Hilton Als bibliography

Lists the published works of Hilton Als.

Books

Golden, Thelma (1994). Als, Hilton, ed. Black male : representations of masculinity in contemporary American art. New York: Whitney Museum of American Art. Search this book on ^[1]
Als, Hilton (1996). The women. New York: Farrar, Straus & Giroux. Search this book on
— (1998) [1996]. The women. Paperback ed. New York: Farrar, Straus & Giroux. Search this book on
— (2013). White girls. San Francisco: McSweeney's. Search this book on

Essays, chapters and other contributions

1989–2009

Als, Hilton (October 30, 1989). "M. M.". The Talk of the Town. The New Yorker.
— (January 22, 1990). "Marathon". The Talk of the Town. The New Yorker.
— (February 19, 1990). "Sounds". The Talk of the Town. The New Yorker.
— (October 20, 1997). "The new Negro: as a rap star, she's the bomb. As a music-video producer, she's set a new style. Is Missy Elliott music's next transformer?". The Next Music Mogul. The New Yorker.
— (2000). "GWTW". In Allen, James. Without sanctuary : lynching photography in America. Santa Fe, NM: Twin Palms. pp. 38–45. Search this book on
— (August 13, 2009). "Michael". The New York Review of Books.

2010–2014

Sills, Vaughn (2010). Places for the spirit : traditional African American gardens. Foreword by Hilton Als. San Antonio: Trinity University Press. Search this book on
Als, Hilton (February 8, 2010). "Let the sunshine in". Goings on About Town. Critic's Notebook. The New Yorker. 85 (48): 13.^[2]
— (March 15, 2010). "Arcade fire". Goings on About Town. Critic's Notebook. The New Yorker. 86 (4): 12.^[3]
— (March 15, 2010). "Underhanded". The Critics. The Theatre. The New Yorker. 86 (4): 80–81.^[4]
— (March 22, 2010). "Feminist fatale". Goings on About Town. Critic's Notebook. The New Yorker. 86 (5): 8.^[5]
— (June 7, 2010). "Stage directions". Goings on About Town. Critic's Notebook. The New Yorker. 86 (16): 14.^[6]
— (November 8, 2010). "On the verge". Goings on About Town. Critic's Notebook. The New Yorker. 86 (35): 22.^[7]
— (November 8, 2010). "Color vision". Life and Letters. The New Yorker. 86 (35): 42–47.^[8]
— (March 14, 2011). "Giving it away". Goings on About Town. Critic's Notebook. The New Yorker. 87 (4): 7.^[9]
— (November 7, 2011). "Playing apart". Goings on About Town. Critic's Notebook. The New Yorker. 87 (35): 9.^[10]
— (November 7, 2011). "Double-talk : two comedies of miscommunication". The Critics. The Theatre. The New Yorker. 87 (35): 86–87.^[11]
— (November 14, 2011). "Role reversal". Goings on About Town. Critic's Notebook. The New Yorker. 87 (36): 19.^[12]
— (December 19–26, 2011). "Tea and no sympathy". The Critics. The Theatre. The New Yorker. 87 (41): 142–143.^[13]
— (January 16, 2012). "Off the Boulevard". Goings on About Town. Critic's Notebook. The New Yorker. 87 (44): 10.^[14]
— (April 16, 2012). "Frank words". Goings on About Town. Critic's Notebook. The New Yorker. 88 (9): 23.^[15]
— (April 16, 2012). "Down but not defeated : four views from the margins". The Critics. The Theatre. The New Yorker. 88 (9): 107–108.^[16]
— (January 7, 2013). "All set". Goings on About Town. Critic's Notebook. The New Yorker. 88 (42): 7.^[17]
— (January 28, 2013). "Making sense". Goings on About Town. Critic's Notebook. The New Yorker. 88 (45): 8. The Nalaga'at troupe at the Skirball Center.
— (January 28, 2013). "Secrets and lies: Tennessee Williams on a troubled marriage". The Critics. The Theatre. The New Yorker. 88 (45): 78–79. Retrieved 2015-04-09. Rob Ashford directs Cat on a Hot Tin Roof at the Richard Rodgers Theatre.
— (February 25, 2013). "Broadway haunt". Goings on About Town. Critic's Notebook. The New Yorker. 89 (2): 11. Retrieved May 1, 2015.
— (February 25, 2013). "Home brew: Kirsten Greenidge on class, race, and real estate". The Critics. The Theatre. The New Yorker. 89 (2): 82–83. Retrieved 2015-05-04. Rebecca Taichman directs Kirsten Greenidge's Luck of the Irish at Lincoln Center's Claire Tow Theater.
— (March 4, 2013). "Sound of silence". Goings on About Town. Critic's Notebook. The New Yorker. 89 (3): 7. Retrieved May 5, 2015. Sarah Paulson.
— (March 11, 2013). "Star promoter". Goings on About Town. Critic's Notebook. The New Yorker. 89 (4): 12. Retrieved May 18, 2015. Irene Gandy.
— (March 11, 2013). "Portraits of the ladies". The Critics. The Theatre. The New Yorker. 89 (4): 76–77. Retrieved May 19, 2015. Manhattan Theatre Club's production of Liz Flahive's The Madrid at New York City Center Stage 1; John Doyle directs Stephen Sondheim's Passion at Classic Stage Company.
— (April 1, 2013). "Power politics". Goings on About Town. Critic's Notebook. The New Yorker. 89 (7): 8. Retrieved 2015-12-29. Guillermo Calderón's Neva.
— (April 1, 2013). "Single white female : Richard Greenberg adapts Breakfast at Tiffany's". The Critics. The Theatre. The New Yorker. 89 (7): 82–83. Retrieved 2016-01-06.
— (April 8, 2013). "Last hurrah". Goings on About Town. Critic's Notebook. The New Yorker. 89 (8): 10. Retrieved 2015-12-16. Elaine Stritch.
— (April 15, 2013). "Still waters". Goings on About Town. Critic's Notebook. The New Yorker. 89 (9): 10. Alice Waters
— (April 15, 2013). "Newsies : Nora Ephron as a tabloid hero". The Critics. The Theatre. The New Yorker. 89 (9): 80–81. George C. Wolfe directs Nora Ephron's Lucky Guy at the Broadhurst Theatre.
— (April 29, 2013). "Fairy tales : acting out in The Nance and Matilda". The Critics. The Theatre. The New Yorker. 89 (11): 80–81.
— (May 6, 2013). "Lorca in New York". Goings on About Town. Critic's Notebook. The New Yorker. 89 (12): 17.
— (May 6, 2013). "Homesteaders : four actresses stake their claims onstage". The New Yorker. 89 (12): 86–87. Deborah Warner directs The Testament of Mary at the Walter Kerr Theatre; Alex Timbers directs Here Lies Love at The Public Theater; Michael Wilson directs The Trip to Bountiful at the Stephen Sondheim Theatre; Joe Mantello directs I'll Eat You Last at the Booth Theatre.
— (May 13, 2013). "Making it". Goings on About Town. Critic's Notebook. The New Yorker. 89 (13): 8. Documentary series Made Here.
— (June 3, 2013). "Russian nobility". Goings on About Town. Critic's Notebook. The New Yorker. 89 (16): 9. Dave Malloy's Natasha, Pierre & the Great Comet of 1812.
— (June 3, 2013). "Vertigo". The Critics. The Theatre. The New Yorker. 89 (16): 72–73. Andrei Belgrader directs Ibsen's The Master Builder at the BAM's Harvey Theater.
— (July 22, 2013). "London calling". Goings on About Town. Critic's Notebook. The New Yorker. 89 (21): 9. Caryl Churchill.
— (August 5, 2013). "Dudes : Wallace Shawn's and Tarell Alvin McCraney's suvivors". The Critics. The Theatre. The New Yorker. 89 (23): 76–77.
— (September 30, 2013). "Heavy date". The Critics. The Theatre. The New Yorker. 89 (30): 82–83. Retrieved 2015-03-03. David Leveaux directs Romeo and Juliet at the Richard Rodgers Theatre.
— (October 21, 2013). "Uptown, Downtown : the gap between Broadway and Off Broadway sensibilities". Goings on About Town. The Theatre. The New Yorker. 89 (33): 10.
— (October 28, 2013). "Love affair : the emotion behind Harold Pinter's Betrayal". Goings on About Town. The Theatre. The New Yorker. 89 (34): 8.
— (October 28, 2013). "Wigstock : David Adjmi's "Marie Antoinette"". The Critics. The Theatre. The New Yorker. 89 (34): 70–72.
— (November 25, 2013). "The mirror has two faces : the joys and mysteries of Shakespeare". The Critics. The Theatre. The New Yorker. 89 (38): 130–131.
— (December 16, 2013). "Close to you : a new take on Burt Bacharach". The Critics. The Theatre. The New Yorker. 89 (41): 90–91.
— (December 23–30, 2013). "The Troubles". The Critics. The Theatre. The New Yorker. 89 (42): 128–129. Retrieved October 15, 2014. Conor McPherson's The Night Alive.
— (January 6, 2014). "Getting personal : downtown performance art at P.S. 122's COIL festival". Goings on About Town. The Theatre. The New Yorker. 89 (43): 14.
— (February 10, 2014). "Dirty truths : local entanglements in 'Intimacy' and 'Outside Mullingar'". The Critics. The Theatre. The New Yorker. 89 (48): 82–83.^[18]
— (February 10, 2014). "Exit the dragon : Asian-American artists defy stereotype through the decades". Goings on About Town. The Theatre. The New Yorker. 89 (48): 8.^[19]
— (March 17, 2014). "Case closed : posthumous and political wrangling in 'No Exit' and 'All the Way'". The Critics. The Theatre. The New Yorker. 90 (4): 74–75.^[20]
— (March 31, 2014). "Down for the count : Alex Timbers takes on 'Rocky'". The Critics. The Theatre. The New Yorker. 90 (6): 78–79.
— (April 14, 2014). "Free man of color : 'A Raisin in the Sun' returns to Broadway". The Critics. The Theatre. The New Yorker. 90 (8): 71–72.^[21]
— (April 21, 2014). "Party people : the timely resurgence of Ed Bullins". Goings on About Town. The Theatre. The New Yorker. 90 (9): 17.
— (April 21, 2014). "Dress-up : style in three new stagings". The Critics. The Theatre. The New Yorker. 90 (9): 108–109.
— (June 2, 2014). "Cruising : Edgar Oliver's park stories". The Critics. The Theatre. The New Yorker. 90 (15): 80–81. Retrieved April 22, 2015.
— (August 25, 2014). "History lessons : Robert O'Hara gets personal in his new play". Goings on About Town. The Theatre. The New Yorker. 90 (24): 10.
— (September 1, 2014). "Youth culture : at eighteen, Tavi Gevinson starts a new career". Goings on About Town. The Theatre. The New Yorker. 90 (25): 12.
— (October 20, 2014). "Body politic: 600 Highwaymen's unusual casting, and its sincere theatre". Goings on About Town. The Theatre. The New Yorker. 90 (32): 26. Retrieved December 22, 2014.
— (October 20, 2014). "Ta-da! The business of show on Broadway". The Critics. The Theatre. The New Yorker. 90 (32): 100–101. Retrieved December 22, 2014. Jack O'Brien directs Terrence McNally's It's Only a Play at the Gerald Schoenfeld Theatre; Marianne Elliott directs Simon Stephens' The Curious Incident of the Dog in the Night-Time at the Ethel Barrymore Theatre.
— (December 22–29, 2014). "Funny ladies : Sarah Bernhard follows a long line of observational comics". Goings on About Town. The Theatre. The New Yorker. 90 (41): 32. Retrieved 2015-03-16.
— (December 22–29, 2014). "Sideshow : a revival of 'The Elephant Man'". The Critics. The Theatre. The New Yorker. 90 (41): 143–144. Retrieved April 10, 2015. Scott Ellis directs Bernard Pomerance's The Elephant Man at the Booth Theatre.

2015–

Als, Hilton (February 2, 2015). "Drama king : an iconic classical composer inspires the maestro of Broadway". Goings on About Town. The Theatre. The New Yorker. 90 (46): 12.^[22]
— (May 4, 2015). "Reality show: a new guard of women in experimental theatre". Goings on About Town. The Theatre. The New Yorker. 91 (11): 8.
— (May 4, 2015). "The wanderers: mutual outsiders". The Critics. The Theatre. The New Yorker. 91 (11): 67–68. Retrieved July 3, 2015. Sam Gold directs Lisa Kron's Fun Home at the Circle in the Square Theatre; Bartlett Sher directs The King and I in revival at Lincoln Center's Vivian Beaumont Theater; John Doyle directs Kander and Ebb's The Visit at the Lyceum.
— (February 1, 2016). "Girl power : an activist theatre company looks at the sexual politics of teen-agers". Goings on About Town. The Theatre. The New Yorker. 91 (46): 10.
— (February 29, 2016). "Dirty rotten scoundrel : a musical based on a Eudora Welty tale is revived Off Broadway". Goings on About Town. The Theatre. The New Yorker. 92 (3): 6. Alex Timbers directs The Robber Bridegroom at the Laura Pels.
— (February 29, 2016). "Bookworms : a stage adaptation of '2666'". The Critics. The Theatre. The New Yorker. 92 (3): 72–73. Robert Falls and Seth Bockley direct 2666 at the Goodman Theatre, Chicago.
— (March 7, 2016). "The night crawlers : down and out in Eugene O'Neill's 'Hughie'". The Critics. The Theatre. The New Yorker. 92 (4): 72–73.^[23]
— (March 7, 2016). "Poetry in motion". Goings on About Town. The Theatre. The New Yorker. 92 (4): 8. Steve Cosson directs The Civilians in Rimbaud in New York at BAM Fisher.
— (March 21, 2016). "New direction : the singular vision of David Cromer". Goings on About Town. The Theatre. The New Yorker. 92 (6): 14. David Cromer directs Lucy Prebble's The Effect at the Barrow Street Theatre.
— (March 21, 2016). "My old sweetheart : revisiting the traumas of the past in Blackbird". The Critics. The Theatre. The New Yorker. 92 (6): 100–101. Joe Mantello directs David Harrower's Blackbird at the Belasco Theatre.
— (June 20, 2016). "Better with age : I Remember Mama is reimagined with an all-female cast". Goings on About Town. The Theatre. The New Yorker. 92 (18): 8.^[24]
— (October 10, 2016). "A girl like I : Amy Schumer's standup". The Critics. On Stage. The New Yorker. 92 (32): 106–107.^[25]
— (November 7, 2016). "Showoffs : gay reflections on the stage". The Critics. The Theatre. The New Yorker. 92 (36): 80–81.^[26]
— (December 19–26, 2016). "Time flies : Anna Kohler, a performance artist and Wooster Group veteran, has a new piece". Goings on About Town. The Theatre. The New Yorker. 92 (42): 20.
— (December 19–26, 2016). "Bullies : pop psychology onstage in 'Dear Evan Hansen'". The Critics. The Theatre. The New Yorker. 92 (42): 128–129.^[27]
— (March 13, 2017). "Partners : power and poverty in 'Sweeney Todd'". The Critics. The Theatre. The New Yorker. 93 (4): 112–113.^[28]
— (May 1, 2017). "The star : Bette Midler brings the best of herself to 'Hello, Dolly!'". The Critics. The Theatre. The New Yorker. 93 (11): 60–62.^[29]
— (October 30, 2017). "The reckoning : Bruce Springsteen's one-man show". The Critics. The Theatre. The New Yorker. 93 (34): 65–66.^[30]
— (November 6, 2017). "Now's the time : the filmmaker Kahlil Joseph plays hide-and-seek with his legacy". The Critics. A Critic at Large. The New Yorker. 93 (35): 71–73.^[31]
— (December 4, 2017). "Caged : Jocelyn Bioh's take on race and female rivalry in Ghana". The Critics. The Theatre. The New Yorker. 93 (39): 80–81.^[32]
— (December 4, 2017). "Memento mori : Irish Rep brings James Joyce's novella 'The Dead' to life". Goings on About Town. The Theatre. The New Yorker. 93 (39): 13.^[33]
— (February 12–19, 2018). "Howl : a startling body of work about women, race, and dispossession". The Critics. The Theatre. The New Yorker. 94 (1): 98–101.^[34]
— (February 11, 2019). "In revival". Goings on About Town. Movies. The New Yorker. 94 (48): 12.^[35]

Notes

↑ Catalog of an exhibition held at the Whitney Museum of American Art, November 10, 1994–March 5, 1995.
↑ Discusses Melba Moore.
↑ Discusses Penny Arcade.
↑ Reviews Martin McDonagh's A Behanding in Spokane, directed by John Crowley at the Gerald Schoenfeld Theatre.
↑ Discusses María Irene Fornés.
↑ Discusses David Mamet.
↑ Discusses Sam Irvin's Kay Thompson: From Funny Face to Eloise.
↑ Discusses Ntozake Shange.
↑ Discusses Ed Schmidt's My Last Play.
↑ Discusses Angelina Maccarone's Charlotte Rampling : the look.
↑ David Henry Hwang's Chinglish, directed by Leigh Silverman at the Longacre Theatre; David Bar Katz's The Atmosphere of Memory at the Bank Street Theatre.
↑ Richard Move's "[email protected] 1963 Interview" at New York Live Arts.
↑ David Adjmi's Elective Affinities.
↑ Joe Cino.
↑ Frank Langella.
↑ Ike Holter's Hit the Wall at the Steppenwolf Garage, Chicago; Terry Johnson directs Peter Quilter's End of the Rainbow at the Belasco Theatre; Eric Ting directs Jackie Sibblies Drury's We are Proud to Present a Presentation about the Herero of Namibia ... at the Victory Gardens Theater, Chicago; Michael Wilson directs Gore Vidal's The Best Man at the Schoenfeld.
↑ Broadway set designers.
↑ Scott Elliott directs The New Group production of Thomas Bradshaw's Intimacy; Doug Hughes directs a Manhattan Theatre Club production of John Patrick Shanley's Outside Mullingar at the Samuel J. Friedman Theatre.
↑ Discusses David Henry Hwang's Kung Fu.
↑ Linda Ames Key directs Sartre's No Exit at the Pearl Theatre; Bill Rauch directs Schenkkan's All the Way at the Neil Simon Theatre.
↑ Kenny Leon directs A Raisin in the Sun at the Ethel Barrymore Theatre.
↑ Online version is titled "Steve Reich and Stephen Sondheim".
↑ Online version is titled "Eugene O'Neill's poetic world".
↑ Online version is titled "I Remember Mama".
↑ Online version is titled "The limits of perversity in Amy Schumer's standup".
↑ Online version is titled "Gay Reflections, Onstage".
↑ Online version is titled "Pop Psychology Onstage in Dear Evan Hansen".
↑ Online version is titled "A wondrous production of 'Sweeney Todd'".
↑ Online version is titled "Bette Midler brings her best to 'Hello, Dolly!'".
↑ Online version is titled "'Springsteen on Broadway' : legends from a life story".
↑ Online version is titled "The black excellence of Kahlil Joseph".
↑ Online version is titled "The 'Mean Girls' of Ghana". MCC Theater's production of Jocelyn Bioh's Schoolgirls; Or, the African mean girls play at the Lucille Lortel Theatre.
↑ Online version is titled "Irish Rep brings James Joyce's novella 'The Dead' to life".
↑ Online version is titled "Adrienne Kennedy’s startling body of work".
↑ Marlon Riggs' Tongues Untied (1984).

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[1] Catalog of an exhibition held at the Whitney Museum of American Art, November 10, 1994–March 5, 1995.

[2] Discusses Melba Moore.

[3] Discusses Penny Arcade.

[4] Reviews Martin McDonagh's A Behanding in Spokane, directed by John Crowley at the Gerald Schoenfeld Theatre.

[5] Discusses María Irene Fornés.

[6] Discusses David Mamet.

[7] Discusses Sam Irvin's Kay Thompson: From Funny Face to Eloise.

[8] Discusses Ntozake Shange.

[9] Discusses Ed Schmidt's My Last Play.

[10] Discusses Angelina Maccarone's Charlotte Rampling : the look.

[11] David Henry Hwang's Chinglish, directed by Leigh Silverman at the Longacre Theatre; David Bar Katz's The Atmosphere of Memory at the Bank Street Theatre.

[12] Richard Move's "[email protected] 1963 Interview" at New York Live Arts.

[13] David Adjmi's Elective Affinities.

[14] Joe Cino.

[15] Frank Langella.

[16] Ike Holter's Hit the Wall at the Steppenwolf Garage, Chicago; Terry Johnson directs Peter Quilter's End of the Rainbow at the Belasco Theatre; Eric Ting directs Jackie Sibblies Drury's We are Proud to Present a Presentation about the Herero of Namibia ... at the Victory Gardens Theater, Chicago; Michael Wilson directs Gore Vidal's The Best Man at the Schoenfeld.

[17] Broadway set designers.

[18] Scott Elliott directs The New Group production of Thomas Bradshaw's Intimacy; Doug Hughes directs a Manhattan Theatre Club production of John Patrick Shanley's Outside Mullingar at the Samuel J. Friedman Theatre.

[19] Discusses David Henry Hwang's Kung Fu.

[20] Linda Ames Key directs Sartre's No Exit at the Pearl Theatre; Bill Rauch directs Schenkkan's All the Way at the Neil Simon Theatre.

[21] Kenny Leon directs A Raisin in the Sun at the Ethel Barrymore Theatre.

[22] Online version is titled "Steve Reich and Stephen Sondheim".

[23] Online version is titled "Eugene O'Neill's poetic world".

[24] Online version is titled "I Remember Mama".

[25] Online version is titled "The limits of perversity in Amy Schumer's standup".

[26] Online version is titled "Gay Reflections, Onstage".

[27] Online version is titled "Pop Psychology Onstage in Dear Evan Hansen".

[28] Online version is titled "A wondrous production of 'Sweeney Todd'".

[29] Online version is titled "Bette Midler brings her best to 'Hello, Dolly!'".

[30] Online version is titled "'Springsteen on Broadway' : legends from a life story".

[31] Online version is titled "The black excellence of Kahlil Joseph".

[32] Online version is titled "The 'Mean Girls' of Ghana". MCC Theater's production of Jocelyn Bioh's Schoolgirls; Or, the African mean girls play at the Lucille Lortel Theatre.

[33] Online version is titled "Irish Rep brings James Joyce's novella 'The Dead' to life".

[34] Online version is titled "Adrienne Kennedy’s startling body of work".

[35] Marlon Riggs' Tongues Untied (1984).

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