Vocal music is a type of music performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered instrumental music (e.g. the wordless women's choir in the final movement of Holst's The Planets) as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.
Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia. A short piece of vocal music with lyrics is broadly termed a song.
Vocal music without lyrics[edit | edit source]
World traditions[edit | edit source]
- Indian classical music is based on a rich vocal tradition, wherein even instruments are evaluated on their ability to follow the human voice, imitate it, or recreate the same expressions.
- Elaborate untexted vocal improvisation was and still is an important element in Turkish and Middle Eastern music traditions. Such music existed prior to the 13th century and the First Crusade into Palestine and the city of Jerusalem, possibly even before the year 900.
- The modern descendants of the ancient Kung tribes and clans of Southern Africa utilize similar traditional music techniques.
- A form of improvisation known as thillana is a very important feature of Carnatic music from South India.
- Tuvan throat singing often features wordless and improvised song. The sygyt technique is a particularly good example of this.
- The Anglo-Saxon and Gaelic communities.
- Hasidic Jews use a form of voice improvisation called nigunim. This consists of wordless tunes vocalized with sounds such as "Bim-bim-bam" or "Ai-yai-yai!" often accompanied by rhythmic clapping and drumming on the table.
- Puirt a beul, also known as "Mouth Music", is a Scottish vocal technique imitating the sounds of bagpipes, fiddles, and other instruments used in traditional Scottish music. It was popularized in North America by Scottish immigrants, and has been incorporated into many forms of American music from roots music to bluegrass.
- The Cante Alentejano is just based on vocal music. It's one of two Portuguese music traditions part of the UNESCO Intangible Cultural Heritage Lists, the other being Fado.
European classical vocal music[edit | edit source]
Jazz and popular music[edit | edit source]
The singer of the Icelandic group Sigur Rós, Jón Þór Birgisson, often uses vocals without words, as does Icelandic singer/songwriter, Björk. Her album Medúlla is composed entirely of processed and acoustic vocal music, including beatboxing, choral arrangements, and throat singing.
Singer Bobby McFerrin has recorded a number of albums using only his voice and body, sometimes consisting of a texted melody supported by untexted vocalizations.
Vocal music with lyrics[edit | edit source]
Songs[edit | edit source]
- See Category:Song forms for short forms of music with words that are sung.
Extended techniques that involve lyrics[edit | edit source]
Wide-ranging voices[edit | edit source]
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•Tim Buckley - F#2 to A5
See also[edit | edit source]
- Human Voice
- National Center for Voice and Speech
- Sweet Adelines International
- Vocal registration
References[edit | edit source]
- Titze, I. R. (2008). The human instrument. Sci.Am. 298 (1):94-101. PM 18225701
- "Cante Alentejano, polyphonic singing from Alentejo, southern Portugal". unesco.org. UNESCO. Retrieved November 3, 2015.
- "Fado, urban popular song of Portugal". unesco.org. UNESCO. Retrieved November 3, 2015.
- "Lucrezia Aguiari, dite La Bastardella ou La Bastardina ou Lucrezia Agujari, dite La Bastardella ou La Bastardina. Encyclopédie Larousse"
- "Encyclopédie Larousse. Chant"
- Video demonstrating Elvis' vocal range through the years
- Ira Siff, « I vespri siciliani » in Opera News, March 2008.
- Ardoin, John (1991). The Callas Legacy. Old Tappen, New Jersey: Scribner and Sons. ISBN 0-684-19306-X.
- L'Invité Du Dimanche, The Callas Conversations, Vol. 2 [DVD] 2007, EMI Classics.
- David A. Lowe, ed (1986). Callas: As They Saw Her. New York: Ungar Publishing Company. ISBN 0-8044-5636-4.
- F Haböck, Die Gesangkunst der Kastraten, (Vienna, 1923), p. 209
- Soto-Morettini, D. (2006), Popular Singing: A Practical Guide To: Pop, Jazz, Blues, Rock, Country and Gospel, A & C Black, ISBN 978-0713672664
- Saint Bris, Gonzague (2009). La Malibran (in French). Belfond. p. 25. ISBN 978-2-7144-4542-1.CS1 maint: Unrecognized language (link)
- Saint Bris, Gonzague (2009). La Malibran (in French). Belfond. pp. 37 and 104. ISBN 978-2-7144-4542-1.CS1 maint: Unrecognized language (link)
- Nicholas E. Limansky (Translated from English by Jean-Jacques Groleau): Mado Robin, soprano (1918 - 1960) Archived 2011-07-19 at the Wayback Machine
- Ellen Highstein: 'Yma Sumac (Chavarri, Emperatriz)' Grove Music Online, ed. L. Macy. (Accessed 8 August 2006)
- Clarke Fountain, "Yma Sumac: Hollywood's Inca Princess (review). Allmovie, reproduced in the New York Times. 1992. 
- David Richards, "The Trill of a Lifetime; Exotic Singer Yma Sumac Meets a New Wave of Fans." The Washington Post, March 2, 1987, STYLE; PAGE B1. Accessed August 6, 2006, via Lexis Nexis,