Magdalena Białecka
Magdalena Białecka | |
---|---|
Background information | |
Born | 1993 |
Occupation(s) | composer, instrumentalist |
Instruments | pipe organ, harpsichord, piano |
Magdalena Białecka (born 1993)[1] is a Polish composer,[2] organist,[3] cembalist,[3] pianist,[2] vocalist[4] and conductor.[5]
Biography[edit]
Białecka grew up in Warsaw.[2] She studied at the Zespół Państwowych Szkół Muzycznych nr 1 musical school Warsaw[6] and in LXIV High School there.[7] She graduated from the piano, harpsichord and organ faculty at the Frederic Chopin University of Music[2][4] (the class of Prof. Bartosz Jakubczak). In 2015-2016 she studied organ at the Hochschule für Musik und Tanz in Cologne (at the invitation of Prof. Johannes Geffert). A three-time scholarship holder of the State University of Music and Performing Arts in Stuttgart as well a scholarship holder of the International Summer Music School in Pučišća.[8] She has developed her composing skills,[2] which she continues during her studies at the Stanisław Moniuszko Academy of Music in Gdańsk (class of Prof. Tadeusz Dixa). At the same time, she is a PhD candidate in music theory at Frederic Chopin University of Music, where she also teaches from 2021. Her doctoral supervisor is Professor Katarzyna Szymańska-Stułka.
Music[edit]
Performance[edit]
Białecka was a participant of over 40 (2021) masterclasses in Europe. As an organist, she has performed, inter alia, in Poland, Germany, France, Denmark, Croatia, United Kingdom and Lithuania. She was a 2nd prize winner in the national organ competition Per Artem Ad Astra. She also regularly performed at the festivals in north-eastern Poland: Olsztyńskie Koncerty Organowe,[4] Reszelskie Koncerty Muzyki Organowej i Kameralnej,[9] Long Night Of Museums[10] and Juniores Priores Organorium Seinesis.[11]
Occasionally she conducts (e.g. IV International Workshop Singing without Borders).[5][12]
She is also involved in popularising music: as a member of the Slavic a Capella Quintet,[13] Christmas carol singing and teaching activities.[14]
Work[edit]
Białecka mainly composes for keyboards.[2] She also composed two operas (Nanoopera - premiered at Teatr Druga Strefa in Warsaw and Wianki).[2] In 2020, in the broadcast of Polskie Radio Program II she presented her Christmas carols for pipe organ and harpsichord[3]. When creating music, she composes with specific composers in mind.[2]
Her compositions were performed i.a. at the concerts of UFM,[15][16] at Frederic Chopin University of Music[17] and at the festival Środa na Okólniku.[18]
In the role of a composer-improviser she performed, among others, at the Immediate Composition Competition (Konkurs Kompozycji Natychmiastowej) as part of the Transatlantyk Festival.[19]
Musical activity[edit]
Białecka was a winner of 2nd prize of the Masovian Centre of Culture and Art and a special prize of Gazeta Wyborcza for a music review (about a concert at the Masovia Goes Baroque festival).[20] She regularly conducts interviews with musicians.[21][22] She also takes up topics related to feminism and forgotten female composers.[23] Białecka promotes teaching composition and improvisation at music schools.[24] In 2013 she was the organiser of a UFM composers' festival in Warsaw.[16]
Białecka presented her compositional experiences at the 10th edition of TEDx Marszałkowska.[25]
She is a regular speaker at scientific conferences.[26][27][28][29]
Selected works[edit]
- Wreaths (Wianki, 2013), opera[30]
- Stream 1 (Strumień 1, 2013), for chamber orchestra[31]
- Litany for a female voice and piano - nanooper (Litania na głos kobiecy i fortepian - nanoopera, 2017), oper, to the libretto by Agnieszka Małgowska and Monika Rak, based on the work of Gertrude Stein
- Greenish Rose (Zielona róża, 2014), for a string quintet, liguarion, alto and baritone), the first ever concert performance of a piece composed for liguarion[32]
- Landscape in white (Krajobraz w bieli, 2019, premiered on 20 March 2019 in Warsaw, with Bartosz Jakubczak - pipe organ and Miłosz Pękala - vibraphone)[1][33]
- Blackbird (Czarny kos, 2020, commissioned by the Municipal Cultural Center in Olsztyn)[34]
Personal life[edit]
References[edit]
- ↑ 1.0 1.1 Jakubczak, Bartosz (2019-03-20). "Landscapes of Patmos" (PDF) (in polski). Uniwersytet Muzyczny im. Fryderyka Chopina w Warszawie. Retrieved 2021-03-24.
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 Czarnecki-Pacyński, Łukasz (2019-09-21). "Magdalena Białecka: Organy to moja orkiestra". gazetaolsztynska.pl (in polski). Gazeta Olsztyńska. Retrieved 2021-03-30. Unknown parameter
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ignored (help) - ↑ 3.0 3.1 3.2 Kwiatkowska, Beata. "Kolędy na organy i klawesyn" (in polski). Program II Polskiego Radia. Retrieved 2021-03-24.
- ↑ 4.0 4.1 4.2 JW,MH (2018-08-16). "Nowa organistka dała koncert w murach bazyliki konkatedralnej" (in polski). TVP Olsztyn. Retrieved 2021-03-24.
- ↑ 5.0 5.1 "Muzyczny szturm i przełom – pierwsze koncerty Śpiewania bez granic po zniesieniu ograniczeń" (in polski). 2020-07-15. Retrieved 2021-03-24.
- ↑ "Lista laureatów Ogólnopolskie Przesłuchania Zespołów Kameralnych Szkół Muzycznych II stopnia 7–8 stycznia 2013 r". absta.pl (in polski). Retrieved 2021-03-24.
- ↑ Laureaci i Finaliści Olimpiad w roku szkolnym 2011/2012 (PDF) (in polski), LXIV Liceum Ogólnokształcące im. Stanisława Ignacego Witkiewicza
- ↑ Testimonials, International summer music school Pucisca
- ↑ Reszelskie Koncerty Muzyki Organowej 2019
- ↑ Noc Muzeów 2019 (in polski)
- ↑ Mayor of Sejny, ZARZĄDZENIE NR 26/15 BURMISTRZA MIASTA SEJNY (PDF) (in polski)
- ↑ Justyna Skowronek. "IV Międzynarodowe Warsztaty Śpiewania Bez Granic" (in polski). Retrieved 2021-03-24.
- ↑ Anna S. Dębowska (2012-12-25). "Współczesnych kolędników zamówisz przez internet". Gazeta Wyborcza (in polski). Retrieved 2021-03-24.
- ↑ Pedagodzy (in polski), Dywity: Samorządowa Szkoła Muzyczna I stopnia w Dywitach w Powiecie Olsztyńskim
- ↑ Uczniowskie Forum Muzyczne Program 2012
- ↑ 16.0 16.1 Program UFM 2013
- ↑ Koncert Kompozytorski Wydziału II UMFC (in polski)
- ↑ Warsaw | Patmos. Music for organ & percussion (in polski), Polish Music Information Centre
- ↑ Sasin, Magdalena. "Myślenie filmem przy fortepianie". e-kalejdoskop.pl (in polski). Retrieved 2021-03-24.
- ↑ Spotkanie dwóch dźwiękowych rzeczywistości, Warszawa, 2012-05-04, p. 3
- ↑ Białecka, Magdalena (2012-08-20). "Magia stylowych wykonań" (in polski). Retrieved 2021-03-24.
- ↑ Białecka, Magdalena (2012-08-24). "Lisiecki: I don't want to be a master". Retrieved 2021-03-24.
- ↑ "IX Ogólnopolska Konferencja Doktorantów Uczelni Muzycznych" (PDF). Akademia Muzyczna im. Karola Lipińskiego we Wrocławiu. 10–11 December 2020. Retrieved 2021-03-24.CS1 maint: Date format (link)
- ↑ Białecka, Magdalena, Kompozycja i improwizacja (in polski), Samorządowa Szkoła Muzyczna I stopnia w Dywitach w Powiecie Olsztyńskim
- ↑ Zawierzeniec, Maja (2020-08-30). "TEDx. Theme: Summerize" (in polski). TED. Retrieved 2021-03-24.
- ↑ "48. Konferencja Muzykologiczna ZKP "Granice wolności"". www.zkp.org.pl. Retrieved 2021-03-27.
- ↑ "49. Konferencja Muzykologiczna". www.zkp.org.pl. Retrieved 2021-03-27.
- ↑ "I. Warszawski Kongres Organowy" (in polski). Uniwersytet Muzyczny Fryderyka Chopina. Retrieved 2021-03-27.
- ↑ Akademia Muzyczna we Wrocławiu. "IX OGÓLNOPOLSKA KONFERENCJA DOKTORANTÓW UCZELNI MUZYCZNYCH" (PDF).
- ↑ "Letnie koncerty w Altanie w Parku Źródliska". Akademia Muzyczna w Łodzi. Retrieved 2021-03-25.
- ↑ Utforum - nieregularnik uczniowski 4/2013
- ↑ Agata Mierzejewska (16–18 September 2018). "Program II Ogólnopolskiej Konferencji Instrumentologicznej" (in polski). Ostromecko. Retrieved 2021-03-24.CS1 maint: Date format (link)
- ↑ "Patmos. Music for organ and percussion". Polish Music Information Centre.
- ↑ "Projekt Kos" (in polski). Miejski Ośrodek Kultury w Olsztynie. Retrieved 2021-03-24.
External links[edit]
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