Wearable Art in Brazil
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From approximately 1960 to 1970 an artistic area emerged in the United States called Wearable Art that went beyond the concept of haute couture and of fashion, excluding as well all creators and/or stylists that are part of the large group related to attire, understood as a scholarly segment of the decorative arts.
Essentially, Art to Wear [1], or Fiber Art [2] became facing for the body ― an expressive and transforming involvement, mobile in its seduction and individualization, and one conceived to not be repeated.[3]
This requirement defined Wearable Art [4] as the architecture of an artistic language the construction and visual aspect of which was called by its Brazilian representatives Rouparte.
The paradigmatic situation that this new concept established in the value terms intrinsic to any everyday hierarchy conferred a different status on Rouparte, which became part of the work that artist Verônica Alkmim França [5]was developing in Brazil.
She created an original place in the field of art, opposed to major editorial releases, fostering interpretations that brought with them innumerable discussions between the fine line that separates design, fashion, and art, inspiring coming generations.
Although Pietro Maria Bardi has promoted initiatives related to fashion since the 1950s , it was only in 1987 that it took place, under the organization of Paradoxart, a gallery dedicated to Wearable Art in São Paulo, the first exhibition in the area at the Museu de Arte de São Paulo. [6]
Veronica thus began to establish her work in cultural institutions and cultural institutions as individual exhibitions. In 1991, she inaugurated, at the Fundação Cultural de Curitiba [7], her first exhibition Arte Vestível, later presented at the Palácio das Artes, in Belo Horizonte (1992) [8], at the Fundação Cultural Oswald de Andrade, in São Paulo (1992) [9], and at Museu Nacional do Traje, in Lisbon, Portugal (1997).
References[edit]
- ↑ American Craft Museum (1983). Art to Wear. American Craft Museum. Search this book on
- ↑ Aimone, Katherine Duncan (2002). The Fiberarts Book of Wearable Art. Asheville: Lark Books. Search this book on
- ↑ Schafler Dale, Julie (1986). Art to Wear. Abbeville Press. ISBN 9780896596641. Search this book on
- ↑ Leventon, M. (2005). Artwear, Fashion and Anti-fashion. London: Thames & Hudson. Search this book on
- ↑ Verônica Alkmim Official Website. "Verônica Alkmim França Official Website". Unknown parameter
|url-status=ignored (help) - ↑ Bonadio, Maria Claudia (27 June 2021). "Costume: an object of art?:Pietro Maria Bardi, The Wearable artand the museum outside the limits". Visualidades. 15: 163–190.
- ↑ "Exposição Arte Vestível - 1991 - Fundação Cultural de Curitiba". Unknown parameter
|url-status=ignored (help) - ↑ "Exposição Arte Vestível, 1992 - Palácio das Artes". Unknown parameter
|url-status=ignored (help) - ↑ "Exposição de Arte Vestível - 1992 - Fundação Cultural Oswald de Andrade". Unknown parameter
|url-status=ignored (help)
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