Henrique Matos
| Henrique Matos | |
|---|---|
| File:Cosmos 1.jpgCosmos 1.jpg | |
| Born | 18 July 1961 Oporto |
| 🏳️ Nationality | Portuguese |
| 💼 Occupation | |
| Known for | Painting |
| Movement | Op Art |
| 🌐 Website | henriquematos |
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Henrique Matos; born Oporto; 18 July 1961 is a Portuguese painter, particularly known for his Op Art paintings.
Life and work
Henrique Matos was born in Porto, Portugal. From 1974 to 1980, he attended the Soares dos Reis School of Decorative Arts, where he was a student of Isolino Vaz. He graduated in Painting in 1988 from the Superior School of Fine Arts of Porto, where he was a disciple of Álvaro Lapa, Amândio Silva, Sá Nogueira, Carlos Carreiro, Ângelo de Sousa and João Dixo.
His first collective exhibition was in 1981 and his first solo exhibition was in 1987. After that, he had several solo and collective exhibitions in Portugal, including in Porto (Mercado de Ferreira Borges), Matosinhos, Valongo, Fafe, Rio Tinto, Mosteiro de Arouca, Gondomar (Sala Júlio Resende), Praia de Mira (Ethnographic Museum) and Lisbon. Between 1991 and 1993 he made an exhibition in France, at the Center Culturel Municipal de Fréjus, [1][2] and in Nice, at the Tropheé de la Primière Change – Quai des États-Unis (Ex-Aequeo First Prize), Galerie Art'Nold[3] and at the 1st Prix Mossa Biennial – Galerie-Musée Alexis et Gustav-Adolf-Mossa.
In 1991 and 1992 he travelled to Morocco and in 1996 to Tunisia, having come into contact with Arab culture and art. He initially produced Surrealist paintings, evolving into an abstract theme. He created works of landscape character as well as portraits of personalities, among which are portraits of Alberto Jorge, João André, Pedro Abrunhosa, among others. He studied the cultures of the ancient Mayan and Egyptian civilizations, using his thematic paintings to allude to these classical civilizations, having visited Chichen Itza in 2007 and Luxor in 2008. His latest stage of painting is in the style of Op Art,[4] [5] influenced by artists like M. C. Escher, Jesús Rafael Soto, Victor Vasarely and Bridget Riley.
Henrique Matos, in addition to fine arts, has dedicated himself from his youth to historical,[6] archaeological,[7]
[8] artistic and political photography,[9][10] having published photographs of his authorship in several books and magazines in Portugal,[11] [12] [13], Italy[14] and Brazil.[15] [16][17]
He is currently represented in the art collections of the City Council of Gondomar and in the City Council of Fréjus.
Solo Exhibitions
1987: Sala de Exposições de Matosinhos
1989: Casa Municipal da Cultura de Fafe
1991: Centre Culturel Municipal de Fréjus, France
1992: Monastery of Arouca
1997: Auditório Municipal de Gondomar – Sala Júlio Resende
1999: Centro Cultural de Rio Tinto
2000: Museu Etnográfico da Praia de Mira
2001: Naif, Porto
2001: Contrabaixo, Praia de Mira
2002: Museu Etnográfico, Praia de Mira
2006: Loja do Cidadão, Porto
2008: Corujeira – Espaço de Arte, Porto
2012: Cosmic Gate, Mercado Ferreira Borges – Hard Club, Porto
Collective Exhibitions
1981: III Bienal da Festa do Avante, Lisbon
1982: Exposição Augusto Gomes, Matosinhos
1985: Jovens Pintores da E.S.B.A.P. Galeria Almada Negreiros, Lisbon
– Desenhos e Múltiplos – Galeria A.S., Porto
1986: A Abrir... e Múltiplos - Galeria A.S., Porto
1987: Colectiva da E.S.B.A.P. - Universidade Católica, Porto
- Alunos da E.S.B.A.P. Expõem - E.S.B.A.P. , Porto
1988: Artes Plásticas - Forum Vallis Longus, Valongo
- Tempo de Animação Cultural - E.S.B.A.P., Porto
1989: Colectiva de Artes Plásticas, Centro Cultural de Fafe
1990: Galeria Rui Alberto, Porto
1992: Tropheé de la Primière Change - Quai des États-Unis - Nice – France (First Prize Ex-Aequeo).
1993: Lauréats du Prix Quai des Etats-Unis - Galerie Art’Nold, Nice, France
- 1º BiennleI Prix Mossa - Galerie/Musée Mossa, Nice, France
1996: Artistas de Gondomar - Auditório Municipal de Gondomar
- Feira de Arte Contemporânea - FAC’96 - Exponor, Matosinhos
1998: II Mostra de Fotografia - Pavilhão Municipal, Fânzeres
- Artistas de Gondomar - Auditório Municipal de Gondomar - Sala Júlio Resende
1999: Rio Tint´Arte – Centro Cultural de Rio Tinto
2001: Exposição de Artes Plásticas – Escola Secundária de Rio Tinto
2002: Mostra de Obras de Arte – Auditório Municipal de Gondomar - Sala Júlio Resende
2012: Old School Gathering Festival, Miranda do Corvo
2014: Baganha Galeria, Porto
Gallery
Painting
-
Cosmos, 2001
-
Cosmic reaction, 2003
-
Optical Motion I, 2012
-
Optical Motion II, 2012
Photography
-
A mural celebrating the Carnation Revolution: "25th of April Always!", 1978
-
Vasco Gonçalves, 1982
-
Carnation Revolution, 1983
References and sources
- References
- ↑ Jornal Nice Matin, 3 April, 1991 documento PDF
- ↑ Jornal Var Matin - Fréjus, 5 April, 1991, documento PDF
- ↑ Nice-Magazine, May, 1993, documento PDF
- ↑ Seelenfarben Kunst Página visitada em 14/11/2012
- ↑ Op Art, L´antre du Grand PossiblePágina visitada em 05/02/2013
- ↑ Nobility and Analogous Traditional Elites Página visitada em 14/11/2012
- ↑ Per Storemyr Archaeology and Conservation Página visitada em 14/11/2012
- ↑ For what they were… we are, Página visitada em 14/11/2012
- ↑ Pintura Mural Política em Portugal Página visitada em 14/11/2012
- ↑ Photo accessory on movie Les grandes ondes (à l'ouest) - As Ondas de Abril, Lionel Baier, Suíça, 2013Página visitada em 23/05/2014
- ↑ Coleção 2Faces, Foto-biografias de Vasco Gonçalves, Otelo Saraiva de Carvalho, Salgueiro Maia, Adelino Amaro da Costa, António de Spínola e Ramalho Eanes, Editora Quidnovis, Matosinhos, 2011.
- ↑ Cover book "25 Anos da Escola Secundária de Rio Tinto", Edição ESRT, 2012
- ↑ 25 de Abril - 40 Anos, António Costa Pinto, CTT - Correios de Portugal, 2014Página visitada em 23/05/2014
- ↑ Cover book "Storia politica del Portogallo Contemporaneo", Mondadori Education, Florença, 2011. Página visitada em 15/11/2012.
- ↑ Léguas a nos separar: o que levou o regime militar brasileiro a apoiar um movimento de esquerda como a Revolução dos Cravos em Portugal?, Revista de História da Biblioteca Nacional, p. 63 - 68, 01 April, MARTINHO, F. C. P., 2007.
- ↑ "Revista Samuel", Número 5, Última Instância Editorial Alameda, São Paulo, 2012.
- ↑ Leituras da História, Dia da Liberdade - Revolução dos Cravos foi o derradeiro passo para a consolidação da democracia na Europa Ocidental, Muricy Cardoso, Editora Escala, Número 68, São Paulo, 2014.
External links
| Wikimedia Commons has media related to Henrique Matos. |
- Kids artists: In the style of Henrique Matos
- Draw the line at: Op Art, Henrique Matos Archived 2016-03-03 at the Wayback Machine
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