Anthologies
"Poshak" Hindi Rang Prasang(Year 4, Issue 1) Jan-Jun 2001, National School of Drama, Delhi .2001. 2001 [40]
"Wooden Cart "(English translation of "Kath ki Gadi" Translator: Mohit Satyanand) English Drama: Contemporary India . Edited by Erin B. Mee. Johns Hopkins University Press. Baltimore. 2001. 2001 [17]
"A Tale from the Year 1857: Azizun Nissa "(English Translation from Hindustani Original, "Azizun: San Sattavan ka Qissa." Translator:Self) English Staging Resistance: Plays by Women in Translation. Edited by: Tutun Mukherjee. Oxford University Press. 2005. 2005 [41]
"Traitors" English Theatre India (12). 2005 2005 [42]
"Othello" (Hindustani, Adaptation of Shakespeare's Original) Hindustani Rang Prasang(Year 12, Issue 2), April-June 2009. National School of Drama, Delhi. 2009 [43]
"Daughter-in-Law" (English Translation of Hindi/Punjabi Original, "Bahu". Translator: Self) English Gender, Space and Resistance: Women and Theatre in India. Edited by: Anita Singh & Tarun Tapas Mukherjee. D.K. Printworld Pvt. Ltd. , Delhi. 2013 [44]
"Sita Punarnava" (Excerpt) Hindi Samkaleen Bharatiya Saahitya: Sahitya Akademi Bimonthly Journal. Nov-Dec 2013. 2013 [45]
"Maybe this Summer" Hindi Drishyaantar (November, 2013). Doordarshan, New Delhi. 2013 [46]
"Radha" Hindi Kathadesh [47]
"Uphaar" ("The Gift") Hindi Rang Prasang (43-44), National School of Drama, Delhi. 2015 [48]
"Roop Aroop" Hindi Kathadesh (May 2017). Delhi. 2017 [49]

Translations[edit]

The Blind Age. Translation of Dharmvir Bharati's Andha Yug from Hindi to English. National School of Drama, Delhi. First Edition: Second Edition: 2016[50]

On Theatre Method[edit]

"Searching for a Voice" . Tripurari Sharma & Lakshmi Krishnamurthy. Alarippu, New Delhi. 2000.[51]

Articles[edit]

In Edited Books/Journals:

1.  "Out in the Open" Interview as Part of Erin B. Mee's Article "Contemporary Indian Theatre: Three Voices" .Performing Arts Journal (Vol XIX, No.1 ) Johns Hopkins University Press. 1997[15]

2. "State Response to the Artistic Expression of Workers". Tripurari Sharma. Labour File Journal, Volume 4, No. 5&6 (Sept-Dec 2006). 2006.[52]

3. "Azizunissa" .Tripurari Sharma. Media: Trimonthly Journal of the Kendriya Hindi Sansthan. (Volume 2, April-June 2007). Delhi. 2007.[53]

4.   "Nautanki, Gulab Bai and the Making of 'Teen Betiyan' " Tripurari Sharma. In: Modern Indian Drama: Issues and Interventions. Edited by: Lakshmi Subramanyam. Srishti Publishers and Distributors, Delhi. 2008.[22]

5.   "An Unfinished Journey". Tripurari Sharma. In: Muffled Voices: Women in Modern Indian Theatre. Edited by Laxmi Subramanyam. Har-Anand Publications Pvt. Ltd. 2002. Revised Edition: 2013.[4]

6.    "Manch Vistaar aur Hindi Naatak" . Tripurari Sharma . In: Natrang (Volume 25, Issue 100-101). 2016[54]

7.    "Beyond the Trappings of Definition" . Tripurari Sharma .In : Vasundhara: An Anthology of Essays and Artworks by Women Authors and Artists. Sansaptak , Delhi. 2018

8. Interview with Author Dr. Kamal Kumar, included as chapter in book "Lokmanch aur Samkaleen Hindi Rangmanch ka Stree Vimarsh. Dr. (Mrs.)Kamal Kumar . National School of Drama Press. 2018.[55]

9. "Abhinay: Praarambhik Daur ke Chand Masley." Tripurari Sharma. Rang Prasang. July-Sept 2019.[56]

In Magazines and Newspapers:

Tripurari has contributed many articles to newspapes and magazines, including the following linked to theatre and performance:

  1. "Life versus Livelihood." The Hindu, 2014. (On the fast-fading theatre tradition of Khayal and the artists)[57]
  2. "Destination Hathras." The Hindu, 2013. (On the performance art form of Nautanki, and the artists)[58]
  3. "The Lament of Shoorpanakha". The Hindu, 2012. (Analysing the empathy for Surpanakha in Koodiyattom.)[59]
  4. "Ki Jaise Vikramaditya ke Nyayasan Par" (On women in Panchayati Raj) . Kathan. July-Sept 2010.
  5. "Meri Nazar Mein B.V. Karanth" (Article in memory of B.V. Karanth). Hans. November 2002.

Short Stories[edit]

Tripurari has published a number of short stories in Hindi, in different literary magazines, such as Hans, Kathan and Kathadesh.

Children's Books[edit]

Alu. National Book Trust. (Anthology of short stories with the central character Alu, the owl.)[60]

Bhabho Bhains.(Bhabho the Buffalo). 2013. Room to Read India.[61]

Gilehri (The Squirel and the Tree). 2012. Room to Read India.

Aam aur Koyal (The Mango Tree and the Cuckoo). 2012. Room to Read India.

Tanu Banu. Aspire, New Delhi.[62]

Peeth ka Pahad. Aspire, New Delhi.[62]

Work in Television and Radio[edit]

Tripurari co-directed along with Puneeta Roy the TV show Shakti, which aired in the early 90s. It was India's first talk show on women's issues.[15] She has also written multiple scripts for serials telecast on Doordarshan, such as a series on Indian Drama , and one on the life of women in India's prisons.

Tripurari has contributed several times to making radio series, such as 'Dehleez', on adolescence, which aired in 90s.[63][64]

Awards and Recognition[edit]

Pranab Mukherjee presenting the Akademi Award to Smt. Tripurari Sharma, in the field of Direction, at the investiture ceremony of the Sangeet Natak Akademi Awards 2012, at Rashtrapati Bhavan, in New Delhi on May 28, 2013

Tripurari Sharma has been the recipient of a number of awards and honours in recognition of her work. She received the Sangeet Natak Akademi Award in 2013, for her contribution to Theatre Direction,[1] The Sanskriti Award for Literature in 1986,[65] the UP S.N.A. Safdar Hashmi Award, the Bhartiya Natya Sangh Award in 1990, the Delhi Sahitya Kala Parishad Award in 200, the First Woman Theatre Worker Award initiated by IPTA Raipur 2010, and the Haryana HIFA Award in 2012, among many others.[1][3] She was among the 91 Women from India included in the "1000 women for nomination to the Nobel Peace Prize 2005"- an initiative of International Women Groups in 2005.[2]

Work as a Resource Person and in Other Roles[edit]

Tripurari represented India in the first women playwrights conference in Boston in 1988. She directed & coordinated a number of women's performances for the International women's conference in Beijing in 1995, and was part of UNESCO Conferences in Mexico & Philippines. She has also conducted workshops in Australia, Bangladesh, Mauritius, and has travelled with her teams to Norway, England, Pakistan and China where her plays have been performed.[3]

She served as Member of the Jury for the National Film Awards in 2017/18.[66]

At Present[edit]

Tripurari is currently conducting research on the different interpretations of the folk tale of Amar Singh Rathore in different forms of North India: Nautanki, Khayaal and String Puppetry, as part of the Tagore National Fellowship, which she received in 2019.[67]

She lives in Delhi.

References[edit]

  1. ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 "Tripurari Sharma, Sangeet Natak Akademi Profile". Sangeet Natak Akademi Official Website. Unknown parameter |url-status= ignored (help)
  2. ↑ 2.0 2.1 2.2 "Tripurari Sharma (India) | WikiPeaceWomen – English". wikipeacewomen.org. Retrieved 2020-05-17.
  3. ↑ 3.0 3.1 3.2 3.3 "World People's Blog » Blog Archive » Tripurari Sharma – India". Retrieved 2020-05-17.
  4. ↑ 4.0 4.1 4.2 4.3 4.4 Sharma, Tripurari. "An Unfinished Journey" (Chapter) In: Muffled Voices: Women in Modern Indian Theatre, by Lakshmi Subramanyam. Har-Anand Publications. 2002. India. ISBN : 978-81-241-0870-3
  5. ↑ 5.0 5.1 Guftagoo with Tripurari Sharma, retrieved 2020-05-17
  6. ↑ Singh, Anita (2014). "Performing Resistance, Re-dressing the Canon: The Emergence of Indian Feminist Emergence of Indian Feminist Theatre" (PDF). The IIS University Journal of Arts. 3 (1): 1–11.
  7. ↑ Singh, Anita (2009). "Aesthetics of Indian Feminist Theatre" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975–2935). I.
  8. ↑ "THE INVISIBLE GENERATION': QUESTIONING AGEISM, CHALLENGING MYTHS, REFASHIONING SELVES | Proceedings of the International Conference on Future of Women". 25 February 2019.
  9. ↑ Singh, Anita; Mukherjee, Tarun Tapas (2013). Gender, Space and Resistance: Women and Theatre in India. D.K. Printworld. ISBN 978-81-246-0692-6. Search this book on
  10. ↑ 10.0 10.1 10.2 Sharma, Tripurari (1984). Bahu & Aks Paheli. Delhi: Rajkamal Publications. ISBN 978-81-267-2519-9. Search this book on
  11. ↑ "Rati Bartholomew". www.facebook.com. Retrieved 2022-01-22.
  12. ↑ 12.0 12.1 Sharma, Tripurari, Krishnamurty, Laxmi (2000). Searching for a Voice. Delhi: Alarippu, Delhi. Search this book on
  13. ↑ Sharma, Tripurari (2001). Achchha Master Chahiye. Delhi, India: Alarippu. Search this book on
  14. ↑ Script of Play 'Uplabhdhiyaan'. In: 'Nukkad' Jan Natak Trimasik (Volume 2) . Editor: Devendra Nath Sinhku. December 1982.
  15. ↑ 15.0 15.1 15.2 15.3 "Tripurari Sharma: Out in the Open". Performing Arts Journal. 19 (1): 12–19. 1997. ISSN 0735-8393. JSTOR 3245740.
  16. ↑ 16.0 16.1 Sharma, Tripurari (1986). Kath ki Gadi. Delhi, India: Vidya Prakashan Mandir. Search this book on
  17. ↑ 17.0 17.1 Tripurari Sharma, Wooden Cart (English Translation of Kath ki Gadi). Translation by: Mohit Satyanand. In: Drama Contemporary: India edited by Erin B. Mee. Page 169. Johns Hopkins University Press. 2001. ISBN: 9780195664294
  18. ↑ "Chatranjali – La carriole en bois". www.chatranjali.fr. Retrieved 2020-05-10.
  19. ↑ Kamble, Rahul (2019). "TRIPURARI SHARMA'S PLAY THE WOODEN CART: DEBATING AND DEFEATING THE DISEASE, STIGMA, AND IGNORANCE" (PDF). Research Journal of English Language and Literature (RJELAL). 7.
  20. ↑ 20.0 20.1 Sharma, Tripurari (1989). Reshmi Rumaal. Delhi, India: Shubhkamna Publications. Search this book on
  21. ↑ 21.0 21.1 Alarippu Collective (1990). Hum aur Humaar Kanoon. Alarippu. Search this book on
  22. ↑ 22.0 22.1 Sharma, Tripurari. 'Nautanki, Gulab Bai and the Making of 'Teen Betiyan'. Chapter in : Modern Indian Drama: Issues and intervention, edited by Lakshmi Subramanyam. Srishti Publishers . 2008. ISBN: 81-88575-64-X
  23. ↑ Mehrotra, Deepti Priya (2018-08-17). Gulab Bai: The Queen of Nautanki Theatre. Penguin Random House India Private Limited. ISBN 978-93-5305-240-9. Search this book on
  24. ↑ JAI JAI GURU BABA - SHANTI BAI CHELAK & LAKHAN LAL CHELAK - SATNAM PUKAR, retrieved 2022-01-22
  25. ↑ "Folk Drama of Rajasthan". RajRAS. 2019-04-13. Retrieved 2022-01-22.
  26. ↑ "Tagore's 'Shasti': An Essay and Translation--by Carolyn Brown (Parabaas Tagore Section)". www.parabaas.com. Retrieved 2022-01-22.
  27. ↑ 27.0 27.1 Roy, Aruna; Collection, MKSS (2018-05-31). The RTI Story: Power to the People. Roli Books. Search this book on
  28. ↑ Singh, Lata (2006). "Making Visible the 'petty' and 'grotesque' of the Nation's Narrative: Dialogue with Tripurari Sharma". Feminist Review. 84 (84): 130–140. doi:10.1057/palgrave.fr.9400305. JSTOR 30232744. Unknown parameter |s2cid= ignored (help)
  29. ↑ Bajeli, Diwan Singh (2016-04-28). "Spotlight on a moonless world". The Hindu. ISSN 0971-751X. Retrieved 2020-05-10.
  30. ↑ "MAYA MEGH – 20th Bharat Rang Mahotsav 2019". Retrieved 2022-01-22.
  31. ↑ "Theatre veteran Tripurari Sharma's Roop Aroop discusses gender stereotypes". The Indian Express. 2019-11-16. Retrieved 2020-05-10.
  32. ↑ Anima, P. (2010-03-04). "Between roles". The Hindu. ISSN 0971-751X. Retrieved 2020-05-10.
  33. ↑ "Shri Ram Summer Theatre Festival Presents - Dara". BookMyShow. Retrieved 2020-05-10.
  34. ↑ Mirch Masala - IMDb, retrieved 2020-05-17
  35. ↑ Hazaar Chaurasi Ki Maa
  36. ↑ 36.0 36.1 Śarmā, Tripurārī; Roy, Sanjoy; Tag TV Pvt. Ltd; Voluntary Health Association of India; UNICEF (2001), Armaan, Voluntary Health Association of India, OCLC 52240217, retrieved 2020-05-17
  37. ↑ Sharma, Tripurari (1999). San Sattavan ka Qissa: Azizun-Nissa. Delhi, India: Vani Prakashan. ISBN 81-7055-606-6. Search this book on
  38. ↑ Sharma, Tripurari (2008). The Gift. India: Seagull Books. ISBN 978-81704-6-335-1. Search this book on
  39. ↑ Sharma, Tripurari (2013). Sampada. India: Bodhi Publications. ISBN 978-93-82452-76-8. Search this book on
  40. ↑ Sharma, Tripurari (2001). "Poshak". Rang Prasang. 4 (1).
  41. ↑ Mukherjee, Tutun (2005). Staging Resistance: Plays by Women in Translation. Oxford University Press. ISBN 9780195670080. Search this book on
  42. ↑ Sharma, Tripurari. "Traitors". Theatre India.
  43. ↑ Sharma, Tripurari (2009). "Othello". Rang Prasang(Year 12, Issue 2). 12 (2).
  44. ↑ Anita Singh, Tarun Tapas Mukherjee (2013). Gender, Space and Resistance: Women and Theatre in India. India: D.K. Printworld. ISBN 9788124606926. Search this book on
  45. ↑ Sharma, Tripurari (2013). "Sita Punarnava". Samkaleen Bharatiya Saahitya: Sahitya Akademi Bimonthly Journal. Nov-Dec 2013.
  46. ↑ Sharma, Tripurari (2013). "Maybe this Summer". Drishyaantar, Doordarshan, New Delhi. November, 2013.
  47. ↑ Sharma, Tripurari. "Radha". Kathadesh.
  48. ↑ Sharma, Tripurari (2015). "Uphaar". Rang Prasang (43-44), National School of Drama, Delhi. 43-44.
  49. ↑ Sharma, Tripurari (2017). "Roop Aroop". Kathadesh. May 2017.
  50. ↑ Bharati, Dharamvir & Sharma, Tripurari (2016). Andha Yug: The Blind Age. India: National School of Drama. ISBN 978-81-8197-062-6.CS1 maint: Multiple names: authors list (link) Search this book on
  51. ↑ Sharma, Tripurari & Krishnamurthy, Lakshmi (2000). Searching for a Voice. Delhi: Alarippu.CS1 maint: Multiple names: authors list (link) Search this book on
  52. ↑ Sharma, Tripurari (2006). "State Response to the Artistic Expression of Workers". Labour File: Bimonthly Journal of Labour and Economic Affairs. 4 (5): Cover Story.
  53. ↑ Sharma, Tripurari (2007). "Azizunissa". Media: Trimonthly Journal of the Kendriya Hindi Sansthan. 2.
  54. ↑ Sharma, Tripurari (2016). "Manch Vistaar aur Hindi Naatak". Natrang. 25 (100–101).
  55. ↑ Kumar, Kamal (2018). Lokmanch aur Samkaleen Hindi Rangmanch ka Stree Vimarsh. National School of Drama. Search this book on
  56. ↑ Sharma, Tripurari (2019). "Abhinay: Praarambhik Daur ke Chand Masley". Rang Prasang. 52.
  57. ↑ Sharma, Tripurari (2014-02-13). "Life versus livelihood". The Hindu. ISSN 0971-751X. Retrieved 2020-05-17.
  58. ↑ Sharma, Tripurari (2013-02-07). "Destination Hathras". The Hindu. ISSN 0971-751X. Retrieved 2020-05-17.
  59. ↑ Sharma, Tripurari (2012-11-23). "The lament of Shoorpanakha". The Hindu. ISSN 0971-751X. Retrieved 2020-05-17.
  60. ↑ "Alu The Owl, National Book Trust India". www.nbtindia.gov.in. Retrieved 2020-05-17. Unknown parameter |url-status= ignored (help)
  61. ↑ "Bhabho Bhains, Room to Read India". literacycloud.org. Retrieved 2020-05-17. Unknown parameter |url-status= ignored (help)
  62. ↑ 62.0 62.1 "Publication and Library". Aspire India. 2018-10-02. Retrieved 2020-05-17.
  63. ↑ "All India Radio - Akashvani". www.facebook.com. Retrieved 2020-05-17.
  64. ↑ Pant, Singhal, Bhasin (2002). "Using Radio Drama to Entertain and Educate: India's Experience with the Production, Reception and Transcreation of 'Dehleez'" (PDF). Journal of Development Communication. 13 (2): 52–56.CS1 maint: Multiple names: authors list (link)
  65. ↑ "Sanskriti Award Awardees List" (PDF). Unknown parameter |url-status= ignored (help)
  66. ↑ "65th National Film Awards: Complete list of winners". Hindustan Times. 2018-04-13. Retrieved 2020-05-17.
  67. ↑ "Research Reports for Last 10 Years". Retrieved 2020-05-17.

Category:Theatre Category:Writers Category:Drama Category:India Category:Theatre directors by nationality Category:Writing


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