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Iler Melioli

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Iler Melioli (Reggio Emilia, 1949) is an Italian visual artist who’s been active since the early Eighties in the field of Neo-minimalism.

Biography[edit]

In the early Eighties, his studies of Neo-Baroque led him to an interesting cooperation with Severo Sarduy, the well-known writer and essayist linked to Roland Barthes’ circle. Through this relation, Melioli acquired the heuristic tools at the core of his artistic research, a reduction of the creative process into geometrical, anamorphic structures.

His artistic language can be ascribed to the same “resumption” of the matter and of the purity of shapes which would be defined, in 1991, as Neo-Geo (neo-geometric conceptualism)[1]. In that year, within the framework of AnniNovanta[2], Renato Barilli also labelled Melioli’s research as Neo-Minimalist, relating his work to that of many artists from New York's East Village[3] - such as Jeff Koons, Ashley Bickerton, Haim Steinbach and Peter Halley – and to other respected European artists - like John ArmlederGünther FörgStefano Arienti and Umberto Cavenago.

The main objective of that big exhibition, held at Bologna’s GAM[4], at Rimini’s Civic Museums and at Cattolica’s “Navi”, was to see the evolution of the Western artistic research with an international outlook, to mark the turning-point which it was undergoing since the mid-Eighties. As a matter of fact, the action painting, typical of Neo-expressionism, was facing the rise of a new sensitivity, a coming back to neat shapes and to an impersonal visual language intertwined to the use of raw materials from the new civilization of technology and communication.

Melioli’s artworks are indeed representative of this change of perspective. They witness a de-personalization sustained by the use of technologies from metallurgy and from automation, that is what characterizes our computerized production assets .

His language draws on numerical calculations as well as on physical and mathematical sciences, highlighting the possible relations between conceptual systems and natural phenomena. (R. Barilli)[5]

Since the early 2000s Melioli’s artistic research continued towards the development of an innovative geometrical abstraction, a visual language which aims to combine the bi-dimensionality of the painting with the three-dimensionality of the sculpture.[6]

In 2016, he presented his latest works in a personal exhibition called RES EXTENSA.

In 2014, he took part in the Biennale of Xinjiang[7], curated by Peng Feng (former curator of the Chinese pavilion at the 54th Biennale in Venice, in 2011).[8]

References[edit]

  1. Neo-geometric conceptualism on tate.org.uk
  2. Exhibition catalog on amazon.com
  3. New York East Village
  4. Now MAMbo
  5. Edoardo di Mauro, Un'altra storia 2. Arte italiana 1980-1990, exhibition catalog, Bertani&C ed., 2012
  6. From the artist's website
  7. Xinjiang Biennale
  8. "Peng Feng, aesthetics professor in Beijing - Maria Yvonne Pugliese". Maria Yvonne Pugliese (in italiano).

Sources[edit]

External links[edit]

Iler Melioli[edit]


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