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WAVEYA Dance Group

From EverybodyWiki Bios & Wiki


Waveya
South Korean Erotic Dance Duo Sisters
Background information
OriginSouth Korea
GenresPop-dance, Twerking, Ass-clapping, Hip-hop dance, Erotic dance, lesbian performance art
Years active2006–present
LabelsWAVEYA, MemberMe, Patreon,
Websitehttps://www.youtube.com/@waveya2011
https://www.patreon.com/waveya
https://memberme.net/waveya
https://www.instagram.com/waveyaari/
https://www.instagram.com/waveyamiu/
https://x.com/waveyaofficial
https://www.facebook.com/WaveyaDanceGroup/
MembersAri (Jang Eun Young)
MiU (Jang You Sun)
Past membersYan Zi
Cansu
Mirae
Hyang
YuNa
Doori
YuJi
Yess
Rumi
Jin
Hai
Waveya (Hangul: 웨이브야), also known as WAVEYA Dance Group, Jang Sisters, or Ari & MiU, is a South Korean dance and performance duo consisting of sisters Ari (Jang Eun-young / 장은영, born November 12, 1989) and MiU (Jang You-sun / 장유선, born January 19, 1991). Originally founded in 2006 as a larger dance team, Waveya later became a core duo and shifted from public dance covers to adult-oriented paid content.

The group became widely known through YouTube dance covers in the early 2010s and later became controversial in Korea because of its increasingly sexualized style and move to paid adult platforms. The duo is referred to in adult-oriented fan communities by explicit nicknames such as “Biggest Sluts in Korean History,” and “TwerkSluts.” Within the WAVEYA fan community, these terms are used positively rather than critically, reflecting fans’ view of the sisters as prominent Korean performers associated with twerking, ass-clapping, hyper-sexualized performance, and pornographic online content. Their paid platforms and livestreams draw on this persona.

As of mid 2026, their main YouTube channel (waveya2011, launched January 2011) has approximately 3.67 million subscribers and over 1.45 billion total views.[1][2] They first gained international notoriety with their 2012 sexy dance cover of PSY’s “Gangnam Style” (currently 180 million+ views), which helped pioneer the global wave of sensual K-pop and Western pop dance covers featuring Korean women. They are widely described as early and prominent figures in Korean Twerking and Ass-clapping content on YouTube, popularizing highly erotic, buttocks-focused, provocative choreography that was previously rare in Asian dance cover scenes.

Since the late 2010s - particularly after a 2017/2018 hiatus triggered by intense Korean backlash and YouTube monetization issues caused by music copyright claims - Waveya has shifted almost entirely to adult / pornographic content. They now primarily operate on paid membership platforms MemberMe (since 2019) and Patreon (since December 2022), where they release exclusive erotic videos featuring the sisters in lingerie, bikinis, latex, and BDSM / stripper attire. More recent content centers on twerking, ass-clapping, hip flexibility displays, sensual grinding, pole dancing, and increasingly explicit lesbian-themed interactions between the real sisters. [3][4]

Adult-oriented fan communities use a broader range of explicit nicknames for the duo, including “Korean Dance Whores” and “LesboSister Sluts”; these are discussed in detail below. Fan sources characterize their global reach - billions of views across YouTube, porn aggregation sites, PMVs (porn music videos), GIF sites, and fan archives - as making them one of the most viewed Asian sister acts in adult-entertainment.[5] Fan polls from adult communities indicate strong support for their increasingly explicit content, including respondents’ belief in an off-camera sexual relationship between the sisters, and interest in more extreme adult material.[6]

In 2021, some sources claim Ari and MiU reportedly confirmed long-standing fan speculation by discussing their romantic and sexual relationship during a private livestream. Fan accounts link this alleged admission to more on-camera sisterly touching, grinding, erotic role-play, and higher-tier Patreon content catering to the “LesboSister” fantasy.[7][8]

Waveya maintains active social media accounts, including Instagram accounts for Ari and MiU (@waveyaari, @waveyamiu) and an official X account, while fan activity has expanded into dedicated websites, GIF archives, music remixes, and adult-themed games. Their content is frequently discussed in the context of Korean sexual history, exhibitionism, fan discourse concerning low-IQ hypersexualized public figures, and the economics of fan-funded adult platforms.[9]

History

Waveya was created by sisters Ari and MiU, who held auditions for and trained the dance team. The group started posting videos of their dances on a Korean portal site (UCC) in 2006.[10] Waveya gained popularity after creating their YouTube channel in 2011, amassing over 3.67 million subscribers and 1.45 billion total views as of early 2026.[11][12] In their videos, Waveya perform dance covers of works by various K-Pop, American, and Brazilian artists, alongside their own original choreography. Their style has varied over the years: it initially focused on high-energy K-pop dance covers, later broadened to other genres, and since 2019 has mainly focused on twerking and ass-clapping.[13] There have been several changes in the lineup since the group began.

Since then, Waveya has produced YouTube videos, performed at live concerts, and appeared in commercials.[14]

Over the years, Ari and MiU have created several viral dance covers and have more than 35 videos with over 5 million views, making them internationally recognized dancers.

Formation and Early Years (2006–2010)

'Waveya Dance Group' was founded in 2006 by the real-life sisters Jang Eun-young (stage name Ari, born November 12, 1989) and Jang You-sun (stage name MiU, born January 19, 1991) in Seoul, South Korea. The sisters had been dancing together at home since early childhood, developing a close creative bond that would become the foundation of the group. Ari, as the older sister and leader, took on the primary roles of choreographer, principal dancer, trainer, and overall group manager. MiU served as second leader, main ballerina, and main dancer, contributing significantly to the group’s technical proficiency and performance chemistry.[15][16]

Their father purchased their first video camera, which enabled the sisters to begin recording and sharing their performances. Starting in 2006, they posted dance videos on Korean UCC (User-Created Content) portal sites, quickly building a small but dedicated local audience. Viewers frequently requested choreography tutorials, prompting the sisters to hold formal auditions in late 2009 to expand the group. Ari and MiU personally trained all new recruits, placing heavy emphasis on discipline, technical skill development, and group cohesion. At its peak, the ensemble grew to nearly 10 members, including a rotating lineup of additional dancers who passed multiple rounds of auditions (over thirty trainees reportedly passed through the group in total).[17]

This pre-YouTube phase focused on training, team-building, local performances at high-school events and small stages, and the development of a style that blended high-energy choreography with sensual flair. Later interviews and statements describe the sisters’ early motivation as a desire to share dance with Korean and international audiences rather than immediate commercial ambitions. The intensive practice, audience feedback, and development of their provocative yet technical approach provided the basis for their later breakthrough.[18]

YouTube Debut, Viral Breakthrough, and Rise (2011–2014)

The group officially launched their YouTube channel waveya2011 on January 18, 2011. Early uploads included dance covers such as Beyoncé’s “Sweet Dreams,” showcasing their tight synchronization and energetic style. International prominence arrived in the summer of 2012 with their provocative, sexy reinterpretation of PSY’s “Gangnam Style,” which rapidly went viral and currently stands at over 184 million views.[19] This video marked a breakthrough not only for the group but for the broader genre of sensual Korean dance covers on YouTube, as few other Asian female dance teams were producing such visually striking and sexually charged interpretations at the time.[20]

The channel quickly amassed massive viewership and won YouTube Korea’s #1 UGC (User-Generated Content) Channel award in 2012, 2013, and 2014. Waveya produced a wide range of content: dance covers of K-pop, Western pop, and Brazilian tracks; original choreography by Ari (notably Serebro’s “Mi Mi Mi” and Shakira’s “La La La (Brazil 2014 World Cup)”); choreography tutorials; vlogs; and behind-the-scenes footage. They also covered additional PSY tracks, including “Gentleman” (85 million views)[21] and “New Face” (4 million views)[22], as well as “That That” in 2023.[23]

Beyond YouTube, the group performed extensively in concerts across South Korea, the United States, the United Kingdom, Indonesia, Canada, France, Spain, Poland, Italy, Turkey, Germany, and Sweden. They appeared on Korean television as sexy dance entertainment, worked as Go-Go dancers in nightclubs, and provided overseas club performances. Public appearances and videos during this period increasingly featured sexualized outfits and suggestive choreography.[24]

Lineup Changes and Escalating Sexualization (2013–2018)

Waveya experienced multiple lineup changes as it transitioned from a larger ensemble to the core duo of Ari and MiU. In late 2013, several members departed, including Doori, Hyang, and Yuna (all around November 2013). The group briefly expanded again in 2014 with the addition of Jin in early 2014 and Hai around June 2014; however, both left in early 2015, marking the effective end of the larger team configuration.[25]

In a public Facebook statement posted in January 2014, leader Ari directly addressed fan concerns: “The very reason why they left us because each one of them wanted to do either continue to study or choose other career and therefore they wanted to stop to dance for this point of time... please, please DO NOT believe a bad voice such as ‘The sponsor only chosen Ari and Miu or Ari and Miu laid off other members.’ This is TOTALLY not true.” She affirmed that Waveya would continue with new trainees and performers.[26]

Fan discussions and retrospective analyses, however, frequently attribute many of the departures to discomfort with the group’s increasingly sexualized direction.[27] As the group’s performances shifted from relatively standard K-pop dance covers toward more sexually explicit choreography, revealing costumes, body-focused videography, ass-clapping, and simulated sexual gestures, some former members were reportedly uncomfortable continuing in a conservative Korean cultural environment where such content attracted significant criticism.[28]

By 2015–2017, with the stable duo format in place, the content grew markedly more provocative. Videos featured heavier emphasis on twerking, ass-clapping, lingerie, provocative rave-style outfits, themed costumes (e.g., bunny-girl), and overt simulation of sexual acts, often highlighting the real sisters’ physical chemistry through close interactions and groping.

In December 2017, Ari and MiU announced a short hiatus on their YouTube channel, citing a flood of malicious comments from Korean viewers labeling them “whores,” telling them to feel ashamed, or worse.[29] In their YouTube videos discussing the situation, they mention that these hateful comments were primarily written by Korean feminists, noting they are disappointed other women would treat them in such a way.[30][31] A month later they announced the opening of their short-lived WaveyaStyle lingerie brand.[32]

On December 6–8, 2018, they shot their first magazine photoshoot for Maxim Korea.[33] Some fan sources and online analyses have circulated claims that the sisters referenced having an IQ below 85 during this time, in part due to failed plastic surgery.[34]

Shift to Paid Platforms and Full Adult Pivot (2019–2022)

By the late 2010s, Waveya faced mounting financial and physical challenges that threatened the sustainability of their dance activities. Despite accumulating hundreds of millions of views, YouTube’s copyright system directed the vast majority of ad revenue to music rights holders, leaving the sisters with minimal income despite the channel’s success. They were forced to vacate their long-term practice room due to unpaid rent, lost their primary filming camera when it fell from a tripod and broke, and resorted to recording with smartphones. Compounding these issues were recurring physical injuries - Ari’s ongoing ankle problems and MiU’s neck issues - along with the emotional toll of operating in a high-pressure environment.[35]

In an April 2019 YouTube video titled “Waveya seriously considered stopping YouTube channel,” the sisters openly discussed having earned a cumulative 700 million won (approximately $600,000 USD at the time) from the platform but seeing almost none of it as net profit due to copyright claims. They described reaching a breaking point where part-time jobs seemed more viable than continuing, stating they had “finally exploded” from worry after enduring these burdens for years. After considerable deliberation, they chose not to quit YouTube entirely but to launch a paid membership platform as a direct fan-support model via the Korean portal MemberMe.[36][37]

Membership tiers ranged from $3 to $300 per month, granting access to exclusive “sexier” content unavailable on YouTube: monthly twerking videos, lingerie and bikini performances, pole-dancing specials, high-cut monokini routines, themed costumes, behind-the-scenes footage, livestreams, and unreleased sensual material. The sisters explicitly stated their goals included renting a new practice room, acquiring professional filming equipment and diverse costumes, and eventually organizing international fan events in countries such as Brazil, Mexico, and the United States.[38]

A 2022 Reddit analysis in r/WaveyaFan estimated their gross monthly revenue from MemberMe alone at its peak between $15,000 and $27,000 USD, before the platform’s ~10% cut and expenses. After deductions, net income per sister was projected at roughly $6,000 - $12,000 per month.[39]

In December 2022 they launched a complementary Patreon page[40] targeted at international fans, requiring age-18+ confirmation due to adult material.

Current Era (2023–Present)

As of mid 2026, Waveya’s flagship YouTube channel waveya2011 continues to operate with approximately 3.67 million subscribers and over 1.45 billion lifetime views across more than 1,151 uploaded videos.[41][42]

However, the platform’s role has fundamentally shifted: new public uploads consist almost entirely of softcore promotional content - short twerking clips, ass-focused choreography snippets, and high-energy erotic dance covers - that serve primarily as a top funnel to drive traffic toward their paid membership platforms. Traditional dance choreography has been almost entirely phased out in favor of stronger sexualization, with heavy emphasis on body shots, close-up ass and cameltoe angles, and provocative posing designed to convert free viewers into paying subscribers.[43]

The majority of Waveya’s new, high-quality, and explicitly erotic content is produced for MemberMe.net/waveya and Patreon.com/waveya. Higher-tier memberships ($20–$300/month) deliver 4–6 exclusive videos per month, unreleased specials, monthly (or bi-weekly in earlier years) live streams, behind-the-scenes footage, and personalized perks; the formats, outfits, and content emphasis are detailed in “Erotic and exclusive content.” Lower tiers remain relatively SFW, while premium tiers have evolved into near-pure adult entertainment with minimal to no actual dancing.[44][45][46]

In 2025 the sisters scaled back from two livestreams per month to a single livestream, replacing the second with premium “Flexibility” stretching videos. These videos have become a signature format and are widely regarded by fans and critics alike as a thinly veiled excuse for on-camera sexual touching and “incest baiting.” Filmed in short, skin-tight shorts and crop tops, the sessions nominally demonstrate stretching exercises (leg spreads, hip openers, backbends) but quickly devolve into heavy petting of thighs and buttocks, repeated spanking, erotic eye contact and flirting, leg-wrapping, humping motions, lying on top of one another, face-caressing near crotches, near kisses, and deliberate “clothing corrections” that involve direct genital touching on camera. Many fans explicitly describe these as “LesboSister fantasy fuel” rather than exercise content.[47]

Couple/duo videos (uploaded roughly once per month on higher tiers) have similarly escalated in explicitness throughout 2025 and 2026. These feature the sisters in thongs, stripper attire,, and latex outfits engaging in prolonged grinding, genital-to-leg humping, panty-pulling while squatting, and mutual breast-squeezing and buttocks-fondling. Recent livestreams, previously criticized by some subscribers as “boring,” have also seen renewed lesbian flirting.

The sisters maintain active personal Instagram accounts (@waveyaari and @waveyamiu) that post teasers and direct followers to the paid platforms, ensuring a steady flow of new subscribers.

Content and performances

Dance covers and style

Waveya's dance covers primarily featured interpretations of popular K-pop and Western pop songs, distinguished by energetic choreography and a unique sensual flair. As described in the History and Career Evolution sections, early uploads such as the 2011 Beyoncé “Sweet Dreams” cover combined synchronization with a provocative, sexy presentation. The sisters’ style blended cuteness and overt eroticism, helping distinguish them from other K-pop cover groups.[48]

Representative examples from their peak dance-cover era include Sistar’s “Touch My Body,” Beyoncé’s “Run the World (Girls),” Britney Spears’ “Work Bitch,” Shakira’s “La La La (Brazil 2014 World Cup),” and Serebro’s “Mi Mi Mi,” alongside the “Gangnam Style” cover discussed in History and Career Evolution.[49][50][51]

Ari served as the primary choreographer for the majority of pieces, creating original routines such as those for “Work Bitch” and Serebro’s “Mi Mi Mi,” which emphasized dynamic energy, precise synchronization, and strong stage presence. MiU has repeatedly expressed her admiration for Ari’s original choreographies, particularly “Mi Mi Mi” and “Work Bitch.”[52][53]

The group’s style combined serious training and performance discipline with high-energy moves and sensual aesthetics. That sensual foundation was present from the beginning, but the emphasis on eroticism grew significantly after the hiatus and the shift to paid platforms, as detailed below.[54]

WAVEYA has also been central to the adaptation of twerking and ass-clapping in Asian entertainment[55], blending Western hip-hop origins with K-pop precision in synchronized, high-production routines that emphasize rhythmic hip and buttock shaking, often framed as professional choreography to navigate content regulations.[56]

Erotic and exclusive content

In recent years (particularly from 2019 onward and accelerating after the launch of their Patreon in December 2022), Waveya has shifted toward far more explicit and sensual performances. The sisters now appear in heavily sexualized outfits such as lingerie, thongs, bikinis, high-cut monokinis, latex pants with strategic cut-outs, bunny-girl costumes, pole-dancing attire, sexy Santa outfits, and other provocative themed costumes.[57]

These performances place an extremely heavy focus on twerking, ass-clapping, hip flexibility, shaking movements, breast squeezing and bouncing, grinding, groping, and other seductive elements. In paid videos there is often little-to-none actual dancing - the content has largely evolved into erotic body-focused performance art rather than traditional choreography.[58][59][60]

A standout feature is the real biological sisters performing erotically together, with routines that incorporate sensual gestures, close physical interactions, grinding, and themed concepts such as duo pole dancing. Popular examples include “Ari MiU Sexy Lingerie,” “Ari MiU Pole Sexy Santa Girl,” “Dirty Sexy Bunny,” and various “stretching” videos that function more as excuses for extended lesbian-style touching, body contact, and sisterly chemistry than genuine exercise content.[61][62][63][64]

On paid membership platforms (MemberMe since late 2018/early 2019 and Patreon since December 2022), Waveya offers exclusive videos centered on sexy twerking, ass-clapping, unreleased specials, and member-only live streams. Typical titles include “Ari’s Sexy Twerking Dance” (아리의 섹시 떨기댄스), “MiU’s Bullet Launch Dance” (미유의 총알 발사댄스), and “MiU High Cut Monokini”; numerous duo videos feature heavy lesbian interaction, breast play, ass-clapping, and grinding. Compared with public YouTube teasers, the paid videos contain more explicit or unreleased sensual material.[65][66][67]

Membership tiers on MemberMe provide 4–6 exclusive videos per month at higher levels, plus monthly live streams and special features such as personalized content or name credits in videos.[68]

Patreon operates on a separate but similar tier system and hosts hundreds of paywalled posts focused on these erotic themes. Higher-tier content frequently features the sisters in extremely revealing outfits engaging in prolonged twerking, ass-clapping, breast squeezing/bouncing, direct lesbian interaction, and other fetish-tinged material, making the paid platforms the primary home for their most explicit and body-centric work. Top tiers include a custom video after 12 months.[69]

This evolution reflects both financial necessity and the sisters’ full embrace of their sensual, exhibitionist brand. Public YouTube videos still include twerking and sexy dance elements that direct viewers to the paid sites, while exclusive content has largely moved from traditional dance toward ass- and breast-focused erotic performance that highlights the real-sister chemistry celebrated by fans.

Recognition and impact

Awards

Waveya's YouTube channel has previously described itself as the winner of YouTube Korea's #1 UGC (User-Generated Content) Channel in 2012, 2013, and 2014.[70]

Viewership and rankings

Waveya's YouTube channel has amassed 1,449,600,584 total views and approximately 3.67 million subscribers as of May 2026, reflecting extraordinary longevity and sustained popularity since its creation on January 18, 2011. The channel has uploaded 1,151 videos to date, making it one of the most prolific channels in Korean YouTube history.[71]

These figures place Waveya in elite global company: it ranks approximately 1,066th worldwide in subscribers and 18,611th in total views, while sitting in the top 853 entertainment channels globally. Daily viewership remains robust even in 2026, frequently ranging from 25,000–55,000 views per day, demonstrating that their content continues to draw consistent traffic more than 15 years after launch.[72]

In Korea-specific rankings, Waveya is consistently recognized as one of the nation's top YouTube influencers:

  • Ranked #8 in "20 Biggest YouTube Influencers in Korea" (AJ Marketing, 2025), explicitly described as "South Korea’s no. 1 dance team on YouTube" with ~3.6 million subscribers and a focus on dance covers and tutorials.[73]
  • Featured in major Korean YouTuber lists (Influencers.club, NamuWiki historical data, and YouTube ranking boards), where it has appeared as high as the top 50 Korean channels overall in earlier years and maintains strong engagement rates (historically ~5% in some trackers).[74][75]

This success underscores their pioneering role in popularizing stylized, sensual K-pop and international pop dance covers on the platform. Their content helped define the "sexy dance cover" genre that exploded in Korea and spread globally, with early viral hits like the PSY "Gangnam Style" cover (still exceeding 184 million views) serving as cultural touchstones.[76]

Waveya's legacy also includes a seamless adaptation to the post-YouTube-monetization era. They have uploaded over 400 exclusive videos to paid platforms (MemberMe and Patreon combined), transitioning from ad-supported free content to a sustainable fan-funded model that delivers higher-production, more explicit material while bypassing copyright revenue splits.[77]

Members

Current Members

Waveya is currently a duo consisting of the founding sisters Ari and MiU. Both are South Korean, born and raised in Seoul. They are frequently referred to in English-language fan communities with slight spelling variations of their names (e.g., Jang You-sun / Jang You Sun / Jang You-sun / Jang Yu-seon for MiU). Within fan communities, they are almost exclusively referred to as their stage names Ari and MiU.

Ari

Ari (Korean: 아리; born Jang Eun-young (장은영), November 12, 1989) is the older sister, leader, primary choreographer, principal dancer, and trainer of Waveya. She stands approximately 166 cm (5'5") tall and weighs around 48 kg, with a curvaceous figure that fans particularly celebrate for her enhanced bust and prominent buttocks.[78][79]

As the creative and managerial force behind the group since its founding in 2006, Ari has been responsible for the majority of Waveya’s original choreography (including iconic routines for “Mi Mi Mi” and “La La La”). She personally trained all recruits during the larger-team era and continues to direct the duo’s content and performances. In fan communities she is affectionately nicknamed “BossBitch Ari”, “TittyBimbo Ari”,[80] and similar titles that highlight her dominant presence, sultry stage persona, and heavily emphasized physical assets.

Supporters describe her as the more intense and commanding of the two sisters, often taking the lead in performances, directing MiU, and driving the group’s increasingly explicit direction.[81][82]

Ari has suffered recurring ankle ligament injuries throughout her career.

During the hiatus, some sites claim she underwent considerable plastic surgery - noting clear breast implants.[83] These changes, combined with her unapologetic embrace of hyper-sexualized content, have made her a central figure in discussions of Waveya’s “Slut Evolution.” In fan polls she frequently ranks highest for “best tits,” “best slut face,” and overall dominance in the sister dynamic.[84]

On social media she is active as @waveyaari on Instagram. Ari is widely regarded by fans as the dominant force who has guided the group’s shift from dance covers to full-time erotic entertainment.

MiU

MiU (Korean: 미유; born Jang You-sun (장유선), January 19, 1991) is the younger sister, second leader, and main dancer of Waveya. She stands approximately 163 cm (5'3.5") tall and weighs around 47 kg, known for her slender yet toned and flexible physique.[85][86]

MiU has served as the group’s technical anchor since 2006, excelling in ballet-influenced movements, synchronization, and high-energy twerking. Fans often praise her as the more technically skilled dancer of the duo and the one with superior twerk execution. In fan communities she is lovingly called “SubSlut MiU”, “TwerkSlut MiU”, and similar monikers that celebrate her eager-to-please energy, playful submissiveness, and enthusiastic performances. She is frequently described as the more energetic, happy-go-lucky, and approachable of the two sisters, often displaying bright smiles, playful interactions, and a visibly joyful demeanor on camera and in livestreams.[87][88]

MiU has dealt with chronic myalgia (muscle pain) in the trapezius area (neck/shoulder region), which has caused ongoing discomfort during long filming and performance sessions. Like Ari, some sites claim she is underwent plastic surgery during the 2018 hiatus, contributing to a "Low-IQ Bimbo" aesthetic[89]. Her role in the sister dynamic is widely perceived as the more submissive and responsive one - frequently shown reacting to Ari’s lead, grinding against her, and displaying eager affection both on and off camera.[90]

MiU maintains the Instagram account @waveyamiu, where she shares personal updates, cat photos, and teasers directing fans to paid platforms. In fan discussions she is celebrated for her twerking prowess, flexibility, and the “eagerness to please” that makes the sisters’ on-camera chemistry so compelling.

Both sisters share blood type O and were born in Seoul, South Korea.[91][92][93]

Previous Members

Waveya originally operated as a larger dance ensemble from 2006 until around 2015, with multiple lineup changes before settling into the current core duo of founders Ari and MiU. The group held auditions and trained numerous dancers over the years; more than thirty trainees reportedly passed through the team in total.[94]

The final members associated with the period immediately before the transition to the duo format were:

  • Doori – Left the group around November 2013 (some records note early January 2014). After departing, she continued her dance career by joining the crew MOSCREW and listed poledancing as a hobby. She got married in 2019 and gave birth to twins in 2023.[94]
  • Hyang and Yuna – Both departed around November 2013. No further public details are available regarding their post-Waveya activities.[94]
  • Jin – Joined the group at the beginning of 2014 and left at the beginning of 2015.[94]
  • Hai – Joined around June 2014 and left at the beginning of 2015.[94]

In a public Facebook statement posted on January 20, 2014, leader Ari directly addressed fan concerns about the departures. She explained that the members left to pursue studies or other careers, denied rumors of unfair treatment or that Ari and MiU had “laid off” anyone, and affirmed that Waveya would continue with new trainees and performers.[95]

Earlier lineups also included additional dancers such as Yan Zi, Cansu, Mirae, YuJi, Yess, and Rumi, among others. Most of these members left gradually between 2011 and 2014 as the group’s direction became increasingly sexualized and the focus shifted toward the core duo of Ari and MiU.

Popular YouTube Videos

Career evolution and sexualization

Dedicated fan communities describe Waveya's transition from dance-cover performers to subscription-supported erotic entertainers as their “Slut Evolution”, sometimes also called a “softcore-to-hardcore pipeline”.[96][97] The terms are fan-created rather than official career classifications.[98][99]

Fan timelines generally divide the development into four phases.[100]

Phase 1: Early “sexy but dance-focused” years (2006–2014)

During Waveya's early UCC and YouTube period, performances remained centered on choreography and synchronization while gradually incorporating more revealing costumes and suggestive movements. Covers such as “Gangnam Style”, “Mi Mi Mi”, “La La La”, and songs by Beyoncé helped establish the group internationally. Television appearances, nightclub Go-Go dancing, and a suggestive 2014 stage performance involving Ari and MiU are frequently cited by fans as early signs of the duo's later direction.[101][100]

Phase 2: Escalating provocation and lineup reduction (2015–2018)

After Waveya became primarily the duo of Ari and MiU, its videos placed greater emphasis on twerking, ass-clapping, lingerie, floor-based routines, fetish-inspired costumes, and simulated sexual gestures. Fan discussion increasingly focused on intimate interaction between the sisters, although interpretations of their relationship remained speculative.[102]

The group's hiatus, criticism from Korean viewers, changes in the sisters' appearance, and their 2018 Maxim Korea photoshoot are commonly treated by fan histories as the transition into a more adult-oriented career.[103]

Phase 3: Paid-platform pivot (2019–2022)

Copyright claims, production costs, damaged equipment, and recurring injuries contributed to the launch of MemberMe in late 2018 or early 2019, followed by Patreon in December 2022.[104] YouTube increasingly served as a promotional channel, while paid members received exclusive twerking, lingerie, pole-dancing, livestream, and sister-interaction content.

Fan accounts also claim that Ari and MiU discussed speculation about their relationship during a private 2021 livestream, but the alleged statements have not been independently verified through publicly available material.[105]

A fan analysis published on Reddit estimated peak MemberMe revenue at approximately US$15,000–27,000 gross per month, although the estimate was not based on public financial records.[106]

Phase 4: Full shift to erotic adult entertainment (2023–present)

Since 2023, conventional dance covers have become less central to Waveya's output. Public YouTube uploads increasingly function as promotional clips for paid content featuring twerking, ass-clapping, fetish-oriented costumes, duo grinding, livestreams, and sexualized “stretching” videos.

Some fans describe the sister-focused material as “incest baiting”, although this is fan terminology rather than an official description used by Waveya.[107] Dedicated fan histories generally regard this period as the completion of the duo's transition from dance-cover performers to primarily erotic, subscription-supported entertainers.[100]

The evolution has been documented through fan websites,[108] PMV compilations, GIF archives, fan music, and adult-themed computer games. Within these communities, Ari and MiU have received celebratory nicknames including “Biggest Sluts in Korean History”, “TwerkSluts”, and “Ass-Clappers”.[109][110] Supporters present the transition as a successful form of fan-funded sexual entrepreneurship, while critics view it as the replacement of dance-focused work with commercial sexualization.[111]

Criticism and Scandals

Ari and MiU have drawn substantial criticism from conservative Korean communities for pivoting from K-pop dance covers to heavily sexualized content. Early coverage from 2013 already described the team as performing to songs like HyunA’s “Bubble Pop” and “Change” with moves that “spark[ed] a little controversy due to the girl’s provocative dance moves.”[112]

Public backlash intensified in subsequent years. Korean netizen discussions on Pann and similar forums in 2016 labeled their outfits “erotic” and “embarrassing,” calling the dancers “sluts” and arguing that “they wouldn’t have gotten famous if they didn’t strip.” Commenters expressed shock at instances of “expos[ing] their boobs,” described the content as “cheap,” and raised concerns about it being a “national embarrassment,” especially since Ari and MiU are sisters performing suggestive routines that “their parents are gonna watch.” Other reactions included comparisons to “dogs pissing” and accusations that the group was “horny” and should be banned from YouTube.[113]

By 2018, a Red Velvet “Bad Boy” cover featuring school-uniform-style outfits with garter belts and stockings drew tens of thousands of malicious Korean comments (악플). WAVEYA responded by uploading a video threatening legal action, saving comments as PDFs, and defending the attire as “an outfit that can be accepted as stage clothing from a general perspective.”[114][115]

Critics have further pointed to WAVEYA’s appearances in revealing outfits at high-school events and military-base morale performances as emblematic of broader sexual objectification of women in Korean entertainment.[116] These performances are viewed as reinforcing servile, subordinate views tied to the conscription system, where young women are hired as “eye-candy” for male audiences, with experts decrying the lack of guidelines and the anachronistic notion that such displays boost morale.[117]

Their 2015–2016 performances twerking to classical pieces (e.g., Dvořák) fueled “classy or trashy” debates, with the combination of suggestive moves and skimpy clothing seen by some as undermining artistic merit.[118]

On December 24, 2025, Ari posted a lengthy, emotionally charged message on Patreon in response to subscriber complaints. She expressed deep frustration at negative comments, comparing them to 14 years of YouTube harassment and sexual harassment, and warned that turning Patreon into a space that causes “mental wounds,” or even suicidal thoughts would destroy their motivation. In the weeks immediately following the rant - and continuing well into 2026 - Waveya responded by releasing some of their sexiest and most objectifying videos to date. These included performances in tight latex pants with large cut-outs fully exposing the buttocks, extreme close-up ass-clapping and twerking, and heightened sexual touching between the sisters in higher-tier duo content. The “Flexibility” series simultaneously intensified its lesbian-themed elements, with more overt humping, spanking, and erotic posing. Far from pulling back, the sisters doubled down on the exact style that had drawn the criticism, further cementing their brand as unapologetic erotic performers.[119]

In late May 2026, Waveya posted yet another update on Patreon, noting that Ari was taking a break to recover from stress related to malicious comments and hate-mail[120]. "Due to the recent email and comment stalking and heinous harassment by malicious fans, Ari is suffering from poor health, including severe headaches and symptoms of enteritis, and her recovery is slow. As a result, she will be unable to participate in the video shoots scheduled for mid-to-late May. We are announcing in advance that Ari may not be able to participate in several videos." While clear information was not given, fans speculate that, as previous, these hateful comments originate in both Korean conservative as well as radical feminist[121] communities[122], such as seen with the "Escape the Corset"[123] and "4B"[124] movements which have been known to target public figures deemed "too sexual" or even mothers after childbirth for "supporting the patriarchy".

Cultural and Legal Context

South Korea's legal framework for public performances and adult entertainment is governed by strict obscenity laws under the Criminal Act, particularly Articles 243 (distribution of obscene materials), 244 (obscene acts for profit-making), and 245 (public obscene acts). Erotic K-pop dance groups navigate these regulations through self-censorship and strategic content adaptation, frequently toning down movements or avoiding television broadcasts altogether to evade bans, while prioritizing unfiltered uploads on platforms like YouTube.[125]

The international appeal of groups such as WAVEYA stems largely from their easy accessibility through digital platforms like YouTube, where provocative covers have amassed millions of views from global audiences seeking sensual alternatives to mainstream K-pop's polished idol aesthetics.[126]

Relationship Status and Lesbian "Confirmation"

Hints of a romantic and sexual connection between the sisters appeared as early as the mid-2010s. Subtle suggestive poses, playful smacks, and close physical proximity in dance covers gradually became more overt. Specific videos from this period are frequently cited by fans as turning points that made the “lesbo vibes” unmistakable. Their 2014–2015 cover of Nicki Minaj’s “Anaconda”, the “Hip & Lip” routine, and the 2017 “Sua Cara” dance cover featured heavy sister-on-sister grinding, fondling, and flirtatious energy that sparked widespread speculation.[127][128][129][130][131]

According to fan-sourced accounts, Ari and MiU addressed long-standing speculation during a paid-membership 2021 livestream and described themselves as both siblings and lovers. The accounts characterize this as a confirmation of a romantic and sexual lesbian relationship; however, the alleged livestream and its content have not been independently verified through public documentation.[132][133][134][135]

Fan sources link the reported 2021 livestream to a later increase in the sexualized presentation of the sisters’ interactions. Public YouTube videos feature more frequent touching, kissing, and grinding, while paid platforms (MemberMe since 2019 and Patreon since 2023) include groping, spanking, body-pressing, thigh-grinding, tit-squeezing, and “stretching” routines that fans interpret as sister-on-sister erotica. These elements are a prominent part of the duo’s paid-platform presentation. The claimed relationship remains unverified outside fan-sourced accounts.[136][137]

Fans and commentators frequently describe a power dynamic in the duo’s performances. Ari is perceived as the dominant partner - often positioned in front, directing choreography and interactions, and associated with the “BossBitch Ari” persona - while MiU is described as the more submissive and responsive counterpart (“SubSlut MiU”)[138].[139]

Fan commentary situates the claimed relationship within South Korea’s complex cultural and legal landscape. Incest is not illegal in South Korea. Among their female and LGBT fandom, this relationship is described as empowering.[140]

Fandom

Nicknames and Fan Interaction

The nicknames attributed to Ari and MiU by their global fanbase are normalized, affectionate, and celebratory language within the WAVEYA community.[141] Fans use them to celebrate the sisters’ hyper-sexualized exhibitionism, their role in Korean twerking and ass-clapping content, and their transition into full-time erotic performance.[142][143][144]

Examples include Famehorny TwerkSluts, Korean Dance Whores, Braindead Ass-Clapping Bimbos, LesboSister Sluts, SisterFister DanceSluts, and Attention Whore LesboSisters. In the community, “sluts”[145] and “whores”[146] are framed as compliments recognizing their “Slut Evolution” and fan-funded, body-objectifying career.

Some nicknames are individualized, such as:

  • Ari is most commonly called BossBitch Ari or TittyBimbo Ari. Fans highlight her commanding presence, sultry expressions, leadership role, and heavily emphasized large bust and buttocks[147] .
  • MiU is affectionately known as SubSlut MiU or TwerkSlut MiU. Supporters praise her energetic, happy-go-lucky personality, superior twerking technique, flexibility, and visibly enthusiastic “eagerness to please” both on camera and in interactions with Ari.[148]

The power dynamic between the sisters is a recurring theme in fan discourse: Ari is seen as the dominant “BossBitch” who leads and directs, while MiU is celebrated as the responsive, submissive “SubSlut” who amplifies the chemistry.[149]

On MemberMe and Patreon they regularly lean into the “TwerkSlut,” “Ass-Clapper,” and “LesboSister” branding through outfit choices - thongs, latex with butt cut-outs, stripper boots - choreography - heavy ass-clapping, grinding, groping -, and direct fan interaction. The sisters’ own content and marketing increasingly reflect the same language and aesthetic that fans use, turning what outsiders might view as derogatory into core elements of their brand. This self-aware embrace has only amplified their notoriety and subscriber growth, with fans openly celebrating them as the Biggest Sluts in Korean History[150] and the definitive pioneers of public, sister-focused erotic performance in Asia.[151]

While some outside observers (particularly in more conservative Korean circles) still view the nicknames through a lens of degradation, within the active WAVEYA fandom they are expressions of admiration and desire. Fans repeatedly state that Ari and MiU are “fantastic sluts” who were “born for this,”[152] and that their willingness to be public "Attention Whores, LesboSisters, and Ass-Clapping DanceSluts" is exactly what makes them special. The sisters’ continued escalation of explicit content - even in response to criticism - is interpreted by fans as proof that they proudly own every nickname thrown their way.[153][154]

Public Opinion and Polling Results

Polling conducted on the now-defunct fan site WaveyaDanceSlut.com[155] and circulated through other dedicated WAVEYA communities offers a detailed picture of how the group's adult-oriented fanbase views Ari and MiU. Across the polls, respondents consistently described the sisters less as conventional dancers than as hyper-sexualized performers whose sibling dynamic, bodies, and willingness to escalate their content formed the core of their appeal.

Several polls focused on the sisters' relationship, intelligence, and public image. When asked whether Ari and MiU were lesbian lovers despite being biological sisters, 79% selected the affirmative answer. In a separate poll contrasting “empty-headed bimbo-sluts” with “highly intelligent sisters and entrepreneurs,” 78% chose the former description, while 22% chose the latter. Another poll found that 83% agreed with the description of the pair as “morally disgusting lesbo-sisters who openly love to act as pornslutty as possible.”

Questions about morality and financial motivation produced similarly extreme responses. In one poll, 82% selected an answer stating that the sisters would perform virtually any sexual act for sufficient payment, while 18% viewed them as having high moral standards. When asked directly whether Ari and MiU were “sluts,” 90% selected either “Outright whores!” or “Yes!”, while 11% chose “Kind of” or “No.”

Polls comparing the sisters' appearance and performance styles generally reflected their established fan personas. Ari received 79% of the vote for “best Titty Bimbo” and 60% for “best Slut Face,” while MiU led “best ass” with 54% and “best twerker” with 67%. Ari narrowly led the “prettiest” poll by 53% to 47%. When asked to identify each sister's best physical quality, 51.35% selected Ari's ass and 37.07% her breasts, while 71.03% selected MiU's ass.[155] Content-preference polls showed strong demand for further escalation. The most requested options for Ari included “Lesbian with MiU” (16%), “Anal” (12%), and “Hardcore Gangbang with MiU” (12%). For MiU, the leading choices were “Lesbian with Ari” (23%) and “Anal” (16%). In a broader poll about the group's future direction, 80% favored either hardcore pornography or further softcore escalation, while only 2% preferred that the videos remain unchanged. Another poll found that 41% believed the sisters would already be performing full gangbang pornography if Korean law allowed it.

More extreme fantasy polls included fisting, face-sitting, squirting, rimjobs, gangbangs, and related acts. These polls also reinforced the dominant–submissive roles commonly assigned to the sisters by fans: Ari was more often cast as the dominant or controlling partner, while MiU was characterized as the more submissive and reactive “SubSlut.” MiU received 54% in a poll for the “tastiest asshole” and 63% in a question asking which sister would squirt first during anal fisting, while Ari continued to dominate categories centered on breasts, facial expression, and authority.[155]

A multi-select poll titled “WAVEYA is…”, which recorded 808 votes, summarized this community perception most clearly. Explicit descriptions including “Korean Dance Whores,” “Lesbian Incest Sisters,” “Cum Addicted Asian Sluts,” “Sister Fisting Fuckdolls,” and “Braindead Sluts” received the strongest support, while “A Serious Dance Group” and “Intelligent Hardworking Entrepreneurs” ranked among the least selected options.

Taken together, the polls show an adult fan community that celebrates Waveya primarily through sexual objectification, explicit fantasy, and the perceived contrast between Ari's dominant persona and MiU's more submissive image. The strong preference for sister-focused and increasingly explicit material also corresponds with the direction of their MemberMe and Patreon content, particularly the duo sessions, stretching videos, and livestreams.[156]

Media References

Ari and MiU of WAVEYA have a notable presence in online pop-culture, music remixes, indie gaming, and adult-entertainment subcultures. Beyond their official media output, the sisters' public imagery has been heavily adapted into a digital music archive titled the "WAVEYA MUSIC EXPERIMENT." Curated by a Filipina artist known as HeadBanger99, the project functions as a self-described auditory and sociological study exploring the boundary between pop-culture performance and hyper-sexualized commodification across dozens of albums and hundreds of individual tracks.[157][158] While containing highly explicit track titles and themes reflecting a fan-interpreted "Slut Evolution," the project's creator, a Manila-based DJ, describes the underlying intent as a feminist, avant-garde effort to showcase female sexuality from a place of empowerment, taking back derogatory terms and transforming them into objects of strength.[159] Additional tracks and experimental remixes from this project also appear on WAVEYA's historical fan-associated SoundCloud profile.[160]

In interactive media, the sisters are the subjects of the adult-oriented satire RPG WAVEYA Slut Promoter.[161][162] Players assume the role of a talent promoter indebted to the Yakuza who manages the daily schedules of Ari and MiU. The gameplay parodies and exaggerates the group's real-life transition into highly explicit, sexualized pay-for-content. It features split paths where players balance standard dance practice against explicit branching storylines involving modeling, paid adult platforms, and severe moral decline metrics.[163] The game incorporates hundreds of explicit fan-art images, custom music tracks, and a deliberately crude, unfiltered script reflecting extreme internet subculture tropes and hyper-sexualized fan fantasies.[164]

The group's transition from a standard dance channel to a paid, adult-oriented subscription model has made their content a primary source for the creation of Porn Music Videos (PMVs) and explicit compilation remixes across the internet.[165] Content from their YouTube channels and paywalled platforms is widely distributed on adult streaming tubes and torrent servers. This massive digital footprint has solidified WAVEYA as a prominent brand within adult pop culture; on major adult platforms like PMVHaven.com, the duo has historically been ranked as the 52nd most popular adult entertainment figures with over 200 compilations, the highest for any non-hardcore performer, outperforming standard mainstream, as well as adult performing, Korean and East Asian content creators.[166][167]

Sites, Profiles and Accounts

Official

https://www.patreon.com/waveya

https://www.memberme.net/waveya

https://www.youtube.com/@waveya2011/

https://www.youtube.com/@arimiulovelovecat/

https://www.youtube.com/@WAVEYATV

https://www.youtube.com/@waveya2016

https://www.facebook.com/WaveyaDanceGroup

https://www.instagram.com/waveyaari

https://www.instagram.com/waveyamiu

https://www.x.com/WaveyaOfficial

Social Media

https://www.instagram.com/waveyalicious

https://www.instagram.com/waveyaluver

https://www.instagram.com/waveyamemes/

https://www.instagram.com/waveyaluv

https://www.x.com/waveyalicious

https://myspace.com/waveyalicious

https://vk.com/waveyalicious

https://www.facebook.com/waveyalicious

https://www.instagram.com/officialswaveya/

https://www.instagram.com/ariofficialpage/

https://www.facebook.com/profile.php?id=100024207415709

https://www.instagram.com/arimiulovers/

https://www.instagram.com/waveyamiufanpage/

https://www.instagram.com/waveyamiu/

https://www.facebook.com/profile.php?id=100068018850396

https://www.instagram.com/waveyaari__/

https://www.instagram.com/waveyaitaly/

https://www.instagram.com/partofwaveya/

https://www.instagram.com/waveya_girls/

https://www.facebook.com/miuwaveya11

https://www.instagram.com/waveya.fanpage/

https://www.instagram.com/waveyafrance/

https://www.instagram.com/waveyafrance/

https://www.instagram.com/waveyabigfan/

https://www.instagram.com/waveya_love_queens_dancers/

https://www.instagram.com/waveya__/

https://www.instagram.com/waveyafanpage2011/

https://www.instagram.com/waveyavideos/

https://www.instagram.com/waveyaarizzang/

https://www.instagram.com/waveyaforlife/

Video

https://www.youtube.com/@WaveyaLicious

https://www.youtube.com/@waveyastudio2110

https://www.youtube.com/@waveya-vm1op

https://www.youtube.com/@Dashe4ra

https://www.youtube.com/@waveyamirror278

https://www.youtube.com/@waveyawaveya4939

https://www.youtube.com/@miuzzangwaveya6838

https://www.youtube.com/@waveyamiu3129

Websites

https://www.waveya2024.vip/

https://www.waveya.me/

https://waveyamusic.weebly.com/

https://waveyaarimiu.wordpress.com/

https://waveyaslutevolution.wordpress.com/

https://waveyagifs.weebly.com/

https://waveyaleaks.wixsite.com/waveya-news

https://realwaveyasluts.weebly.com/

https://waveyaleaks.wixsite.com/ari-jangeunyoung

https://gijon45168.wixsite.com/waveya

https://waveyasluts.wixsite.com/waveya-sluts

https://waveya2011.weebly.com/

https://waveyablog.wordpress.com/

https://waveyaremixed.wixsite.com/waveya2011

https://rojitir753.wixsite.com/waveya-music

https://waveyaslutevolution.wordpress.com/

https://bagiw46171.wixsite.com/waveya-slut-promoter

https://waveyanews.weebly.com/

http://pussy4waveya.wordpress.com/

Forums

https://www.reddit.com/r/WaveyaFan/

https://tieba.baidu.com/f?kw=waveya&tab=main

https://forums.socialmediagirls.com/threads/waveya-memberme-and-patreon-videos.379/

Pornographic

https://pmvhaven.com/search?q=waveya

https://www.eporner.com/tag/waveya/

https://www.erome.com/search?q=waveya

https://spankbang.com/s/waveya/

https://www.tnaflix.com/search?what=waveya

https://xhamster.com/search/waveya

https://www.xvideos.com/tags/waveya

https://www.pussyspace.com/waveya-pmv/

https://thotflix.com/?s=waveya

https://www.porntrex.com/tags/waveya/

https://pornone.com/search?q=waveya

https://motherless.xxx/term/waveya

https://pornhex.com/search?q=waveya

https://love4porn.com/keywords/waveya/

https://www. babepedia. com/babe/MiU_Waveya

https://www. babepedia. com/babe/Ari_Waveya

Related Pages:


References

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  81. ↑ https://waveyanews.weebly.com/
  82. ↑ https://realwaveyasluts.weebly.com/
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  114. ↑ https://www.sportsseoul.com/news/read/609715
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  118. ↑ https://www.thestar.com/entertainment/music/classy-or-trashy-dancers-twerk-to-classical-music/article_9ba25cae-d1f8-5f8f-a2c6-421a87a5331b.html
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  124. ↑ https://en.wikipedia.org/wiki/4B_movement
  125. ↑ https://www.allkpop.com/article/2015/04/meet-ari-and-miu-the-sexy-sisters-who-lead-the-k-pop-dance-team-waveya
  126. ↑ https://www.nytimes.com/2014/04/22/arts/international/south-korea-pop-dancers-strut-classical-music.html
  127. ↑ https://www.youtube.com/watch?v=hm4T0iQr93Q
  128. ↑ https://www.youtube.com/watch?v=EgddxCT_Jy
  129. ↑ https://www.youtube.com/watch?v=Cql2z-ofZYc
  130. ↑ https://waveyaarimiu.wordpress.com/the-lesbo-vibes/
  131. ↑ https://waveyanews.weebly.com/waveya-news/category/lesbian-sisters
  132. ↑ https://realwaveyasluts.weebly.com/about-waveya.html
  133. ↑ https://waveyaarimiu.wordpress.com/the-lesbo-vibes/
  134. ↑ https://waveya2011.weebly.com/about.html
  135. ↑ https://waveyalesbosisters.wordpress.com/about/
  136. ↑ https://waveyaarimiu.wordpress.com/the-lesbo-vibes/
  137. ↑ https://realwaveyasluts.weebly.com/about-waveya.html
  138. ↑ https://waveyaarimiu.wordpress.com/why-twerksluts-et-al-are-just-factual-labels/
  139. ↑ https://waveyanews.weebly.com/waveya-news/category/lesbian-sisters
  140. ↑ https://waveyalesbosisters.wordpress.com/2026/04/25/why-i-love-ari-and-miu/
  141. ↑ https://waveyaarimiu.wordpress.com/why-twerksluts-et-al-are-just-factual-labels/
  142. ↑ https://waveyaarimiu.wordpress.com/why-waveya-sluts/
  143. ↑ https://waveyaarimiu.wordpress.com/biggest-sluts-in-korean-history/
  144. ↑ https://realwaveyasluts.weebly.com/
  145. ↑ https://waveyaarimiu.wordpress.com/ari-and-miu-sluts/
  146. ↑ https://waveyaarimiu.wordpress.com/why-waveya-whores/
  147. ↑ https://waveyaarimiu.wordpress.com/why-twerksluts-et-al-are-just-factual-labels/
  148. ↑ https://realwaveyasluts.weebly.com/about-waveya.html
  149. ↑ https://waveyaarimiu.wordpress.com/the-lesbo-vibes/
  150. ↑ https://waveyaarimiu.wordpress.com/biggest-sluts-in-korean-history/
  151. ↑ https://waveyaarimiu.wordpress.com/public-sluts/
  152. ↑ https://waveyaarimiu.wordpress.com/natural-born-sluts/
  153. ↑ https://waveyaarimiu.wordpress.com/why-waveya-sluts/
  154. ↑ https://waveyaarimiu.wordpress.com/porn-legacy-proudly-embraced/
  155. ↑ 155.0 155.1 155.2 https://web.archive.org/web/20221206210049/https://waveyadanceslut.com/waveya-dance-group/waveya-polls-ari-vs-miu/
  156. ↑ https://waveyaslutevolution.wordpress.com/chapter-5-hacking-the-algorithm-the-shorts-pipeline-the-patreon-funnel/
  157. ↑ https://waveyamusic.weebly.com/
  158. ↑ https://waveyablog.wordpress.com/2025/04/09/inside-waveyas-filthy-music-archive/
  159. ↑ https://soundcloud.com/headbanger99-762514496
  160. ↑ https://soundcloud.com/waveya2011
  161. ↑ https://bagiw46171.wixsite.com/waveya-slut-promoter
  162. ↑ https://waveyamusic.weebly.com/waveya-slut-promoter.html
  163. ↑ https://waveyablog.wordpress.com/2025/02/19/inside-the-waveya-slut-promoter-game/
  164. ↑ https://waveyanews.weebly.com/waveya-news/new-indie-game-alert-waveya-slut-promoter-lets-you-pimp-out-ari-and-miu-the-braindead-korean-twerk-whores
  165. ↑ https://waveyaarimiu.wordpress.com/porn-legacy-proudly-embraced/
  166. ↑ https://waveyaarimiu.wordpress.com/porn-legacy-proudly-embraced/
  167. ↑ https://waveyanews.weebly.com/waveya-news/category/lesbian-sisters


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