Scream: The Tour
Tour by Monica Vinco | |
Location |
|
---|---|
Associated album | |
Start date | June 18, 2030 |
End date | December 6, 2030 |
Legs | 2 |
No. of shows | 38 |
Attendance | 445,865 |
Box office | $42 M |
Monica Vinco concert chronology |
Listen to this concert Scream: The Tour or buy cd/DVDs of this concert on amazon
Scream: The Tour was the seventh concert tour by American singer-songwriter, Monica Vinco, launched in support of her eighth studio album, Like It or Not (2029). Following a complete media hiatus, Vinco surprise-released Like It or Not on July 14, 2029, with the European festival leg being announced four months later on November 1. On March 9, Vinco announced an arena leg in North America, visiting two dates each in fourteen cities. Comprising 38 shows, the tour began on June 18, 2030, in Lisbon, Portugal, and concluded on December 6, 2030, in Honolulu, Hawaii.
Rehearsals took place in Culver Studios in Culver City, California, for two and a half months, until being moved to Coliseu dos Recreios, as the opening date came closer. It was notably the last tour to feature Vinco's original line-up of both dancers and band members, who debuted in 2017's The Love Arcade. Vinco appointed Versace and Chanel for the costume department, commissioned to create outfits that each referenced one of her past eras.
The show featured two set lists: one for Europe, based around the associated album and Vinco's biggest hits, and one for North America, comprised of several songs from the singer's catalogue, featuring themes of media scrutiny, bigotry, and sexuality. Like her previous tour, there were no opening acts and the show was over two and a half hours, and multiple songs were performed nightly across several segments.
Contemporary reviews for the tour were highly positive, with critics praising Vinco's vocals, choreography, and thematic structure of the show; retrospective reviews gave it further acclaim, especially by establishing Vinco's legacy as an icon for both the pop and rock music genres. Commercial reception was modest, mainly due to the tour's short run and the only ticketed shows being in North America, grossing $42 million from 28 sold-out concerts and an attendance of over 445,000. Footage from the final two shows at Aloha Stadium were filmed for a Paramount+ release and a live album, released on December 21 and 22, 2031.
Background[edit]
Development[edit]
Stage[edit]
Wardrobe[edit]
Show overview[edit]
On December 31, 2029, Vinco held an interview with Good Morning America as part of her Introducing Monica. Normally, Vinco did them by the end of every year since 2014 but had skipped the previous year due to her breakup with Topp and filming One of the Boys; the only other time Vinco did not hold an interview was in 2019, due to her mother's death. During the interview, the singer revealed each leg will feature its own setlist. The European setlist consisted of twenty songs and, according to Vinco, was an "ordinary" set list, majorly made up of songs from Like It or Not and select hits. The North American setlist, however, was bigger, comprising over thirty songs, with a varying arrange of topics such as media scrutiny, sexuality, her relationships and family, bigotry, and social issues. Vinco considered this setlist to be a whole retrospective on her career and legacy.
Concert synopsis[edit]
Critical reception[edit]
Commercial performance[edit]
Accolades[edit]
Legacy[edit]
Recordings[edit]
Set list[edit]
Europe[edit]
- "Scream"
- "Perfect"
- "Catch My Breath"
- "Daddy Issues"
- "TV"
- "River Jordan" / "OMG" / "Holy Ground" / "Rehab" / "Take Me Away"
- "Pillowtalk"
- "Emotions"
- "Dancin' So Loud"
- "If It Ain't Me" (acoustic)
- "Why'd It Have to Be You?" (acoustic)
- "True Love"
- "Jackrabbit"
- "Dead to You" (contains excerpts from "Vegas" and "Start Over")
- "I Guess That's What Love Is"
- "Who I Am"
- "Savage"
- "Set It on Fire"
North America[edit]
Notes[edit]
- During the first show in Honolulu, "Locked Out of Heaven" by Bruno Mars.
- During the second show in Honolulu, "Somewhere Over the Rainbow/What a Wonderful World" by Israel Kamakawiwoʻole.
Tour dates[edit]
Date (2030) | City | Country | Venue | Attendance | Revenue |
---|---|---|---|---|---|
Europe | |||||
June 18[lower-alpha 1] | Lisbon | Portugal | Bela Vista Park | N/A | N/A |
June 21[lower-alpha 2] | Pilton | England | Worthy Farm | ||
June 25[lower-alpha 3] | Landgraaf | Netherlands | Megaland Park | ||
June 28[lower-alpha 4] | Roskilde | Denmark | Roskilde Dyreskueplads | ||
July 2[lower-alpha 5] | Gdynia | Poland | Gdynia-Kosakowo Airport | ||
July 5[lower-alpha 6] | Werchter | Belgium | Festivalpark Werchter | ||
July 9[lower-alpha 7] | Milan | Italy | Milano Innovation District | ||
July 12[lower-alpha 8] | Madrid | Spain | IFEMA | ||
July 15[lower-alpha 9] | Carhaix-Plouguer | France | Site de Kerampuilh | ||
July 18[lower-alpha 10] | Stuttgart | Germany | Schlossplatz | ||
North America | |||||
September 17 | San Juan | Puerto Rico | José Miguel Agrelot Coliseum | 25,536 / 25,536 | $1,276,800 |
September 18 | |||||
September 23 | Miami | United States | Kaseya Center | 30,639 / 30,639 | $2,827,510 |
September 24 | |||||
September 29 | Washington, D.C. | Capital One Arena | 28,148 / 28,148 | $2,533,320 | |
September 30 | |||||
October 5 | New York City | Madison Square Garden | 28,528 / 28,528 | $2,596,048 | |
October 6 | |||||
October 11 | Toronto | Canada | Scotiabank Arena | 30,837 / 30,837 | $2,806,197 |
October 12 | |||||
October 17 | Indianapolis | United States | Gainbridge Fieldhouse | 29,356 / 29,356 | $2,524,618 |
October 18 | |||||
October 23 | Kansas City | T-Mobile Center | 28,233 / 28,233 | $2,569,230 | |
October 24 | |||||
October 29 | Denver | Ball Arena | 31,600 / 31,600 | $2,875,630 | |
October 30 | |||||
November 5 | Houston | Toyota Center | 23,871 / 23,871 | $2,172,284 | |
November 6 | |||||
November 11 | Mexico City | Mexico | Palacio de los Deportes | 45,064 / 45,064 | $4,207,436 |
November 12 | |||||
November 17 | Los Angeles | United States | Crypto.com Arena | 27,760 / 27,760 | $2,475,538 |
November 18 | |||||
November 23 | Tacoma | Tacoma Dome | 37,346 / 37,346 | $3,398,522 | |
November 24 | |||||
November 29 | Vancouver | Canada | Rogers Arena | 27,847 / 27,847 | $2,534,104 |
November 30 | |||||
December 5 | Honolulu | United States | Aloha Stadium | 51,100 / 51,100 | $4,650,150 |
December 6 | |||||
Total | 445,865 / 445,865 (100%) | $42,043,435 |
Personnel[edit]
Notes[edit]
- ↑ Part of Rock in Rio Lisboa.
- ↑ Part of Glastonbury Festival.
- ↑ Part of Pinkpop Festival.
- ↑ Part of Roskilde Festival.
- ↑ Part of Open'er Festival.
- ↑ Part of Rock Werchter.
- ↑ Part of I-Days Festival.
- ↑ Part of Mad Cool.
- ↑ Part of Vieilles Charrues Festival.
- ↑ Part of Jazzopen Stuttgart.