📜 Post with us on Reddit
📝 Create a new article
🏭 Create a company page
🇬🇧 - in English
🇫🇷 - en Français (FR)
🇵🇹 - em Português (PT)
🇩🇪 - in Deutsch (DE)
🇯🇵 - 日本語で (JA)
Sponsored articles

You can edit almost every page by Creating an account. Otherwise, see the FAQ.

G. F. Zaimis

From EverybodyWiki Bios & Wiki

G.F. Zaimis
BornCharleston, South Carolina
Occupation
  • Author
  • Poet & Literary Translator
  • Adviser
  • Serial creative
NationalityAmerican
GenrePoetry, essays, plays, non-fiction, art & architecture, photography, mythology, philosophy & literary translation
Notable worksTherapy with Antigone

Monumental Athens URBAN

Prometheus Rebound and Other Mythology

Excavated: Athens to Alexandria

Philosophy and Poetry

The Portico Convention

Cleanthes' Hymn to Zeus
Signature

Download books of G. F. Zaimis or buy them on amazon


Ginger F. Zaimis is an American author, poet, polymath, thought leader, adviser, literary translator, friend of philosophy, photographer and serial creative[1][2] who specializes in architectural forms.[3][4][5] Her vision blurs the minimal to monumental, abstract to literal while re-connecting multi-disciplinary dialogues that reunite the Humanities and Sciences as a whole while integrating contemporary modernisms and comparative literature.

She has appropriated and translated portions of Ancient Greek mythology, philosophy and poetry with emphasis on Heraclitus' ideology[6] and Stoicism though not limited to.

Biography[edit]

A polymath and serial creative educated in the arts, architecture, and economics, she is both Southerner and Philhellene who lived her early years in New York City. Her professional dialogues span from advisory work, communications (i.e. lecturing, reading, writing, editing) and the ancient world from Fortune 500 companies[7] and financial institutions[8] to art collections,[9] museums,[10] centers for the contemporary arts, architecture[11] and literature[12][13] as well as New York publishing[14][15] houses, world libraries, and academic institutions.[16][17][18][19][20]

Grammatology[edit]

Architecture of[edit]

Ginger's grammatology recalls Derrida's understanding of the word. Her poetry unites intersections of contemporary modernisms and comparative literature through the lens of architecture braiding mythology and philosophy to connect multi-disciplinary dialogues re-integrating the arts and sciences as one through poetry. Her work with the sonnet, form and verse has been associated with the school of New Formalism. She is the architect of two poetic forms: the Portico[21][22] and Triptych.[23]

Poetry as text-tile[edit]

She is the author of three poetry collections, Therapy with Antigone and the Trilogy Verses[24] (2017), Prometheus Rebound and Other Mythology[25] (2015) and Excavated Athens to Alexandria (2013).[26][27] The author of essays and reviews,[28] she is the architect of The Portico Convention,[29] a treatise on poetry as architecture, as well as the co-author of Philosophy and Poetry[30] with the Philosopher of Kairicity, E. Moutsopoulos, member of the Athens Academy.

Myth and logos in translation[edit]

As a polyglot, she has appropriated, progressed and translated from the Modern and Ancient archetypes from Classical Greece into her own poetic oeuvre ranging from philosophical to mythological tragedy(s) questioning the death of Alexander the Great to Aeschylus' Prometheus and Sophocles' Antigone. These plays are represented in the works entitled The Divine Inquisition,[31] Prometheus Rebound[32][33] and Therapy with Antigone.[34] A few examples of poetic work composed in sonnet cycles which progress mythos and logos from Ancient Greek philosophy into poetry, as well as Cleanthes Hymn to Zeus,[35] a new translation from the Ancient Greek to English verse in sestinas.

Critical reviews[edit]

Therapy with Antigone and the Trilogy Verses,[24] the poet's third collection is critically observed by Lee Slonimsky, poet, "Pythagorean"[36] and Literary Executor of the Daniel Hoffman Archive at the Library of Congress as "Extraordinary content with spiritual insight and academic depth…Few writers of our day can ground one part of the mind in the material world while allowing the other to roam in philosophical eternity like Ginger Zaimis...Part of her psyche…resides in the world of Heraclitus, Sophocles and the other in the light of presence…Her ability to unite dualities; synthesize opposites as One is greater than the sum of their parts".[37][24] Critic, translator and co-founder, Cecile Margellos of Yale University Press/Margellos Republic of Letters writes, "Ginger's idea of mythologies through an architectural lens stand boldly at the intersection of contemporary and comparative literature... her work reveals the in-between of worlds, strata and disciplines by inventing new prototypes"[24][38] while American School of Classical Studies at Athens, Maria Georgopoulou, Director of the Gennadius Library says, "Ginger is someone who bridges the arts... she doesn't fit in-to-a-box but rather perceives life out-of-the-box... bringing architectural order to the world by shaping words, poetry, and perception."[39][24]

Her second collection, Prometheus Rebound and Other Mythology, Rachel Hadas critically writes, "Ginger Zaimis sometimes sounds like Heraclitus – fragmentary, abrupt, vatic and witty. Verses resonate with breathtaking peremptory wisdom... Remarkable!"[40][25] while Paolo Colombo, writer, curator, and former head of the MAXXI, sees her poetry as installation. "Each word is sculpted into perfect form as architecture itself to fit the necessity of language… The sonnets are experienced as pages of diptychs that converge into triptychs, her new visual and literary, poetic hybrid, shaping abstraction into form, aether to volume, idea from void."[41] and Elizabeth J. Coleman, vice-president of the Poetry Society of America observes, "I am in awe of Ginger Zaimis' knowledge of history and mythology, her skill and creativity with form. I love the way she weaves the current with the ancient, the high with the low...so wittily, so gracefully."[42]

Ernest Hilbert critically observes of her first collection, Excavated Athens to Alexandria,[43] "her intelligence sparkles... she proves that the sonnet is more than merely a little song of love, that it can and must contain multitudes of voices and address infinite concerns."[44]

Distinctions and new poetic forms[edit]

Honors[edit]

She has been honored to lecture, read and present her work at distinguished centers for the arts, literature, universities and world libraries such as The Keats Shelley House, Rome museum, The Athens Academy, Research Centre for Greek Philosophy, Fordham University, the Gabelli School of Business, The Gennadius Library at the American School for Classical Studies Athens, the British School at Athens, Bibliotheca Alexandrina Library, The Athens Centre, Parnassus Literary Society, the Berlin Biennial, Manifesta Biennial, Mass MoCA museum and The Century Association Arts Club in NYC to name a few.

Her debut collection, Excavated Athens to Alexandria,[43] a didactic collection inspired by Classical Greece and Hellenistic Alexandria, explores language as architecture and architecture as poetry. She is PEN America’s Poetry Finalist (2015) for best, first collection. Her poems have been collected in the Library of Alexandria, Poetry Anthologies (2014, 2015, 2017 & 2019), IFBA Press.[45][46][47] She has served as judge for the Keats-Shelley Poetry Prize and her first two collections, Excavated Athens to Alexandria and Prometheus Rebound and Other Mythology were nominated for the London Hellenic Prize. An American who "navigates the world and her life with grace, elegance…Her poetic voice is fresh and unexpected: tough, tender, funny, fierce, risky and sometimes risqué...mixing high-register diction with a vernacular of Southern sassiness”,[48] writes A.E. Stallings while Rachel Hadas and Lee Slonimsky liken her poetic voice and verse to a contemporary Heraclitus[49] and Sophocles.[50] She is the architect of the two new poetic forms: the Portico and Triptych.

The Portico[edit]

The Portico was the poet's first form she designed. It was inspired by the facade of a classical temple's porch or portico. "It is a defined poetic shape, written in verse that employs specific design elements to achieve a result of sound – silence – sound. The new form uses architecture as a connective matrix to unite the literary arts which incorporate aesthetic, rhythmic and verse qualities. It was designed in 2012–13. It is founded upon classical architectural fundamentals that emulate the design of a classical temple, specifically, the colonnaded portico from which it has appropriates its name. Its concept is premised upon Vitruvius architectural principles." Poetry's new form is outlined in her treatise entitled, The Portico Convention."[51][22]

The poems, Propylaia and The Caryatids,[52] are some of the first prototypes that were used to develop the convention. The former, Propylaia,[53] is appropriated from the Propylaia at the Acropolis and Englished from the Greek meaning an entrance; gateway to. The latter, references the Erechtheion Temple at the Acropolis and the origins of the Caryatids, re-told through her poetry, "Portico of six ||| rhomb adjacent to ||| Beauty eurhythmic ||| adjoined carefully two ||| Maidens of the Caryae ||| All from Laconia ||| Commitment lifetime ||| obligation diva..."[54] based upon M. Vitruvius Pollio provenance in De Architectura. The Portico[55][56] is dedicated to T.S. Eliot.[56]

Triptych[edit]

The poet's second poetic form, the Triptych, the design model pays homage to the ancient Homeric epigram plus two lines, the Greek haiku and Rothko. "It is a conversion of the classically contemporary visual and literary arts as I imagine it poetically, and how Rothko might have re-imagined it."[57] The triptych form was first presented in the poet's second collection, Prometheus Rebound and the Other Mythology.[58] "The triptych...distills thought that recounts impressions and incidents as rhythmic, mural imagery in bits of three brushed onto paper. Like painting or architecture, it integrates text-tile and space as it delineates the nuance of original shape redrawing boundary while solidifying synergy premised on archetype models."[59] Examples include: LULL,[60] a commission for A Poet's Agora (2016), After the last before the first[61] and Wyrd worker.[62][63]

The triptych form is further explored and experimented in the poet's third collection, Therapy with Antigone and the Trilogy Verses, encompassing a third of the collection.[64]

Bibliography[edit]

Monographs and collections[edit]

  • "Therapy with Antigone and the Trilogy Verses" (Spuyten Duyvil, 2017). ISBN 978-1-944682-40-8 Search this book on .
  • "Prometheus Rebound and Other Mythology" (Blue Scarab Press, 2015). ISBN 978-1-938963-10-0 Search this book on .
  • "Philosophy and Poetry", co-author E. Moutsopoulos, (Library of Alexandria, IFBA Press, 2014). ISBN 978-618-80327-1-2 Search this book on .
  • "Excavated Athens to Alexandria" (Blue Scarab Press, 2013). ISBN 978-1-938963-04-9 Search this book on .
  • "The Portico Convention" (Blue Scarab Press, 2013). ISBN 978-1-938963-06-3 Search this book on .
  • "Monumental Athens Urban" (Squared Editions, 2012). ISBN 978-1-938963-02-5 Search this book on .

Journals, anthologies and features[edit]

Readings, talks, plays and exhibitions[edit]

Readings[edit]

  • "Athens, Alexandria & Rome" Keynote, @MoonstationAthens, December 2022
  • "Pop-up Poetry Series" @Acropolis of Athens, with Carol Goodman, Lee Slonimsky & G.F. Zaimis, November 2021
  • An Evening of Poetry with the Centurians, Poetry@Century Association, NYC, November 2020
  • "International Poetry Society" Keynote, "Shelley, Byron and the Italian, Greek Years" @Free Thinking Zone, Athens, October 2020
  • Excerpts from a NEW translation from Ancient Greek to English Verse of "Aristophanes' Frogs", Poetry@Bibliotheca Alexandrina, Alexandria October 2019
  • "10th International Arts Council Conference" Chair, IARC, Acropolis Museum Athens, October 2019
  • "Poetry@theCentury", 10th Anniversary of Poetry@theCentury, Century Association Arts Club, NYC, March 2018
  • "ODYSSEY 2017", Read in the Languages of the World", Athens Concert Hall, Time stamp 2:00, Summer 2017
  • "LULL", A Poets' Agora, Athens, December 2016

Lectures, papers, and presentations with poetry[edit]

Book presentations[edit]

Plays and theatrical works[edit]

  • Excerpts from a NEW translation from Ancient Greek to English Verse of "Aristophanes' Frogs", Poetry@Bibliotheca Alexandrina, Alexandria, October 2019
  • "Prometheus Rebound",[74] Cast: Orfeas Apergis, Eliza Jackson, A.E. Stallings, Paolo Colombo & Ginger F. Zaimis, February 2015
  • "The Divine Inquisition",[75] Cast: Elena Penga, A.E. Stallings, Joanna Papadopoulos & Ginger F. Zaimis, Parnassos Literary Society, December 2013

Exhibitions[edit]

External links[edit]

References[edit]

  1. ↑ Author bio http://gfzaimis.wixsite.com/gfzaimis/about
  2. ↑ Biography page, p. 51, Therapy with Antigone and the Trilogy Verses, Zaimis, GF, Spuyten Duyvil Press, ISBN 978-1944682-40-8 Search this book on .
  3. ↑ Portico form – a new poetic form, The Portico Convention, Zaimis, GF, ISBN 978-1-938963-06-3 Search this book on .
  4. ↑ Triptych form – a new poetic form, Sonnet cycles and Sonnets, Prometheus Rebound and Other Mythology, Zaimis, GF, ISBN 978-1944682-40-8 Search this book on .
  5. ↑ Cleanthes' "Hymn to Zeus" translation in sestina, Therapy with Antigone and the Trilogy Verses, Zaimis, GF, ISBN 978-1944682-40-8 Search this book on .
  6. ↑ Biographical profile http://gfzaimis.wixsite.com/gfzaimis/about
  7. ↑ Bankers Trust
  8. ↑ Moore Capital Management
  9. ↑ Esterow, Milton (March 1, 2011). "The Top 10 Photo Collectors". Artnews.com.
  10. ↑ "An Exchange with Sol LeWitt". MASS MoCA. April 11, 2016.
  11. ↑ Netherlands Architecture Institute
  12. ↑ Keats–Shelley House, Rome http://www.keats-shelley-house.org/en/events/the-romantics-and-greece-myth-transcendence-love-and-beauty.html
  13. ↑ The Athens Centre http://athenscentre.gr/?p=7025
  14. ↑ Little, Brown and Company
  15. ↑ Spuyten Duyvil Presshttp://www.spuytenduyvil.net/
  16. ↑ Gennadius Library
  17. ↑ American School of Classical Studies at Athens
  18. ↑ IFBA Library
  19. ↑ Athens Academy
  20. ↑ Biography
  21. ↑ The Portico Convention, ISBN 978-1-938963-06-3 Search this book on .
  22. ↑ 22.0 22.1 Library of Congress Collection https://lccn.loc.gov/2015297174
  23. ↑ first presented in Prometheus Rebound and Other Mythology, ISBN 978-1-938963-10-0 Search this book on .
  24. ↑ 24.0 24.1 24.2 24.3 24.4 Zaimis, G. F. (2017). Therapy with Antigone and the Trilogy Verses. Spuyten Duyvil. ISBN 978-1-944682-40-8. Search this book on
  25. ↑ 25.0 25.1 Zaimis, G. F. (November 27, 2015). Prometheus Rebound and Other Mythology. IDEALab Editions. ISBN 978-1-938963-33-9. Search this book on
  26. ↑ Zaimis, G. F.; Hilbert, Ernest; Loulakaki-Moore, Irene; Slonimsky, Lee (December 18, 2013). Excavated Athens to Alexandria: Architecture as Language and Letters. IDEALab Editions. ISBN 978-1-938963-04-9. Search this book on
  27. ↑ "Excavated Athens" (PDF). iforce.gr. 2013. Retrieved 2 May 2023.
  28. ↑ "National Book Critics Circle: NBCC Reads: G.F. Zaimis Picks Six Poets – Critical Mass Blog". bookcritics.org. Archived from the original on April 21, 2014. Unknown parameter |url-status= ignored (help)
  29. ↑ Zaimis, G. F. (December 9, 2013). The Portico Convention: Architecture as Poetry and Poetry as Architecture. IDEALab Editions. ISBN 978-1-938963-06-3. Search this book on
  30. ↑ ISBN 978-618-80327-1-2 Search this book on .
  31. ↑ "The Divine Inquisition" performance http://www.lsparnas.gr/uploadFiles/ExcavatedandDivineInquisition.pdf
  32. ↑ "ASCSA/BSA Catalogue - Login". Retrieved May 2, 2023.
  33. ↑ ""Prometheus Rebound" | A play written by G.F. Zaimis" – via YouTube.
  34. ↑ Library of Congress Collection https://lccn.loc.gov/2016059110
  35. ↑ "Εκδόσεις | Academy of Athens". academyofathens.gr. November 20, 2015.
  36. ↑ E. Moutsopoulos, Athens Academy
  37. ↑ Lee Slonimsky Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  38. ↑ Cecile Margellos Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  39. ↑ Maria Georgopoulou Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  40. ↑ Rachel Hadas Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  41. ↑ Paolo Colombo Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  42. ↑ Elizabeth J. Coleman Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  43. ↑ 43.0 43.1 Zaimis, G. F.; Hilbert, Ernest; Loulakaki-Moore, Irene; Slonimsky, Lee (2013-12-18). Excavated Athens to Alexandria: Architecture As Language and Letters. IDEALab Editions. ISBN 978-1-938963-04-9. Search this book on
  44. ↑ Hilbert, Ernest critical review http://docs.wixstatic.com/ugd/aa7237_8752baa2f0c44cf3b0347eb37ea6d5c0.pdf
  45. ↑ IFBA Press Bibliotheca Alexandrina
  46. ↑ 9th Anthology, p. 29-33
  47. ↑ 11th Anthology, p. 11-13
  48. ↑ A.E. Stallings writes http://athenscentre.gr/?p=7025
  49. ↑ Reviewed by Hadas, Rachel http://idealabeditions.wixsite.com/gingerfzaimis
  50. ↑ Zaimis, G. F. (2017). Therapy with Antigone and the Trilogy Verses. Spuyten Duyvil. ISBN 978-1-944682-40-8. Search this book on
  51. ↑ Portico Definition, The Portico Convention, p. 11, ISBN 978-1-938963-06-3 Search this book on .
  52. ↑ Excavated Athens to Alexandria, Zaimis, GF, p. 23,ISBN 978-1-938963-04-9 Search this book on .
  53. ↑ Excavated Athens to Alexandria, Zaimis, GF, p. 15, ISBN 978-1-938963-04-9 Search this book on .
  54. ↑ Excerpt from poem, "Caryatids", Excavated Athens to Alexandria, Zaimis, GF, p. 23, ISBN 978-1-938963-04-9 Search this book on .
  55. ↑ The Portico Convention, Zaimis, GF, p. 14, ISBN 978-1-938963-06-3 Search this book on .
  56. ↑ 56.0 56.1 Form of Portico https://static.wixstatic.com/media/aa7237_8d306c5a32a14cfc8d06765d54114805.jpg/v1/fill/w_475,h_683,al_c,q_80,usm_0.66_1.00_0.01/aa7237_8d306c5a32a14cfc8d06765d54114805.webp
  57. ↑ Zaimis, GF, Book presentation of Prometheus Rebound and Other Mythology, February 2015, The Athens Centre
  58. ↑ pages 49–69, ISBN 978-1-938963-10-0 Search this book on .
  59. ↑ Preface text, Prometheus Rebound and Other Mythology, Zaimis, GF, ISBN 978-1-938963-10-0 Search this book on .
  60. ↑ Lull by Zaimis, Ginger F. https://apoetsagora.com/ginger-f-zaimis/
  61. ↑ Poetry Out-loud Series from Prometheus Rebound and Other Mythology, p. 69
  62. ↑ Back cover of Prometheus Rebound and Other Mythology
  63. ↑ "Wyrd worker" poetry by G.F. Zaimis, retrieved 2023-12-08
  64. ↑ Part IV, The Trilogy Verses, p.15-48, ISBN 978-1-944682-40-8 Search this book on .
  65. ↑ Event Invitation http://www.keats-shelley-house.org/en/events/the-romantics-and-greece-myth-transcendence-love-and-beauty.html
  66. ↑ The Romantics, Greece, Myth, Poetry & Transcendence @ Keats-Shelley House with Ginger Zaimis, retrieved 2023-12-08
  67. ↑ "Athens Academy: Philosophical Themes via Poetry w/ Lee Slonimsky & Ginger F. Zaimis" – via YouTube.
  68. ↑ Invitation https://static.wixstatic.com/media/aa7237_ee5cabd4661843378139f9004de3f400~mv2.jpg/v1/fill/w_630,h_394,al_c,q_80,usm_0.66_1.00_0.01/aa7237_ee5cabd4661843378139f9004de3f400~mv2.webp
  69. ↑ "VIDEOCAST – Fairy Tale Logic: The Philosophy of Mythology through the Eyes of Poetry | American School of Classical Studies at Athens". ascsa.edu.gr.
  70. ↑ Event Invitation https://static.wixstatic.com/media/aa7237_50cbf390e711425e873ec5894b3c59f3~mv2_d_2598_1578_s_2.jpg/v1/fill/w_630,h_383,al_c,q_80,usm_0.66_1.00_0.01/aa7237_50cbf390e711425e873ec5894b3c59f3~mv2_d_2598_1578_s_2.webp
  71. ↑ "Prometheus Rebound and Other Mythology" by G.F. Zaimis | Athens reading, retrieved 2023-12-08
  72. ↑ Parnassus Literary Society, Kostis Palamas Salon http://www.iforce.gr/G-F-Zaimis/Excavated_Athens2013.pdf
  73. ↑ "Book Library – Book Guide Author, Publication and Store". lsparnas.gr.
  74. ↑ The Athens Centre Athens Centre
  75. ↑ Parnassus Literary Society, Kostis Palamas Salon http://www.lsparnas.gr/
  76. ↑ 76.0 76.1 Ibid. Sleepibidgallery.com Archived April 1, 2018, at the Wayback Machine
  77. ↑ "Search Results : G.F. Zaimis". Artwiki.org. Retrieved March 2, 2015.
  78. ↑ "Abstract Shapes & Forms – G.F. Zaimis". E-flux.com. May 27, 2011. Retrieved March 2, 2015.
  79. ↑ "Regine Basha appointed Executive Director". e-flux. March 1, 2012. Retrieved March 2, 2015.
  80. ↑ "Ole Bouman Appointed Director of V&A-Backed Shekou Design Museum". ArchDaily. January 12, 2015. Retrieved March 2, 2015.
  81. ↑ "Katerina Gregos appointed as the Artistic Director of Art Brussels". Art Agenda. April 21, 2013. Retrieved March 2, 2015.


This article "G. F. Zaimis" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:G. F. Zaimis. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.


Retrieved from "https://en.everybodywiki.com/index.php?title=G._F._Zaimis&oldid=3930338"
License CC BY-SA 3.0
Powered by MediaWiki
Powered by Semantic MediaWiki