Theodor Hassek
Theodor Hassek (born 11 April 1929 in Linz; died 28 October 2009 in Vienna) was an Austrian composer and musician.
Life
Hassek descended from a musical family. At the age of 14 he attended the Potansky music school in Vienna and thereafter studied composition at the Vienna Academy for Music under Joseph Marx, Otto Siegl and Rudolf Kattnigg as well as piano under Eugenie Wild-Volek and Ludwig Czaczkes. From 1944 until 1954 Theo Hassek performed as a pianist and interpreter of his own works. His pianistic repertoire ranged from Johann Sebastian Bach to the 20th century and comprised also technically demanding works such as Ravel's "Gaspard de la Nuit", "Miroirs", Balakirev's "Islamey" and Liszt's h-moll-Sonata.
In 1950 he passed the exam for piano and in 1952 received his matriculation exam for composition theory. After three years as head of the music school in Kittsee (1951 to 1953) he decided on a more conventional occupation and worked as an agent for a publishing house, as a warehouse keeper and for property management. Beside this, he composed several musical works, amongst others for the subsequent composer and clarinetist of the Vienna Philharmonic Orchestra Arnold Hartl. In 1957 he married Ingeborg Smolik.
After 1962 he returned to music and actively played as a member of the three-man band "The Gamblers" together with his cousin Erhard Hassek, performing beat and dancing music. After a number of engagements in less reputable bars, they achieved a breakthrough at the Winter Olympic Games at Innsbruck in 1964, where they performed at the Sporthotel in Axamer Lizum. From then on, the band was engaged at Intercontinental Hotels in Geneva, Frankfurt, Hanover, Düsseldorf and Vienna. After the birth of his son Helmut (born 1967) the family moved back to Vienna in 1971.
From 1971 Hassek also turned to traditional Viennese music "Wienerlied" and performed at Heurigen Christ 42 in Vienna Stammersdorf and at Bach-Hengl in Grinzing, where he was part of the band "Die Charmanten Wiener". Apart from a few performances at four-hand piano (together with his longtime partner Helmut Hofmann) he ended his career as an active musician due to health reasons in 1983 but henceforth worked as an editor and arranger for Viennese based publishers (i. a. Weltmusik Hochmuth-Verlag, Hermann Schneider). In those days he arranged over 500 works (predominantly easy listening) for piano. He retired in 1988 but continued composing. Theodor Hassek died from heart disease on 28 October 2009.[1]
Works
Theodor Hassek composed over 100 works of various genres, from neoclassical piano and chamber music works, piano works of a higher level, pop music, traditional Viennese music "Wienerlied" to spiritual music (mass). His guiding principle was that music should be a pleasure for the listener. Problematic music will not be found among his works. Nevertheless, all works are distinguished by inventive ideas, diligent elaboration, exhilarating shortness and the absence of redundancy.
Although his compositions have an unmistakable typical piano sound, they are predominantly committed to the form rather than the sound. Hence transcriptions of earlier works written for other instruments can be found in the chamber music as well as in compositions for two and four handed piano.
In his last years he devoted himself to composing spiritual choral works – stimulated by Josef Böck – whose performance he missed. The originals of his notes, manual sketches and some recordings are in possession of the family and will be given to the "Musiksammlung der Wienbibliothek im Rathaus" in Vienna at a later moment.
References
This article "Theodor Hassek" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Theodor Hassek. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.
