Title
|
Director
|
Year
|
Spine #
|
DVD Spine #
|
Citizen Kane |
Orson Welles |
1941 |
001 |
1104
|
King Kong |
Merian C. Cooper |
1933 |
002 |
—
|
The 39 Steps |
Alfred Hitchcock |
1935 |
003 |
056
|
The Lady Vanishes |
Alfred Hitchcock |
1938 |
004 |
003
|
The Third Man |
Carol Reed |
1949 |
005 |
064
|
Swing Time |
George Stevens |
1936 |
006 |
979
|
High Noon |
Fred Zinnemann |
1952 |
007 |
—
|
Invasion of the Body Snatchers |
Don Siegel |
1956 |
008 |
—
|
The Magnificent Ambersons |
Orson Welles |
1942 |
009 |
952
|
The Seventh Seal |
Ingmar Bergman |
1957 |
010 |
011
|
The Hidden Fortress |
Akira Kurosawa |
1958 |
011 |
116
|
The Red Balloon and White Mane |
Albert Lamorisse |
1953 1956 |
CC2000L |
N/A (Janus)
|
Lola Montès |
Max Ophüls |
1955 |
012 |
503
|
Black Orpheus |
Marcel Camus |
1959 |
013 |
048
|
Shock Corridor |
Samuel Fuller |
1963 |
015 |
019
|
Help! |
Richard Lester |
1965 |
016 |
—
|
The Graduate |
Mike Nichols |
1967 |
017 |
800
|
It's a Wonderful Life |
Frank Capra |
1946 |
018 |
—
|
Blade Runner |
Ridley Scott |
1982 |
019 |
—
|
A Hard Day's Night |
Richard Lester |
1964 |
020 |
711
|
Monsieur Hulot's Holiday |
Jacques Tati |
1953 |
021 |
110
|
Sabotage |
Alfred Hitchcock |
1936 |
022 |
—
|
Secret Agent |
Alfred Hitchcock |
1936 |
023 |
—
|
Young and Innocent |
Alfred Hitchcock |
1937 |
024 |
—
|
Grand Illusion |
Jean Renoir |
1937 |
025 |
001
|
The Asphalt Jungle |
John Huston |
1950 |
026 |
847
|
12 Angry Men |
Sidney Lumet |
1957 |
027 |
591
|
The Night of the Hunter |
Charles Laughton |
1955 |
028 |
541
|
La Strada |
Federico Fellini |
1954 |
029 |
219
|
Forbidden Games |
René Clément |
1952 |
030 |
318
|
A Night at the Opera |
Sam Wood |
1935 |
031 |
—
|
Scaramouche |
George Sidney |
1952 |
032 |
—
|
Pygmalion |
Leslie Howard and Anthony Asquith |
1938 |
033 |
085
|
Vengeance is Mine (open matte) |
Shohei Imamura |
1979 |
034 |
384
|
Fellini Satyricon |
Federico Fellini |
1969 |
035 |
747
|
The Producers |
Mel Brooks |
1968 |
036 |
—
|
The Life and Death of Colonel Blimp |
Michael Powell and Emeric Pressburger |
1943 |
037 |
173
|
Black Narcissus |
Michael Powell and Emeric Pressburger |
1947 |
038 |
093
|
The Three Penny Opera |
Georg Wilhelm Pabst |
1931 |
039 |
405
|
The Princess Bride |
Rob Reiner |
1987 |
040 |
948
|
Tunes of Glory |
Ronald Neame |
1960 |
041 |
225
|
The Horse's Mouth |
Ronald Neame |
1958 |
042 |
154
|
Shoot the Piano Player |
François Truffaut |
1960 |
043 # |
315
|
Monterey Pop |
D. A. Pennebaker |
1969 |
043 # |
168
|
Show Boat |
James Whale |
1936 |
044 |
1021
|
North by Northwest |
Alfred Hitchcock |
1959 |
045 |
—
|
Adam's Rib |
George Cukor |
1949 |
047 |
—
|
Blowup |
Michelangelo Antonioni |
1966 |
048 |
865
|
Rashomon |
Akira Kurosawa |
1950 |
049 |
138
|
The Rules of the Game |
Jean Renoir |
1939 |
050 |
216
|
Singin' in the Rain |
Gene Kelly and Stanley Donen |
1952 |
052 |
—
|
Forbidden Planet |
Fred M. Wilcox |
1956 |
053 |
—
|
Zulu |
Cy Endfield |
1964 |
054 |
—
|
Darling |
John Schlesinger |
1965 |
055 |
—
|
Paths of Glory |
Stanley Kubrick |
1957 |
057 |
538
|
The Wizard of Oz |
Victor Fleming |
1939 |
059 |
—
|
2001: A Space Odyssey |
Stanley Kubrick |
1968 |
060 |
—
|
L'Avventura |
Michelangelo Antonioni |
1960 |
062 |
098
|
The Killing |
Stanley Kubrick |
1956 |
064 |
575
|
The Blob |
Irvin Yeaworth |
1958 |
065 |
091
|
The Adventures of Robin Hood |
Michael Curtiz |
1938 |
066 |
—
|
Seven Samurai |
Akira Kurosawa |
1954 |
067 |
002
|
The Graduate |
Mike Nichols |
1967 |
068 |
800
|
Blade Runner |
Ridley Scott |
1982 |
069 |
—
|
The River |
Jean Renoir |
1951 |
070 |
276
|
8½ |
Federico Fellini |
1963 |
071 |
140
|
West Side Story |
Robert Wise |
1961 |
072 |
—
|
Casablanca |
Michael Curtiz |
1942 |
073 |
—
|
Some Like It Hot |
Billy Wilder |
1959 |
074 |
950
|
Ghostbusters |
Ivan Reitman |
1984 |
075 |
—
|
Floating Weeds |
Yasujirō Ozu |
1959 |
076 |
232
|
The Naked Kiss |
Samuel Fuller |
1964 |
077 |
018
|
Lawrence of Arabia |
David Lean |
1962 |
078 |
—
|
Shampoo |
Hal Ashby |
1975 |
079 |
947
|
Five Easy Pieces |
Bob Rafelson |
1970 |
081 |
546
|
Red Beard |
Akira Kurosawa |
1965 |
082 |
159
|
Miracle in Milan |
Vittorio De Sica |
1951 |
083 |
1119
|
Children of Paradise |
Marcel Carné |
1945 |
084 |
141
|
Wild Strawberries |
Ingmar Bergman |
1957 |
085 |
139
|
Smiles of a Summer Night |
Ingmar Bergman |
1955 |
086 |
237
|
Annie Hall |
Woody Allen |
1977 |
093 |
—
|
Jour de fête |
Jacques Tati |
1948 |
094 |
730
|
The Great Escape[3] |
John Sturges |
1963 |
095 |
1027
|
La Cage aux Folles |
Édouard Molinaro |
1978 |
096 |
671
|
Rebecca |
Alfred Hitchcock |
1940 |
098 |
135
|
Burn! |
Gillo Pontecorvo |
1969 |
099 |
—
|
Notorious |
Alfred Hitchcock |
1946 |
100 |
137
|
Mon Oncle |
Jacques Tati |
1958 |
101 |
111
|
Lolita |
Stanley Kubrick |
1962 |
103 |
—
|
Yojimbo |
Akira Kurosawa |
1961 |
105 |
052
|
Throne of Blood |
Akira Kurosawa |
1957 |
106 |
190
|
Umberto D. |
Vittorio De Sica |
1952 |
107 |
201
|
Sex, Lies, and Videotape |
Steven Soderbergh |
1989 |
108 |
938
|
Taxi Driver |
Martin Scorsese |
1976 |
109 |
—
|
The Lacemaker |
Claude Goretta |
1977 |
112 |
—
|
That Obscure Object of Desire |
Luis Buñuel |
1977 |
113 |
143
|
Ikiru |
Akira Kurosawa |
1952 |
114 |
221
|
King of Hearts |
Philippe de Broca |
1966 |
115 |
—
|
Summertime |
David Lean |
1955 |
116 |
022
|
Tokyo Olympiad |
Kon Ichikawa |
1965 |
117 |
155
|
Silverado |
Lawrence Kasdan |
1985 |
118 |
—
|
Kwaidan |
Masaki Kobayashi |
1964 |
119 |
090
|
Raging Bull |
Martin Scorsese |
1980 |
120 |
1134
|
Confidential Report A.K.A. Mr. Arkadin |
Orson Welles |
1955 |
121 |
322
|
Last Tango in Paris |
Bernardo Bertolucci |
1972 |
122 |
—
|
The Big Chill |
Lawrence Kasdan |
1983 |
123 |
720
|
Dr. No |
Terence Young |
1962 |
124 |
—
|
Close Encounters of the Third Kind |
Steven Spielberg |
1977 |
125 |
—
|
The Devil and Daniel Webster |
William Dieterle |
1941 |
126 |
214
|
The Wages of Fear |
Henri-Georges Clouzot |
1953 |
127 |
036
|
Beauty and the Beast |
Jean Cocteau |
1946 |
128 |
006
|
Parade |
Jacques Tati |
1974 |
129 |
731
|
49th Parallel |
Michael Powell |
1941 |
130 |
376
|
From Russia with Love |
Terence Young |
1963 |
131 |
—
|
Goldfinger |
Guy Hamilton |
1964 |
132 |
—
|
Bad Day at Black Rock |
John Sturges |
1955 |
133 |
—
|
Knife in the Water |
Roman Polanski |
1962 |
134 |
215
|
Here Comes Mr. Jordan |
Alexander Hall |
1941 |
135 |
819
|
Arsenic and Old Lace |
Frank Capra |
1944 |
136 |
1153
|
Lady for a Day |
Frank Capra |
1933 |
137 |
—
|
Diabolique |
Henri-Georges Clouzot |
1955 |
138 |
035
|
The Last Picture Show |
Peter Bogdanovich |
1971 |
139 |
549
|
Carnal Knowledge |
Mike Nichols |
1971 |
140 |
—
|
Carrie (open matte) |
Brian De Palma |
1976 |
141 |
—
|
Citizen Kane |
Orson Welles |
1941 |
142 |
1104
|
Dr. Strangelove |
Stanley Kubrick |
1964 |
143 |
821
|
The Adventures of Baron Munchausen |
Terry Gilliam |
1989 |
144 |
1166
|
Tootsie |
Sydney Pollack |
1982 |
145 |
738
|
Midnight Cowboy |
John Schlesinger |
1969 |
146 |
925
|
The Harder They Come |
Perry Henzell |
1973 |
147 |
083
|
Sunday Bloody Sunday |
John Schlesinger |
1971 |
148 |
629
|
The Fisher King |
Terry Gilliam |
1991 |
149 |
764
|
Boyz n the Hood |
John Singleton |
1991 |
150 |
—
|
Akira |
Katsuhiro Otomo |
1988 |
151 # |
—
|
Letter from an Unknown Woman |
Max Ophüls |
1948 |
151 # |
—
|
The King of Kings |
Cecil B. DeMille |
1927 |
152 |
266
|
Breathless |
Jean-Luc Godard |
1960 |
153 |
408
|
Blackmail |
Alfred Hitchcock |
1929 |
154 |
—
|
Spartacus |
Stanley Kubrick |
1960 |
155 |
105
|
Peeping Tom |
Michael Powell |
1960 |
156 |
058
|
The Tales of Hoffmann |
Michael Powell and Emeric Pressburger |
1951 |
157 |
317
|
The Last Metro |
François Truffaut |
1980 |
158 |
462
|
Jason and the Argonauts |
Don Chaffey |
1963 |
160 |
—
|
Secret Honor |
Robert Altman |
1984 |
161 |
257
|
The Golden Coach |
Jean Renoir |
1952 |
162 |
242
|
French Cancan |
Jean Renoir |
1955 |
163 |
243
|
Fallen Idol |
Carol Reed |
1948 |
164 |
357
|
Jules and Jim |
François Truffaut |
1962 |
165 |
281
|
The Silence |
Ingmar Bergman |
1963 |
166 |
211
|
Monty Python and the Holy Grail |
Terry Gilliam and Terry Jones |
1975 |
168 |
—
|
The Man Who Fell to Earth |
Nicolas Roeg |
1976 |
169 |
304
|
Green for Danger |
Sidney Gilliat |
1946 |
170 |
375
|
The Burmese Harp |
Kon Ichikawa |
1956 |
171 |
379
|
The 400 Blows |
François Truffaut |
1959 |
173 |
005
|
Ugetsu |
Kenji Mizoguchi |
1953 |
174 |
309
|
The Player |
Robert Altman |
1992 |
175 |
812
|
Samurai I: Musashi Miyamoto |
Hiroshi Inagaki |
1954 |
176 |
014
|
Samurai II: Duel at Ichijoji Temple |
Hiroshi Inagaki |
1955 |
177 |
015
|
Samurai III: Duel at Ganryu Island |
Hiroshi Inagaki |
1956 |
178 |
016
|
Damage |
Louis Malle |
1992 |
182 |
—
|
Bram Stoker's Dracula |
Francis Ford Coppola |
1992 |
183 |
—
|
Robinson Crusoe on Mars |
Byron Haskin |
1964 |
184 |
404
|
Lord of the Flies (open matte) |
Peter Brook |
1963 |
185 |
043
|
Confidentially Yours |
François Truffaut |
1983 |
187 |
—
|
Edward II |
Derek Jarman |
1991 |
189 |
—
|
Richard III |
Laurence Olivier |
1955 |
190 |
213
|
The Silence of the Lambs |
Jonathan Demme |
1991 |
192 |
013
|
The Makioka Sisters |
Kon Ichikawa |
1983 |
195 |
567
|
Brazil |
Terry Gilliam |
1985 |
196 |
051
|
RoboCop |
Paul Verhoeven |
1987 |
198 |
023
|
The Emperor Jones |
Dudley Murphy |
1933 |
202 |
370
|
Get Out Your Handkerchiefs (Pan and scan) |
Bertrand Blier |
1978 |
203 |
—
|
Evergreen |
Victor Saville |
1934 |
204 |
—
|
Cries and Whispers |
Ingmar Bergman |
1973 |
207 |
101
|
Salò, or the 120 Days of Sodom |
Pier Paolo Pasolini |
1975 |
209 |
017
|
Polyester |
John Waters |
1981 |
210 |
995
|
The Killer |
John Woo |
1989 |
211 |
008
|
Man Bites Dog |
Rémy Belvaux |
1992 |
215 |
165
|
Bodies, Rest & Motion |
Michael Steinberg |
1993 |
216 |
—
|
Sanjuro |
Akira Kurosawa |
1962 |
218 |
053
|
Menace II Society |
Albert Hughes and Allen Hughes |
1993 |
219 |
1105
|
Othello |
Orson Welles |
1952 |
220 |
870
|
Osaka Elegy |
Kenji Mizoguchi |
1936 |
221 |
Eclipse Series #13
|
Andrei Rublev |
Andrei Tarkovsky |
1966 |
222 |
034
|
Sansho the Bailiff |
Kenji Mizoguchi |
1954 |
223 |
386
|
Two English Girls |
François Truffaut |
1971 |
225 |
—
|
The Last Laugh |
F. W. Murnau |
1924 |
226 |
—
|
The Prince of Tides |
Barbra Streisand |
1991 |
227 |
1022
|
L'Avventura |
Michelangelo Antonioni |
1960 |
228 |
098
|
She's Gotta Have It |
Spike Lee |
1986 |
229 |
—
|
Fellini Satyricon |
Federico Fellini |
1969 |
230 |
747
|
Short Cuts |
Robert Altman |
1993 |
231 |
265
|
The Hidden Fortress [CLV] |
Akira Kurosawa |
1958 |
232 |
116
|
Cat People |
Jacques Tourneur |
1942 |
233 |
833
|
Naked |
Mike Leigh |
1993 |
234 |
307
|
Repulsion |
Roman Polanski |
1965 |
235 |
483
|
The Woman Next Door |
François Truffaut |
1981 |
236 |
—
|
I Know Where I'm Going! |
Michael Powell and Emeric Pressburger |
1945 |
237 |
094
|
This Is Spinal Tap |
Rob Reiner |
1984 |
238 |
012
|
Throne of Blood |
Akira Kurosawa |
1957 |
239 |
190
|
Sid and Nancy |
Alex Cox |
1986 |
241 |
020
|
Ashes and Diamonds |
Andrzej Wajda |
1958 |
242 |
285
|
The Soft Skin |
François Truffaut |
1964 |
243 |
749
|
David Holzman's Diary |
Jim McBride |
1968 |
244 |
—
|
Hard Boiled |
John Woo |
1992 |
245 |
009
|
Through a Glass Darkly |
Ingmar Bergman |
1961 |
246 |
209
|
Halloween |
John Carpenter |
1978 |
247 |
—
|
Brief Encounter |
David Lean |
1945 |
248 |
076
|
The Red Shoes |
Michael Powell and Emeric Pressburger |
1948 |
249 |
044
|
A Night to Remember |
Roy Ward Baker |
1958 |
250 |
007
|
Winter Light |
Ingmar Bergman |
1962 |
254 |
210
|
Autumn Sonata |
Ingmar Bergman |
1978 |
255 |
060
|
Dersu Uzala |
Akira Kurosawa |
1974 |
256 |
—
|
Rome, Open City |
Roberto Rossellini |
1946 |
257 |
497
|
Henry V |
Laurence Olivier |
1944 |
258 |
041
|
Hobson's Choice |
David Lean |
1954 |
259 |
461
|
F for Fake |
Orson Welles |
1975 |
260 |
288
|
Three Cases of Murder |
David Eady with George More O'Ferrall and Wendy Toye |
1955 |
261 |
—
|
Great Expectations |
David Lean |
1946 |
262 |
031
|
In Which We Serve |
Noël Coward and David Lean |
1942 |
263 |
604
|
La Ronde |
Max Ophüls |
1950 |
264 |
443
|
The Importance of Being Earnest |
Anthony Asquith |
1952 |
265 |
158
|
Do the Right Thing |
Spike Lee |
1989 |
266 |
097
|
Oliver Twist |
David Lean |
1948 |
267 |
032
|
Amarcord |
Federico Fellini |
1974 |
270 |
004
|
Pulp Fiction |
Quentin Tarantino |
1994 |
271 |
—
|
The Magic Flute |
Ingmar Bergman |
1975 |
273 |
071
|
Alphaville |
Jean-Luc Godard |
1965 |
274 |
025
|
Coup de Torchon |
Bertrand Tavernier |
1981 |
275 |
106
|
Fires on the Plain |
Kon Ichikawa |
1959 |
276 |
378
|
The Virgin Spring |
Ingmar Bergman |
1960 |
277 |
321
|
Variety Lights |
Federico Fellini and Alberto Lattuada |
1950 |
279 |
081
|
Odd Man Out |
Carol Reed |
1947 |
280 |
754
|
Once Were Warriors |
Lee Tamahori |
1994 |
282 |
—
|
Akira |
Katsuhiro Otomo |
1988 |
283 |
—
|
The Killer |
John Woo |
1989 |
284 |
008
|
Why Has Bodhi-Dharma Left for the East? |
Bae Yong-Kyun |
1989 |
286 |
—
|
Blood for Dracula |
Paul Morrissey |
1974 |
287 |
028
|
Flesh for Frankenstein |
Paul Morrissey |
1973 |
288 |
027
|
The Blood of a Poet |
Jean Cocteau |
1930 |
289 |
067
|
Belle de Jour |
Luis Buñuel |
1967 |
290 |
593
|
Dodes'ka-den |
Akira Kurosawa |
1970 |
291 |
465
|
The Horse's Mouth (open matte) |
Ronald Neame |
1958 |
292 |
154
|
Scenes from a Marriage |
Ingmar Bergman |
1973 |
293 |
229
|
The Sword of Doom |
Kihachi Okamoto |
1966 |
294 |
280
|
I Am Cuba |
Mikhail Kalatozov |
1964 |
295 |
—
|
Hamlet |
Laurence Olivier |
1948 |
296 |
082
|
Seven |
David Fincher |
1995 |
298 |
—
|
Tristana |
Luis Buñuel |
1970 |
299 |
—
|
Waltz of the Toreadors |
John Guillermin |
1962 |
300 |
—
|
Dead Presidents |
Albert Hughes and Allen Hughes |
1995 |
301 |
—
|
The Earrings of Madame de… |
Max Ophüls |
1953 |
302 |
445
|
The Magician |
Ingmar Bergman |
1958 |
303 |
537
|
El Cid |
Anthony Mann |
1961 |
304 |
—
|
Dead Ringers |
David Cronenberg |
1988 |
305 |
021
|
This Sporting Life |
Lindsay Anderson |
1963 |
306 |
417
|
Stranger Than Paradise |
Jim Jarmusch |
1984 |
307 |
400
|
Hard Boiled |
John Woo |
1992 |
308 |
009
|
Diva |
Jean-Jacques Beineix |
1981 |
309 |
—
|
Halloween |
John Carpenter |
1978 |
310 |
—
|
RoboCop [CLV] |
Paul Verhoeven |
1987 |
311 |
023
|
The Entertainer |
Tony Richardson |
1960 |
312 |
—
|
Swept Away |
Lina Wertmüller |
1975 |
313 |
—
|
The Silence of the Lambs [CLV] |
Jonathan Demme |
1991 |
314 |
013
|
The Return of Martin Guerre |
Daniel Vigne |
1982 |
315 |
—
|
Sweet Sweetback's Baadasssss Song |
Melvin Van Peebles |
1971 |
316 |
1095
|
Montenegro |
Dušan Makavejev |
1981 |
317 |
—
|
The League of Gentlemen |
Basil Dearden |
1959 |
318 |
Eclipse Series #25
|
This Is Spinal Tap [CLV] |
Rob Reiner |
1984 |
319 |
012
|
The Princess Bride |
Rob Reiner |
1987 |
320 |
948
|
Big Deal on Madonna Street |
Mario Monicelli |
1958 |
321 |
113
|
Crimes and Misdemeanors |
Woody Allen |
1989 |
323 |
—
|
Purple Noon |
René Clément |
1960 |
324 |
637
|
Trainspotting |
Danny Boyle |
1996 |
325 |
—
|
A Personal Journey with Martin Scorsese Through American Movies |
Martin Scorsese |
1995 |
326 |
—
|
Supercop |
Stanley Tong |
1992 |
327 |
—
|
The Umbrellas of Cherbourg |
Jacques Demy |
1964 |
328 |
716
|
The Life of Oharu |
Kenji Mizoguchi |
1952 |
329 |
664
|
The Long Good Friday |
John Mackenzie |
1980 |
331 |
026
|
Early Summer |
Yasujirō Ozu |
1951 |
332 |
240
|
The Rock |
Michael Bay |
1996 |
334 |
108
|
Shine |
Scott Hicks |
1996 |
335 |
—
|
The English Patient |
Anthony Minghella |
1996 |
336 |
—
|
Evita |
Alan Parker |
1996 |
337 |
—
|
Olympia I and II |
Leni Riefenstahl |
1938 |
338 |
900
|
Withnail and I |
Bruce Robinson |
1986 |
339 |
119
|
How to Get Ahead in Advertising |
Bruce Robinson |
1989 |
340 |
120
|
Pink Flamingos |
John Waters |
1972 |
341 |
1131
|
Z |
Costa-Gavras |
1969 |
342 |
491
|
Breaking the Waves |
Lars von Trier |
1996 |
343 |
705
|
Nostalghia |
Andrei Tarkovsky |
1983 |
344 |
—
|
Vivre Sa Vie |
Jean-Luc Godard |
1962 |
345 |
512
|
Five Corners |
Tony Bill |
1987 |
346 |
—
|
Mona Lisa |
Neil Jordan |
1986 |
347 |
107
|
Women on the Verge of a Nervous Breakdown |
Pedro Almodóvar |
1988 |
348 |
855
|
Crash |
David Cronenberg |
1996 |
349 |
1059
|
Sling Blade |
Billy Bob Thornton |
1996 |
350 |
—
|
Walkabout |
Nicolas Roeg |
1971 |
351 |
010
|
The Last Temptation of Christ |
Martin Scorsese |
1988 |
352 |
070
|
Life of Brian |
Terry Jones |
1979 |
353 |
061
|
Time Bandits |
Terry Gilliam |
1981 |
354 |
037
|
Breaker Morant |
Bruce Beresford |
1980 |
355 |
773
|
M |
Fritz Lang |
1931 |
356 |
030
|
The Unbearable Lightness of Being |
Philip Kaufman |
1988 |
357 |
055
|
Victim |
Basil Dearden |
1961 |
358 |
Eclipse Series #25
|
The Night Porter |
Liliana Cavani |
1974 |
359 |
059
|
Chasing Amy |
Kevin Smith |
1997 |
360 |
075
|
Branded to Kill |
Seijun Suzuki |
1967 |
361 |
038
|
Tokyo Drifter |
Seijun Suzuki |
1966 |
362 |
039
|
Vagabond |
Agnès Varda |
1985 |
363 |
074
|
Cléo from 5 to 7 |
Agnès Varda |
1962 |
364 |
073
|
The Game |
David Fincher |
1997 |
365 |
627
|
Boogie Nights |
Paul Thomas Anderson |
1997 |
366 |
—
|
Double Suicide |
Masahiro Shinoda |
1969 |
367 |
104
|
Good Morning |
Yasujirō Ozu |
1959 |
368 |
084
|
Onibaba |
Kaneto Shindo |
1964 |
369 |
226
|
Stray Dog |
Akira Kurosawa |
1949 |
370 |
233
|
The Bad Sleep Well |
Akira Kurosawa |
1960 |
371 |
319
|
Dead Ringers |
David Cronenberg |
1988 |
372 |
021
|
Brazil |
Terry Gilliam |
1985 |
373 |
051
|
High and Low |
Akira Kurosawa |
1963 |
382 |
024
|
Picnic at Hanging Rock |
Peter Weir |
1975 |
383 |
029
|
Armageddon |
Michael Bay |
1998 |
384 |
040
|
"—" denotes that the film has not been released on Criterion DVD.
|
"#" denotes a duplicate spine number was used on the laserdisc.
|