Aleesa Cohene
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| Aleesa Cohene | |
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| Born | |
| 🏳️ Nationality | Canadian |
| 🏫 Education | |
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| 🌐 Website | aleesacohene |
Aleesa Cohene (born 1976 in Vancouver) is a Canadian visual artist based in Los Angeles.
Cohene's practice explores appropriation in media arts, sculpture and scent, reflecting on broader conversations around the production and circulation of cultural material.[1] Cohene typically works with found materials, scavenging, replicating and remixing images, sounds, and objects. Their work explores the questions these practices provoke—about transgression, intervention, cultural appropriation, ownership, property, and power.[2]
Their work is part of the permanent collection of Oakville Galleries, and has been acquired by private collectors.[3]
In 2021, Cohene founded the multidisciplinary creative agency I Know You Know, which works with arts and cultural institutions, artists, scholars and culturally conscious businesses and brands. The agency works with a team of international artists and designers to produce visual identities, digital projects, publications, and environments.[4]
Education[edit]
Cohene studied at York University (Philosophy and Religion) and the Toronto Film School (Editorial).[5] They completed a fellowship at the Kunsthochschule für Medien, Cologne under the mentorship of German experimental filmmaker Matthias Müller in 2010.[6] Cohene also holds a Master’s of Visual Studies from the University of Toronto (2013).[7]
Film and Video Work[edit]
Cohene began producing video art in the early 2000s[8] and was quickly recognized for their early work with awards such as the 2004 Images Festival “Best Emerging Artist” Award and Impakt Festival’s “Most Remarkable Production” Award.[5] Working primarily in single-channel video at that time, Cohene had already developed a methodology for creating what they call “composites”— combining common gestures, expressions, emotions, and language from a variety of actors into a single character or archetype. The approach to composite characters soon evolved into multi-channel installations, with each video channel embodying a particular composite character.[9] Building from a methodologically constructed archive they have been assembling since the 2000s,[10] Cohene has become known for their expertly edited audiovisual collages, telling oblique, strongly atmospheric stories. [11]
Cohene’s work often explores queer identity, race, intimacy, capitalism,[12][13] and the ways political identities and experiences of injustice bear on human relationships.[11] In working with found footage, they often explore the narratives, emotional landscapes, and political realities that Hollywood movies obscure. [14]
Cohene’s practice also includes installations, sculptural work, scent-based art, and dance performances that are often presented in relation to their video work.[15]
Olfactory and Performance Art[edit]
Cohene describes the evolution of working with scent in their practice as a way to address embodied emotions and ideas that cannot be easily translated visually.[16]Many of their exhibition environments include scent, such as in the projects Like Like (2009), That's Why We End (2012), I Know You Know (2014), and I Don't Get It (2017). [11][17][18]
From 2013 to 2016, Cohene worked in collaboration with German dancers Jared Gradinger and Angela Schubot, producing a dance work that toured in Berlin, Mannheim, and Toronto.[19] In 2016, the group developed and presented the work at Gallery TPW, in Toronto, Canada in a residency with theorist and filmmaker Eric Cazdyn. [20]
In 2015, Cohene was invited to learn and perform Yvonne Rainer’s choreography Transmitting Trio A (1966), along with a mixed group of dance and performance artists. [21] Cohene also regularly collaborates with dancers and choreographers including Canadian choreographer Ame Henderson,[22] dancer Mairi Greig,[23] and dancers/choreographers Jared Gradinger and Angela Schubot.[20]
Exhibitions[edit]
Cohene’s projects have been widely shown across Canada, the United States, and Europe. Their work has also screened at numerous film festivals in Canada, the United States, France, Germany, the Netherlands, Sweden, Istanbul, Finland, Greece, the UK, Indonesia, and Brazil.
Solo Exhibitions[edit]
Something Better, Flatland Gallery, Utrecht, The Netherlands, 2007
Something Better, Galerie Articule, Montreal, Canada, 2008
Something Better, YYZ Artist Outlet, Toronto, Canada, 2009
Like, Like, Glasmoog Gallery, Cologne, Germany, 2010
The Rest is Real, Vtape, Toronto, Canada, 2012
Yes, Angel, Galerie Suvi Lehtinen, Berlin, Germany, 2012
Yes, Angel, Reykjavík Museum of Photography, Iceland, 2013
I Told You That Might Happen, Diaz Contemporary, Toronto, Canada, 2013
I Know You Know, Oakville Galleries, Canada, 2015
The Same Problem with Benny Nemer, Dunlop Art Gallery, Regina, Canada, 2016
I Don't Get It, Gallery 44 Centre for Contemporary Photography, Toronto, Canada, 2017
I Don't Get It, The Rooms, St. John’s, Canada, 2018
I Don't Get It, The Western Front, Vancouver, Canada, 2018
Kathy, The Shell Projects and Scotiabank Contact Photography Festival, Toronto, Canada, 2020
Group Exhibitions[edit]
Lost and Found: Querying the Archive, Kunsthalle Nikolaj, Copenhagen, Denmark, 2009
I haven't been a figment of my own imagination, SBC Gallery, Montreal, Canada, 2009
Signal + Noise Media Art Festival, VIVO Media Arts Centre, Vancouver, Canada, 2010
Seemed Like a Good Idea at the Time, Or Gallery, Vancouver, Canada, 2010
Like, Like, Preview Berlin Art Fair with Galerie Suvi Lehtinen, Germany, 2011
Liminal Work, Galerie Suvi Lehtinen, Berlin, Germany, 2011
Emotional Blackmail, Southern Alberta Art Gallery, Canada, 2011
Freedom of Assembly, Oakville Galleries, Canada, 2012
Coming After, The Power Plant, Toronto, Canada 2012
Slash: In Between the Normative and Fantasy, kim? Contemporary Art Centre, Riga, Latvia, 2015
Memories of the Future, Campbell House, Toronto, Canada, 2015
Rehearsal for Objects Lie on a Table, Justina M. Barnicke Gallery, University of Toronto, Canada, 2016
The Accursed Share, Artspeak, Vancouver, Canada, 2016
Vivre ensemble – The Connections, Foreman Art Gallery, Bishops University, Sherbrooke, Canada, 2017
Nasty, Daniel Faria Gallery, Toronto, Canada, 2017
Human Capital, MacKenzie Art Gallery, Regina, Canada, 2021
Human Capital, Contemporary Calgary, Canada, 2022
Human Capital, Confederation Centre Art Gallery, Charlottetown, Canada, 2023[5]
Awards and Honours[edit]
Cohene has been longlisted for the Sobey Art Award (Canada’s largest prize for young Canadian artists) multiple times: in 2010, 2011, and 2012.[24] They were awarded the 2012 Artist Award from the Toronto Friends of the visual Arts, and have been the recipient of multiple grants and awards from the Canada Council for the Arts and the Ontario Arts Council.[5] In 2018, they were a finalist for the Sadakichi Award for Experimental Work with Scent, The Art and Olfaction Awards.[25] They were a finalist for the 2020 Barbara Hammer Grant, an award for experimental filmmakers supported by the estate of Barbara Hammer. [26]
References[edit]
- ↑ "2020 Barbara Hammer Grant Finalist: Aleesa Cohene". www.queer-art.org. Retrieved 2022-01-29.
- ↑ Fung, Amy (2014-10-14). "Making it up as we go Along: An Interview with Aleesa Cohene". Blackflash magazine. Retrieved 2022-01-29.
- ↑ "Two,Four,Six". Mercer Union. Retrieved 2022-01-29.
- ↑ "I Know You Know". www.iknow-youknow.com. Retrieved 2022-01-29.
- ↑ 5.0 5.1 5.2 5.3 "Aleesa Cohene:cv" (PDF). www.aleesacohene.com. Retrieved 2022-01-29.
- ↑ "I Don't Get It". Gallery 44. Retrieved 2022-01-29.
- ↑ "2013 University of Toronto Graduating MVS Exhibition". University of Toronto Art Centre. Retrieved 2022-01-29.
- ↑ "Artist: Aleesa Cohene". Vtape. Retrieved 2022-01-29.
- ↑ Kashmere, Brett (Spring–Fall 2010). "'At First Cozy, Became Transgressive': An Interview with Aleesa Cohene". Incite: Journal of Experimental Media. Retrieved 2022-01-29.CS1 maint: Date format (link)
- ↑ Hoolboom, Mike. "On Artists: Aleesa Cohene". mikehoolboom.com. Retrieved 2022-01-29.
- ↑ 11.0 11.1 11.2 Moser, Gabrielle (December 4, 2014). "Synaesthetics: Aleesa Cohene Fuses the Senses". Canadian Art. Toronto: Canadian Art Foundation. Retrieved 2022-01-29.
- ↑ Zviko, Mhakayakora. "The Human Labour of Building Canadian Identity". MacKenzie Art Gallery. Retrieved 2022-01-29.
- ↑ "Coming After". The Power Plant. Retrieved 2022-01-29.
- ↑ Fung, Amy (June 26, 2018). "Hollywood, Whiteness and the Illusion of Normalcy". Canadian Art. Toronto: Canadian Art Foundation. Retrieved 2022-01-29.
- ↑ "Aleesa Cohene: I Know You Know". Oakville Galleries. Retrieved 2022-01-29.
- ↑ "Meet a Nose: Aleesa Cohene". The Institute for Art and Olfaction. Retrieved 2022-01-29.
- ↑ "Whoa (Pineapple Nails)". Art and Olfaction Awards. Retrieved 2022-01-29.
- ↑ Stevenson, Verity (June 16, 2016). "The trail-blazing Canadian artists using scent". The Toronto Star. Retrieved 2022-01-29.
- ↑ "Les Petites Morts — All My Holes Are Theirs". Sophiensaele. Retrieved 2022-02-03.
- ↑ 20.0 20.1 "All My Holes Are Theirs & Eric Cazdyn's Blindspot Machine". Gallery TPW. Retrieved 2022-02-03.
- ↑ "Transmitting Trio A". Art Gallery of Ontario. Retrieved 2022-01-29.
- ↑ "Two, Four, Six". Mast on Fig. Retrieved 2022-01-29.
- ↑ "Cohene and Ramsay: So Far, Its the Same Problem". Dunlop Art Gallery. Retrieved 2022-01-29.
- ↑ "Sobey Art Award: Past Awards". Sobey Art Award. Retrieved 2022-01-29.
- ↑ "Fifth Annual Art and Olfaction Award Winners". Art and Olfaction Awards. Retrieved 2022-01-29.
- ↑ "2020 Barbara Hammer Grant Finalist: Aleesa Cohene". queer-art.org. Retrieved 2022-01-29.
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