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Tu Duu-Chih

From EverybodyWiki Bios & Wiki




Tu Duu-Chih
Born (1955-04-05) April 5, 1955 (age 71)
Taipei, Taiwan
🏳️ NationalityTaiwanese
💼 Occupation
Sound Engineer specializing in film sound recording and sound design

Tu Duu-Chih (born April 5, 1955) is a well-known Taiwanese film sound engineer, specializing in film recording and sound design.[1] He has been honored with twelve Golden Horse Film Festival and Awards for Best Sound Recording and Best Sound Effects, as well as winning technical awards at the Cannes Film Festival Awards.[2] His achievement as an sound engineer has also been recognized by the National Award for Arts of Taiwan and has been celebrated by the Festival des 3 Continents through a solo retrospective.[3][4] Tu Duu-Chih has worked on the post-production of numerous Mandarin-language film productions, including In Our Time (Tao Te-chen, Ko I-chen, Chang Yi, Edward Yang, 1983), A Brighter Summer Day (Edward Yang, 1991), Yi Yi: A One and a Two (Edward Yang, 2000), A City of Sadness (Hou Hsiao-Hsien, 1989), Flowers of Shanghai (Hou Hsiao-Hsien, 1998), Millennium Mambo (Hou Hsiao-Hsien, 2001), In the Mood for Love (Wong Kai-Wai, 2000), 2046 (Wong Kai-Wai, 2004), Cape No. 7 (Wei Te-Sheng, 2008), and The Rooftop (Jay Chou, 2013) (p.35).[5][6] Tu Duu-Chih has collaborated with internationally acclaimed directors such as Edward Yang, Wong Kai-Wai, Hou Hsiao-Hsien, Tsai Ming-liang, and Midi Z.[7][8] In 2022, he was invited to serve as the sound designer for A-Mei Kulilay Amit's ASMR World Tour Concert, utilizing an 11.1-channel full-spectrum surround sound-bar design to create an immersive experience for the audience.[9]

Biography

Tu Duu-Chih, with an electrical engineering background, entered the Central Motion Picture Corporation (CMPC) as an sound recording studio assistant after graduating with a high school diploma. He has continued to work at the Central Motion Picture Corporation (CMPC) for 20 years.[10] In 1989, he introduced synchronous sound recording in Hou Hsiao-Hsien's A City of Sadness, and in 1992, he pioneered the use of Dolby Stereo technology in Tsai Ming-liang's Vive L'Amour, continuously setting milestones for Taiwan's sound recording techniques and promoting Mandarin-language films to the international scene (p. 35).[11] Tu Duu-Chih has also been actively involved in cultivating new technical professionals for Taiwanese cinema and serves as an adjunct professor in the Department of Radio and Television at the National Chengchi University.[12] Sound engineer Tang Hsiang-chu, frequent winner at the Golden Horse Film Festival and Awards, is one of Tu Duu-Chih's disciples.[13] In 2004, Tu Duu-Chih founded his own recording studio, 3H Sound Studio Ltd., which continues to operate to this day.[14]

Early Career

Tu Duu-Chih was born on April 5, 1955 in Wuhu, in southeastern Anhui Province, China. He is the eldest son of Tu Chih-Kuei (father) and Chien Tsia-Yun (mother). After graduating from the Taipei Municipal Xiyuan Elementary School, he entered the junior high school section of the New Taipei City Municipal Shulin Senior High School. He later enrolled in the Electrical Engineering Department of Nanshan Commercial and Industrial School (now Nanshan High School) and entered the job market after graduation.[15][16][17]

In 1972, through the introduction of a close friend of his father, Tu Duu-Chih joined the electrical department of the Central Motion Picture Corporation (CMPC). Not long after Ming Ji became the new director of the Central Motion Picture Corporation, Tu Duu-Chih, as part of Ming Ji's recruit, then became a sound recording assistant in the recording studio and joined the inaugural Film Technology Training Class at the Central Motion Picture Corporation the following year.[18][19][20]

In 1975, while being on leave without pay, Tu Duu-Chih served in the military. After completing his military service, he started working independently as a film sound engineer specializing in film recording and sound design, and married Ms. Kao Pei-Ling, whom Tu Duu-Chih met during his time as an studio assistant. Tu Duu-Chih continued working at the Central Motion Picture Corporation for a total of 20 years before resigning in 1993.[21]

Partnership with Acclaimed Filmmakers

Edward Yang

Tu Duu-Chih's acquaintance with Edward Yang began with the film, The Winter of 1905, directed by Yu Wai-Ching and written by Edward Yang. Since then, the two of them had shared a close friendship for 27 years. Edward Yang had shared that, "[their] acquaintance has given each other a tremendous amount of confidence and trust, both in terms of friendship and partnership."[22] At the 2001 Cannes Film Festival, Edward Yang, in his capacity as one of the judges, recommended Tu Duu-Chih to all the committee members, leading to Tu Duu-Chih winning the prestigious Vulcan Award.[23] On the other hand, Tu Duu-Chih considers Edward Yang and Hou Hsiao-Hsien to be the two people who influenced him the most.[24]

The collaboration between Tu Duu-Chih and Edward Yang continuously set milestones for Taiwanese cinema.[25] Starting with Edward Yang's That Day, on the Beach (1983), they pursued realistic sound effects with a "realistic sense of space" (p. 35).[26] By the time of Terrorizers (1989), their work was considered by the international film circuit as a breakthrough in technical bottlenecks and reached the pinnacle of synchronous sound recording in filmmaking (p. 35).[27] During the production of A Brighter Summer Day (1991), Tu Duu-Chih put into opperation Taiwan's first official synchronous sound recording equipment. A Brighter Summer Day was, at the time, the only film production to complete all post-production sound mixing locally in Taiwan.[28][29]

Wong Kar-Wai

Tu Duu-Chih's collaboration with Wong Kar-Wai began with the film, Happy Together (1997), and it was also the first time Tu Duu-Chih utilized digital sound editing.[30] Tu Duu-Chih described Wong Kar-Wai's working style as "pushing everything to the extreme perfection untill the very last moment."[31] In their collaboration, they often had to work under extreme pressure, meeting various deadlines while making all kinds of editing. Due to their constant editing, every film they have worked together ended up having multiple versions, which sometimes posed challenges for Tu Duu-Chih to recall the first impression he had of the work.[32] Such filmmaking style has also presented technical difficulties as well as emotional rupture during the sound recording and editing processes.[33]

Hou Hsiao-Hsien

Tu Duu-Chih and Hou Hsiao-Hsien collaborated for the very first time in Hou Hsiao-Hsien's A City of Sadness (1989). In this collaboration, Tu Duu-Chih, with only a set of rudimentary equipment available, completed Taiwan's first feature-length film with synchronous sound recording from the ground up.[34][35] For the same project, Tu also travelled to Japan to collaborate with an internationally-scaled post-production studio for the very first time (p. 35).[36] After A City of Sadness won the Golden Lion Award at the Venice Film Festival, Hou Hsiao-Hsien generously gifted Tu Duu-Chih a complete set of sound recording equipment worth over a million New Taiwan dollars (p. 35); the same recording equipment was also employed in Edward Yang's A Brighter Summer Day (p. 35).[37] In 2003, during their collaboration on Café Lumière, Tu Duu-Chih, encouraged by Hou Hsiao-Hsien, experimented with one of the only five hard disk recording devices in the world at that time, and the first in Asia, to achieve more realistic and emotionally as well as spatially immersive sound recording effects.[38]

Tu Duu-Chih considers Hou Hsiao-Hsien as one of the two people who influenced him the most, and he has shared that he has learned the attitude of trust from working with Hou Hsiao-Hsien. Hou Hsiao-Hsien, praising Tu Duu-Chih as an audiophile, describes Tu as "someone who would bring a recorder to capture good sound even in the middle of the night."[39][40]

Contribution

"Bringing Mandarin-language Films into the International Scene"[41]

In terms of sound technology, Tu Duu-Chih has always been at the forefront of Taiwanese cinema.[42] In 1986, he achieved simulated synchronous recording effects through post-dubbing with Edward Yang's film, Terrorizers.[43] In 1991, A Brighter Summer Day, also directed by Edward Yang, became the first film to use synchronous recording technology in Taiwan and underwent advanced simulation processing surpassing the local standards in Taiwan at the time (p. 35).[44] The Dolby Stereo first used in Hou Hsiao-Hsien's Dust of Angels (1992), the Dolby Audio Technology used in Hou Hsiao-Hsien's Goodbye South, Goodbye (1996), the Dolby Digital sound effects employed in Chen Yi-Wen's A Chance to Die (2000), and the 7+1 SDDS Sony Dynamic Digital Sound recording technology used in Chen Kuo-fu's Double Vision (2002) were all pioneered by Tu Duu-Chih's introduction of the latest sound engineering technologies.[45][46] Tu Duu-Chih's outstanding achievements has not only set milestones in Taiwanese sound engineering but also benefited Hong Kong directors.[47] For example, Taiwanese director Edward Yang's Yi Yi (2000) and Hong Kong director Wong Kar-Wai's In the Mood for Love (2000) were both selected for the Cannes Film Festival.[48] Film critic Tony Tsu-Wei Lan pointed out, "Tu Duu-Chih's sound processing is one of the important aspects that has made Taiwanese cinema internationally renowned." Lan also credited Tu Duu-Chih for the success of "bringing Mandarin-language films into the international scene."[49]

Ground-working for Taiwanese Cinema[50]

Tu Duu-Chih has long been engaged in the work of rooting and ground-working Taiwanese cinema.[51] He has provided technical assistance for cinematic works, documentary films, animated films, and short films by Taiwanese filmmakers.[52] He has also served as an adjunct professor at the Department of Radio and Television at the National Chengchi University in Taiwan, nurturing young technical professionals.[53] He has proposed a collaborative model between the industry and academia to address the training issues of Taiwanese sound professionals.[54] Every summer, he provides opportunities for students in film production to intern at his studio free of charge.[55][56]

Family

Tu Chih-Kuei
 
 
 
Chien Tsia-Yun
 
 
 
 
 
 
Tu Duu-Chih
 
 
 
Kao Pei-Ling
 
 
 
 
 
 
Patrick Chun-Tang Tu
Tu Ching-Hsuan

Filmography

Sound Editing[57]

Year Film Title (English) Film Title (Chinese)
1981 《揹國旗的人》
1981 《血旗變》
1981 My Grandfather 《我的爺爺》

Sound Recording[58]

Year Film Title (English) Film Title (Chinese)
1981 The Winter of 1905 《1905年的冬天》
1982 In Our Time 《光陰的故事》
1983 That Day on the Beach 《海灘的一天》
1983 The Sandwich Man 《兒子的大玩偶》
1983 Kendo Kids 《竹劍少年》
1983 The Boys from Fengkuei 《風櫃來的人》
1983 Growing Up 《小畢的故事》
1983 Ah Fei 《油麻菜籽》
1984 A Summer at Grandpa's 《冬冬的假期》
1984 Run Away 《策馬入林》
1984 Teenage Fugitive 《小逃犯》
1985 Super Citizen 《超級市民》
1985 Kuei-Mei,A Woman 《我這樣過了一生》
1985 A Time to Live and a Time to Die 《童年往事》
1985 Spring Daddy 《陽春老爸》
1985 Taipei Story 《青梅竹馬》
1986 The Terrorizers 《恐怖份子》
1986 Dust in the Wind 《戀戀風塵》
1986 This Love of Mine 《我的愛》
1987 The Game They Call Sex 《黃色故事》
1987 Daughter of the Nile 《尼羅河女兒》
1988 Rouge of the North 《怨女》
1989 A City of Sadness 《悲情城市》
1992 A Brighter Summer Day 《牯嶺街少年殺人事件》
1992 Dust of Angels 《少年吔，安啦！》
1992 The Peach Blossom Land 《暗戀桃花源》
1992 Hill of No Return 《無言的山丘》
1993 The Puppetmaster 《戲夢人生》
1993 Treasure Island 《只要為你活一天》
1993 Green Green Leaves of Home 《青春無悔》
1994 A Confucian Confusion 《獨立時代》
1994 The Red Lotus Society 《飛俠阿達》
1994 The Peony Pavilion 《我的美麗與哀愁》
1994 A Borrowed Life 《多桑》
1995 Buddha Bless America 《太平天國》
1995 Good Men Good Women 《好男好女》
1995 Super Citizen Ko 《超級大國民》
1995 Heartbreak Island 《去年冬天》
1996 Footsteps of the Rain 《春花夢露》
1996 Goodbye South, Goodbye 《南國再見，南國》
1996 Tonight Nobody Goes Home 《今天不回家》
1997 Love Go Go 《愛情來了》
1997 Happy Together 《春光乍洩》
1997 《抱緊你》
1997 Sweet Degeneration 《放浪》
1997 Blue Moon 《藍月》
1997 Yours and Mine 《我的神經病》
1997 Such A Life 《一隻鳥兒哮啾啾》
1997 Wolves Cry Under the Moon 《國道封閉》
1997 Motel Erotica 《捉姦強姦通姦》
1997 Falling Up Waking Down 《假面超人》
1997 A Cha-Cha for the Fugitive 《給逃亡者的恰恰》
1997 A Queer Story 《基佬四十》
1997 HHH：Portrait of Hou Hsiao Hsien 《侯孝賢畫像》
1998 Away with Words 《三條人》
1998 Murmur of Youth 《美麗在唱歌》
1998 Flowers of Shanghai 《海上花》
1998 Grandma and Her Ghosts 《魔法阿媽》
1998 Jam 《果醬》
1998 The Love of Three Oranges 《三橘之戀》
1998 The Personals 《徵婚啟事》
1998 《為人民服務》
1998 Connection By Fate 《超級公民》
1998 Hold You Tight 《愈快樂愈墮落》
1999 Ordinary Heroes 《千言萬語》
1999 《有時跳舞》
1999 A Chance To Die 《想死趁現在》
1999 《七月天》
1999 The Red Leaf Legend 《紅葉傳奇》
1999 《海有多深》
2000 Lament of the Sand River；Lament of the Sand 《沙河悲歌》
2000 In the Mood for Love 《花樣年華》
2000 Hidden Whisper 《小百無禁忌》
2000 A One and A Two 《一一》
2000 The Cabbie 《運轉手之戀》
2000 Mirror Image 《命帶追逐》
2000 Fleeing by Night 《夜奔》
2000 Pure Accidents 《純屬意外》
2000 《海角天涯》
2000 Grandma’s Hairpin 《銀簪子》
2000 Migratory Bird 《候鳥》
2001 Millennium Mambo 《千禧曼波─薔薇的名字》
2001 What Time Is It There 《你那邊幾點》
2001 Expect A Miracle 《蘋果咬一口》
2001 The Human Comedy 《人間喜劇》
2001 A Garden in The Sky 《空中花園》
2002 The Rule of the Game 《挖洞人》
2002 Fancy25 《三方通話》
2002 Beijing Bicycle 《十七歲的單車》
2002 Princess in Wonder 《公主徹夜未眠》
2002 My Whispering Plan 《殺人計劃》
2002 Blue Gate Crossing 《藍色大門》
2002 Voice of Waves 《那年夏天的浪聲》
2002 Our Time Our Story - 20 Years' New Tauwan Cinema 《白鴿計劃：台灣新電影二十年》
2002 Brave 20 《鹹豆漿》
2002 Love at 7-11 《7-11之戀》
2002 The Trigger 《扣扳機》
2002 The Skywalk Is Gone 《天橋不見了》
2002 How High the Mountain 《山有多高》
2003 The Missing 《不見》
2003 Goodbye Dragon Inn 《不散》
2003 Burning Dreams 《歌舞中國》
2003 Viva Tonal- The Dance Age 《Viva Tonal跳舞時代》
2003 Drifters 《二弟》
2003 《離鄉背井去打工》
2004 20.30.40 《20.30.40》
2004 Love of May 《五月之戀》
2004 La Mélodie d’Hélène 《心戀》
2004 2046 《2046》
2004 Sacrificial Victims 《大選民》
2004 The Moon also Rises 《月光下，我記得》
2004 Wayward Wind 《天邊一朵雲》
2004 Jump! Boys 《翻滾吧！男孩》
2004 Café Lumière 《珈琲時光》
2005 Fall...in Love 《戀人》
2005 The Best of Our Times 《最好的時光》
2005 Reflections 《愛麗絲的鏡子》
2005 Love and Courage 《愛與勇氣》（錄音指導）
2006 amour-LEGENDE 《松鼠自殺事件》
2006 I Don't Want to Sleep Alone 《黑眼圈》
2006 Silk 《詭絲》
2006 Rain Dogs 《太陽雨》
2006 Do Over 《一年之初》
2006 Tripping 《神遊情人》
2006 The Postmodern Life of My Aunt 《姨媽的後現代生活》
2006 My Football Summer 《奇蹟的夏天》
2006 Eternal Summer 《盛夏光年》
2006 Exit No. 6 《六號出口》（錄音指導）
2006 Island Etude 《練習曲》
2007 Spider Lilies 《刺青》
2007 The Wall-Passer 《穿牆人》
2007 The Drummer 《戰．鼓》
2007 The Most Distant Course 《最遙遠的距離》
2007 Help Me Eros 《幫幫我愛神》
2007 Brotherhood of Legion 《神選者》（錄音指導）
2008 Good Will Evil 《凶魅》
2008 Tea Fight 《鬪茶》
2008 Sincerely Yours (Detours To Paradise) 《歧路天堂》
2008 Cape No. 7 《海角七號》
2008 Miao Miao 《渺渺》
2008 Parking 《停車》
2009 Finding Shangri-La 《這兒是香格里拉》
2009 Su mi ma sen, Love 《對不起，我愛你》
2009 Yang Yang 《陽陽》
2009 Night and Fog 《天水圍的夜與霧》
2009 At the End of Daybreak 《心魔》
2009 Prince of Tears 《淚王子》
2009 Hear Me 《聽說》
2010 Just Call Me Nobody 《大笑江湖》
2010 Monga 《艋舺》
2011 Mural 《畫壁》
2011 Warriors of the Rainbow: Seediq Bale 《賽德克·巴萊》
2011 A Simple Life 《桃姐》
2013 A Moment of Love 《回到愛開始的地方》
2013 The Rooftop 《天台》
2013 Soul 《失魂》
2013 Stray Dogs 《郊遊》

Awards

Cannes Film Festival

Year Award Category Film Result
2001 The 54th Cannes Film Festival Vulcan Award Millennium Mambo;

What Time Is it There?

Won[59]

Hong Kong Film Award[60]

Year Award Category Film Result
2002 The 21st Hong Kong Film Award Best Sound Design Visible Secret Nominated
2005 The 24th Hong Kong Film Award Best Sound Design 2046 Nominated
2008 The 27th Hong Kong Film Award Best Sound Design The Drummer Nominated
2011 The 30th Hong Kong Film Award Best Sound Design Dream Home Nominated
2015 The 34th Hong Kong Film Award Best Sound Design The Crossing Won
2016 The 35th Hong Kong Film Award Best Sound Design Office Nominated
2018 The 37th Hong Kong Film Award Best Sound Design Our Time Will Come Nominated
2019 The 38th Hong Kong Film Award Best Sound Design The Assassination of G/G Affairs Nominated
2020 The 39th Hong Kong Film Award Best Sound Design Beyond the Dream Nominated
Best Sound Design Fagara Nominated
2022 The 40th Hong Kong Film Award Best Sound Design Anita Won
2023 The 41st Hong Kong Film Award Best Sound Design The Sparring Partner Nominated
Best Sound Design Where The Wind Blows Nominated

Golden Bell Awards[61]

Year Award Category Film Result
2001 The 36th Golden Bell Award Best Sound Design Spy Tycoon (匪諜大亨) Nominated
2003 The 38th Golden Bell Award Best Sound Design Bonnie and Clyde Nominated
Best Sound Design Caffeine Nominated
2014 The 49th Golden Bell Award Best Sound Design Public Television Service HD Documentary Series: The Golden Horse Series: Warrior Wine (公視HD紀錄片—金馬系列【戰酒】) Nominated

Golden Horse Film Festival and Awards[62]

Award Award Category Film Result
1984 The 21st Golden Horse Film Festival and Awards Best Sound Recording Kendo Kids Nominated
1985 The 22nd Golden Horse Film Festival and Awards Best Sound Recording Super Citizen Won
1986 The 23rd Golden Horse Film Festival and Awards Best Sound Recording This Love of Mine Nominated
1989 The 26th Golden Horse Film Festival and Awards Best Sound Recording A City of Sadness Nominated
1991 The 28th Golden Horse Film Festival and Awards Best Sound Recording A Brighter Summer Day Nominated
1992 The 29th Golden Horse Film Festival and Awards Best Sound Recording The Peach Blossom Land Nominated
Dust of Angels Won
1993 The 30th Golden Horse Film Festival and Awards Best Sound Recording Green Green Leaves of Home Nominated
The Puppetmaster Won
1994 The 31st Golden Horse Film Festival and Awards Best Sound Recording A Confucian Confusion Nominated
A Borrowed Life Nominated
1995 The 32nd Golden Horse Film Festival and Awards Best Sound Recording Super Citizen Ko Nominated
Good Men, Good Women Won
1999 The 36th Golden Horse Film Festival and Awards Best Sound Effects Ordinary Heroes Nominated
2000 The 37th Golden Horse Film Festival and Awards Best Sound Effects Fleeing by Night Nominated
2001 The 38th Golden Horse Film Festival and Awards Best Sound Effects Millennium Mambo Won
Best Sound Effects What Time Is It There? Nominated
2003 The 40th Golden Horse Film Festival and Awards Best Sound Effects Goodbye, Dragon Inn Nominated
2004 The 41st Golden Horse Film Festival and Awards Best Sound Effects 2046 Nominated
Best Sound Effects Sacrificial Victims Nominated
2006 The 43rd Golden Horse Film Festival and Awards Best Sound Effects amour-LEGENDE Won
2007 The 44th Golden Horse Film Festival and Awards Best Sound Effects The Most Distant Course Won
2008 The 45th Golden Horse Film Festival and Awards Best Sound Effects Cape No. 7 Nominated
2009 The 46th Golden Horse Film Festival and Awards Best Sound Effects Yang Yang Nominated
Best Sound Effects Like a Dream Nominated
2010 The 47th Golden Horse Film Festival and Awards Best Sound Effects Monga Won
2011 The 48th Golden Horse Film Festival and Awards Best Sound Effects Warriors of the Rainbow: Seediq Bale Won
2013 The 50th Golden Horse Film Festival and Awards Best Sound Effects Stray Dogs Nominated
Best Sound Effects Soul Won
2014 The 51st Golden Horse Film Festival and Awards Best Sound Effects Paradise in Service Nominated
2015 The 52nd Golden Horse Film Festival and Awards Best Sound Effects The Assassin Won
2017 The 54th Golden Horse Film Festival and Awards Best Sound Effects The Great Buddha+ Nominated
Best Sound Effects Mon Mon Mon Monsters Won
2020 The 57th Golden Horse Film Festival and Awards Best Sound Effects Beyond the Dream Nominated
2021 The 58th Golden Horse Film Festival and Awards Best Sound Effects Terrorizers Nominated
2022 The 59th Golden Horse Film Festival and Awards Best Sound Effects Coo-Coo 043 Nominated

Taipei Film Awards[63]

Year Award Category Film Result
2013 The 14th Taipei Film Awards Best Technical Achievements When a Wolf Falls in Love with a Sheep Won
2019 The 21st Taipei Film Awards Best Sound Design Cities of Last Things Won
Han Dan Nominated
2020 The 22nd Taipei Film Awards Whale Island Nominated
2021 The 23rd Taipei Film Awards The Rope Curse 2 Nominated
2022 The 24th Taipei Film Awards Good Day Nominated
2023 The 25th Taipei Film Awards Coo-Coo 043 To-be-announced
A Place Called Silence To-be-announced

China Zhuhai Film Festival

Year Award Category Film Result
1994 The 1st China Zhuhai Film Festival Best Sound Recording The Puppetmaster Won

Asia-Pacific Film Festival

Year Award Category Film Result
1984 The 29th Asia-Pacific Film Festival Best Sound Effects Teenage Fugitive Won
2010 The 54th Asia-Pacific Film Festival Best Sound Effects Rail Truck Won
2010 The 54th Asia-Pacific Film Festival Special Contribution Tu Duu-Chih Won

Asian Film Awards

Year Award Category Film Result
2023 The 16th Asian Film Awards Best Sound Effects Anita Won

External Links

References

  1. ↑ "Sound Editor | Tu Duu-chih". Ministry of Culture. Apr 19, 2018. Retrieved Aug 17, 2023.
  2. ↑ Chung, Oscar (2008-03-01). "Behind the Scenes". Taiwan Today. Retrieved 2023-06-03.
  3. ↑ The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  4. ↑ "Tribute to Tu Duu-chih". Festival des 3 Continents. Retrieved 2023-06-03.
  5. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  6. ↑ Wong Si-Yan (王詩恩), "Tu Duu-Chih in Conversation: Part 1" (〈【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（上）) Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  7. ↑ 音效大師 杜篤之 熱情加上好奇心，一心一藝創造台灣電影傳奇篇章，商周，2022。
  8. ↑ "台灣電影網：杜篤之". Archived from the original on 2007-12-21. Retrieved 2010-07-01. Unknown parameter |url-status= ignored (help)
  9. ↑ Cheng, Chingwen (鄭景雯), "Tu Duu-Chih x A-Mei Kulilay Amit: ASMR World Tour Concert" (張惠妹演唱會開場音效出自他！國寶級音效大師，如何把小巨蛋變電影院?), CommonWealth Magazine, 2022-04-08.
  10. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  11. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  12. ↑ "Tu Duu-Chih, Department of Radio and Television, NCCU". rtv.nccu.edu.tw (in 中文). Retrieved 2023-06-03.
  13. ↑ 黃怡玫，〈誰在尋找蔣經國？─專訪湯湘竹導演／錄音師〉 Archived 2008-06-29 at the Wayback Machine，放映週報。
  14. ↑ Chang, Sun (孙畅), "Tu Duu-Chih and His 3H Sound Studio," Journal of Beijing Film Academy, no. 2, 2014, pp. 55–58.
  15. ↑ "Tu Duu-Chih: 37 Years of Filmmaking (導演集體推薦的音效大師杜篤之: 37年電影路)". Yahoo News (in 中文). 2009-12-07. Retrieved 2023-06-03.
  16. ↑ "Tu Duu-Chih: My Life as a Film Sound Engineer (我的電影人聲 杜篤之)". mobile.chinesedaily.com (in 中文). Retrieved 2023-06-03.
  17. ↑ Chang, Jinn-pei (張靚蓓). "Tu Duu-Chih," The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  18. ↑ VERSE. "槍聲、風聲和青春壞掉的聲音——音效師杜篤之如何製作台灣首部杜比立體聲電影？ - VERSE". www.verse.com.tw (in 中文). Retrieved 2023-06-03.
  19. ↑ "Tu Duu-Chih: My Life as a Film Sound Engineer (我的電影人聲 杜篤之)". mobile.chinesedaily.com (in Chinese). Retrieved 2023-06-03.
  20. ↑ Chang, Jinn-pei (張靚蓓). "Tu Duu-Chih," The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  21. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  22. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  23. ↑ 魏逸瑩，「追風使命——楊德昌的光影紀事」座談會紀錄，開眼電影網，2007。*2007年12月1日「追風使命——楊德昌的光影紀事」座談會上，影評人藍祖蔚轉述杜篤之的話。
  24. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  25. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  26. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  27. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  28. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  29. ↑ VERSE. "槍聲、風聲和青春壞掉的聲音——音效師杜篤之如何製作台灣首部杜比立體聲電影？ - VERSE". www.verse.com.tw (in 中文). Retrieved 2023-06-03.
  30. ↑ Bettinson, Gary. “Wong Kar-Wai and the Poetics of Hong Kong Cinema.” The Sensuous Cinema of Wong Kar-Wai, 1st ed., Hong Kong University Press, HKU, 2015, p. 1–, https://doi.org/10.5790/hongkong/9789888139293.003.0001.
  31. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  32. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  33. ↑ 張靚蓓，《聲色盒子》，台北：大塊文化，2009年12月ISBN 978-986-213-145-9
  34. ↑ Chang, Sun (孙畅), "Tu Duu-Chih and His 3H Sound Studio," Journal of Beijing Film Academy, no. 2, 2014, pp. 55–58.
  35. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  36. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  37. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  38. ↑ Chang, Sun (孙畅), "Tu Duu-Chih and His 3H Sound Studio," Journal of Beijing Film Academy, no. 2, 2014, pp. 55–58.
  39. ↑ Chang, Jinn-pei (張靚蓓)，3H Sound Studio《聲色盒子》，台北：大塊文化，2009年12月(ISBN 978-986-213-145-9).
  40. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  41. ↑ 藍祖蔚，〈杜篤之把台灣電影推向國際〉 ，《自由時報》，2004年7月6日。*Original Post on Libertytimes is no longer available, but the original text has been documented on a different site. See the URL hyperlinked to the article title.
  42. ↑ Chang, Jinn-pei (張靚蓓). "Tu Duu-Chih," The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  43. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation: Part 2" (【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）"), Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  44. ↑ Chen, Timmy Chih-Ting. “Sound Design.” Journal of Chinese Cinemas, vol. 10, no. 1, 2016, pp. 34–37.
  45. ↑ Gallagher, Mark, and Julian Stringer. “Reshaping Contemporary Chinese Film Sound: Dolby Laboratories and Changing Industrial Practices.” Journal of Chinese Cinemas, vol. 7, no. 3, 2013, pp. 263–76.
  46. ↑ 郭璈. "槍聲、風聲和青春壞掉的聲音——音效師杜篤之如何製作台灣首部杜比立體聲電影？ - VERSE". www.verse.com.tw (in 中文). Retrieved 2023-06-03.
  47. ↑ Bettinson, Gary. “Wong Kar-Wai and the Poetics of Hong Kong Cinema.” The Sensuous Cinema of Wong Kar-Wai, 1st ed., Hong Kong University Press, HKU, 2015, p. 1–, https://doi.org/10.5790/hongkong/9789888139293.003.0001.
  48. ↑ Bettinson, Gary. “Wong Kar-Wai and the Poetics of Hong Kong Cinema.” The Sensuous Cinema of Wong Kar-Wai, 1st ed., Hong Kong University Press, HKU, 2015, p. 1–, https://doi.org/10.5790/hongkong/9789888139293.003.0001.
  49. ↑ 藍祖蔚，〈杜篤之把台灣電影推向國際〉 ，《自由時報》，2004年7月6日。*Original Post on Libertytimes is no longer available, but the original text has been documented on a different site. See the URL hyperlinked to the article title.
  50. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation (Part 1)【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（上）", Image and Imagine Foundation For Culture and Arts. Jun 27, 2019.Retrieved 2023-06-03.
  51. ↑ Chang, Jinn-pei (張靚蓓). "Tu Duu-Chih," The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  52. ↑ "第八屆國家文藝獎 得獎理由". Archived from the original on 2009-07-23. Retrieved 2010-07-01. Unknown parameter |url-status= ignored (help)
  53. ↑ "Tu Duu-Chih, Department of Radio and Television, NCCU". rtv.nccu.edu.tw (in Chinese (Taiwan)). Retrieved 2023-06-03.
  54. ↑ 陳明珠，〈論台灣影音（音像）科系的聲音教育問題〉，《廣播與電視》第22期，79－93頁，2004年1月。
  55. ↑ 朱孝貞，〈音效師杜篤之的電影路 聲色盒子發表〉 Archived 2016-03-04 at the Wayback Machine，大紀元時報，2009年12月3日
  56. ↑ Wong Si-Yan (王詩恩). "Tu Duu-Chih in Conversation (part 2)【對生活敏銳，才能抓到好聲音】專訪音效大師杜篤之（下）", Image and Imagine Foundation For Culture and Arts. Jun 27, 2019. Retrieved 2023-06-03.
  57. ↑ The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  58. ↑ The 2004 National Awards for Arts: Tu Duu-Chih, 2004.
  59. ↑ "Festival de Cannes - International film festival for more than 75 years". Festival de Cannes. 2023-05-27. Retrieved 2023-06-03.
  60. ↑ "香港電影金像獎". 香港電影金像獎. Retrieved 2023-06-03.
  61. ↑ "第57屆廣播電視金鐘獎官方網站". gba.tavis.tw (in 中文). Retrieved 2023-06-03.
  62. ↑ "台北金馬影展 Taipei Golden Horse Film Festival". www.goldenhorse.org.tw (in 中文). Retrieved 2023-06-03.
  63. ↑ "台北電影節 Taipei Film Festival". www.taipeiff.taipei. Retrieved 2023-06-03.



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