Disney Experimental Era
The Disney Experimental Era, also known as the Post-Renaissance Era or Disney Second Dark Age, was a period from 2000 to 2008 during which Walt Disney Feature Animation (renamed Walt Disney Animation Studios in 2007) moved away from the Broadway-style musical format of the Disney Renaissance. The nine feature films typically associated with this era are Fantasia 2000 (2000), Dinosaur (2000), The Emperor's New Groove (2000), Atlantis: The Lost Empire (2001), Lilo & Stitch (2002), Treasure Planet (2002), Brother Bear (2003), Home on the Range (2004), Chicken Little (2005), Meet the Robinsons (2007), and Bolt (2008).[1]:120
The era is characterized by experimentation with different storytelling approaches, genres, and animation techniques. During this period, Disney shifted between traditional hand-drawn animation and emerging computer animation technologies, reflecting industry changes and competition from studios such as Pixar, DreamWorks Animation, and Blue Sky Studios.[2] While critical and commercial reception varied, several films such as Lilo & Stitch and The Emperor's New Groove later gained cult status and renewed appreciation, while Treasure Planet and Atlantis: The Lost Empire developed loyal fanbases despite underperforming at the box office.[3]
The Post-Renaissance period served as a transitional era for Disney, bridging the end of its hand-drawn dominance and setting the stage for the Disney Revival beginning with The Princess and the Frog (2009).[1]:120
Background (pre-2000)
By the late 1990s, the unprecedented commercial and critical success of the Disney Renaissance began to slow. While The Lion King (1994) and Tarzan (1999) had become worldwide hits, other late-Renaissance titles such as Pocahontas (1995), The Hunchback of Notre Dame (1996), and Hercules (1997) performed respectably but failed to match the runaway box office heights of earlier films.[citation needed]
At the same time, the broader animation landscape was undergoing dramatic change. The release of Pixar’s Toy Story (1995), the first fully computer-animated feature film, marked the beginning of a new era in animation and intensified competition between Disney and its collaborators-turned-rivals at Pixar.[4] Rival studios such as DreamWorks Animation (founded by Jeffrey Katzenberg following his departure from Disney in 1994) and Fox Animation Studios also sought to challenge Disney’s dominance with films like The Prince of Egypt (1998) and Anastasia (1997).[5]
The box office underperformance of Fantasia 2000 (1999–2000) and the mixed reception to Dinosaur (2000) signaled that Disney’s formula of lavishly produced hand-drawn musicals was beginning to wane in mass appeal. Internal creative tensions mounted as well, with Roy E. Disney—who had been instrumental in reviving the animation department in the 1980s—expressing concern over the company’s future direction. By 2003, Roy E. Disney resigned from the company, publicly criticizing CEO Michael Eisner and launching the high-profile "Save Disney" campaign.[6]
As the studio prepared to enter the 2000s, Disney animation found itself at a crossroads: struggling to balance traditional hand-drawn techniques with the growing influence of computer animation, responding to rising competition, and redefining its storytelling approach after the close of the Renaissance era. This transitional moment set the stage for what has been termed the Experimental or Post-Renaissance Era (2000–2008).[1]:118
Timeline (2000-2008)
2000: Fantasia 2000 and Dinosaur
Fantasia 2000 (1999–2000), released in IMAX theaters before a wide release, was conceived as a continuation of Walt Disney’s original 1940 vision of updating Fantasia with new animated segments. Despite its technical ambition, the film grossed less than expected and underperformed commercially, earning $90 million worldwide against its high production costs.[7]
Later in the year, Disney released Dinosaur, a photorealistic computer-animated feature that blended CGI characters with live-action backgrounds. Although it grossed $350 million worldwide, critics noted its weak story despite praising its visuals. The film reflected Disney’s experimentation with emerging digital technology and computer-generated imagery.[8]
2000–2001: The Emperor’s New Groove and Atlantis: The Lost Empire
The Emperor's New Groove (2000) began life as an ambitious musical epic titled Kingdom of the Sun, but after production difficulties and creative disagreements, the film was reworked into a slapstick comedy. While it underperformed at the box office, it later developed a strong cult following for its humor and unconventional style.[9]
Atlantis: The Lost Empire (2001), inspired by Jules Verne and steampunk aesthetics, represented a shift away from musicals toward action-adventure storytelling. Although praised for its visual design, the film grossed only $186 million worldwide, considered a disappointment compared to the Renaissance hits.[10]
2002: Lilo & Stitch and Treasure Planet
Lilo & Stitch (2002) became the most successful film of the era, praised for its character-driven story, Hawaiian setting, and Elvis Presley-inspired soundtrack. Grossing $273 million worldwide, it spawned several direct-to-video sequels and a television series, establishing a lasting franchise.[11]
In contrast, Treasure Planet (2002), a science-fiction reimagining of Robert Louis Stevenson’s Treasure Island, was one of Disney’s biggest box office failures, earning only $110 million worldwide against a $140 million budget. Despite positive reviews for its animation and design, its commercial disappointment highlighted Disney’s difficulties during this period.[12]
2003–2004: Brother Bear and Home on the Range
Brother Bear (2003) marked a return to a more traditional Disney formula, with songs by Phil Collins. While it grossed $250 million worldwide, reviews were mixed, and the film was overshadowed by Pixar’s growing dominance.[13]
Home on the Range (2004) fared far worse, receiving negative reviews and grossing only $104 million. Its failure led Disney to announce the closure of its traditional hand-drawn animation division, signaling an official shift toward computer animation.[14]
2005–2007: Chicken Little and Meet the Robinsons
Disney’s first fully computer-animated feature produced without Pixar, Chicken Little (2005), grossed $315 million worldwide despite mixed reviews. It was viewed as Disney’s attempt to compete directly with Pixar and DreamWorks Animation.[15]
Meet the Robinsons (2007), based on William Joyce’s children’s book, emphasized themes of family and innovation. Though moderately successful at the box office ($169 million worldwide), the film was more notable as one of the first projects overseen after Bob Iger’s acquisition of Pixar in 2006, signaling closer collaboration between the two studios.[16]
2008: Bolt
Bolt (2008), about a television dog who believes he has superpowers, represented a transition toward the studio’s revival under Pixar’s creative leadership. Directed by Chris Williams and Byron Howard, the film received positive reviews and earned $310 million worldwide. With its blend of comedy, action, and heartfelt storytelling, Bolt is often considered the bridge between the Experimental Era and the beginning of the Disney Revival period.[17]
Reception
Critical and public response
The films of the Experimental/Post-Renaissance Era received mixed to negative responses compared to the Renaissance classics. While some, such as Lilo & Stitch (2002) and Bolt (2008), earned praise for their characters, humor, and heart, others like Home on the Range (2004) and Chicken Little (2005) were criticized for weak storytelling or overreliance on contemporary humor.
According to Rotten Tomatoes, Lilo & Stitch (86%) and Bolt (89%) achieved the highest approval ratings of the era, while Home on the Range (53%) and Chicken Little (37%) were among the lowest-rated Walt Disney Animation Studios releases to that point. Treasure Planet (69%) and Atlantis: The Lost Empire (54%) developed cult followings despite their mixed critical reception and box office struggles.
Overall, the era is considered a transitional period in Disney animation, experimenting with different genres (science fiction, adventure, comedy) and technologies (hand-drawn, hybrid, and full CGI), but struggling to find consistent critical acclaim until the beginning of the Disney Revival in 2009.
| Film | Directors | Rotten Tomatoes | Metacritic | CinemaScore |
|---|---|---|---|---|
| Fantasia 2000 | Don Hahn (producer), various | 82% (6.8/10 average rating) (93 reviews)[18] | 59 (28 reviews)[19] | N/A |
| Dinosaur | Ralph Zondag, Eric Leighton | 65% (6.1/10 average rating) (155 reviews)[20] | 56 (32 reviews)[21] | A |
| The Emperor's New Groove | Mark Dindal | 86% (7.1/10 average rating) (154 reviews)[22] | 70 (31 reviews)[23] | A |
| Atlantis: The Lost Empire | Gary Trousdale, Kirk Wise | 54% (5.9/10 average rating) (152 reviews)[24] | 52 (32 reviews)[25] | B |
| Lilo & Stitch | Chris Sanders, Dean DeBlois | 86% (7.2/10 average rating) (169 reviews)[26] | 73 (30 reviews)[27] | A |
| Treasure Planet | Ron Clements, John Musker | 69% (6.5/10 average rating) (143 reviews)[28] | 60 (29 reviews)[29] | B+ |
| Brother Bear | Aaron Blaise, Robert Walker | 37% (5.4/10 average rating) (152 reviews)[30] | 48 (30 reviews)[31] | A− |
| Home on the Range | Will Finn, John Sanford | 53% (5.8/10 average rating) (134 reviews)[32] | 50 (27 reviews)[33] | B |
| Chicken Little | Mark Dindal | 37% (5.0/10 average rating) (171 reviews)[34] | 48 (35 reviews)[35] | B− |
| Meet the Robinsons | Stephen J. Anderson | 67% (6.4/10 average rating) (147 reviews)[36] | 61 (31 reviews)[37] | A− |
| Bolt | Chris Williams, Byron Howard | 89% (7.1/10 average rating) (176 reviews)[38] | 67 (33 reviews)[39] | A− |
Box office performance
| Film | Release date | Revenue | Rank | Budget | Reference | ||||
|---|---|---|---|---|---|---|---|---|---|
| United States | Foreign | Worldwide | All time domestic | (A) | All time worldwide | ||||
| Fantasia 2000 | January 1, 2000 | $60,655,420 | $29,800,000 | $90,455,420 | 1,935 | – | 2,890 | $80,000,000 | [40] |
| Dinosaur | May 19, 2000 | $137,748,063 | $212,074,576 | $349,822,639 | 448 | – | 332 | $127,500,000 | [41] |
| The Emperor's New Groove | December 15, 2000 | $89,295,009 | $80,025,000 | $169,320,009 | 907 | – | 1,025 | $100,000,000 | [42] |
| Atlantis: The Lost Empire | June 15, 2001 | $84,050,000 | $85,100,000 | $186,400,000 | 979 | – | 968 | $120,000,000 | [43] |
| Lilo & Stitch | June 21, 2002 | $145,794,338 | $127,300,000 | $273,094,338 | 364 | – | 546 | $80,000,000 | [44] |
| Treasure Planet | November 27, 2002 | $38,176,783 | $71,400,000 | $109,576,783 | 2,268 | – | 2,265 | $140,000,000 | [45] |
| Brother Bear | November 1, 2003 | $85,336,277 | $164,700,000 | $250,036,277 | 963 | – | 659 | $128,000,000 | [46] |
| Home on the Range | April 2, 2004 | $50,026,573 | $54,000,000 | $104,026,573 | 1,564 | – | 2,315 | $110,000,000 | [47] |
| Chicken Little | November 4, 2005 | $135,386,665 | $180,900,000 | $316,286,665 | 462 | – | 427 | $150,000,000 | [48] |
| Meet the Robinsons | March 30, 2007 | $97,822,171 | $71,500,000 | $169,322,171 | 823 | – | 1,025 | $150,000,000 | [49] |
| Bolt | November 21, 2008 | $114,053,579 | $196,600,000 | $310,653,579 | 678 | – | 454 | $150,000,000 | [50] |
| Total | $1,028,344,678 | $1,273,399,576 | $2,301,744,254 | ||||||
List indicator
- (A) indicates the adjusted totals based on current ticket prices (calculated by The Numbers).
- * As of 14 September 2025[update]
Awards
Compared to the Disney Renaissance, the Experimental/Post-Renaissance era saw fewer accolades from the Academy Awards and Annie Awards. While most films from this period received some nominations, only Lilo & Stitch (2002) and Treasure Planet (2002) received Academy Award nominations for Best Animated Feature. Many films, however, were recognized with Annie Award nominations, with Lilo & Stitch and Brother Bear (2003) winning multiple awards.
| Year | Film | Academy Awards | Annie Awards | ||
|---|---|---|---|---|---|
| Nomination(s) | Win(s) | Nomination(s) | Win(s) | ||
| 2000 | Dinosaur | 0 | 0 | 5 | 0 |
| 2000 | The Emperor's New Groove | 0 | 0 | 7 | 1 |
| 2001 | Atlantis: The Lost Empire | 0 | 0 | 2 | 0 |
| 2002 | Lilo & Stitch | 1 | 0 | 9 | 4 |
| 2002 | Treasure Planet | 1 | 0 | 8 | 1 |
| 2003 | Brother Bear | 1 | 0 | 8 | 2 |
| 2004 | Home on the Range | 0 | 0 | 1 | 0 |
| 2005 | Chicken Little | 0 | 0 | 3 | 0 |
| 2007 | Meet the Robinsons | 0 | 0 | 4 | 0 |
| 2008 | Bolt | 1 | 0 | 6 | 0 |
Music
Soundtracks
All soundtracks from this era were released under Walt Disney Records, continuing the studio’s tradition of integrating popular music and established performers. While none achieved the same level of cultural impact as the Renaissance soundtracks, several charted and received certifications, most notably Lilo & Stitch and Tarzan II, which featured contemporary pop artists.
| Title | Release date | Peak chart positions | Certifications | |||||
|---|---|---|---|---|---|---|---|---|
| US | AUS | UK | NZ | SWI | RIAA | MC | ||
| Dinosaur | May 5, 2000 | 7 | — | — | — | — | Gold | |
| The Emperor's New Groove | November 14, 2000 | 98 | — | — | — | — | — | |
| Atlantis: The Lost Empire | May 22, 2001 | 109 | — | — | — | — | — | |
| Lilo & Stitch | June 11, 2002 | 24 | 48 | 39 | — | — | Platinum | Gold |
| Treasure Planet | November 19, 2002 | 82 | — | — | — | — | — | |
| Brother Bear | October 21, 2003 | 49 | 70 | 53 | — | — | Gold | |
| Home on the Range | March 23, 2004 | 134 | — | — | — | — | — | |
| Chicken Little | October 25, 2005 | 63 | — | 75 | — | — | — | |
| Meet the Robinsons | March 27, 2007 | 94 | — | — | — | — | — | |
| Bolt | November 18, 2008 | 74 | — | — | — | — | — | |
| "—" denotes a recording that did not chart or was not released in that territory. | ||||||||
Singles
Several singles from the era’s films achieved moderate success, often performed by well-known pop artists such as Shakira, Phil Collins, and Miley Cyrus. While they did not reach the same iconic status as Renaissance-era songs, tracks like "Hawaiian Roller Coaster Ride" (Lilo & Stitch), "Look Through My Eyes" (Brother Bear), and "I Thought I Lost You" (Bolt) received radio play and award recognition.[citation needed]
| Title | Performer(s) | Year | Peak chart positions | Certifications | Album | ||
|---|---|---|---|---|---|---|---|
| US | AUS | UK | |||||
| "My Funny Friend and Me" | Sting | 2000 | — | — | — | Nominated for Academy Award for Best Original Song | The Emperor's New Groove |
| "Burning Love" | Wynonna Judd | 2002 | — | — | — | — | Lilo & Stitch |
| "I'm Still Here (Jim's Theme)" | John Rzeznik | 2002 | 54 | — | — | — | Treasure Planet |
| "Always Know Where You Are" | BBMak | 2002 | — | — | 99 | — | Treasure Planet |
| "Look Through My Eyes" | Phil Collins | 2003 | — | 47 | 54 | — | Brother Bear |
| "Welcome" | Phil Collins | 2003 | — | — | — | — | Brother Bear |
| "Little Patch of Heaven" | k.d. lang | 2004 | — | — | — | — | Home on the Range |
| "One Little Slip" | Barenaked Ladies | 2005 | — | — | — | — | Chicken Little |
| "Hold On" | Jonas Brothers | 2007 | — | — | — | — | Meet the Robinsons |
| "Kids of the Future" | Jonas Brothers | 2007 | — | — | — | — | Meet the Robinsons |
| "I Thought I Lost You" | Miley Cyrus & John Travolta | 2008 | — | 48 | — | Nominated for Golden Globe Award for Best Original Song | Bolt |
| "Barking at the Moon" | Jenny Lewis | 2008 | — | — | — | — | Bolt |
| "—" denotes a recording that did not chart or was not released in that territory. | |||||||
Analysis
The Experimental or Post-Renaissance Era is generally defined by Disney’s shift away from the Broadway-inspired musical formula of the Renaissance films and its willingness to experiment with different genres, tones, and animation styles.[51] Rather than focusing on traditional fairy tales and musical storytelling, films from this period often leaned into satire, adventure, and contemporary humor. The Emperor's New Groove (2000), for example, embraced a more comedic, fourth-wall-breaking tone, while Atlantis: The Lost Empire (2001) pursued a pulp-inspired science fiction style.[52]
Another defining feature of the era was Disney’s experimentation with technology. Films such as Dinosaur (2000) and Treasure Planet (2002) combined CGI with traditional animation, though critical reception was mixed.[53]
Although some of the films achieved cult followings and positive reassessments later (such as Atlantis and Treasure Planet), many underperformed at the box office compared to the blockbuster success of the Renaissance. The financial disappointments of films like Home on the Range (2004) and Chicken Little (2005) contributed to a period of uncertainty for Walt Disney Feature Animation.[54]
This period is often seen as transitional. Disney explored multiple directions—ranging from traditional 2D animation, hybrid techniques, to fully computer-animated features—before eventually finding renewed critical and commercial success with Bolt (2008) and the beginning of the so-called Disney Revival with The Princess and the Frog (2009).[55]
Sequels
During the Experimental/Post-Renaissance era, Disneytoon Studios continued producing direct-to-video sequels to earlier films as well as to new releases from this period. These sequels often expanded on the stories of theatrical features but were generally produced with smaller budgets and targeted at the home video market.[56]
Sequels released to films from this era include Atlantis: Milo's Return (2003), a follow-up to Atlantis: The Lost Empire; Stitch! The Movie (2003) and Lilo & Stitch 2: Stitch Has a Glitch (2005), both expanding the Lilo & Stitch franchise; and Kronk's New Groove (2005), a spin-off sequel to The Emperor’s New Groove.[57]
Additional titles included Tarzan & Jane (2002) and Brother Bear 2 (2006). While these films were commercially successful in the home video market, they were often criticized by reviewers and animation historians for lacking the quality and innovation of their theatrical counterparts.[58]
The era marked the height of Disneytoon Studios’ sequel output before the division shifted focus in the late 2000s and was eventually closed in 2018.
Impact on other studios
The mixed critical and commercial performance of Disney's films during the Experimental/Post-Renaissance era coincided with significant changes in the animation industry. Competing studios increasingly shifted toward computer animation, a trend popularized by the success of Pixar's Toy Story (1995) and later DreamWorks' Shrek (2001).[59]
Studios such as DreamWorks Animation, Blue Sky Studios, and Sony Pictures Animation leaned heavily into CGI comedies and adventure films, which became dominant at the box office. In contrast, Disney's attempts at stylistic experimentation with titles like Atlantis: The Lost Empire (2001), Treasure Planet (2002), and Home on the Range (2004) underperformed financially, signaling a decline in traditional animation’s market viability.[60]
The era also influenced Disney’s competitors by showing the risks of diverging from the established musical formula of the Renaissance. While some studios experimented with blending traditional and computer animation—such as Warner Bros. with Looney Tunes: Back in Action (2003)—the industry’s focus shifted rapidly to fully CGI productions, leaving Disney to eventually abandon hand-drawn features after Home on the Range and Winnie the Pooh (2011).[61]
Overall, the Experimental/Post-Renaissance era demonstrated the challenges traditional animation faced in a marketplace increasingly dominated by computer-generated imagery, while competitors like DreamWorks and Pixar thrived by embracing the new technology.
Remakes
Several films from the Experimental or Post-Renaissance period have been announced or adapted into live-action remakes.
Treasure Planet has been rumored for live-action development, though no confirmed production has been announced by Walt Disney Pictures.[62]
A live-action adaptation of Atlantis: The Lost Empire was reported to be in early development discussions, but no official greenlight has been confirmed.[63]
Lilo & Stitch is the first film from the era to move forward with a live-action adaptation. The project entered production in 2023, directed by Dean Fleischer Camp, with Chris Kekaniokalani Bright writing the screenplay and Alan Silvestri returning to adapt his original score.[64] It is scheduled for release on Disney+.
Video games
Many of the films from the Experimental or Post-Renaissance era received video game adaptations during the 2000s. These included Dinosaur (2000), Atlantis: The Lost Empire (2001), Lilo & Stitch (2002), Treasure Planet (2002), Brother Bear (2003), Home on the Range (2004), Chicken Little (2005), Meet the Robinsons (2007), and Bolt (2008).[65] [66]
See also
- Dream On Silly Dreamer – 2005 documentary film about the shutdown of Walt Disney Feature Animation's traditional hand-drawn division in the early 2000s.
- The Sweatbox – 2002 documentary chronicling the troubled production of Kingdom of the Sun, which was reworked into The Emperor's New Groove.
References
- ↑ 1.0 1.1 1.2 Pallant, Chris (2011). Demystifying Disney: A History of Disney Feature Animation. New York: Continuum Publishing. ISBN 9781441150462. Retrieved September 14, 2025. Search this book on
- ↑ Barrier, Michael (2007). The Animated Man: A Life of Walt Disney. University of California Press. ISBN 9780520241176. Search this book on
- ↑ Sito, Tom (2006). Drawing the Line: The Untold Story of the Animation Unions, from Bosko to Bart Simpson. University Press of Kentucky. ISBN 9780813124070. Search this book on
- ↑ Price, David A. (2008). The Pixar Touch: The Making of a Company. Knopf. ISBN 9780307265753. Search this book on
- ↑ Koenig, David (2011). Mouse Under Glass: Secrets of Disney Animation & Theme Parks (2nd ed.). Bonaventure Press. Search this book on
- ↑ Holson, Laura M. (November 30, 2003). "Roy Disney Resigns From Disney Board, Criticizing Eisner". The New York Times. Retrieved September 14, 2025.
- ↑ "Fantasia 2000 – Box Office Mojo". Retrieved September 14, 2025.
- ↑ Holden, Stephen (May 19, 2000). "Film Review; Dinosaur Adventure That Outdoes Nature". The New York Times. Retrieved September 14, 2025.
- ↑ "The Emperor's New Groove". The Numbers. Retrieved September 14, 2025.
- ↑ Ebert, Roger (June 15, 2001). "Atlantis: The Lost Empire Review". Chicago Sun-Times. Retrieved September 14, 2025.
- ↑ "Lilo & Stitch". Retrieved September 14, 2025.
- ↑ "Disney's 'Treasure Planet' a Box-Office Disaster". Los Angeles Times. December 2, 2002. Retrieved September 14, 2025.
- ↑ "Brother Bear". Retrieved September 14, 2025.
- ↑ Waxman, Sharon (April 4, 2004). "Disney Says Farewell to Hand-Drawn Animation". The New York Times. Retrieved September 14, 2025.
- ↑ "Chicken Little". Retrieved September 14, 2025.
- ↑ "Pixar's Lasseter Takes the Wheel at Disney Animation". The Wall Street Journal. March 30, 2007. Retrieved September 14, 2025.
- ↑ "Bolt". Retrieved September 14, 2025.
- ↑ "Fantasia 2000". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Fantasia 2000". Metacritic. Retrieved September 14, 2025.
- ↑ "Dinosaur". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Dinosaur". Metacritic. Retrieved September 14, 2025.
- ↑ "The Emperor's New Groove". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "The Emperor's New Groove". Metacritic. Retrieved September 14, 2025.
- ↑ "Atlantis: The Lost Empire". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Atlantis: The Lost Empire". Metacritic. Retrieved September 14, 2025.
- ↑ "Lilo & Stitch". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Lilo & Stitch". Metacritic. Retrieved September 14, 2025.
- ↑ "Treasure Planet". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Treasure Planet". Metacritic. Retrieved September 14, 2025.
- ↑ "Brother Bear". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Brother Bear". Metacritic. Retrieved September 14, 2025.
- ↑ "Home on the Range". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Home on the Range". Metacritic. Retrieved September 14, 2025.
- ↑ "Chicken Little". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Chicken Little". Metacritic. Retrieved September 14, 2025.
- ↑ "Meet the Robinsons". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Meet the Robinsons". Metacritic. Retrieved September 14, 2025.
- ↑ "Bolt". Rotten Tomatoes. Retrieved September 14, 2025.
- ↑ "Bolt". Metacritic. Retrieved September 14, 2025.
- ↑ "Fantasia 2000". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Dinosaur". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "The Emperor's New Groove". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Atlantis: The Lost Empire". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Lilo & Stitch". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Treasure Planet". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Brother Bear". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Home on the Range". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Chicken Little". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Meet the Robinsons". Box Office Mojo. Retrieved September 14, 2025.
- ↑ "Bolt". Box Office Mojo. Retrieved September 14, 2025.
- ↑ Hill, Jim (November 25, 2010). "Disney Animation's Lost Years". Retrieved September 14, 2025.
- ↑ Scott, Mike (June 9, 2011). "The Emperor's New Groove at 10: Disney's comedy cult classic". Retrieved September 14, 2025.
- ↑ Solomon, Charles (December 27, 2002). "'Treasure Planet' and Disney's Digital Frontier". Los Angeles Times. Retrieved September 14, 2025.
- ↑ Schneider, Michael (April 6, 2004). "Disney's 'Range' fizzles at box office". Variety. Retrieved September 14, 2025.
- ↑ Determan, Sophie (February 18, 2021). "The many merry eras of Disney". British Film Institute. Retrieved September 14, 2025.
- ↑ Perlmutter, David (2018), The Encyclopedia of American Animated Television Shows, Rowman & Littlefield, ISBN 9781538103739
- ↑ Hill, Jim (August 27, 2005). "Direct-to-video Disney sequels: The end of an era". Retrieved September 14, 2025.
- ↑ McClintock, Pamela (August 29, 2006). "Disney to end cheap DVD sequels". The Hollywood Reporter. Retrieved September 14, 2025.
- ↑ Corliss, Richard (June 7, 2001). "'Shrek': The monster that ate Hollywood". Time. Retrieved September 14, 2025.
- ↑ Solomon, Charles (November 27, 2002). "Traditional animation loses ground to CGI". Los Angeles Times. Retrieved September 14, 2025.
- ↑ Barrier, Michael (2008). The Animated Man: A Life of Walt Disney. University of California Press. ISBN 9780520256194. Search this book on
- ↑ Kroll, Justin (August 20, 2020). "Disney Considering Live-Action Adaptation of 'Treasure Planet'". Variety. Retrieved September 14, 2025.
- ↑ Kit, Borys (July 2, 2020). "Disney Eyeing Live-Action 'Atlantis' Remake". The Hollywood Reporter. Retrieved September 14, 2025.
- ↑ Vary, Adam B. (April 28, 2023). "Disney's 'Lilo & Stitch' Live-Action Remake Sets Cast and Begins Filming". Variety. Retrieved September 14, 2025.
- ↑ "Disney's Chicken Little (Review)". IGN. November 8, 2005.
- ↑ "Meet the Robinsons Review". GameSpot. April 23, 2007.
External links
- Collider: Underrated Disney Animated Movies from the 2000s
- Oh My Disney: A Look Back at Disney Movies from the 2000s
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