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Natani Notah

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Natani Notah
Born1992
San Bernardino
🏳️ NationalityUS
🏫 EducationCornell University, Stanford University
💼 Occupation
Known forvisual arts, poetry
🌐 Websitehttp://www.nataninotah.com
🥚 TwitterTwitter=
label65 = 👍 Facebook

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Natani Notah (born 1992) is a visual artist and poet. Her work explores Native American identity in relation to Navajo womanhood by engaging with Indigenous feminism and futurism, as well as environmental justice and historical trauma.[1] Her written work has been published in As/US and Yellow Medicine Review.[2]

Early life and education[edit]

Natani Notah was born in 1992 and raised in San Bernardino, CA. She is an enrolled member of the Navajo Nation.[2] In 2014,[3] Notah graduated from Cornell University[4] with her B.F.A. from the College of Architecture, Art, and Planning, with a minor in Feminist, Gender, and Sexuality Studies from the College of Arts and Sciences.[1] Notah worked as a designer and communications assistant for Cornell's American Indian and Indigenous Studies Program (AIISP).[5] She then went on to pursue her MFA at Stanford University.[1]

Career[edit]

Artwork[edit]

Natani Notah's work explores themes of decolonization, environmental justice, Indigenous feminism, and Indigenous futurism. Her sculptures, installations, and performances pursue contemporary Native American identity through the lens of Diné (Navajo) womanhood. Her piece Dust Masks (2017) consists of four beaded dust masks that respond to the events at Standing Rock through an Indigenous futurist perspective.[6]

Notah's piece #TSIIYÉEŁPOWERED (2017), included in the 2017 The Annual Murphy and Cadogan Contemporary Art Awards Exhibition, explores the cultural significance of hair to Navajo culture in the context of the Indian Residential Boarding School Era. The work reclaims native heritage after forced assimilation and interrogates the political implications of wearing culturally significant clothing in public.

Writing[edit]

  • Notah, Natani (2018). Seed Beads and Skirts: A Native American, Feminist Art Practice. Stanford University. OCLC 1064737275. Search this book on M.F.A. Thesis.
  • Notah, Natani (July 24, 2018). "Talks, Tours, and Tech: Natani Notah". Re:Sculpt. International Sculpture Center.
  • "Residential Beating School". Yellow Medicine Review. Spring 2017.
  • Winder, Tanaya (Fall 2016). Yellow Medicine Review.
  • Winder, Tanaya (Feb 4, 2013). "Baby Mama," "Colored Landscape". As/Us: A Space for Women of the World. CreateSpace.

Selected exhibitions[edit]

  • 2019
    • Divinely Diné | Adobe Books Backroom Gallery | San Francisco, CA (Solo exhibition, April 4th-28th, 2019)[7]
    • That's What She Said | Edwin Zoller Gallery, Penn State University | University Park, PA (Group show, international, curated by Xalli Zuniga and Katie Hovencamp)[8]
    • Postcolonial Revenge | Mission Cultural Center for Latino Arts | San Francisco, CA (Group show, curated by Gilda Posada, Dara Katrina Del Rosario)[9]
    • Through Her Eye | Mana Contemporary Chicago | Chicago, IL (Group Show, curated by Ysabel Pinyol and Mashonda Tifrere)[10]
  • 2018
    • Open Book Show v | Root Division | San Francisco, CA
    • Thankyou Thankyou Thankyou | Axis Gallery | Sacramento, CA (Group show, curated by Curator Aida Lizalde)[11]
    • New Lands: a popup exhibition | 1599 Project Space | San Francisco, CA (Group show, curated by jen tough gallery)
    • The Hand that guides | Folsom St | San Francisco, CA (Group show)
    • Bay Area MFA | The Mills Building | San Francisco, CA
    • Grid | "domain" | Stanford University | Stanford, CA (Group show)[12]
    • urban x indigenous iv: unite the tribes | Somarts Cultural Center | San Francisco, CA (Group show)[13] *Where Here | MFA Thesis Exhibition | Stanford Art Gallery | Stanford, CA [14]
    • Badlands | O'donnohue Family Stanford Educational Farm | Stanford, CA[15]
  • 2017
    • The Annual Murphy and Cadogan Contemporary Art Awards Exhibition | Somarts Cultural Center | San Francisco, CA[16]
    • Hi-5: the Annual First Year MFA Exhibition | Coulter Art Gallery | Stanford, CA
  • 2015
    • We Step into the light ii, group show | Physical Sciences, Ithaca, NY
  • 2014
    • Neon- oral- abimes, thesis ii b.f.a. final exhibition | Olive Tjaden gallery, Ithaca, NY
    • Untitled, select thesis ii b.f.a. student exhibition | Olive Tjaden gallery, Ithaca, NY
    • We step into the light, group show | Mann Library, Physical Sciences building, Ithaca, NY
  • 2013
    • Dos and Donuts, thesis i BFA final exhibition | Experimental Gallery, Ithaca, NY
    • Wasted Hours, Sculptural Artistic Practice Exhibition | Downtown Commons, Ithaca, NY
    • Rome study abroad student exhibition | Olive Tjaden gallery, Ithaca, NY
    • inspire, imagine, indulge, Cornell in Rome final exhibition | Palazzo Lazzaroni, Rome, Italy
    • Cornell in Rome exhibition | circolo degli artisti, Rome, Italy
    • Identity & the global lens, upper-level photography | Olive Tjaden gallery, Ithaca, NY
  • 2012
    • The creation of the Navajo bun | computing and communications center, Ithaca, NY
    • NYC program art show | Olive Tjaden gallery, Ithaca NY
    • First Fridays art walk | free spirit yoga, bixby knolls, Long Beach, CA
    • Bean prize exhibition | Experimental Gallery, Ithaca, NY

Awards[edit]

  • Walking Shield’s American Indian Access Scholarship[17]
  • The Charles Goodwin Sands Memorial Medal of Art
  • Edith Stone and Walter King Memorial Prize
  • 2017, Edwin Anthony & Adalaine Boudreaux Cadogan Scholarship, San Francisco Foundation[18][19]
  • 2018 Outstanding Student Achievement in Contemporary Sculpture Award, International Sculpture Center[20]
  • 2018-2019, Graduate Fellowship, Headlands Center for the Arts[21]

References[edit]

  1. 1.0 1.1 1.2 "Natani Notah: Seed Beads and Skirts: A Native American, Feminist Art Practice". Cornell University. Retrieved 12 April 2019.
  2. 2.0 2.1 https://www.tulsaartistfellowship.org/fellows/notah
  3. Friedlander, Blaine (March 10, 2016). "Runway role-play becomes a luminous reality". Cornell Chronicle. Retrieved 2019-03-30.
  4. Rhodes, Diane A. (July 20, 2014). "SAN BERNARDINO: A second shot at a college education". The Press-Enterprise. Retrieved 7 April 2019.
  5. "Natani Notah". Women Warriors Work. Retrieved 12 April 2019.
  6. lizalde, aida. "THANKYOU THANKYOU THANKYOU". aida lizalde. Retrieved 13 April 2019.
  7. "DIVINELY DINÉ". Adobe Books. Retrieved 12 April 2019.
  8. "'That's What She Said' art show opens at Edwin W. Zoller Gallery". Penn State News. February 26, 2019. Retrieved 12 April 2019.
  9. "Postcolonial Revenge: Exhibition". Mission Cultural Center for Latino Arts. Retrieved 12 April 2019.
  10. "Through Her Eye" (PDF). Mana Contemporary. Retrieved 12 April 2019.
  11. Ruyak, Beth (November 2, 2018). "Artists Explore Undocumented Experience In "THANKYOUTHANKYOUTHANKYOU" At Axis Gallery". Capital Public Radio. Retrieved 2019-03-26.
  12. "domain - science vs. nature; science as politics". The Frankenstein GRID. Retrieved 13 April 2019.
  13. "UxI IV: Unite the Tribes". URBAN x INDIGENOUS (UxI). Retrieved 13 April 2019.
  14. "Where here: 2018 Stanford MFA Thesis Exhibition". Department of Art and Art History. Stanford University. Retrieved 13 April 2019.
  15. "Badlands: Art, Environment, and Justice". The Bill Lane Center for the American West. Stanford University. May 1, 2018. Retrieved 13 April 2019.
  16. Venkat, Uji (November 10, 2017). "2017 Murphy Cadogan Contemporary Art Awards Exhibition, SOMArts, San Francisco, California, US". Emergent Art Space. Retrieved 12 April 2019.
  17. "Education Update" (PDF). Walking Shield, Inc. 2015. Retrieved 12 April 2019.
  18. "The Annual Murphy & Cadogan Contemporary Art Awards Exhibition September 7–29, 2017". SOMArts Cultural Center. Retrieved 12 April 2019.
  19. "The Murphy & Cadogan Art Awards Exhibition". Art Enthusiast. March 13, 2015. Retrieved 12 April 2019.
  20. "2018 Outstanding Student Achievement in Contemporary Sculpture Awards Recipients". International Sculpture Center. Retrieved 12 April 2019.
  21. "Graduate Fellowships". Headlands Center for the Arts. Retrieved 13 April 2019.

External Links[edit]


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