Kept on Wikipedia:Concert march
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A concert march is a march specifically composed for a formal concert or other audience event. While concert marches are usually written for a concert band, brass band or an orchestra,[1] some concert marches have also been composed for solo instrument such as piano[2] or organ.[3] Prior to 1820, the majority of march music was composed for military use by military bands. Beginning in the 1820s a shift occurred in which mainstream classical composers wrote less frequently for military ensembles but would create concert marches to be played by orchestras as character pieces.[1] Because concert marches are played by ensembles that are stationary, composers creating concert marches ceased connecting the march to the context of marching feet. This separation from its original context led to stylistic changes; making a clear separation in style between the military march and the concert march.[4]
In the United States, the popularization of the concert march can be traced to late 19th century with publications like Metronome magazine embraced the form as its own separate genre of march.[5] With the growing prevalence of concert bands, the concert march developed as a way to perform marches on stage.[6] John Philip Sousa was instrumental in the development of an American approach to the concert march. Previously the older da capo march utilized a circular structure which Sousa felt lacked a climax inherently within its compositional form. Within the concert march genre, Sousa pursued a new dramatic shape and theatricality within the march which he began experimenting with in the 1880s.[7] His style influenced other composers of band music in this genre.[8] Sousa was a supporter of the community band movement of the late 19th century and early 20th century in the United States, and many of his compositions, including his concert marches, became a staple part of the community band repertoire.[9][8] Many of Sousa's marches for marching band were re-orchestrated by Sousa so that they could be played as a concert march. This required reducing the number of instruments which created a thinner texture within his concert march versions.[10]
Concert marches are included in the curriculums of school band programs.[11] As with every single type of march (from Military to Concert to Screamer and contest marches), they usually have an introduction, at least three melodies, and a trio.[12]
Concert marches by composer
This incomplete list consists of marches mainly identified by their composers as concert marches. Note that many marches originally written for other contexts, such as military marches, ceremonial marches, or works for marching band, have also been played as concert marches; often in adapted versions. This list doesn't include adapted marches and is limited to marches specifically created as concert marches in their initial presentation. For this reason, many prominent march composers like Sousa only have a limited number of works listed here because they predominantly wrote their marches originally for other contexts. Other well known march composers may not be listed at all if they wrote only for military bands or marching bands and never specifically composed for the concert band or orchestra. This list also does not include marches which were originally written as part of a larger work which are often played in concert such as marches written within an opera or ballet or for use in a play. The list may also omit marches which functioned as concert marches but were not specifically labeled as concert marches by their creators unless reliable sources have identified them as concert marches. For this reason the list omits many early concert marches which were written in a time period before the term concert march became widely used.
A-C
| Composer | Concert marches | References |
|---|---|---|
| Howard E. Akers (1913โ1984) | "El Alamo" (1960) | [13] |
| Gabriel Allier (1963โ1924) | "Marche de Gala" | [14] |
| Emil Ascher (1859โ1922) | "Fanfare Militaire" (1899) | [15] |
| Alfred John Ashpole (1892โ1990) | "Hemingford", "Sheringham" | [16] |
| Christoph Bach (1835โ1927) | "Grand Festival" (1888) | [17] |
| George D. Barnard (1858โ1933) | "Elk's Parade" (1890) | [18] |
| James Barnes (b. 1949) | "Golden Brass" (1974), "Sterling Brass" (1981), "Festival Concert March" (1982), "Thunderbolt" (1984) | [19] |
| Robert L. Bauernschmidt Jr. (1922โ2010) | "The Californian" 1957 | [20] |
| Gordon Beecher (1904โ1973) | "The Ramparts We Watch" | [21] |
| Walter Beeler (1908โ1973) | "Legions of Victory" | [22] |
| Theodore Bendix (1862โ1935) | "Dance of the Bugs", "Pansies" (1905) | [23] |
| David Bennett (1892โ1990) | "Majesty of America" (1949) | [24] |
| Robert Russell Bennett (1894โ1981) | "The Fabulous Country" (1975) | [24] |
| Joe Berryman (1904โ1988) | "Goliad" (1936), "Spanish Castle" (1958) | [25] |
| Jerry Bilik (b. 1933) | "The 49th Star" (1959) | [26] |
| G. Bonelli | "Symphonic Concert March" (composed before 1915; published 1968) | [27][28] |
| Rosario Bourdon (1885โ1961) | "Through the Line" (1937), "Step Ahead" (1942) | [29] |
| Richard W. Bowles (1918โ2009) | "Burst of Flame" (1955), "Heat Lightning" (1958), "The Minstrels" (1965), "The Show Piece" (1967), "Sword and Shield (1971) | [30] |
| Oscar Bradley (1889โ1948) | "We the People" (1955) | [31] |
| Forrest Buchtel (1899โ1996) | "Festal Day" (1934) | [32] |
| James Burden (1923โ1983) | "Royal Pageantry" (1980) | [33][34] |
| John Cacavas (1930โ2014) | "Burnished Brass" (1963), "The Sentry Boy" (1965), "Gallant Men" (1967), "Tunes of Glory" (1971) | [35] |
| Roland Cardon (1929โ2001) | "Nuts City" (also known as "Bastogne"), "Ostrawa" | [36] |
| Charles Carter (1926โ1999) | "Capitol Hill" (1964), "Zodiac" (1973) | [37] |
| Albert L. Casseday (1892โ1970) | "Texas Plains" (1928) | [38] |
| Samuel Coleridge-Taylor (1875โ1912) | "Hemo Dance; Ethiopia Saluting the Colors" | [39] |
| James Curnow (b. 1943) | "Spirit of '76" (1975), "High Bridge" (1976), "Journey to Centaurus" (1980), "The Minuteman" (1988), "Shenandoah" (1989) | [40] |
| Frederic Curzon (1899โ1973) | "Sol e Sevilla" (published using the pseudonym Josรฉ Jordana) | [41] |
D-I
| Composer | Concert marches | References |
|---|---|---|
| Melvin L. Daniels (b. 1931) | "Tower" | [42] |
| Davide delle Cese (1856โ1938) | "Inglesina" | [43] |
| Joseph de Luca (1890โ1935) | "Medieval Pageantry" (1929) | [44] |
| Lamont Downs (b. 1951) | "RS-2" (1970), "DDA 30X" | [45] |
| Vivian Dunn (1908โ1995) | "Cockleshell Heroes", "Comando Patrol" | [46] |
| John Edmondson | "Major Murray" (1986), "Omaha Beach" (1987), "Invincible" (1988) | [47] |
| Austyn R. Edwards (1891โ1977) | "All State Triumphal" (1944) | [48] |
| Edward Elgar (1857โ1934) | "Pomp and Circumstance Marches" (series of marches composed between 1901 and 1930) | [49] |
| Frank William Erickson (1923โ1996) | "Beaded Belts" (1955), "Citadel" (1964) | [50] |
| Emil Ermatinger (1873โ1953) | "Schlusselbanner" | [51] |
| Joseph Farigoul (1860โ1933) | "Marche de Cortege" | [52] |
| Kenneth Farrell (1920โ2002) | "Thunder West" (1956) | [53] |
| Sandy Feldstein (1940โ2007) | "First Concert March" (197?), "Celebration" (1980), "Circus Maximus" (1984), | [54] |
| Carl Frangkiser (1894โ1967) | "Majestic Splendor" (1941, published using the pseudonym M. Sanford) | [55] |
| John Francis Gilder (1837โ1908) | "Transcendental" (1890) | [56] |
| Don Gillis (1912โ1978) | "Unistrut Concert March" (1958) | [57] |
| Morton Gold (b. 1933) | "Concert March" | [58] |
| Gus Guentzel (1868โ1950) | "The Host of Youth" (1943) | [59] |
| Herbert Haines (1880โ1923) | "London Scottish Concert March" | [60] |
| Harold E. Harris | "Glory of America" (1940) | [61] |
| Lumir C. Havlicek (1895โ1969) | "Westmoreland" | [62] |
| Frank Henninger | "Inferno" (1934) | [63] |
| Dieter Herbog (1925โ2005) | "Hallo Partner" (1973), "Schlagzeilen" (1967) | [64] |
| Alexis Hollaender (1840โ1924) | "March , Op . 39, No. 1 (D flat)" | [65] |
| Guy Earl Holmes (1873โ1945) | "March Heroic", "Heroic" (1935), "Colorado" (1937), "Victory and Fame" (1939), "Stratoliner" (1941), "March Courageous" (1943), "Champion of Champions" (published posthumously in 1955), | [66] |
| Hiroshi Hoshina (b. 1936) | "Prince of Antares" (1967) | [67] |
| John Howlett (1906โ1985) | "Leicester Square Looks Round" (1953) | [68] |
| Arthur Wellesley Hughes (1870โ1950) | "Vindicator" | [69] |
J-N
| Composer | Concert marches | References |
|---|---|---|
| Robert E. Jager (b. 1939) | "Courage to Serve" (1972) | [70] |
| Edward Jakobowski (1856โ1929) | "Soldier's Life" (published posthumously in 1942) | [70] |
| Joseph Willcox Jenkins (1928โ2014) | "Pieces of Eight" | [71] |
| Cecil Karrick (1918โ2014) | "Dean Dowdy" (1988), "Capital City" (1988) | [72] |
| Karl King (1891โ1971) | "Diamond Jubilee" (1961) | [73] |
| John Leroy Kinyon (1918โ2002) | "Monterey Jack" (1969) | [74] |
| Ervin Kleffman (1892โ1987) | "America, The Glorious" (1954), "Pride of the Pacific" (1955) | [75] |
| Lev Knipper (1898โ1974) | "Am-Rus" (1943) | [76] |
| William P. Latham (1917โ2004) | "Brighton Beach" (1954), "Proud Heritage" (1956) | [77] |
| Jack Kenneth Lee (1921โ2005) | "Crown of Glory", "Land of Liberty" | [78] |
| Franz Lehรกr (1870โ1948) | "Gold and Silver Concert Waltz" (arranged as a concert march by Frank D. Cofield; published 1959) | [79] |
| Erling Ingvald Lian (1917โ1998) | "Cardinals on Parade" (1953) | [80] |
| Robert Lowden (1920โ1998) | "Hollybush" (1968), "Stratford Cove" (1985) | [81] |
| Donald N. Luckenbill (1915โ2006) | "The Men of the Legion", "When the Sirens Sound" | [82] |
| Dudley H. McCosh (1881โ1929) | "Grand Opening" | [83] |
| Anne McGinty (b. 1945) | "The Challenger" (1986), "Diamond Ridge" (1989) | [84] |
| George Frederick McKay (1899โ1970) | "Western You" (1941) | [85] |
| George Melachrino (1909โ1965) | "London Pageant" (1951) | [86] |
| Donald I. Moore (1910โ1998) | "Marcho Scherzo" (1952), "Seadragon" (1959) | [87] |
| Theldon Myers (b. 1927) | "Constellation" (1961) | [88] |
| Vรกclav Nelhรฝbel (1919โ1996) | "High Plains" (1972) | [89] |
| Sammy Nestico (1924โ2021) | "Horizons West" (1963), "Vaquero Concert March" (1967) | [90] |
O-S
| Composer | Concert marches | References |
|---|---|---|
| Geoffrey O'Hara (1882โ1967) | "Youth on Parade" (c. 1938) | [91] |
| Joseph Olivadoti (1893โ1977) | "Hall of Fame" (1931), "March of Youth" (1936), "National Victors" (1936), "Scepter of Liberty" (1941), "Legions of Victory" (1941), "Pride and Progress" (1956), "Our Glorious Land" (1957), "Look Forward" (1959), "Festive Spirit" (1960) | [92] |
| John O'Reilly (born 1940) | "First Concert March" (1988) | [93] |
| Eric Osterling (1926โ2005) | "The Nutmeggers" (1954), "Glory of the Sea" (1957), "Totem Pole" (1959), "Mount of the Might" (1962), "Bandology" (1963), "Thundercrest" (1964), "Tall Cedars" (1968), "Mustang" (1968), "Questar" (1978), "Showstopper" (1979), "Bandalier" (1984), "First Flight" (1986), "The Suncoaster" (1987) | [94] |
| Acton Ostling (1906โ1993) | "Brass Pageantry" (1949), "Echoes of Freedom" (1954), "Friends of Old" (1954) | [95] |
| Graham T. Overgard (1903โ1994) | "Ballade Bravura" (1958) | [95] |
| Thad Parr | "Men of Minnesota" (1949) | [96][97] |
| Heinz Dieter Paul (1943โ2019) | "Potz Blitz" (1977) | [98] |
| Stan Pethel (b. 1950) | "Hall and Gwinnett" (1975) | [99] |
| James Ployhar (1926โ2007) | "Sodermanland" (1972), "The Original 13" (1975) | [100] |
| Jindลich Praveฤek (1909โ2000) | "Die Goldene Stadt" (1974) | [101] |
| Heribert Raich (b. 1939) | "Kreuzfahrt" (1973) | [102] |
| Alfred Reed (1921โ2005) | "Pro Texana" (1984), "Second Century" (1986), "Golden Eagle" (1990), "Mr. Music!" (1990) | [103] |
| Joseph John Richards (1878โ1956) | "Emblem of Unity" (1941), "Crusade for Freedom" (1951) | [104] |
| Miklรณs Rรณzsa (1907โ1995) | "El Cid" (1961) | [105] |
| Hilarion Rubio y Francesco (1902โ1985) | "Anniversary", "Kinayumos", "Sanebel", "The Serenade" | [106] |
| Karl Safaric (born 1944) | "Junge Garde" (1982) | [107] |
| Takanobu Saitล (1924โ2004) | "Kagayaku Eikan" (1968) | [108] |
| Mariano San Miguel Urcelay (1879โ1935) | "La Guardia de Corps" | [109] |
| Chลsuke Satล (1906โ1983) | "Nippon Bare" (1964), "Nishoki (1969) | [110] |
| Richard S. Saylor (1926โ2009) | "Prisoner of War" (1956) | [111] |
| Willy Schรผtz-Erb (1918โ1992) | "Grossglockner Trip" (1983) | [112] |
| Wesley Shepard (1908โ1993) | "Band of the Land" (1957) | [113] |
| Claude T. Smith (1932โ1987) | "Horizons West" | [114] |
| Lawrence Rackley Smith (b. 1932) | "Guadio Exsultans" | [115] |
| Stanley Smith Masters (1903โ1984) | "The Queen's Trumpeters" (published using the pseudonym Edrich Siebert) | [116] |
| Anton Othmar Sollfelner (b. 1935) | "Vorwarts, nie zuruck" (1972), "Promenade am Worthersee" (1974), "Osterreichs junge Soldaten" (1976) | [117] |
| Siegfried Somma (1910โ1994) | "Austria Salutes California" (1984) | [117] |
| John Philip Sousa (1854โ1932) | "El Capitan" (1896, a concert march crafted by Sousa from music within his operetta of the same name),[118] "The White Rose" (1917),[119] | [118][119] |
| Max Steiner (1888โ1971) | "Forward the Light Brigade" (1948) | [120] |
| William Bradley Strickland (1929โ1990) | "Manhatta", "Avante Garde" | [121] |
| Alfred F. Sturchio (1928โ2024) | "Gallant Gladiator", "Victorious Army" | [122] |
| James Swearingen (b. 1947) | "Silvercrest" | [123] |
T-Z
| Composer | Concert marches | References |
|---|---|---|
| Sepp Tanzer (1907โ1983) | "Raketenflug" | [124] |
| James L. Tarver (1916โ1976) | "La Bonita" (1967) | [124] |
| John Tatgenhorst (1938โ2024) | "Colonel Sam" (1977) | [125] |
| William Teague (1922โ2021) | "Hail to Our Flag" | [126] |
| Sepp Thaler (1901โ1982) | "Mein Schones Sudtirol" | [127] |
| Jan Uhlรญล (1894โ1970) | "Concert March" | [128] |
| Werner Van Cleemput (1930-2006) | "Summa Cum Laude" | [129] |
| John Arthur โFritzโ Velke II (1930-2005) | "Tommie Jack" (1975) | [130] |
| Paul Wรคldchen (1892-1954) | "El Matador" (published posthumously in 1971) | [131] |
| Harold L. Walters (1918-1984) | "The Golden Eagle" (1953), "New Horizons" (1961) | [132] |
| Paul V. Yoder (1908โ1990) | "Victory" (1946) | [133] |
| Carl Maria von Weber (1786โ1826) | "Concert March, Op. 3" | [134] |
| Ernest Weber (1883โ1953) | "Great Century" (1948) | [134] |
| Jaromรญr Weinberger (1896โ1967) | "Homage to the Pioneers" (1940) | [135] |
| Kenneth Whitcomb (1926โ1997) | "Jubilee Concert March" (1956, published under the pseudonym George Kenney), "County Fair" (1975) | [136] |
| Clifton Williams (1923โ1976) | "Academic Processional" (1961), "The Sinfonians" (1961), "Strategic Air Command" (1964), "Border Festival" (1967), "The Patriots" (1970) | [137] |
| Frank Winegar (1901โ1988) | "Litely and Politely" (1952) | [138] |
| Hermann Adolf Wollenhaupt (1827โ1863) | "Marche de Concert" (1860; written for piano) | [2] |
| Julian Work (1910โ1995) | "Stand the Storm" (1963) | [139] |
| Paul V. Yoder (1908โ1990) | "Victory" (1946) | [133] |
| William G. Yule (1866โ1921) | "Peerless Concert March" (1895) | [140] |
| John Stepan Zamecnik (1872โ1953) | "March of the Brave", "March of Sparta" (1917), "Sons of Fame" (1936) | [141] |
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Bibliography
- Bierley, Paul E (1984). The Works of John Philip Sousa. Columbus, Ohio: Integrity Press. ISBN 978-0-918048-04-2. LCCN 84080665. OL 2876313M. Retrieved June 23, 2021. Search this book on
- Bierley, Paul E., ed. (1991a). The Heritage Encyclopedia of Band Music: Composers and Their Music, Volume I: A-N. Integrity Press. ISBN 978-0-918048-08-0. Search this book on
- Bierley, Paul E., ed. (1991b). The Heritage Encyclopedia of Band Music: Composers and Their Music, Volume II: O-Z. Integrity Press. ISBN 978-0-918048-08-0. Search this book on
- Brion, Keith (2018). Sousa's Marches - As He Performed Them. Meredith Music. ISBN 9781574634891. Search this book on
- Brown, James Duff; Stratton, Stephen Samuel (1897). British Musical Biography: A Dictionary of Dusical Artists, Authors, and Composers. Derby: Chadfield & Sons. Search this book on
- Cater, Michael (2018). "Expert High School, College, and Service Band Director's Opinions Regarding The Concert March in America: A Qualitative Study" (PDF). International Journal of Music and Performing Arts. 6 (1). doi:10.15640/ijmpa.v6n1a1. Retrieved 2025-08-31.
- Herr, Edwin (2013). "Community bands". In Edmondson, Jacqueline. Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture, Volume I. Bloomsbury Publishing. ISBN 979-8-216-12039-1. Search this book on
- Jagow, Shelley (2007). Teaching Instrumental Music: Developing the Complete Band Program. Meredith Music. ISBN 978-1-57463-201-9. Search this book on
- Lamb, Andrew (2000). 150 years of Popular Musical Theatre. Yale University Press. ISBN 9780300075380. Search this book on
- Monelle, Raymond (2006). The Musical Topic: Hunt, Military and Pastoral. Indiana University Press. ISBN 978-0-253-11236-1. Search this book on
- Newsom, Jon, ed. (1983). Perspectives on John Philip Sousa. Library of Congress, Music Division. ISBN 978-0-8444-0425-7. Search this book on
- Slonimsky, Nicolas (1900). Baker's Biographical Dictionary of Musicians. G. Schirmer, Inc. Search this book on
- Warfield, Patrick (2013). Making the March King: John Philip Sousa's Washington Years, 1854-1893. University of Illinois Press. ISBN 978-0-252-09507-8. Search this book on
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