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Tunni Kraus

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Tunni Kraus (born 1984) is an Australian multidisciplinary artist.[1]

Biography

Antony Kraus, known as Tunni Kraus, was born in Melbourne in 1984. He is recognised as a notable early-career contemporary artist in Australia[2][3][4][5][6][7][8][1] and Hong Kong.[9][10][11]

Spanning installation, sculpture, and painting, Kraus’ studio practice runs alongside his street action and social interventions.[1][12][13] Tunni Kraus established Pink William, a non-profit art collective along with Brendan Bensky and Ronch Willner[14] coordinating public programs, such as Nine Six High[15] and Balaclava’s Megafauna Parade.[13] Most recently he has been challenging the way we consume, communicate and make meaning through experimenting with new media, scribing, ritual and digital communication technologies.[12][10]

Exhibitions and projects

Kraus has exhibited with galleries, institutions and community initiatives in Australia and abroad. Major projects include Isaiah’s Prophecy; Car Bomb for MONA FOMA, Hobart in 2013;[16] Suburban Time Capsule for McClelland Sculpture Survey, Melbourne in 2014;[17][18] Washed Up for Sculpture by the Sea, Sydney in 2014;[3] The Golden Shopping Trolley for Scenic World, Melbourne in 2016[5] and building façade Suburban Awnings for the Justin Art House Museum, Melbourne in 2016.[19]

Notable group exhibitions include Calling Australia Home at the Jewish Museum of Australia, Melbourne in 2012;[20][21][22] A Floating Identity at Anita Chan Lai-ling Gallery in 2017;[11] Thinkers and Dreamers at Stanley Street Gallery in 2017[23] and Temperature of Communication at Oi! Gallery, Hong Kong in 2017.[24][12] Kraus was awarded the Belle Arti Prize, Melbourne in 2016.[8]

Kraus’ street action and social intervention projects include Between Abandonment and Rebirth for Fallow, Art House St Kilda, Melbourne in 2013;[25] Spectres of Evaluation at Footscray Community Art Centre, Melbourne in 2014;[26] public mural Uncle Larry Walsh in Footscray, 2014;[27] Domain, The Internet is a Cultural Object for New Media, Brunswick St Gallery, Melbourne in 2015;[28][29] and projects instigated as founding member of Pink William art collective.[15][30][31]

References

  1. 1.0 1.1 1.2 "Design & Art Australia Online / Tunni Kraus". Design & Art Australia Online. Retrieved 3 April 2018.
  2. Justin Art House Museum (2016). "Site Specific Art / Tunni Kraus - striped wall to external gallery façade". Justin Art House Museum. Retrieved 30 March 2018.
  3. 3.0 3.1 "Wikipedia / Sculpture by the Sea / Prize Recipients from Bondi 2013". Wikipedia / Sculpture by the Sea. 2014. Retrieved 4 April 2018.
  4. Grishin, Sasha (2014). "Sculpture in the bush: a strong year for the McLelland Prize". Australian National University. Retrieved 4 April 2018.
  5. 5.0 5.1 Sculpture at Scenic World (2016). "2016 Exhibition / Awarded". Sculpture at Scenic World. Retrieved 4 April 2018.
  6. "Building reborn". The Sydney Morning Herald. 14 November 2012. Retrieved 14 June 2018.
  7. "Thinkers and Dreamers". Stanley Street Gallery. 2017. Retrieved 14 June 2018.
  8. 8.0 8.1 Chapman&Bailey (2016). "Tunni Kraus winner 2016 Belle Arti Prize". Belle Arti Prize. Retrieved 4 April 2018.
  9. The Government of Hong Kong (2017). "Oi! unveils "Sparkle!" exhibition series". The Government of Hong Kong Special Administrative Region / Press Releases. Retrieved 2 April 2018.
  10. 10.0 10.1 Chen, Movana (2017). !Sparkle! Temperature of Communication (PDF). Hong Kong: Leisure and Cultural Services Department. Search this book on
  11. 11.0 11.1 Exhibition presented by Anita Chan Lai-ling Gallery. "A Floating Identity". Hong Kong Fringe Club.
  12. 12.0 12.1 12.2 Curated by Movana Chen (2017). "Temperature of Communication / Tunni Kraus". Temperature of Communication. Retrieved 3 April 2018.
  13. 13.0 13.1 "Stanley Street Gallery / Tunni Kraus / Bio" (PDF). Stanley Street Gallery. 2017. Retrieved 4 April 2018.
  14. "Design & Art Australia Online / Pink William". Design & Art Australia Online. Retrieved 12 June 2018.
  15. 15.0 15.1 "9' 6" High, 18 Hr Live / Art Experiment". Nine Six High. 2015. Retrieved 14 June 2018.
  16. "Design & Art Australia Online / Tunni Kraus / Works". Design & Art Australia Online. Retrieved 21 July 2018.
  17. "McClelland Sculpture Survey & Award 2014 finalists announced". Art Almanac. 17 September 2014. Retrieved 14 June 2018.
  18. Hall, Doug (2014). McClelland sculpture survey and awards 2014. Victoria McClelland Gallery and Sculpture Park: Victoria McClelland Gallery and Sculpture Park. ISBN 9780987401052. Search this book on
  19. "Site Specific Art / Tunni Kraus - striped wall to external gallery façade". Justin Art House Museum. 2016. Retrieved 14 June 2018.
  20. "Stanley Street Gallery / Tunni Kraus / CV" (PDF). Stanley Street Gallery. Retrieved 14 June 2018.
  21. "Calling Australia Home [Permanent exhibition]". Jewish Museum of Australia. Retrieved 14 June 2018.
  22. "Design & Art Australia Online / Tunni Kraus / Collections". Design & Art Australia Online. Retrieved 21 July 2018.
  23. Bailey, Merilyn; Feeney, Liza (2017). Thinkers and Dreamers (PDF). Sydney NSW: Stanley Street Gallery. ISBN 978-0-6480595-0-9. Search this book on
  24. "Sparkle! Temperature of Communication". Oi!. 2017. Retrieved 14 June 2018.
  25. Presented by The Justin Art Foundation and Art-House (2013). "Fallow Intervention". Fallow - Between Abandonment and Rebirth. Retrieved 4 April 2018.
  26. "Spectres of Evaluation 2014". Footscray Community Art Centre. 2014. Retrieved 14 June 2018.
  27. Tiahn, Wright (4 August 2014). "Mural in Footscray pays tribute to indigenous elder Uncle Larry Walsh". The Age. Retrieved 14 June 2018.
  28. "Exhibitions / Brunswick Street Gallery / New Media". Art Guide Australia. Issue 94 (Mar/Apr 2015). 2015.
  29. "Domain". The Domain Lifestyle. 2015. Retrieved 14 June 2014.
  30. "warehouse mutant - balaclava 2014". gary deirmendjian / selected works. 2014. Retrieved 14 June 2018.
  31. "Design & Art Australia Online / Pink William". Design & Art Australia Online. Retrieved 21 July 2018.

External links

Further reading


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