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Gerry Joe Weise

From EverybodyWiki Bios & Wiki

Gerry Joe Weise
Born (1959-04-23) 23 April 1959 (age 65)
Sydney, New South Wales, Australia
OriginSydney
GenresBlues • land art • environmental art • 21st-century classical music
Occupation(s)Musician, singer-songwriter, jazz, record producer, visual arts, performance art
InstrumentsGuitar, singing, slide guitar, violin
Years active1976-present
LabelsBlues Breaking Records, ABM Records, Bluesy Mind
Associated actsJuma Sultan • Noel Redding • Jean-Marie Le Sidaner
Websitehttp://www.gerryjoeweise.com

Gerry Joe Weise (/waɪz/), born on 23 April 1959 in Sydney, Australia, is an Australian musician and visual artist. Who is a guitarist, singer-songwriter that has performed and released music albums, and exhibited artworks in Australia, Europe and the United States. Weise is part of the Australian art and site-specific art movements, known for his installations in land art and environmental art.[1][2][3]

1977 was the year when Gerry Joe Weise as a teenager, started to become established as a lead guitarist for bands in the Sydney agglomeration. He was supporting groups such as The Angels at music venues, in particular the Bondi Lifesaver, which was known as a staple of the Sydney music scene.[4][5][6] Weise departed Australia in 1980 before he turned twenty one years old, to reside in Germany. During 1982 he had his first important art exhibition, and became an artist represented by the gallery at the Schlosspavillon Ismaning in Munich. 1982 also attributes the commencement of Weise's dual professional art and music career, that would accompany him through the decades with art exhibitions and concert tours. In addition Weise has won first place for national awards, in both the visual arts and music.[7][8][9]

Blues music[edit]

An expressive Australian blues guitarist, Gerry Joe Weise is fluent in jazz, country and contemporary classical music genres.

In a 2018 interview with Ludovic Gibsson, Weise stated that he would always consider art as a musical concept, and that he plays music as an idea to convey art.[10]

Early music career[edit]

As a teenager, Weise's first initiation into jazz in Sydney, was when he joined the jazz fusion quintet Corroboree in 1978. Film composer Cezary Skubiszewski played keyboards, and Manfred Mann Chapter Three's Craig Collinge was the drummer. When Weise left Australia to broaden his musical horizons in 1980, he chose Frankfurt for the music scene. In that city and same year, Weise became one of the members of the Jazzkeller's house band. He backed a variety of German jazz musicians and American blues artists, Albert Collins, John Lee Hooker, B.B. King. Weise made the move to Munich in 1982, and joined the German jazz fusion quintet with horn section, Tour de Force. They were known for their compositions with complex time signatures. The quintet played famous venues in Bavaria, such as the Jazzclub Unterfahrt, the Vielharmonie and the Wintergarten. Towards the end of 1984, Weise left Germany to establish himself in France. Primarly for concert performances, these jazz formations had no official album released, although each group had demo recordings for bookings or promotional use. These jazz ensembles were important to a young Weise, honing his musical skills on the guitar, whereby he played for an approximate two year period with each.

  • Three of Weise's compositions from this jazz period, have been recorded with other musicians, and released on his later solo albums, including two Australiana titles. "Cadillac Jazz", Blues Down Under (2009). "Southern Star Cross", Live and Proud (2012). "Bondi Soul Ride", Blues Gone Wild (2016).
  • In addition, two jazz standards have been a staple on Weise's music repertoire, and released on his solo albums. Billy Cobham's "Stratus", Axis Volume 1 French Tour (2019). Miles Davis' "All Blues", Axis Volume 2 Australian Tour (2019).
  • During the 1980s Weise's main musical instrument was a vintage 1967 Gibson ES-340 guitar, walnut color with a rosewood fretboard, and two original mini-humbucker pickups.[11][12][13][14][15][16][17][18][19]

Solo music career[edit]

The inception of Gerry Joe Weise's solo blues music career began in 1991, which was initiated in Europe,[20] before relocating back to Australia in 1999.[21]

1990s[edit]

In 1992, Weise was invited to perform at the Chicago Blues Festival, that was touring Europe after the Chicago debut. The festival took place at the Palace in Saint-Dizier, France. Weise was supporting the Chicago Blues Festival Band with the members Jerry McCain, Gary B.B. Coleman, Kip Anderson, Luther "Houserocker" Johnson, and T.K. Lively. L'Est Republicain's reporter Ginette Bellac, described the evening as an exceptional musical moment of joy, that was "bewitched by the blues". Bellac proclaimed that Weise as guest act, "gave a great performance" that warmed up the Palace, "thanks to the dynamic well executed songs".[22] The following year, Weise was invited to participate at the 1993 Musiques de Jazz et d'Ailleurs Festival supporting Buddy Guy. They performed on the fourth evening, of the five day festival in Amiens, France.[23]

Soul Bag magazine's Publication Director, Jacques Perin, described Weise as "an excellent guitarist with technical skills, both rapid and precise". Perin reviewed Weise's first official album Live in Paris released in 1994, and specified that Weise is a tried and true, musician and composer. Indicating that the album arrangements are progressive music, expanding the stylistic boundaries associated with the blues. Hence the reason why Weise subtitled the original album release, Cosmic Blues at Le Cadran. Weise recorded the album live in concert, at the Cadran-Omnibus in Colombes, Paris, on 6 May 1994. The same venue where the Jimi Hendrix Experience had performed in 1967, or other notable bands from the 1960s, like The Who.[24][25][26]

The Gerry Joe Weise Band won first place as "best band" in 1995, at the Planches Musicales (Battle of the Bands), on National Youth Day in France. Weise used the 6,000 euro Grant for Creation, to fund the 1995 album A Letter to Jimi. A tribute to Jimi Hendrix, with a collection of mainly electric guitar orientated blues rock, that also featured some tracks with acoustic guitars, and a track with didgeridoo. A compilation of six Hendrix compositions, two Hendrix arrangements, and two bonus tracks. Marc Elliot of Guitar Planet Magazine, described the bonus tracks as outstanding. The album title track "A Letter to Jimi", was Weise's own original composition of dreamy soulful blues, dedicated to the memory of James Marshall Hendrix. The other bonus track "The Story of Life"[27], which was the last poem written by Hendrix, had the musical arrangement composed and sung by Weise, and performed on a vintage 1930 National resonator guitar (Triolian model). Elliot had remarked that it was "a harrowing religious text", and added, "much like Jim Morrison's 'An American Prayer', only better." The album reviewed by Kenneth Voss editor-in-chief of Voodoo Child Magazine, directed the reader's attention to how Weise pays complete respect to Hendrix via personal interpretations. Voss evoked the "A Letter To Jimi" song, with overlaying sitar and resonator guitars, as a "country-folk meets psychedelic-Indian influences".[28][29][30][31]

The album A Letter to Jimi, earned Weise an invitation to perform for an hour, at the 1996 30th Commemoration of the first Jimi Hendrix Experience concert. Voodoo Child Magazine reported that Weise's personal interpretations, infused "originality and musicality" into that night's performance. The ceremony took place at the Palais des Congres in Evreux, France, on 15 October. Celebrating the very first Experience concert during the Jimi Hendrix Experience French Tour 1966, at the Cinema Le Novelty in Evreux, 13 October 1966. The special guests for the 30th Commemoration festival, were Noel Redding (performer) and Kathy Etchingham. A memorial plaque was unveiled by the city mayor before the concert.[32][33][34][35][36]

What could have been Weise's double album, was divided between two productions, with two different record companies. Bushman Boogie was released in 1998, and Bushman Boogie Deluxe in 1999. Both albums are compiled entirely of original material, with all texts and music composed by Weise. Who revisited many of his Australian childhood haunts, via album tracks with Australiana titles. "Broken Hill Blues", "Kiama Beach Jamboree", "Dreamtime Shuffle", "Corroboree", "Boomerang Ocean", "Rainbow Serpent Dreaming", "Katoomba Express", and "Last Train to Adelaide". These Australian place names, along with the aboriginal didgeridoo showcased on several compositions, demonstrates Weise's passion for returning to his roots. Christophe Mourot of Soul Bag magazine described the Bushman Boogie series, as being a fine blend of excellent blues rock guitars, coalesced with Australian traditional instruments. Bluesboarder magazine's Publication Director, Patrick Dallongeville, argued that Weise is among the very few artists to ever intergrate the didgeridoo into the blues genre. Dallongeville adduced two major influences, Jimi Hendrix and Johnny Winter, when relating to the songs that featured Weise's blues rock trio. Elmore James was also cited as another influence, for the slide guitar instrumental "Gerry Joe's Houserocker", which was recorded on a 1964 vintage Danelectro Silvertone guitar (1457 model).[37][38][39][40]

2000s[edit]

After the success of the albums Bushman Boogie and Bushman Boogie Deluxe, Weise returned to Australia in late 1999, to embark on the Outback Tour of the Northern Territory. Apropos a concert on 29 November 2000 at the Dinah Beach Yacht Club in Darwin, the Top End News designated, "Gerry Joe Weise's down to earth blues with funky rock rhythms, are tinged with local themes from the Outback." The tour continued into 2001, when they reached Dunmarra on the 30th of March, the Northern Territory News announced, "Gerry Joe Weise and his Bushman Boogie are on their Outback Tour. With 46 concert dates, and blues bordering on the crossroads of rock and country". Weise was in pursuit of creating music with indigenous Australians, and chose Darwin as a transient hometown, known for the vibrant indigenous scene. As part of the Government of Australia's incentive program for Aboriginal culture, Weise was sent by the Charles Darwin University to the remote aboriginal communities of Manmoyi and Gunbalanya. During his sojourns in 2000 and 2001, Weise worked with the aboriginal musical group Nabarlek. Aiding in songwriting and music arrangements, for the 2001 album Bininj Manborlh / Blackfella Road (nominated for an ARIA Award for Best World Music Album in 2002). Weise reunited with Nabarlek nine years later, when he played lead guitar for the Nabarlek Band at the Cite de la Musique on 13 February 2010 in Paris, France. Performing at the Terres de Resistance, a four day world music festival, which also featured the Malien Tinariwen and the Navajo Blackfire.[41][42][43][44][45][46]

By 2005, Weise already had ten years experience as a solo recording artist with his album release, Sydney Paris Blues. Guitarist Magazine titled the album "Disc of the Month", and claimed Weise was deeply-rooted in Australia's heritage with original acoustic songs of Australiana, like his self-penned "Bushranger Ned Kelly" performed on a 1930 National resophonic guitar, and "Sydney Blues". While Soul Bag magazine underlined Weise's well produced, and "huge electric guitar sound". Noting that there were many passages with "heroic guitar solos", well mastered and executed.[47][48][49]

2010s[edit]

Between 2013 and 2015, Juma Sultan as guest musician, joined the Gerry Joe Weise Band. Sultan had performed with Jimi Hendrix at Woodstock, and played on over a dozen Hendrix posthumous releases, as well as on two Archie Shepp albums. Weise and Sultan conducted new arrangements of Hendrix classics, that were added to the original compositions penned by both artists. Additionally, on the repertoire was Miles Davis' "All Blues". Weise played lead guitar and sang, while Sultan performed on percussion, flute and vocals. Together with their backing band, the ensemble headlined festivals. The Unhate Festival (a.k.a. Belovely Day), at the Petit Bain in Paris, France, on 4 August 2013. The Gardenstock Art and Music Festival, at Distinctive Gardens in Dixon, Illinois, United States, on 16 August 2014. Sunshine's Awareness Ride and Concert, a benefit for the National Organization for Rare Disorders, at the Warehouse Sixty Six in Kernersville, North Carolina, United States, on 29 August 2015.[50][51][52][53][54]

Two live recordings featuring Juma Sultan on percussion from the 2014 Gardenstock Art and Music Festival, were added to Weise's 2016 studio album Blues Gone Wild. "Aussie Boogie" and "Inside-Looking Out". The Australian Blues Rock Magazine had written about the track "Inside-Looking Out" from the Blues Gone Wild album, "the Eric Burdon song performed by Weise's soulful vocals and exciting adventurous guitar playing, intertwining with Juma Sultan's congas and percussion; they twine the threads of blues for our future!".[55][56]

Selected music festivals[edit]

Gerry Joe Weise's guitar style is fused with blues rock and jazz. He has performed at numerous blues and jazz festivals. 1992 9th Chicago Blues Festival (European Tour after Chicago) in Saint-Dizier, France, supporting the Chicago Blues Festival Band with the members Jerry McCain, Gary B.B. Coleman, and Kip Anderson.[22] 1993 12th Musiques de Jazz et d'Ailleurs in Amiens, France, supporting Buddy Guy.[23] 1994 1st Festival Blues Passions in Cognac, France, supporting Otis Grand Big Blues Band.[57] 1996 30th Commemoration of the first Jimi Hendrix Experience Concert, with guest Noel Redding.[58][59][32] 1996 14th Cahors Blues Festival, France.[60]1999 1st Nuit du Blues in Vic-sur-Cere, France, supporting the Acoustic Blues Summit Trio with the members Matt "Guitar" Murphy, Joe Louis Walker and Billy Branch.[61] 1999 7th Jazz and Blues Festival in Leognan, France, supporting Deborah Coleman.[62]

During the later period of Weise's music career, he was often the headliner or co-headliner for numerous festivals. 2008 5th Santa Maria Blues Festival, Azores islands, Portugal.[63][64] 2009 16th Artfest in Scottsdale, Arizona, United States.[65] 2009 7th Grosses Guitares Festival in Vaugneray, France.[66] 2010 9th Blues en VO Festival in Paris, France, supporting Joe Louis Walker.[67][68] 2012 4th Gardenstock Art and Music Festival in Dixon, Illinois, United States, a benefit concert for the Sinnissippi Centers.[69] 2012 5th Presqu'ile Blues Festival in Ambialet, France.[70] 2013 10th Hookrock Roots and Blues Festival in Diepenbeek, Belgium.[71][72] 2013 4th Unhate Festival in Paris, France, with band member Juma Sultan.[73][74] 2014 6th Gardenstock Art and Music Festival in Dixon, Illinois, United States, with band member Juma Sultan.[75][76] 2014 13th Blues on Broadbeach Festival on the Gold Coast, Australia.[77] 2017 6th and 2018 7th Mitchell Creek Rock 'N' Blues Festival on the Sunshine Coast, Australia.[78][79][80][81] 2018 52nd Goodna Jacaranda Festival in Brisbane, Australia.[82]

Music albums and singles[edit]

On the Blues Breaking Records label, Gerry Joe Weise has released several albums. Axis Volume 1 French Tour (2019).[83] Axis Volume 2 Australian Tour (2019).[84] Live and Lost in the Netherlands (2018).[85] Laon Blues Festival (2017).[86] Blues Gone Wild (2016).[87] Stormy Sydney 20th Anniversary (2014).[88] Live and Proud (2012).[89] Live Blues World Tour (2011).[90] Blues Down Under (2009).[91] Sydney Paris Blues (2005).[92][93] Bushman Boogie Deluxe (1999).[94] Live in Paris (1994).[95][96]

Also on Blues Breaking Records, Weise has released official singles. Manic Depression (Jimi Tribe) (2018), a homage to Jimi Hendrix.[97] Blue Concerto for Orchestra (Slide Guitar and Violin) (2016), a 21st-century classical music composition.[98] Blues for Gary Moore (2011).[99]

With ABM Records he released, A Letter to Jimi (1995), Weise's official Jimi Hendrix tribute album.[100][101] On Bluesy Mind a subgroup record label of Musea, he released Bushman Boogie (1998).[102]

Land art[edit]

In an essay titled "Earth Art, my Diaspora" and published in 2017, Gerry Joe Weise proclaimed that he draws and paints like a musician, and that he plays musical instruments like a painter.[103]

Albert L. Sandberg has said that "Weise is a very fine draftsman".[104] Where drawing has played a primordial effect on all of the artworks since the very beginning. Demonstrated by the small hyper-realistic pencil sketches, to the large indoor Ground Paintings made of pigment powder lines poured across a round circle of earth, to the monumental outdoor Black Charcoal Lines traced with carbon. Gerry Joe Weise explained to Ludovic Gibsson in an interview, that his art is all about "the line", and even more precisely, "how to draw a line in nature". Weise added that while land art is often connected to sculpture, he deems that a drawing composition set into the environment, is by far more important for his work.[105]

Early artwork[edit]

The first official important group show for Gerry Joe Weise, took place at the Schlosspavillon Ismaning (a.k.a. Galerie im Schlosspavillon) in Munich. He exhibited pencil drawings in a style of Hyperrealism combined with Neo-expressionism, from 1982 to 1984, as part of the group of resident gallery artists.[106][107]

In September and October of 1987, the Transmythic Earth retrospective with over two hundred artworks, took place in France at five exhibitions simultaneously. The Embassy of Australia in Paris, and four other exhibitions in Reims: Centre Culturel du CROUS, Espace AGF, Restaurant Version Originale, and the Cafe du Palais. The retrospective exhibited paintings and sculptures, that were created between 1980 to 1987. Several installations at the Centre Culturel du CROUS, announced Weise's new preoccupations with Land art, especially the earthwork Ground Painting. Which consisted of pure color pigment lines forming symbols, spread across a circle of dark earth, approximately 195 inches wide (500 cm) and set upon a platform stage. An expensive color catalog funded by the state, accompanied the Transmythic Earth retrospective exhibitions; the full catalog has been reprinted in the book Environmental Art of Gerry Joe Weise.[108][109][110][111][112][113][114]

The Transmythic Earth retrospective shown at the Embassy of Australia in Paris during 1987, continued as a travelling exhibition in 1988. The show travelled from France to the Australian embassies in Bonn, Germany (20 April to 19 May 1988), and Brussels in Belgium (24 May to 28 June 1988). The reporter Lulsdorf, from the General Anzeiger Nachrichten in Bonn, described Weise's paintings as "musical and magical". That the motif of circular shaped elements appearing in abstract form, are symbols for the "cycle of life". Lulsdorf elaborated that the symbols signified "the eternal arising and passing away of things", and implied that they are "reminiscent of the universe". The touring exhibition was funded by the Government of Australia, with each embassy acquiring an artwork from Weise. Notably the large Tendency To, 1983 - 1984, 79 x 99 inches (200 x 250 cm), acrylic paint on canvas, which was acquired by the embassy in Paris. The Tendency To painting, was later featured on the cover of Marges in June 1990, a French contemporary art and literary magazine.[115][116][117][118]

Great Britain's popular international Art Line magazine, published an "Australian Special Issue" edition in September 1988. Andew Nuti was sent from London to interview Weise among several artists, and wrote an article titled "Oz Artists in Paris". Nuti introduced Weise's oeuvre as enticed by creation and energy concerning the expressionistic work, while the abstract spherical work was inspired by spacetime. This indicated different dimensions that surpass traditional urban landscapes. Weise's artistic research into physics (as knowledge of nature) and philosophy, had designed fundamental guidelines, so as to evade the usual trends of Postmodernism (even though he was a participant of the art movement). These guidelines incorporated original art theories, influenced by the musical rhythms of the universe. In conclusion Nuti stated, "Here Weise has created a symbolic universe of his own, mixing figures placed in 'landscapes', he then proceeds with the installation of his works outside in parks. Rhythm meaning creation and evolution, rhythm that creates a new myth".[119][120]

Documented as Weise's first outdoors site-specific art, were the September 1989 installations in Greece on three islands. The Cyclades Land artworks of the Aegean Sea, were inspired by the Cyclades archipelago and their unique mythologies. Le Chant des Roches (The Rocks are Chanting), used Earth art materials on Tinos and was influenced by the Greek legend of the War of Giants; an earthwork with large stones, rocks and gravel, exhibited at the Tinos Sculpture Park with a group of island artists.[121] Crown of Thorns, signified Environmental art on Andros, with a circular thorny bush installation inspired by religion of the Mediterranean Sea, and installed as an ephemeral artwork on an uncultivated coastline.[122] Sans Titre (Untitled), was a Land art site on Mykonos using powder pigments from the island, which were mixed then painted as abstract designs of the Minotaur and the Labyrinth on a wall mural, that integrated with the surrounding Mykonian landscape.[123][124]

From February to April 1990, a major one-man show by Weise, titled The Sacred - Looking Up, was exhibited at the Musee Rimbaud (Arthur Rimbaud Museum) in Charleville-Mezieres. The exhibition consisted of paintings and installations, with another Ground Painting of pure colored pigments on a circle of dark earth, approximately 160 inches wide (400 cm), which was spread across the museum's 17th century oak floor. Weise's 1989 Cyclades Land artworks on the islands of Tinos, Andros and Mykonos, were documented with photographs in the The Sacred - Looking Up catalog funded by the Arthur Rimbaud Museum, and fully reprinted in the book Environmental Art of Gerry Joe Weise.[125][126][127][128][129]

Later artwork[edit]

Many of Gerry Joe Weise's large installations consist of powder pigments on earth, either executed indoors on the floor of exhibition spaces, or outdoors at wide open landscapes. During the Earth Spirit (L'Esprit de la terre) exhibition of 2002, at the Cultural Center Les Salvages in Castres, a new dimension was added. Weise's prior procedure of working alone on a Ground Painting before an exhibition, had changed to creating the installation in front of the visitors for the show opening. The Gerry Joe Weise Trio played a soundscape rhythm, while the audience in proximity watched Weise perform the Ground Painting, by sprinkling pigments across a dark earth circle, approximately 195 inches wide (500 cm). When the last symbol was created, Weise went back to his trio, strapped on his guitar, and finished the soundscape composition.[130][131]

Weise often uses psychogeography, for the effect that geographical locations have on our emotions with site-specific installations. These psycho-geographical installations were photographed at dawn or when there was a special type of sunlight, and later were transformed into transparencies. Land Art Multimedia Project (LAMP) exhibitions, consist of large-scale photographic transparencies 83 inches high (210 cm) of various widths, and exhibited on towering lightboxes. Each fitted with a translucent white surface and internal incandescent light source, creating qualities of a marked all-over luminosity, where no external ceiling lighting was needed during the exhibitions. The spectator at the exhibition, perceives the emphasis on a particular clarity of light emanating from each artwork, which in turn invites a personal emotional reaction. Land Art Multimedia Project exhibitions took place at the Warehouse 80 in Sydney during 30 May to 12 June 2016, and 20 May to 4 June 2017. In New York City at the Kingston Gallery, LAMP was part of the World Nature group exhibition, from 1 to 28 February 2017.[132]

The 2018 monumental earthwork titled Black Charcoal Line, used environment-friendly pure carbon pigment, and traced a black line approximately 990 yards (905 m) long, by approximately 12 inches (30 cm) wide, along the coastal landscape of Crescent Head, Australia. The Site-specific artwork started at the top near the Crescent Head Lookout, then descended down the slopes to the beach.[133] Chloe Mae Anders described Black Charcoal Line as being "traced along the grass or earth, always slightly crooked, curbed, never a straight line, but only a suggestion of being straight". Anders further stated that Weise's line installations are on the monumental scale so as to be equivalent with the magnitude of the surrounding landscape.[134]

Land art books[edit]

As a Land artist Gerry Joe Weise has been published in the following books: Environmental Art of Gerry Joe Weise (2019) a paperback book. Earth Art (2017) a paperback book and an ebook. Land Art (2018) an ebook.[135][136][137][138] Ludovic Gibsson wrote the introduction for Earth Art, “This book is a celebration of the 70 exhibitions Weise has produced from 1982 to 2017, spanning 35 years in the international art world. It is a gateway to the understanding of the more difficult avenues of his art, through his own thoughts, analysis and influences. A witness to his style of Earth art, which encompasses elements of Land art, Installation art, Environmental art, Ephemeral art and In Situ. The several layers of meaning that often bewildered critics, who were unable to fathom his application of the Alter-modern, his diaspora, while using physics and philosophy."[139]

Art exhibitions[edit]

Australian land artist Gerry Joe Weise, left Australia in 1980 to be immersed in European culture, and settled in Frankfurt, Germany. Subsequent to his arrival in Munich of 1982, he had his first group exhibition at the Galerie im Schlosspavillon Ismaning, with a collection of pencil drawings on paper. The drawings were Hyperrealism merged with Neo-expressionism. Weise relocated to France at the end of 1984. After residing for several months in Paris, he then moved to Reims in 1985. That same year also announced his first solo exhibition of paintings on canvas, at the Galerie La Grande Serre in Rouen, directed by Anne de Villepoix (who later became a celebrated gallerist in Paris). The paintings were Neo-expressionism amalgamated with Postmodernism. At the 1987 Transmythic Earth Exhibitions retrospective, Weise continued his predilection with neo and post art movements, while introducing his first Land art interior installations. Notably the bark sculptures at the Embassy of Australia in Paris, and the earthwork Ground Painting at the Centre Culturel du CROUS in Reims. Weise's first Land art exterior installation Le Chant des Roches, was exhibited during the 1989 group show Installation THNO, at the Sculpture Park on Tinos Island in Greece.[140][141][142]

In a 2019 essay titled "Introduction to the Environment", Albert L. Sandberg wrote, "Weise has said his artwork can be summed up as, 'expressionistic earthworks on land environments.'"[143]

Selected solo exhibitions[edit]

  • 1985. Galerie La Grande Serre, Rouen, France.
  • 1987. Transmythic Earth Exhibitions retrospective:
  1. Embassy of Australia, Paris, France.
  2. Centre Culturel du CROUS, Reims, France,
  3. Espace AGF, Reims,
  4. Restaurant Version Originale, Reims,
  5. Cafe du Palais, Reims.
  • 1988. Embassy of Australia, Bonn, Germany.
  • 1988. Embassy of Australia, Brussels, Belgium.
  • 1988. C.D.I. College Notre-Dame, Reims, France.
  • 1988. Earth Church Installations:
  1. Basilica of Saint-Denis, Paris, France,
  2. Basilique de Saint-Remi, Reims, France,
  3. Eglise Saint-Remi, Viel-Saint-Remy, France,
  4. Eglise-Notre-Dame-de Bon-Secours, Neuvizy, France.
  • 1988 - 1989. Centre Culturel Espace 13, Theatre 13, Paris, France.
  • 1989. La Musique des Signes, Opus Gallery, Reims, France.
  • 1989. Sacred Earth Music, Espace Tresor, Reims, France.
  • 1990. The Sacred - Looking Up, Arthur Rimbaud Museum, Charleville-Mezieres, France.
  • 1990 - 1991. Expositions Le Chant des Roches:
    1. Espace AGF, Reims, France,
    2. Les Loges Gallery, Reims,
    3. Radio Station 93FM Gallery, Reims.
  • 1991. Underworld Earth Works, BK Galerie, Frankfurt, Germany.
  • 1991. L’Utopie, Espace AGF, Reims, France.
  • 1993. Earth Spiral, CAC, Brussels, Belgium.
  • 1994 - 1995. L'Utopie, Centre Culturel Ancien College, Sezanne, France.
  • 1997. Ground Painting, CCA, Munich, Germany.
  • 1998. LB Art Gallery, Montreux, Switzerland.
  • 2000. Galerie Jiwini, Albi, France.
  • 2000 - 2001. Galerie Out Of Australia, Toulouse, France.
  • 2002. Earth Spirit, Centre Culturel Les Salvages, Castres, France.
  • 2006. Nightscapes, Jam Factory, Adelaide, Australia.
  • 2007. Nature Wide, Junction Gallery, New York City, United States.
  • 2013. 12 Months / Les Douze Mois, Mediatheque de Montreuil, Laon, France.
  • 2014. Draw a Thought / Dessiner une Pensee, Bibliotheque Municipale Patrimoniale Suzanne Martinet, Laon, France.
  • 2015. Bark Paintings, Perspective Horizon Gallery, Sydney, Australia.
  • 2015. Ground Paintings, Perspective Horizon Gallery, Sydney, Australia.
  • 2015. Ground Paintings, Webster Art Gallery, Los Angeles, United States.
  • 2016. Land Art Light Box Exhibition, Warehouse 80, Sydney, Australia. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
  • 2017. 70th Exhibition Anniversary and Earth Art book presentation. Warehouse 80, Sydney, Australia. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
  • 2018. Nature Art Lines, Wilson Gallery, London, Great Britain.
  • 2018. Nature Art Lines, Land Art Gallery, Brisbane, Queensland, Australia.
  • 2018. Black Charcoal Lines, Crescent Head, Australia.
  • 2019. Laon Cathedral / La Cathedrale Notre-Dame de Laon, Fete du Patrimoine, Mediatheque de Montreuil, Laon, France.

Selected group exhibitions[edit]

  • 1987 - 1988. Common Ritual / Rituel Commun Exhibitions:
  1. Embassy of Australia, Paris, France,
  2. Galerie La Lisiere, Reims, France,
  3. Galerie Clin d'Oeil, Toulouse, France.
  • 1989. Installation THNO, Le Chant des Roches, Sculpture Park, Tinos Island, Greece.
  • 1993 to 1998. Galerie Ligne Roset, Reims, France.
  • 2000. Parc des Expositions, Caen, France.
  • 2000. Art Passions, Galerie d'Art, Boissezon, France.
  • 2001. Earth Spirit / L'Esprit de la Terre, CCI, Castres, France.
  • 2002. Earth Spirit / L'Esprit de la Terre, Centre Culturel Les Salvages, Castres, France.
  • 2003. Earth Spirit / L'Esprit de la Terre, Chateau, Hotel de Ville, Brassac, France.
  • 2004. Nature Nature, Sculpture Park, Lac du Merle, Sidobre, Brassac, France.
  • 2005. Installations, Sculpture Park, Sidobre, Brassac, France.
  • 2006 - 2007. Galerie Ligne Roset, Reims, France.
  • 2007. Where To Now?, Artist's Space Gallery, New York City, United States.
  • 2009. Earth Spirit / L'Esprit de la Terre, Conservatoire, Laon, France.
  • 2014. Earth Spirit / L'Esprit de la Terre, Centre Culturel Le Mail, Soissons, France.
  • 2017. World Nature, Kingston Art Gallery, New York City, United States. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
  • 2018. Ephemeral Artworks of 12 Artists, Powerhouse Arts Centre, Liverpool, Great Britain.
  • 2018. My Land - Your Land, Contemporary Art Gallery, Sydney, Australia.
  • 2019. Australian Artists, House of Arts Gallery, Munich, Germany.

Travelling exhibitions[edit]

  1. 1987. Embassy of Australia, Paris, France.
  2. 1988. Embassy of Australia, Bonn, Germany.
  3. 1988. Embassy of Australia, Brussels, Belgium.
  • Earth Church Installations. Solo travelling exhibition, funded by the regions Ile-de-France and Grand Est.
  1. 1988. Basilica of Saint-Denis, Paris, France.
  2. 1988. Basilique de Saint-Remi, Reims, France.
  3. 1988. Eglise Saint-Remi, Viel-Saint-Remy, France.
  4. 1988. Eglise-Notre-Dame-de-Bon-Secours, Neuvizy, France.
  • Common Ritual / Rituel Commun. Duo travelling exhibition, Gerry Joe Weise and Australian artist Jon Cockburn. Funded by the artist's grants awarded by the Government of Australia.
  1. 1987. Embassy of Australia, Paris, France.
  2. 1988. Galerie La Lisiere, Reims, France.
  3. 1988. Galerie Clin d'Oeil, Toulouse, France.
  • Earth Spirit / L'Esprit de la Terre. Group travelling exhibition of Australian contemporary art and aboriginal art. Gerry Joe Weise, England Banggala, Peter Nabarlambarl, Thompson Yulidjirri, Sonda Turner Nampijmpa, Bob Namundja, Bill Namundja, Eddy Ryan Bangadi, Mary Mullins Jujabilla, Jocelyn Garrwurra, Janet Nangala, Minnadook. Funded by the regions Occitanie and Hauts-de-France, with the departments Tarn and Aisne.
  1. 2001. CCI, Chambre de Commerce et d'Industrie, Castres, France.
  2. 2002. Centre Culturel Les Salvages, Castres, France.
  3. 2003. Chateau, Hotel de Ville, Brassac, France.
  4. 2009. Conservatoire de Musique et de Danse, Laon, France.
  5. 2014. Centre Culturel Le Mail, Soissons, France.[144][145][146]

Performance art[edit]

Gerry Joe Weise had met the French writer Jean-Marie Le Sidaner during their collaboration for the Transmythic Earth retrospective catalog in 1987. Both Weise and Le Sidaner lived in Reims at the time. They formed an avant-garde performance art group, that played at art galleries, museums, and cafes. Weise’s soundscapes performed on electric guitar with various sound effects and electronic devices, were original compositions influenced by Steve Reich's Minimal music, and the 21st-century classical music of Karlheinz Stockhausen. The soundscapes laid the foundation for essays, poetry, and vocal sounds, that were recited with a theatrical performance.[147]

19 September 1987, Gerry Joe Weise and Jean-Marie Le Sidaner formed their first performance art duo. They performed at the show opening for the Transmythic Earth retrospective, at the Centre Culturel du CROUS in Reims.[148][149]

5 December 1987, Trio Rituel Commun. Weise and Le Sidaner teamed up with Australian artist Jon Cockburn, who took over the theatrical performance. They played during the show opening for the Common Ritual / Rituel Commun exhibition at the Galerie La Lisière in Reims. Cockburn and Weise were both the Australian artists that exhibited at the gallery. The Trio Rituel Commun were invited later that week, to perform the same recital at the Cafe du Palais in Reims.[150][151][152]

23 March 1989, at the Ardennes Poetry Festival, Gerry Joe Weise and eight poets, had a two hour performance art spectacle at the Charleville-Mezieres Theater. The annual festival was an eight day tribute to Arthur Rimbaud, a French poet of the Symbolism literary movement. Weise performed on the last day of the festival and provided musical soundscapes for: Yvette Barre-Barteaux, Franz Bartelt, Francois Squevin, Robert San Geroteo, Francois Hubert, Michel Mourot, Claude-Edmond Braulx, and the high point of the evening was his duo with Jean-Marie Le Sidaner.[153][154][155]

6 May 1989, Trio Flache. Weise played abstract musical compositions, while Le Sidaner recited prose, that incorporated the vocal antics and clowning of Australian composer Stephen Adams. They performed at the Opus 65 in Reims, which was a venue open to poetry slam, theater, and art exhibitions.[156][157]

21 February 1990, Duo Flache. Weise and Le Sidaner as a duo, performed at the show opening for the The Sacred - Looking Up exhibition, which took place at the Arthur Rimbaud Museum in Charleville-Mezieres. Le Sidaner also wrote the preface for the exhibition catalog funded by the museum.[158][159][160]

Awards[edit]

  • 1997. Awarded Best Installation art prize, for Ground Painting, CCA Award, Munich, Germany.[161]
  • 1995. Won 1st place as "best band" at the Planches Musicales 95 (Battle of the Bands) in France, as one of the activities for the Journee de la Jeunesse (National Youth Day). The Gerry Joe Weise Band won a 6,000 euro Bourse à la création (Grant for Creation). The French National Youth Day that had been inaugurated on 12 August 1995, was later approved in 1999 by the United Nations General Assembly to be adopted as International Youth Day.[162]
  • 1987. Grand Prix de France des arts plastiques, awarded Prix du Conseil General for painting, a prestigious national Contemporary art award in France.[163][164]

Discography[edit]

Albums[edit]

  • 2019. Axis Volume 2 Australian Tour
  • 2019. Axis Volume 1 French Tour
  • 2018. Live and Lost in the Netherlands
  • 2017. Laon Blues Festival
  • 2016. Blues Gone Wild
  • 2014. Stormy Sydney 20th Anniversary
  • 2012. Live and Proud
  • 2011. Live Blues World Tour
  • 2009. Blues Down Under
  • 2005. Sydney Paris Blues
  • 1999. Bushman Boogie Deluxe
  • 1998. Bushman Boogie
  • 1995. A Letter to Jimi
  • 1994. Live in Paris

Singles[edit]

  • 2018. Manic Depression (Jimi Tribe)
  • 2016. Blue Concerto for Orchestra (Slide Guitar and Violin)

Bibliography[edit]

  • 2019. Environmental Art of Gerry Joe Weise - book ISBN 978-1098802776 Search this book on ., by Albert L. Sandberg, Chloe Mae Anders, Ludovic Gibsson. 370 pages, 11 x 8.5 inches.
  • 2018. Land Art - ebook ASIN B079DKK4KV, by Ludovic Gibsson, Gerry Joe Weise.
  • 2017. Earth Art - book ISBN 978-1521979853 Search this book on ., by Ludovic Gibsson, Gerry Joe Weise. 265 pages, 11 x 8.5 inches.
  • 2017. Earth Art - ebook ASIN B074DS4GQ7, by Ludovic Gibsson, Gerry Joe Weise.
  • 1988. Michel Butor, Flache Livre de Poche - book, by Jean-Marie Le Sidaner, cover and several page illustrations by Gerry Joe Weise, May 1988 issue No.1, published by Editions Bibliotheque Musee Rimbaud, Charleville-Mezieres.[168][169]

References[edit]

  1. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 1. Introduction to the Environment.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 4. ISBN 978-1098802776. Search this book on
  2. ↑ Gibsson, Ludovic; Weise, Gerry Joe (28 January 2018). "Chapter 1, Introduction, by Ludovic Gibsson.". Earth Art (1st ed.). Earthworks, Australia, United States. p. 4. ASIN B079DKK4KV. Search this book on
  3. ↑ Gibsson, Ludovic; Weise, Gerry Joe (28 January 2018). "Chapter 1, Interview, by Ludovic Gibsson.". Land Art (1st ed.). Earthworks, Australia, United States. p. 4. ASIN B079DKK4KV. Search this book on
  4. ↑ Senatore, Tony. "The Angels - Bio, (view paragraph 12)". The Aussie Bands Music Page. Australia. Retrieved 21 May 2019.
  5. ↑ Alchin, Mark (17 June 1977). "The Angels, Bondi Lifesaver, Sydney". Juke magazine. Sydney, Australia (Number 60): 12.
  6. ↑ Gibson, Mark. "Bondi Lifesaver". Australian Music History. Australia. Retrieved 21 May 2019.
  7. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 10: The Early Years in France 1987-1991". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 228. ISBN 978-1098802776. Search this book on
  8. ↑ "Exposition interdepartementale du Grand Prix de France des arts plastiques. Trois artistes remois recompenses. (Full page reprinted copy of the original newspaper article on page 273 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French) (Reims ed.). Champagne-Ardenne: 18. 16 September 1987.CS1 maint: Unrecognized language (link)
  9. ↑ Melison, Gil (14 August 1995). "Victoire de Gerry Joe Weise, son blues a l'harmonique tonique a fait la difference". L'Est Republicain (in French). Haute Marne: 2, 3.CS1 maint: Unrecognized language (link)
  10. ↑ Gibsson, Ludovic (16 May 2019). "Chapter 2: Interview with Gerry Joe Weise". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 5. ISBN 978-1098802776. Search this book on
  11. ↑ Kreye, Andrian (November 1982). "Ideen ohne Welle, Tour de Force". Munchner Stadtzeitung magazine (in German). Munich, Germany: Arno Hess, Szene Programm Press: 7, 8.CS1 maint: Unrecognized language (link)
  12. ↑ Konitzer, Michael (January 1983). "Das sind Tour de Force, eine No-Wave-Truppe aus Munchen". Munchener Stadtzeitung magazine (in German). Munich, Germany: Arno Hess, Szene Programm Press: 128.CS1 maint: Unrecognized language (link)
  13. ↑ Vallat, Arnaud (16 March 1994). "Gerry Joe Weise, l'etoffe du guitar-hero. Depuis huit ans, il a choisit Reims comme cite d'adoption. Portrait du desormais 'legendaire' guitariste et peintre australien". Sortir a Reims (in French). Reims (Number 2): 2 to 4.CS1 maint: Unrecognized language (link)
  14. ↑ McKinnies, Saul (December 1995). "Blues for Christmas, Bernard Allison and Gerry Joe Weise". Jazz Lines. Voice Magazine, (an American Parisian journal). Paris, France. Volume 17 (Number 9): 5, 6.
  15. ↑ Weise, Gerry Joe. "Blues Down Under". Amazon. Retrieved 5 October 2019. Unknown parameter |url-status= ignored (help)
  16. ↑ Weise, Gerry Joe. "Live and Proud". Amazon. Retrieved 5 October 2019. Unknown parameter |url-status= ignored (help)
  17. ↑ Weise, Gerry Joe. "Blues Gone Wild". Amazon. Retrieved 5 October 2019. Unknown parameter |url-status= ignored (help)
  18. ↑ Weise, Gerry Joe. "Axis Volume 1 French Tour". www.amazon.com. Retrieved 2019-10-21. Unknown parameter |url-status= ignored (help)
  19. ↑ Weise, Gerry Joe. "Axis Volume 2 Australian Tour". www.amazon.com. Retrieved 2019-10-21. Unknown parameter |url-status= ignored (help)
  20. ↑ "Deux groups a la nuit du Blues. Gerry Joe Weise and the Blue Flames". La Montagne de Reims. L'Union (in French). Epernay, France (Number 14403): 21. 12 November 1991.CS1 maint: Unrecognized language (link)
  21. ↑ Hinde, Suellen (30 November 2000). "Gerry Joe Weise, blues brothers". Northern Territory News. Darwin, Northern Territory, Australia: 10.
  22. ↑ 22.0 22.1 Bellac, Ginette (November 9, 1992). "Chicago Blues Festival. Le blues du bonheur a fait swinguer le Palace". L'Est Republicain, la Haute-Marne (in French) (Saint-Dizier-Troyes ed.). La Haute-Marne: JHM: 4.CS1 maint: Unrecognized language (link)
  23. ↑ 23.0 23.1 Lacoche, Philippe (May 24, 1993). "Les Jeu du Cirque". Picardie. Le Courrier Picard (in French) (15054) (Picardie Matin ed.). Amiens. p. 8.CS1 maint: Unrecognized language (link)
  24. ↑ Perin, Jacques (Spring 1996). "Gerry Joe Weise Band, Live in Paris". Soul Bag magazine (in French). Clichy, France: C.L.A.R.B. (Number 142): 32.CS1 maint: Unrecognized language (link)
  25. ↑ "Gerry Joe Weise - Live In Paris". Discogs. Retrieved 2019-09-13.
  26. ↑ admin. "Le Cadran-Omnibus Archives". The Official Jimi Hendrix Site. Retrieved 2019-09-13.
  27. ↑ "Jimi Hendrix – The Story Of Life lyrics". www.allthelyrics.com. Retrieved 2019-09-30.
  28. ↑ Melison, Gil (14 August 1995). "Victoire de Gerry Joe Weise, son blues a l'harmonique tonique a fait la difference". L'Est Republicain (in French). Haute Marne: 2, 3.CS1 maint: Unrecognized language (link)
  29. ↑ "Gerry Joe Weise - A Letter To Jimi". Discogs. Retrieved 2019-09-30.
  30. ↑ Elliot, Marc (November 1996). "Gerry Joe Weise, A Letter to Jimi". Guitar Planet Magazine (in French). Paris: Editions Showbizz Press (Number 12): 78.CS1 maint: Unrecognized language (link)
  31. ↑ Voss, Kenneth (Summer 1996). "Gerry Joe Weise, A Letter to Jimi". Voodoo Child Magazine. Indianapolis, United States (Number 40): 5.
  32. ↑ 32.0 32.1 Etchingham, Kathy (2012-10-12). "Jimi Hendrix Experience Evreux anniversary plaque 1996". Kathy Etchingham. Archived from the original on March 27, 2019. Retrieved 2019-03-05.
  33. ↑ Thevenin, Martine (Winter 1996–1997). "The Evreux Experience 30 Years Later". Voodoo Child Magazine. Indianapolis, United States (Number 41): 1, 2.CS1 maint: Date format (link)
  34. ↑ Moguerou, Jean-Yves (November 1996). "Re-Experience Evreux - 30 Years Later". Jimpress Fifty magazine (November ed.). London, United Kingdom: 54, 55.
  35. ↑ "Hommage a Jimi Hendrix : deux generations en communion". Evreux. Paris Normandie (in French). Paris, France: 22, 23. 17 October 1996.CS1 maint: Unrecognized language (link)
  36. ↑ A.I. (17 October 1996). "Hendrix commemo l'ombre de Jimi". Eure Inter (in French). Evreux, France: 5.CS1 maint: Unrecognized language (link)
  37. ↑ "Gerry Joe Weise - Bushman Boogie". Discogs. Retrieved 2019-10-01.
  38. ↑ Weise, Gerry Joe. "Bushman Boogie Deluxe". Amazon. Retrieved 1 October 2019. Unknown parameter |url-status= ignored (help)
  39. ↑ Mourot, Christophe (Winter 1998). "Gerry Joe Weise, Bushman Boogie". Soul Bag magazine (in French). Clichy, France: C.L.A.R.B. (Number 153): 75.CS1 maint: Unrecognized language (link)
  40. ↑ Dallongeville, Patrick (October–November 1999). "Gerry Joe Weise, Bushman Boogie Deluxe". Bluesboarder magazine (in French). Comines, Belgium: Jean-Jacques Vandenbroucke (34): 5.CS1 maint: Date format (link) CS1 maint: Unrecognized language (link)
  41. ↑ Hinde, Suellen (30 November 2000). "Gerry Joe Weise, blues brothers". Northern Territory News. Darwin, Northern Territory, Australia: 10.
  42. ↑ "Gerry Joe Weise, Dinah Beach Yacht Club, Frances Bay, Darwin". Top End News. Darwin, Northern Territory, Australia: 14. 1 December 2000.
  43. ↑ "Gerry Joe Weise, Outback Tour". Dunmarra. Northern Territory News. Darwin, Northern Territory, Australia: 15. 29 March 2001.
  44. ↑ Hinde, Suellen (9 February 2001). "Nabarlek heads south". Northern Territory News. Darwin, Northern Territory, Australia: 4.
  45. ↑ "Nabarlek - Bininj Manborlh (Blackfella Road)". Discogs. Retrieved 2019-10-18.
  46. ↑ Weber, Alain (February 2010). "Le Programme du Festival". Terres de Resistance (in French). Paris, France: Cycle Resistances: 1 to 8.CS1 maint: Unrecognized language (link)
  47. ↑ "Gerry Joe Weise - Sydney Paris Blues". Discogs. Retrieved 2019-09-26.
  48. ↑ "Gerry Joe Weise, Sydney Paris Blues". Disques du Mois. Guitarist Magazine (in French). Paris (Number 182 S): 45. October 2005.CS1 maint: Unrecognized language (link)
  49. ↑ Mourot, Christophe (December 2005). "Gerry Joe Weise, Sydney Paris Blues". Soul Bag magazine (in French). Clichy, France: C.L.A.R.B. (Number 181): 56.CS1 maint: Unrecognized language (link)
  50. ↑ HelloAsso. "HOPE & BRIDGES (LES PONTS DE L'ESPOIR)". HelloAsso. Retrieved 2019-10-21.
  51. ↑ "Résultats de recherche pour « juma sultan » – Bel7 Infos" (in français). Retrieved 2019-10-21.
  52. ↑ "Music and More at Gardenstock". Sauk Valley Newspaper. Rock Falls, Sterling, Illinois, United States: Shaw Media. 160 (178): 1. 18 August 2014.
  53. ↑ "GAZ_08182014". Issuu. Retrieved 2019-10-21.
  54. ↑ Sunshine (August 2015). "Festival Program". Sunshine's Awareness Ride and Concert. Kernersville, North Carolina, United States: Smokin Harley-Davidson: 1 to 4.
  55. ↑ "Gerry Joe Weise - Blues Gone Wild". Discogs. Retrieved 2019-10-21.
  56. ↑ "Australian Blues Rock magazine". Australian Blues Rock magazine. Archived from the original on May 13, 2017. Retrieved 2016-08-21.
  57. ↑ Rolland, Michel (July 1994). "Programme du festival". Charente. Blues Passions (in French). Cognac, Nouvelle-Aquitaine, France: 1 to 4.CS1 maint: Unrecognized language (link)
  58. ↑ Elliot, Marc (November 1996). "Gerry Joe Weise, A Letter to Jimi". Guitare Planete Magazine (in French). Paris: Editions Showbizz Press (12): 78.CS1 maint: Unrecognized language (link)
  59. ↑ Thevenin, Martine (Winter 1996–1997). "The Evreux Experience 30 Years Later". Voodoo Child Magazine. Indianapolis, United States (Number 41): 1, 2.CS1 maint: Date format (link)
  60. ↑ Tertre, Gérard (July 1996). "Programme du festival". Occitanie. Cahors Blues (in French). Cahors, Lot, France: 4.CS1 maint: Unrecognized language (link)
  61. ↑ Peyral, J.-M. (July 21, 1999). "Du blues jusqu'au bout de la nuit". La Montagne, Centre France (in French) (Cantal ed.): 17.CS1 maint: Unrecognized language (link)
  62. ↑ "Historique – Jazz & Blues Léognan" (in français). Retrieved 2019-03-06.
  63. ↑ "2008 Poster". Santa Maria Blues. 2013-06-18. Archived from the original on March 27, 2019. Retrieved 2019-03-05.
  64. ↑ "Santa Maria Blues festival 2019 in Santa Maria, Açores, Portugal". FestivAll. Retrieved 2019-03-06.
  65. ↑ Jacoby, Michelle (1 November 2009). "Artfest of Scottsdale". Events. You Are Here magazine. Scottsdale, Arizona, United States: Media Publishers Group (Fall): 21, 23.
  66. ↑ "Toutes les Affiches :: Grossesguitares". www.lesgrossesguitares.com. Retrieved 2019-03-05.
  67. ↑ "Blues en V.O. - Festival France 2019 Guide, Programmation, concerts, billets..." www.leguidedesfestivals.com. Retrieved 2019-03-06.
  68. ↑ "Blues en VO". Groovin' the City (in French). Saint Leu la foret, Paris, France: Ocean Boulevard (Number 11): 9, 11, 12. Summer 2010.CS1 maint: Unrecognized language (link)
  69. ↑ Ext. 501. "Gardenstock 2012 a success". www.saukvalley.com. Retrieved 2019-03-13.
  70. ↑ "5e festival de blues à Ambialet". ladepeche.fr (in français). Retrieved 2019-03-05.
  71. ↑ "Image 148725172 by Ronny Cathoir". PBase. Retrieved 2019-03-05.
  72. ↑ "LimburgActueel.be". www.limburg-actueel.be (in Nederlands). Retrieved 2019-10-05.
  73. ↑ HelloAsso. "HOPE & BRIDGES (LES PONTS DE L'ESPOIR)". HelloAsso. Retrieved 2019-10-21.
  74. ↑ "Résultats de recherche pour « juma sultan » – Bel7 Infos" (in français). Retrieved 2019-10-21.
  75. ↑ "Music and More at Gardenstock". Sauk Valley Newspaper. Rock Falls, Sterling, Illinois, United States: Shaw Media. 160 (178): 1. 18 August 2014.
  76. ↑ "GAZ_08182014". Issuu. Retrieved 2019-03-05.
  77. ↑ "Blues on Broadbeach Music Festival 2014". www.weekendnotes.com. Retrieved 2019-03-05.
  78. ↑ "Mitchell Creek Rock 'N' Blues Fest - 2017 Playing Schedule". www.mitchellcreekrocknbluesfest.com.au. Retrieved 2019-03-06.
  79. ↑ "Mitchell Creek Rock 'N' Blues Fest - 2018 Playing Schedule". www.mitchellcreekrocknbluesfest.com.au. Retrieved 2019-03-06.
  80. ↑ "Seventh and final lineup released on the seventh of 7th". Mary Valley Voice. Mary Valley, Sunshine Coast, Queensland, Australia: Issu. 28 (07): 2. July 10, 2018.
  81. ↑ "2018 Mary Valley Voice July 11 Vol 28 #07". Issuu. Retrieved 2019-03-30.
  82. ↑ "Five acts you just can't miss at the 2018 Goodna Jacaranda Festival". Ipswich First. 2018-09-27. Retrieved 2019-09-13.
  83. ↑ Weise, Gerry Joe. "Axis Volume 1 French Tour". www.amazon.com. Retrieved 2019-09-13. Unknown parameter |url-status= ignored (help)
  84. ↑ Weise, Gerry Joe Weise. "Axis Volume 2 Australian Tour". Amazon.com. Retrieved 2019-09-24. Unknown parameter |url-status= ignored (help)
  85. ↑ Weise, Gerry Joe. "Live and Lost in the Netherlands". www.amazon.com. Retrieved 2019-03-06.
  86. ↑ Weise, Gerry Joe. "Laon Blues Festival". www.amazon.com. Retrieved 2019-03-06.
  87. ↑ Weise, Gerry Joe. "Blues Gone Wild". www.amazon.com. Retrieved 2019-03-06.
  88. ↑ Weise, Gerry Joe. "Stormy Sydney 20th Anniversary". www.amazon.com. Retrieved 2019-03-06.
  89. ↑ Weise, Gerry Joe. "Live and Proud". www.amazon.com. Retrieved 2019-03-06.
  90. ↑ Weise, Gerry Joe. "Live Blues World Tour". www.amazon.com. Retrieved 2019-03-06.
  91. ↑ Weise, Gerry Joe. "Blues Down Under". www.amazon.com. Retrieved 2019-03-06.
  92. ↑ Weise, Gerry Joe. "Sydney Paris Blues". www.amazon.com. Retrieved 2019-03-06.
  93. ↑ "Gerry Joe Weise, Sydney Paris Blues". Disques du mois. Guitarist Magazine (in French). Paris (Number 182 S): 45. October 2005.CS1 maint: Unrecognized language (link)
  94. ↑ Weise, Gerry Joe. "Bushman Boogie Deluxe". www.amazon.com. Retrieved 2019-03-06.
  95. ↑ Weise, Gerry Joe. "Live in Paris". www.amazon.com. Retrieved 2019-03-06.
  96. ↑ Perin, Jacques (Spring 1996). "Gerry Joe Weise Band, Live in Paris". Soul Bag magazine (in French). Clichy, France: C.L.A.R.B. (Number 142): 32.CS1 maint: Unrecognized language (link)
  97. ↑ Manic Depression (Jimi Tribe) - Single by Gerry Joe Weise, retrieved 2019-03-06
  98. ↑ Blue Concerto for Orchestra (Slide Guitar and Violin) - Single by Gerry Joe Weise, retrieved 2019-03-06
  99. ↑ "Gerry Joe Weise - Blues For Gary Moore". Discogs. Retrieved 2019-03-06.
  100. ↑ "Gerry Joe Weise - A Letter To Jimi". Discogs. Retrieved 2019-03-06.
  101. ↑ Elliot, Marc (November 1996). "Gerry Joe Weise, A Letter to Jimi, (ABM Records)". Albums. Guitare Planete (in French). Paris: Editions Showbizz Press (12): 78.CS1 maint: Unrecognized language (link)
  102. ↑ "Gerry Joe Weise - Bushman Boogie". Discogs. Retrieved 2019-03-06.
  103. ↑ Weise, Gerry Joe (12 August 2017). "Chapter 2: Earth Art, my Diaspora". Earth Art (1st ed.). San Bernadino, CA: Amazon. p. 4. ISBN 978-1521979853. Search this book on
  104. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 10. The Early Years in France 1987-1991.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 228. ISBN 978-1098802776. Search this book on
  105. ↑ Gibsson, Ludovic (16 May 2019). "Chapter 2. Interview with Gerry Joe Weise.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 7. ISBN 978-1098802776. Search this book on
  106. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 10. The Early Years in France 1987-1991.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 228. ISBN 978-1098802776. Search this book on
  107. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 11. Illustrations and Images.". Earth Art (1st ed.). San Bernardino, CA: Amazon. pp. 242 to 260. ISBN 978-1521979853. Search this book on
  108. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 7, Illustrations, In Situ. Chapter 10, The Early Years in France 1987-1991. Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11a, Gerry Weise's art studios and Jean-Marie Le Sidaner.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 136, 137, 229, 234 to 267, 331, 332. ISBN 978-1098802776. Search this book on
  109. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 11. Illustrations and Images.". Earth Art (1st ed.). San Bernardino, CA: Amazon. pp. 210 to 213, 218 to 231. ISBN 978-1521979853. Search this book on
  110. ↑ Le Sidaner, Jean-Marie (December 1987). "Gerry Weise, Reims. (Full page reprinted copy of the original magazine article on page 263 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris (1 Nouvelle Serie): 23.CS1 maint: Unrecognized language (link)
  111. ↑ Littame, Fabrice (18 September 1987). "Un artiste australien expose, une muse nommee Champagne. (Full page reprinted copy of the original newspaper article on page 237 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French) (Reims ed.). Reims: 12.CS1 maint: Unrecognized language (link)
  112. ↑ "Les planetes de Gerry Weise. (Full page reprinted copy of the original magazine article on page 239 in the book: Environmental Art of Gerry Joe Weise)". VRI, Ville de Reims Informations, magazine (in French). Reims: Ville de Reims (42): 21. October 1987.CS1 maint: Unrecognized language (link)
  113. ↑ Littame, Fabrice (26 October 1987). "L'Universite affirme son role culturel. (Full page reprinted copy of the original newspaper article on page 241 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French). Reims (13170): 4.CS1 maint: Unrecognized language (link)
  114. ↑ "Antigone fete ses 10 ans. (Full page reprinted copy of the original newspaper article on page 241 in the book: Environmental Art of Gerry Joe Weise)". Champagne Dimanche (in French). Reims: 41. 27 September 1987.CS1 maint: Unrecognized language (link)
  115. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11: Illustrations, The Early Years in France (English and French). Chapter 11d: Gerry Weise, Magazine Cover Story. Chapter 12: Curriculum Vitae, Bibliography, Credits.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 346 to 355, 364 to 367. ISBN 978-1098802776. Search this book on
  116. ↑ Le Sidaner, Jean-Marie (December 1987). "Gerry Weise, Reims. (Full page reprinted copy of the original magazine article on page 263 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris, France (1 Nouvelle Serie): 23.CS1 maint: Unrecognized language (link)
  117. ↑ Lulsdorf (21 April 1988). "Gerry Weise, Sein Hauptmotiv is der Kreis, Zeitgenossicher Maler stellt in der australischen Botschaft aus". Bad Godesberg und Wachtberg. General Anzeiger Nachrichten (in German). Bonn, Germany: 9.CS1 maint: Unrecognized language (link)
  118. ↑ Ban, Alexandre (June–August 1990). "Un entretien avec Gerry Weise artiste peintre australien, (Magazine cover and cover story). (Full pages reprinted copy of the original magazine articles and cover, on page 347 to 352 in the book: Environmental Art of Gerry Joe Weise)". Aparte, Arts plastiques. Marges, Revue Contemporaine (contemporary art and literary magazine) (in French). France: Edition Ad Hominem (Number 2): 1, 13 to 17.CS1 maint: Date format (link) CS1 maint: Unrecognized language (link)
  119. ↑ Nuti, Andrew (September–October 1998). "Oz Artists in Paris. (Full page reprinted copy of the original magazine articles on page 281 in the book: Environmental Art of Gerry Joe Weise)". Australian Special Issue. Art Line magazine, International Art News. London, United Kingdom: A.G.P. Newspapers. Volume 4 (Number 2): 3 to 5.CS1 maint: Date format (link)
  120. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 10: The Early Years in France 1987-1991.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 280, 281. ISBN 978-1098802776. Search this book on
  121. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 7, Illustrations, In Situ. Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11c, Land Art in 1989.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 126, 127, 336, 343. ISBN 978-1098802776. Search this book on
  122. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11c, Land Art in 1989.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 338, 343. ISBN 978-1098802776. Search this book on
  123. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 7, Illustrations, In Situ. Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11c, Land Art in 1989.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 124, 125, 343. ISBN 978-1098802776. Search this book on
  124. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 11. Illustrations and Images.". Earth Art. San Bernardino, CA: Amazon. pp. 236, 237. ISBN 978-1521979853. Search this book on
  125. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 7, Illustrations, In Situ. Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11c, Land Art in 1989.". Environmental Art of Gerry Joe Weise. San Bernardino, CA: Amazon. pp. 134, 135, 314, 315, 318 to 345. ISBN 978-1098802776. Search this book on
  126. ↑ Le Sidaner, Jean-Marie (January 1990). "Gerry Weise, Charleville-Mezieres. (Full page reprinted copy of the original magazine article on page 319 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris (13): 19.CS1 maint: Unrecognized language (link)
  127. ↑ "Un peintre australien amoureux de la terre. (Full page reprinted copy of the original newspaper article on page 323 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French). Charleville-Mezieres (13880): 5. 20 February 1990.CS1 maint: Unrecognized language (link)
  128. ↑ "Gerry Weise : un peintre australien au musee Rimbaud a partir de demain. (Full page reprinted copy of the original newspaper article on page 321 in the book: Environmental Art of Gerry Joe Weise)". L'Ardennais (in French). Charleville-Mezieres: 11. 20 February 1990.CS1 maint: Unrecognized language (link)
  129. ↑ "Gerry Weise au musee Rimbaud. Spectacle musical pour le vernissage mercredi 21 fevrier. (Full page reprinted copy of the original newspaper article on page 345 in the book: Environmental Art of Gerry Joe Weise)". L'Ardennais (in French). Charleville-Mezieres (13973): 14. 15 February 1990.CS1 maint: Unrecognized language (link)
  130. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 11. Illustrations and Images.". Earth Art (1st ed.). San Bernardino, CA: Amazon. pp. 208, 209. ISBN 978-1521979853. Search this book on
  131. ↑ Fremeaux, Sandra (21 March 2002). "L'esprit de la terre et du blues". La Depeche du Midi, Journal de la Democratie (in French). Tarn, Castres (19515): 11.CS1 maint: Unrecognized language (link)
  132. ↑ Gibsson, Ludovic; Weise, Gerry Joe (12 August 2017). "Chapter 10, Land Art Multimedia Project. Chapter 11, Illustrations and Images.". Earth Art. San Bernardino, CA: Amazon. pp. 31, 32, 34 to 42. ISBN 978-1521979853. Search this book on
  133. ↑ Anders, Chloe Mae; Sandberg, Albert L. (16 May 2019). "Chapter 3, The Contemporaneity of Gerry Joe Weise. Chapter 5, Illustrations, Pigments on Earth.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 8, 54 to 85. ISBN 978-1098802776. Search this book on
  134. ↑ Anders, Chloe Mae (16 May 2019). "Chapter 3. The Contemporaneity of Gerry Joe Weise.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 8. ISBN 978-1098802776. Search this book on
  135. ↑ Sandberg, Albert L.; Anders, Chloe Mae; Gibsson, Ludovic (2019). Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon (published 16 May 2019). ISBN 978-1098802776. Search this book on
  136. ↑ Gibsson, Ludovic; Weise, Gerry Joe (12 August 2017). Earth Art (1st ed.). San Bernardino, CA: Amazon. ISBN 978-1521979853. Search this book on
  137. ↑ Gibsson, Ludovic; Weise, Gerry Joe (28 January 2018). Earth Art (1st ed.). Earthworks, Australia, United States. ASIN B074DS4GQ7. Search this book on
  138. ↑ Gibsson, Ludovic; Weise, Gerry Joe (28 January 2018). Land Art (1st ed.). Earthworks, Australia, United States. ASIN B079DKK4KV. Search this book on
  139. ↑ Gibsson, Ludovic (12 August 2017). "Introduction". Earth Art (1st ed.). San Bernardino, CA: Amazon. p. 4. ISBN 978-1521979853. Search this book on
  140. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 7: Illustrations, In Situ. Chapter 9: Illustrations Poetry (English and French). Chapter 10: The Early Years in France 1987-1991. Chapter 11: Illustrations, The Early Years in France (English and French). Chapter 11c: Land Art in 1989. Chapter 12: Curriculum Vitae, Bibliography, Credits.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 126, 127, 190 to 221, 228 to 367. ISBN 978-1098802776. Search this book on
  141. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 10: Illustrations and Images. Chapter 12: Exhibitions, Bibliography, Credits.". Earth Art (1st ed.). San Bernardino, CA: Amazon. pp. 34 to 43, 108 to 111, 126 to 165, 190 to 193, 208 to 237, 261, 262. ISBN 978-1521979853. Search this book on
  142. ↑ Gibsson, Ludovic (28 January 2018). "Chapter 8: Exhibitions, Bibliography.". Land Art (ebook) (1st ed.). Earthworks, Australia, United States. ASIN B079DKK4KV. Search this book on
  143. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 1: Introduction to the Environment". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 4. ISBN 978-1098802776. Search this book on
  144. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 12: Curriculum Vitae, Bibliography, Credits". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 364 to 367. ISBN 978-1098802776. Search this book on
  145. ↑ Gibsson, Ludovic (12 August 2017). "Chapter 12: Exhibitions, Bibliography, Credits". Earth Art. San Bernardino, CA: Amazon. pp. 261, 262. ISBN 978-1521979853. Search this book on
  146. ↑ Gibsson, Ludovic (28 January 2018). "Chapter 8: Exhibitions, Bibliography". Land Art (ebook). Earthworks, Australia, United States. ASIN B079DKK4KV. Search this book on
  147. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11a, Gerry Weise's art studios and Jean-Marie Le Sidaner. Chapter 11b, 1989 Ardennes Poetry Festival.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 259, 295. ISBN 978-1098802776. Search this book on
  148. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11, Illustrations, The Early Years in France (English and French). Chapter 11a, Gerry Weise's art studios and Jean-Marie Le Sidaner.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 259, 264, 265. ISBN 978-1098802776. Search this book on
  149. ↑ Le Sidaner, Jean-Marie (December 1987). "Gerry Weise, Reims. (Full page reprinted copy of the original magazine article on page 263 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris (1 Nouvelle Serie): 23.CS1 maint: Unrecognized language (link)
  150. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11. Illustrations, The Early Years in France (English and French).". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 274 to 282. ISBN 978-1098802776. Search this book on
  151. ↑ Nuti, Andrew (September–October 1988). "Jon Cockburn and Gerry Weise a Common Ritual. (Full page reprinted copy of the original magazine article on page 281 in the book: Environmental Art of Gerry Joe Weise)". Australian Special Issue. Art Line magazine, International Art News. London, United Kingdom: A.G.P. Newspapers. Volume 4 (Number 2): 3 to 5.CS1 maint: Date format (link)
  152. ↑ Le Sidaner, Jean-Marie (February 1988). "Rituel Commun. (Full page reprinted copy of the original magazine article on page 275 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris (2 Nouvelle Serie): 24.CS1 maint: Unrecognized language (link)
  153. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11b. 1989 Ardennes Poetry Festival.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 295 to 301. ISBN 978-1098802776. Search this book on
  154. ↑ "Poemes en Ardenne. (Full page reprinted copy of the original newspaper article on page 297 in the book: Environmental Art of Gerry Joe Weise)". L'Ardennais (in French). Charleville-Mezieres (13700): 12. 23 March 1989.CS1 maint: Unrecognized language (link)
  155. ↑ "Semaine de la poesie : le bouquet final. (Full page reprinted copy of the original newspaper article on page 299 in the book: Environmental Art of Gerry Joe Weise)". L'Ardennais (in French). Charleville-Mezieres (13702): 3. 25 March 1989.CS1 maint: Unrecognized language (link)
  156. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11. Illustrations, The Early Years in France (English and French).". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 302 to 307. ISBN 978-1098802776. Search this book on
  157. ↑ "Coup de flash sur le Trio Flache. (Full page reprinted copy of the original newspaper article on page 303 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French). Reims (13636): 23. 4 May 1989.CS1 maint: Unrecognized language (link)
  158. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11. Illustrations, The Early Years in France (English and French).". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 324, 325, 344, 345. ISBN 978-1098802776. Search this book on
  159. ↑ "Gerry Weise au musee Rimbaud. Spectacle musical pour le vernissage mercredi prochain 21 fevrier. (Full page reprinted copy of the original newspaper article on page 345 in the book: Environmental Art of Gerry Joe Weise)". L'Ardennais (in French). Charleville-Mezieres (13973): 2. 15 February 1990.CS1 maint: Unrecognized language (link)
  160. ↑ Le Sidaner, Jean-Marie (January 1990). "Gerry Weise, Charleville-Mezieres. (Full page reprinted copy of the original magazine article on page 319 in the book: Environmental Art of Gerry Joe Weise)". Artension, Contemporary art magazine (in French). Paris (13 Nouvelle Serie): 19.CS1 maint: Unrecognized language (link)
  161. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 5. Illustrations, Pigments on Earth.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 46, 47. ISBN 978-1098802776. Search this book on
  162. ↑ Melison, Gil (14 August 1995). "Victoire de Gerry Joe Weise, son blues a l'harmonique tonique a fait la difference". L'Est Republicain (in French). Haute Marne: 2, 3.CS1 maint: Unrecognized language (link)
  163. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11. Illustrations, The Early Years in France (English & French).". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. pp. 272, 273. ISBN 978-1098802776. Search this book on
  164. ↑ "Exposition interdepartementale du Grand Prix de France des arts plastiques. Trois artistes remois recompenses. (Full page reprinted copy of the original newspaper article on page 273 in the book: Environmental Art of Gerry Joe Weise)". L'Union (in French) (Reims ed.). Champagne-Ardenne: 18. September 16, 1987.CS1 maint: Unrecognized language (link)
  165. ↑ "Gerry Joe Weise - MusicBrainz". musicbrainz.org. Retrieved 2019-10-22.
  166. ↑ "Gerry Joe Weise on Apple Music". Apple Music. Retrieved 2019-10-14.
  167. ↑ "Amazon.com: gerry joe weise". www.amazon.com. Retrieved 2019-10-14.
  168. ↑ Sandberg, Albert L. (16 May 2019). "Chapter 11a. Gerry Weise's art studios and Jean-Marie Le Sidaner.". Environmental Art of Gerry Joe Weise (1st ed.). San Bernardino, CA: Amazon. p. 259. ISBN 978-1098802776. Search this book on
  169. ↑ "Amazon.com: gerry joe weise". www.amazon.com. Retrieved 2019-10-14.

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