Jelena Jureša
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Jelena Jureša (born 1974, Novi Sad, Yugoslavia[1]) is a multidisciplinary artist based in Ghent, Belgium.[2]
Biography[edit]
Jelena Jureša holds a PhD in arts from Ghent University, Faculty of Arts and Philosophy, and KASK & Conservatorium[3]. She is affiliated with KASK School of Arts where she is developing her project Revolt! On a Refusal to Sing—Thinking Resistance Through Music, Waste and Complicity.[4]
Work[edit]
Jelena Jureša's practice involves a long term in-depth research.[5] In her films, photography, video installations and texts, she explores issues of cultural identity, gender, memory politics and forgetting and collective violence.[6][4] Her latest experimental feature film Aphasia interweaves the history of lens-based media and its use in creating collective, national identity during and after crimes that led to colonial genocide, the Holocaust, and the mass murders during the civil war in Yugoslavia.[7][8] The film focuses on the absurdity that arises from the collective silence surrounding historical crimes and paints a portrait of the banality of evil.[8][9][10] The film was produced by ARGOS centre for audiovisual arts where it was exhibited in a solo exhibition in 2019.[11] The film premiered at the 23rd Ji.hlava IDFF in Prague where it won the main award within the First Lights section.[12] The same year, Aphasia was shown within the program of Contour Biennale in Mechelen together with a new film installation Ubundu commissioned[13] by the biennale.[14] Ubundu is a film poem inspired by the writings of W.G Sebald and his comments on the “ugliness of Belgium” as a result of emerging amnesia and the participation of all Belgians in the exploitation of Congolese resources.[15] Through the multimedia project Mira, Study for a Portrait.[16] Jureša examines the possibility of multilayer photographic and micro-narratives and construction of post-memory of a Balkan family.[17][18][19]
Books[edit]
Aphasia. Texts by Berber Bevernage, Eline Mestdagh, Branka Benčić, Barbara Matejčić, Rolf Quaghebeur, Asa Mendelsohn and Jelena Jureša. Published by Argos, KASK, MER. Borgerhoff & Lamberigts. 2019.[20] ISBN 978 94 6393 042 0[21]
Mira Study For A Portrait, Reader. Texts by Branka Benčić, Una Popović, Christel Stalpaert, Aneta Stojnić and Jelena Jureša. Published by the Museum of Contemporary Art, Belgrade[22] In collaboration with the City Galleries, Osijek, 2016. ISBN 978-86-7101-330-7[23]
Mira Study For A Portrait.[24] Fotohof edition 2014-Vol 194. Published by Fotohof. ISBN 978-3-902675-94-1[25]
What It Feels Like For A Girl. Texts by Suzana Milevska and Milanka Todić. Published by the Museum of Contemporary Art of Vojvodina, 2014. ISBN 978-86-84773-56-4 2[26]
References[edit]
- ↑ "Ji.hlava IDFF. Jelena Jureša". www.ji-hlava.com.
- ↑ "APHASIA — Jelena Jureša". KUNSTENFESTIVALDESARTS / KFDA.be.
- ↑ Juresa, Jelena (2018). It is not red, it is blood : (not blood, red) (dissertation thesis). Ghent University. hdl:1854/LU-8580521.
- ↑ 4.0 4.1 "Jelena Jureša". Manifesta 14 Prishtina.
- ↑ "Double Exposure – A collision of Past and Present Reading a Project by Jelena Jureša "MIRA, Study for a Portrait" - Branka Benčić, Jelena Jureša - Künstlerhaus Halle für Kunst & Medien". www.mottodistribution.com.
- ↑ Ramuglia, River (January 18, 2018). "Featured Member: Jelena Juresa". Unknown parameter
|url-status=ignored (help) - ↑ Juresa, Jelena; Cinel, Andrea; Drazic, Dusica; Bencic, Branka; Bevernage, Berber; Mestdagh, Eline; Matejcic, Barbara; Mendelsohn, Asa; Quaghebeur, Rolf. (2019). Aphasia. Brussels: Argos, centre for audiovisual arts. ISBN 978-94-6393-042-0. OCLC 1111901335.CS1 maint: Date and year (link) Search this book on
- ↑ 8.0 8.1 Poglajen, Tina (2019-10-30). "Review: Aphasia". Cineuropa - the best of european cinema.
- ↑ Ndakoze, Arlette-Louise (2021-01-01). "Publication: Not Fully Human - Conversation between Jelena Jureša and A.-L. Ndakoze". Not Fully Human, Not Human at All, Edited by Bettina Steinbrügge (Kunstverein in Hamburg) and Émilie Villez (KADIST), Distribution: Archive Books.
- ↑ Eilat, Galit (2020-01-01). "Who Has the Freedom to Forget?". WHAT WAS HAPPENING HERE WAS NEVER NORMAL ANYWAY / Versopolis.
- ↑ "Jelena Jureša: Aphasia". www.argosarts.org.
- ↑ "Ji.hlava IDFF - Aphasia". www.ji-hlava.com.
- ↑ "Contour 9 - Ubundu - 18 Oct - 20 Oct". www.contour9.be.
- ↑ Van Hassel, Marte (2019-10-18). "Preserving to forget?". REKTO VERSO.
- ↑ "UBUNDU (2019)". mubi.com.
- ↑ Juresa, Jelena; Kerslake, Tim; Amadori, Luis Cesar (2014). Mira, study for a portrait. ISBN 978-3-902675-94-1. OCLC 898033067. Search this book on
- ↑ Collete, M. Schmidt (2015-02-09). "Jelena Jureša: Auf der Suche nach Miras Geschichte". DER STANDARD (in Deutsch).
- ↑ Stojnić, Aneta (2014-01-01). "Mira_ correspondence". Mira: Study for a Portrait, Jelena Jureša exhibition reader.
- ↑ Stalpaert, Christel. ""The Letter", in Jelena Jureša (ed.), Mira, Study for a Portrait, Belgrade, Museum of Contemporary Art, 2016, p. 160-187. ISBN 978-86-7101-330-7". Academia.
- ↑ "Aphasia - MER". Unknown parameter
|url-status=ignored (help) - ↑ Jureša, Jelena (2019). Aphasia. MER, Argos, centre for audiovisual arts. ISBN 978-94-6393-042-0. OCLC 1111901335.CS1 maint: Date and year (link) Search this book on
- ↑ "Jelena Jureša: Mira, Study for a Portrait". Unknown parameter
|url-status=ignored (help) - ↑ Jureša, Jelena (2016). Mira, skica za portret : [Salon Muzeja savremene umetnosti, Beograd, 15. april - 12. jun 2016.] = Mira, study for a portrait : [Salon of the Museum of Contemporary Art, Belgrade, April 15 - June 12, 2016]. Museum of Contemporary Art, Belgrade. ISBN 978-86-7101-330-7. Search this book on
- ↑ "Fotohof".
- ↑ Jureša, Jelena; Kerslake, Tim (2014). Mira, study for a portrait. ISBN 978-3-902675-94-1. OCLC 898033067. Search this book on
- ↑ "Jelena Juresa : What it feels like for a girl". plus.cobiss.net.
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