📜 Post with us on Reddit
📝 Create a new article
🏭 Create a company page
🇬🇧 - in English
🇫🇷 - en Français (FR)
🇵🇹 - em Português (PT)
🇩🇪 - auf Deutsch (DE)
🇯🇵 - 日本語で (JA)
Sponsored articles

You can edit almost every page by Creating an account and confirming your email.

Takis

From EverybodyWiki Bios & Wiki



Takis
File:Takis designer 2019.jpgTakis_designer_2019.jpg Takis_designer_2019.jpg
Takis in 2019. Photo by Grace Vane Percy
Born (1980-04-24) 24 April 1980 (age 46)
Sikyona, Greece
🏳️ NationalityGreek
🏫 Education
  • Romanian National University of Arts (BFA, 2002)
  • Royal Academy of Dramatic Art (2004)
  • London College of Fashion (2005–2011)
  • Aalto University (PhD, 2021)
💼 Occupation
Performance designer
📆 Years active  2007–present
Known forSet and costume design for opera, theatre, ballet, and circus
Notable work
  • HMS Pinafore (English National Opera)
  • Phaedra (Royal Opera House)
  • Wicked (GöteborgsOperan)
  • Moulin Rouge! (Nordic productions)
  • A Midsummer Night's Dream (Shakespeare's Globe)
🏅 Awards
  • Fringe First Award (2010)
  • International Opera Awards (2024, 2 wins)
  • Las Vegas Review Journal Best Show (2022)
🌐 Websitetakis.design

Takis (born 24 April 1980), stylized in lowercase, is a Greek performance designer based in London whose work encompasses opera, theatre, ballet, circus, and fashion. His designs have been presented at major venues including the Royal Opera House,[1] English National Opera,[2] Finnish National Opera,[3] Norwegian National Opera,[4] Shakespeare's Globe, and the National Theatre. He has received multiple award nominations including the Laurence Olivier Awards[5] and International Opera Awards,[6] winning the latter twice in 2024.

Takis holds a PhD from Aalto University,[7] where he developed the META-SUIT research project exploring masculinity and wearable performance technology. His practice is characterised by what he terms "de-re-constructing visual dramaturgy," treating transformation itself as performance. Beyond stage work, his designs have been exhibited at the Victoria & Albert Museum,[8] Design Museum London, and Helsinki Design Museum. He is a member of faculty at the Royal Academy of Dramatic Art.[9]

Early life and education

Takis was born on 24 April 1980 in Sikyona, Greece. He pursued classical fine art studies at the Romanian National University of Arts in Bucharest from 1998 to 2002, specialising in costume and set design. He continued his training at the Royal Academy of Dramatic Art (RADA) in London from 2002 to 2004, undertaking the Theatre Technical Arts Course. He later conducted practice-based research at London College of Fashion, University of the Arts London (2005–2011), and completed his PhD at Aalto University's Department of Film, Television and Scenography (2012–2021).[7]

Career

Early professional work

Takis's early professional career is closely associated with HighTide, the UK new-writing theatre company. His work with HighTide included the premiere of Stovepipe by Adam Brace (2009), directed by Michael Longhurst, which was co-produced by HighTide, the National Theatre, and Bush Theatre. Michael Billington of The Guardian wrote that the production "is designed by Takis with impressive detail: everything from the tessellated floors of a Jordanian hotel to the hymn sheets for a climactic Welsh memorial service looks right."[10] Charles Spencer in The Telegraph noted "the outstanding designs by Takis range from mean streets to luxury hotels, and from crowded bars to a Welsh chapel."[11]

Other early work included Lidless by Frances Ya-Chu Cowhig (2010), which won a Fringe First Award at the Edinburgh Festival Fringe, and Ditch by Beth Steel (2010). For The Early Bird (2010) at the Finborough Theatre, Billington observed in The Guardian that "the set, by Takis, not only conveys the right image of entrapment but turns us -- as happens in cases of missing children -- into unwilling voyeurs."[12]

Opera

Takis has created designs for leading European opera companies. His relationship with English Touring Opera began with Life on the Moon (2014). Rupert Christiansen of The Telegraph wrote that director Cal McCrystal's "production, charmingly designed by Takis, gives the audience its money's worth of eye-candy."[13] Mark Pullinger in Bachtrack described "the stylish set by Takis is complemented by extravagant, colourful costumes."[14]

For Ottone (2014) with English Touring Opera, Christiansen noted that "the designs by Takis contribute a great deal to one's pleasure: here they economically suggest a world of gilded Byzantine splendour."[15] For La Calisto (2016), Dominic Lowe writing for Bachtrack observed "Takis' costumes have moments of genius."[16]

At Opera Holland Park, Takis has designed multiple productions.[17][18] For Die Fledermaus (2016), Christiansen in The Telegraph wrote it "adopts an Art Deco setting that evokes the era of the Bright Young Things."[19] Claire Seymour in Opera Today described Takis's "elegant glass and metal screens" and noted the design "recalled" Eltham Palace's colour schemes.[20]

For La Rondine (2017) at Opera Holland Park, Fiona Maddocks in The Guardian noted the production was "designed, 1950s style, by Takis."[21] David Nice in The Arts Desk praised "Takis's designs and Martin Howland's lighting" for "pulling off the big coup of the evening."[22]

His designs for Un Ballo in Maschera (2019) at Opera Holland Park were praised by Michael Church in The Independent, who wrote that "the designs by the ever-inventive Takis dovetail so felicitously with the fake-baronial building onto which the stage is tacked that one doesn't notice the joins."[23] Claire Seymour in Opera Today noted that Takis's "set designs emphasise intrigue and betrayal. Dark panelled walls loom high, imposing bulwarks which shield in secrecy assassins and illicit lovers alike."[24]

For the double bill of Iolanta/Il Segreto di Susanna (2019) at Opera Holland Park, critics praised Takis's contrasting designs. Music OMH wrote that "the mood is established by Takis' set, in which Gil's house sees a beautiful panelled wall run the entire length of the broad stage" and noted "a set of intertwining illuminated rods" for Iolanta.[25] The Stage observed that "Susanna's Secret shines in smart and snazzy period visuals by Takis, while the versatile designer switches to abstraction for Olivia Fuchs' perfectly modulated interpretation of Tchaikovsky's touching piece."[26]

His work has extended to major international houses. At the Royal Opera House's Linbury Theatre, Takis designed Phaedra (2019).[27] Bachtrack noted "no corners have been cut in designs by Takis that place the action on a central revolving disc offset by two curving staircases."[28]

For HMS Pinafore (2021) at English National Opera,[2] Seen and Heard International wrote that "Greek designer, Takis does a wonderful job with the seafaring set and costumes" and that "the quarter deck of HMS Pinafore is also a handsomely designed ship."[29]

At the Finnish National Opera, Takis has designed multiple productions including Don Giovanni (2020),[3] La Voix Humaine (2022),[30] and Ratsumies (The Horseman) (2025).[31] At the Norwegian National Opera, he designed La Traviata (2023).[4]

For Scottish Opera's production of The Merry Widow (2025),[32] Richard Bratby in The Spectator praised Takis's designs, noting "I liked the way that the sets and costumes (by Takis) gradually defaulted back to something indistinguishable from a traditional Merry Widow."[33] Mark Brown in The Telegraph wrote that "designer Takis delivers three very distinct and brilliant sets" with "a set change that is breathtakingly well executed."[34]

Takis designed Nabucco for the Savonlinna Opera Festival in 2024,[35] a production that won the International Opera Award for Opera Festival of the Year. His design for Andrea Chénier at St. Galler Festspiele (2023) was praised by Opera Gazet, which noted that "the stage design and costumes by the designer Takis present large tableaus to the audience despite their actual simplicity."[36]

At the Wexford Opera Festival, his designs for Don Quichotte (2019) led Bachtrack to write that "the young Greek director has created a wonderful, simple staging, aided by Takis' beautiful designs."[37] Seen and Heard International noted "Takis' gorgeous skyscapes provide an entrancing background while the costumes are varied and perfectly suited to the characters."[38]

For Semele at the Royal Academy of Music (2018), Claire Seymour in Opera Today wrote that "the simple and clear designs, by Takis, cleverly elucidate the incompatibility of the earthly and the celestial."[39]

Theatre

In theatre, Takis designed A Midsummer Night's Dream for Shakespeare's Globe (2023), directed by Elle While. London Theatre wrote that Takis is "working at full tilt here" with "the most extravagant costuming" and "Theseus's splendiferous raiments are themselves worthy of permanent display."[40] Everything Theatre noted the "17th Century shapes, with flowers and leaves interwoven" in fairy costumes that "move en masse in bold and unusual dances."[41] Broadway World observed "the costume design; Takis has created a visually arresting parade of outfits that straddle typical Elizabethan fare and high fashion."[42]

For The Bacchae (2012) at Royal & Derngate, staged in the Northampton Chronicle's old print works, Michael Billington wrote in The Guardian that "in Takis's design, [it] comes to resemble a subterranean car park: a perfect metaphor for a play about the danger of repressing, or uninhibitedly indulging, our underground passions."[43] Jane Shilling in The Telegraph described the space as "ingeniously transformed by the designer Takis into a brutally haunting netherworld."[44]

Earlier theatre work included productions at the Bush Theatre. For Fear (2012), Paul Taylor of The Independent noted that "courtesy of Takis's fine design, the Bush has been converted into a sleek domestic temple of moneyed, minimalist luxury."[45] For His Teeth (2011) at Only Connect, The Telegraph wrote that "the designer Takis helps move the plot fluidly and freely without the need for props or a physical set."[46]

For Clytemnestra (2012) at Sherman Theatre, Elisabeth Mahoney in The Guardian wrote that "Takis, the Greek designer behind the show, captures a sense of epic scale and brutality."[47] For The Lion, the Witch and the Wardrobe (2015) at Sherman Theatre, British Theatre Guide noted that "director Rachel O'Riordan's take on the tale has, as its centre, a beautiful set designed by Takis."[48]

For The Jungle Book (2013) at Citizens Theatre Glasgow, Mark Brown in The Telegraph noted that "enigmatically named designer 'Takis' has created evocative costumes and a colourful, abstract jungle set."[49] For The Good Person of Sichuan (2013) at Mercury Theatre, British Theatre Guide wrote that "Takis's complicated and detailed stage design captures the destitution and destruction of the province beautifully."[50]

For The Memory of Water (2014), Matt Trueman in The Guardian observed that "the set design by Takis suggests snowfall and salt flats -- both memories of water in their own way."[51]

Musicals

Takis's musical theatre work includes the Scandinavian production of Wicked at GöteborgsOperan (2023). Seen and Heard International noted "the set design by Takis is breathtaking -- even before the first note there is a stunning curtain depicting the dragon clock of Oz" and praised "imaginative and memorable" costumes.[52]

He designed multiple Nordic productions of Moulin Rouge! For the Oslo production (2023), Broadway World wrote that "the dazzling nightclub set, designed by Takis, is a breathtaking nest of gold painted art nouveau staircases, red curtains, and oversized hand painted stage curtain" and noted "this version of Moulin Rouge feels more real, and the simple effective scenic design by Takis, use many clever tricks."[53] For the Copenhagen production, Politiken described it as "a musical, visual and scenographic fireworks display."[54]

In London's West End, he designed In the Heights at King's Cross Theatre (2015), which received an Olivier Award nomination for Best New Musical. The Reviews Hub noted "Takis' simple but effective set design helps keep the production grounded but provides plenty of space and scope for the musical to breathe."[55] He also designed Five Guys Named Moe at the purpose-built Marble Arch Theatre (2017).[56]

For Sweet Charity at Nottingham Playhouse (2018), Dominic Maxwell in The Times wrote that director Bill Buckhurst "has contrived with his designer, Takis, to defy reality with enormous skill and gusto."[57] Nottingham Live called the set design "one of the finest I've seen at Nottingham Playhouse if not anywhere."[58] The Stage noted "Takis' design situates the band on two podiums on either side of the stage. Sections of the set rotate to form the Fandango ballroom and the opulent apartment of Vittorio Vidal."[59]

His touring productions include Flashdance (UK/Norway, 2017–2018) and Hairspray (UK & Ireland Tour, 2017, 2024–25). For Flashdance at Chateau Neuf Oslo, Broadway World wrote that "the scenic design by Takis, and especially the LED 3D animation done by Mikkel Gythfeldt bring the Chateau Neuf stage to life in a way I have never witnessed before."[60]

For Side Show at Southwark Playhouse (2016), Lynn Gardner in The Guardian praised "a design by Takis that offers plenty of low-budget pizazz, with fairground lights and silver tassels to conjure up the tawdry glamour of the travelling side show."[61] WhatsOnStage noted "the set by Takis provides a fairground environment that feels simultaneously tawdry and glamorous."[62]

For Ain't Misbehavin' (2019) at Mercury Theatre and Southwark Playhouse, The Reviews Hub wrote that "Tyrone Huntley's energetic production is given a classy setting on the Mercury stage, with design by Takis: period lampshades, shiny floor, and a lovely art deco grotto."[63]

For A Funny Thing Happened on the Way to the Forum (2023) at Lido 2 Paris, WhatsOnStage noted "the costumes by Takis range from flowing Greco-Roman floatiness to the garishly outlandish, topped off by a succession of vivid, sometimes deliberately preposterous, wigs."[64]

For Chicago (2013) at Curve Theatre, Clare Brennan in The Guardian noted "equally minimalist, but shinier, costumes by Takis are edgy and witty."[65]

Dance and ballet

For the Finnish National Ballet, Takis designed The Little Mermaid (2015), choreographed by Kenneth Greve. He has also created designs for Rambert Dance Company (Reminiscence, 2013) and The Place (7–75, 2015).

Circus

Since 2017, Takis has maintained a collaborative relationship with Giffords Circus in the United Kingdom, designing multiple productions. For Xanadu (2019), Seeing Dance described "stunning costumes from Takis."[66] For The Hooley (2021), Evening Standard noted the show "has been produced by Nell's niece Lil Rice, together with long-time Giffords Circus musical director James Keay, and rising star set and costume designer, Takis."[67]

For Les Enfants du Paradis (2023), All That Dazzles described "one of the most stunning sets I have ever seen. Similarly, costumes by Takis were beautiful, particularly the dresses worn by Clare de Lune."[68] Theatre Weekly noted "world famous designer, Takis, inspired costumes that resonated with the Bourbon restoration with the likes of tartan, lavish dresses, colourful patterns and curvaceous shapes."[69] Everything Theatre observed "the costuming is impeccable and dazzling, the set design magical."[70]

For Spiegelworld, Takis designed Atomic Saloon Show at the Venetian in Las Vegas (2019), which won Best Las Vegas Acrobatic Show from the Las Vegas Review Journal in 2022, and The Hook at Caesars Atlantic City (2023).

Site-specific and installation work

Takis has created site-specific installations and performances in non-traditional venues. His exhibition Forgotten Peacock (2008) was presented at Design Museum London in association with London Fashion Week and London Design Festival.[71] Plus or Minus, Suit Yourself (2014) was exhibited at Helsinki Design Museum during Helsinki Fashion Week.

He designed the Toyota C-HR Launch event The Night That Flows (2017) at Printworks London, a drive-through immersive experience hosted by Milla Jovovich.[72] He also served as art director for Centrepoint's 50th Anniversary Gala (2019) at the Roundhouse, featuring performances by Rita Ora and Duran Duran.[73]

In 2021–2022, Takis redesigned the auditorium and stage at Opera Holland Park, creating a sustainable, movable seating configuration within the venue's canopy structure.[74]

Teaching and research

Takis is a member of faculty at the Royal Academy of Dramatic Art (RADA), where he teaches in the Theatre Technical Arts programme.[9] His doctoral research at Aalto University explored masculinity, identity, and costume through the META-SUIT project, an investigation into interchangeable costume design and expressions of masculinity in everyday life. His thesis, The Meta-Suit: De-Re-Constructing the Ultimate Masculine Attire, was published by Aalto Arts Books in 2021.[7]

He has presented papers at academic conferences including the Inter-Disciplinary.Net conferences on Performance and Gender (2013–2014), World Stage Design exhibitions (2013, 2017), and research seminars at Aalto University.

Design philosophy

Takis's practice is grounded in what he describes as "de-re-constructing visual dramaturgy," a process of dismantling and recomposing design elements so that transformation itself becomes the dramaturgy. His approach treats costume as a vehicle for identity and performance, with recurring themes of destruction as analytical creation and the dialectics of reveal and conceal. His PhD research extended this practice into wearable performance technology and explorations of masculinity.

Awards and nominations

Takis has received multiple award nominations and wins throughout his career.

Awards won:

  • 2024: International Opera Awards – Opera Festival of the Year (for Savonlinna Opera Festival's Nabucco)[75]
  • 2024: International Opera Awards – Sustainability Award (for Finnish National Opera's La Voix Humaine)[75]
  • 2022: Las Vegas Review Journal – Best Las Vegas Acrobatic Show (for Atomic Saloon Show)
  • 2010: Edinburgh Fringe Festival – Fringe First Award (for Lidless)

Nominations:

  • 2025: International Opera Awards – Designer of the Year[6]
  • 2025: UK Theatre Awards – Achievement in Opera (for Trial by Jury/A Matter of Misconduct)
  • 2024: Reumert Award – Best Musical (for Moulin Rouge!, Denmark)
  • 2022: Laurence Olivier Awards – Outstanding Achievement in Opera (for HMS Pinafore)[5]
  • 2020: Laurence Olivier Awards – Outstanding Achievement in Opera (for Phaedra)
  • 2020: International Opera Awards – Best Opera Production (for Iolanta/Il Segreto di Susanna)
  • 2020: Irish Times Theatre Awards – Best Opera (for Don Quichotte)
  • 2019: International Opera Awards – Rediscovered Work (for Isabeau)
  • 2019: Off West End Awards – Best Set Design (for Ain't Misbehavin')
  • 2019: Broadway World Oslo – Best Set & Costume Design (for Optimist and Flashdance)
  • 2018: Laurence Olivier Awards – Family & Entertainment (for Five Guys Named Moe)
  • 2016: Off West End Awards – Best Set Design (for Side Show)
  • 2016: Laurence Olivier Awards – Best New Musical (for In the Heights)
  • 2015: WhatsOnStage Awards – Best Set Design (for In the Heights)
  • 2014: Off West End Awards – Best Set Design (for In the Heights)
  • 2012: Off West End Awards – Best Set Design (for Fear)
  • 2011: Off West End Awards – Best Set Design (for His Teeth)
  • 2009: WhatsOnStage Awards – Best Set Design (for Stovepipe)

Exhibitions

Takis's work has been included in exhibitions at major cultural institutions:

  • 2019: Collaborators – UK Design for Performance 2019–2023, Society of British Theatre Designers[76]
  • 2018: 250 Years of Circus anniversary exhibition, Victoria and Albert Museum, London[8]
  • 2017: World Stage Design Exhibition, Taipei National University of the Arts, Taiwan
  • 2015: Collaborators – UK Design for Performance 2012–2015, Society of British Theatre Designers, Nottingham
  • 2015: Costume at the Turn of the Century 1990–2015, Bakhrushin State Central Theatre Museum, Moscow
  • 2014: Plus or Minus, Suit Yourself (solo exhibition), Helsinki Design Museum
  • 2013: World Stage Design Exhibition, Royal Welsh College of Music and Drama, Cardiff
  • 2011: Collaborators – UK Design for Performance 2008–2011, Society of British Theatre Designers, Cardiff
  • 2008: Forgotten Peacock (solo exhibition), Design Museum London
  • 2007: Collaborators – UK Design for Performance 2003–2007, Society of British Theatre Designers, Nottingham
  • 2002: Mythological Installation Oedipus (solo installation), Romanian Contemporary Art Museum, Bucharest

Publications

  • The Meta-Suit: De-Re-Constructing The Ultimate Masculine Attire (Aalto Arts Books, 2021). ISBN 978-952-64-0566-7 Search this book on .[77]
  • "The Apotheosis of Man, the Forgotten Peacock" in Scene 2.1 & 2.2 (Intellect, 2014)[78]
  • "The Masculinity of the Male Peacock" in The Contested and the Poetic: Gender and the Body (Inter-Disciplinary.Net, 2014)

See also

References

  1. ↑ "Phaedra". Royal Opera House. Retrieved 10 January 2025.
  2. ↑ 2.0 2.1 "HMS Pinafore". English National Opera. Retrieved 10 January 2025.
  3. ↑ 3.0 3.1 "Don Giovanni". Finnish National Opera and Ballet. Retrieved 10 January 2025.
  4. ↑ 4.0 4.1 "La Traviata". Norwegian National Opera. Retrieved 10 January 2025.
  5. ↑ 5.0 5.1 "Olivier Awards". Society of London Theatre. Retrieved 10 January 2025.
  6. ↑ 6.0 6.1 "International Opera Awards 2025". International Opera Awards. Retrieved 10 January 2025.
  7. ↑ 7.0 7.1 7.2 "The Meta-Suit: De-Re-Constructing The Ultimate Masculine Attire". Aalto University Digital Repository. 2021. Retrieved 10 January 2025.
  8. ↑ 8.0 8.1 "From Waterloo to the World: 250 Years of Circus". Victoria and Albert Museum. Retrieved 10 January 2025.
  9. ↑ 9.0 9.1 "takis - Faculty". Royal Academy of Dramatic Art. Retrieved 10 January 2025.
  10. ↑ Billington, Michael (10 March 2009). "Stovepipe". The Guardian. Retrieved 10 January 2025.
  11. ↑ Spencer, Charles (2009). "Stovepipe review". The Telegraph. Retrieved 10 January 2025.
  12. ↑ Billington, Michael (8 February 2010). "The Early Bird review". The Guardian. Retrieved 10 January 2025.
  13. ↑ Christiansen, Rupert (2014). "Life on the Moon, ETO, Hackney Empire, review". The Telegraph. Retrieved 10 January 2025.
  14. ↑ Pullinger, Mark (October 2014). "Life on the Moon review". Bachtrack. Retrieved 10 January 2025.
  15. ↑ Christiansen, Rupert (2014). "Ottone review". The Telegraph. Retrieved 10 January 2025.
  16. ↑ Lowe, Dominic (October 2016). "La Calisto review". Bachtrack. Retrieved 10 January 2025.
  17. ↑ "Die Fledermaus 2016". Opera Holland Park. Retrieved 10 January 2025.
  18. ↑ "La Rondine 2017". Opera Holland Park. Retrieved 10 January 2025.
  19. ↑ Christiansen, Rupert (2016). "Die Fledermaus review". The Telegraph. Retrieved 10 January 2025.
  20. ↑ Seymour, Claire (July 2016). "Die Fledermaus review". Opera Today. Retrieved 10 January 2025.
  21. ↑ Maddocks, Fiona (2 June 2017). "La Rondine review". The Guardian. Retrieved 10 January 2025.
  22. ↑ Nice, David (2017). "La Rondine review". The Arts Desk. Retrieved 10 January 2025.
  23. ↑ Church, Michael (2019). "Un Ballo in Maschera review". The Independent. Retrieved 10 January 2025.
  24. ↑ Seymour, Claire (June 2019). "Un Ballo in Maschera review". Opera Today. Retrieved 10 January 2025.
  25. ↑ "Il Segreto di Susanna/Iolanta review". Music OMH. 2019. Retrieved 10 January 2025.
  26. ↑ "Il Segreto di Susanna/Iolanta review". The Stage. 2019. Retrieved 10 January 2025.
  27. ↑ "Phaedra". OperaBase. Retrieved 10 January 2025.
  28. ↑ "Phaedra review". Bachtrack. May 2019. Retrieved 10 January 2025.
  29. ↑ "HMS Pinafore review". Seen and Heard International. November 2021. Retrieved 10 January 2025.
  30. ↑ "La Voix Humaine". Finnish National Opera and Ballet. Retrieved 10 January 2025.
  31. ↑ "The Horseman". Finnish National Opera and Ballet. Retrieved 10 January 2025.
  32. ↑ "The Merry Widow". Scottish Opera. Retrieved 10 January 2025.
  33. ↑ Bratby, Richard (2025). "The Merry Widow review". The Spectator. Retrieved 10 January 2025.
  34. ↑ Brown, Mark (2025). "The Merry Widow review". The Telegraph. Retrieved 10 January 2025.
  35. ↑ "Nabucco". Savonlinna Opera Festival. Retrieved 10 January 2025.
  36. ↑ "Andrea Chénier review". Opera Gazet. Retrieved 10 January 2025.
  37. ↑ "Don Quichotte review". Bachtrack. October 2019. Retrieved 10 January 2025.
  38. ↑ "Don Quichotte review". Seen and Heard International. October 2019. Retrieved 10 January 2025.
  39. ↑ Seymour, Claire (November 2018). "Semele review". Opera Today. Retrieved 10 January 2025.
  40. ↑ "A Midsummer Night's Dream review". London Theatre. 2023. Retrieved 10 January 2025.
  41. ↑ "A Midsummer Night's Dream review". Everything Theatre. May 2023. Retrieved 10 January 2025.
  42. ↑ "A Midsummer Night's Dream review". Broadway World. 23 May 2023. Retrieved 10 January 2025.
  43. ↑ Billington, Michael (4 June 2012). "The Bacchae review". The Guardian. Retrieved 10 January 2025.
  44. ↑ Shilling, Jane (2012). "The Bacchae review". The Telegraph. Retrieved 10 January 2025.
  45. ↑ Taylor, Paul (2012). "Fear review". The Independent. Retrieved 10 January 2025.
  46. ↑ Bowie-Sell, Daisy (2011). "His Teeth review". The Telegraph. Retrieved 10 January 2025.
  47. ↑ Mahoney, Elisabeth (23 April 2012). "Clytemnestra review". The Guardian. Retrieved 10 January 2025.
  48. ↑ "The Lion, the Witch and the Wardrobe review". British Theatre Guide. Retrieved 10 January 2025.
  49. ↑ Brown, Mark (2013). "The Jungle Book review". The Telegraph. Retrieved 10 January 2025.
  50. ↑ "The Good Person of Sichuan review". British Theatre Guide. Retrieved 10 January 2025.
  51. ↑ Trueman, Matt (12 March 2014). "The Memory of Water review". The Guardian. Retrieved 10 January 2025.
  52. ↑ "Wicked review". Seen and Heard International. October 2023. Retrieved 10 January 2025.
  53. ↑ "Moulin Rouge! review". Broadway World. 17 November 2023. Retrieved 10 January 2025.
  54. ↑ "Moulin Rouge! review". Politiken (in dansk). 2023. Retrieved 10 January 2025.
  55. ↑ "In the Heights review". The Reviews Hub. Retrieved 10 January 2025.
  56. ↑ "Un Ballo in Maschera". Opera Holland Park. Retrieved 10 January 2025.
  57. ↑ Maxwell, Dominic (2018). "Sweet Charity review". The Times. Retrieved 10 January 2025.
  58. ↑ Louise, Tanya (2018). "Sweet Charity review". Nottingham Live. Retrieved 10 January 2025.
  59. ↑ Tripney, Natasha (2018). "Sweet Charity review". The Stage. Retrieved 10 January 2025.
  60. ↑ Ranke, Christian (29 October 2018). "Flashdance review". Broadway World. Retrieved 10 January 2025.
  61. ↑ Gardner, Lynn (30 October 2016). "Side Show review". The Guardian. Retrieved 10 January 2025.
  62. ↑ Hood, Alun. "Side Show review". WhatsOnStage. Retrieved 10 January 2025.
  63. ↑ Gray, Michael. "Ain't Misbehavin' review". The Reviews Hub. Retrieved 10 January 2025.
  64. ↑ "A Funny Thing Happened on the Way to the Forum review". WhatsOnStage. 2023. Retrieved 10 January 2025.
  65. ↑ Brennan, Clare (5 December 2013). "Chicago review". The Guardian. Retrieved 10 January 2025.
  66. ↑ "Xanadu review". Seeing Dance. 29 June 2019. Retrieved 10 January 2025.
  67. ↑ "Giffords Circus returns". Evening Standard. 2021. Retrieved 10 January 2025.
  68. ↑ "Les Enfants du Paradis review". All That Dazzles. Retrieved 10 January 2025.
  69. ↑ "Les Enfants du Paradis review". Theatre Weekly. Retrieved 10 January 2025.
  70. ↑ "Les Enfants du Paradis review". Everything Theatre. June 2023. Retrieved 10 January 2025.
  71. ↑ "The Forgotten Peacock review". ArtsHub UK. 2008. Retrieved 10 January 2025.
  72. ↑ "Toyota C-HR Launch". Mesmer. Retrieved 10 January 2025.
  73. ↑ "Centrepoint 50th Anniversary Gala". Centrepoint. Retrieved 10 January 2025.
  74. ↑ "Introducing the 2021 Season". Opera Holland Park. Retrieved 10 January 2025.
  75. ↑ 75.0 75.1 "International Opera Awards 2024". International Opera Awards. Retrieved 10 January 2025.
  76. ↑ "takis". Society of British Theatre Designers. Retrieved 10 January 2025.
  77. ↑ The Meta-Suit: De-Re-Constructing The Ultimate Masculine Attire. Aalto Arts Books. 2021. ISBN 978-952-64-0566-7. Retrieved 10 January 2025. Search this book on
  78. ↑ "The Apotheosis of Man, the Forgotten Peacock". Scene. Intellect. 2 (1–2). 2014. Retrieved 10 January 2025.

External links


This article "Takis (designer)" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Takis (designer). Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.


Retrieved from "https://en.everybodywiki.com/index.php?title=Takis_(designer)&oldid=5354097"
License CC BY-SA 3.0
Powered by MediaWiki