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List of box office bombs (1940s)

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B[edit]

Film Year of release Notes
Bambi 1942 Bambi lost money at the box office for its first release; out of its $1.7 million budget, it only grossed back $1.64 million.[1][2] The film was released during World War II and lacked access to much of the European market.[3] Roy Disney sent a telegram to his brother Walt after the New York opening of the film that read: "Fell short of our holdover figure by $4,000. Just came from Music Hall. Unable to make any deal to stay third week ... Night business is our problem."[3] The film is now France's 24th biggest film of all time in terms of admissions with 10.7 million tickets sold.[4]
The Blue Bird 1940 The Blue Bird was Shirley Temple's first box-office flop in her six years as a child star. Audiences disliked the idea of Shirley as a nasty character needing to learn a lesson. While many of Temple's films show her character misbehaving in various ways, this is the only one to show her being truly punished. Early in the film, her brattiness earns her a reprimand from her mother. Despite being a box office flop and losing money, the film was later nominated for two Academy Awards.

C[edit]

Film Year of release Notes
Citizen Kane 1941 While a critical success, Citizen Kane failed to recoup its costs at the box office. By 1942, Citizen Kane had run its course theatrically and, apart from a few showings at big city arthouse cinemas, it largely vanished and both the film's and Orson Welles's reputation fell among American critics. In 1949 critic Richard Griffith in his overview of cinema, The Film Till Now, dismissed Citizen Kane as "... tinpot if not crackpot Freud."[5]:117–118 In the United States, it was neglected and forgotten until its revival on television in the mid-1950s. Three key events in 1956 led to its re-evaluation in the United States: first, RKO was one of the first studios to sell its library to television, and early that year Citizen Kane started to appear on television; second, the film was re-released theatrically to coincide with Welles's return to the New York stage, where he played King Lear; and third, American film critic Andrew Sarris wrote "Citizen Kane: The American Baroque" for Film Culture, and described it as "the great American film" and "the work that influenced the cinema more profoundly than any American film since Birth of a Nation."[6] Carringer considers Sarris's essay as the most important influence on the film's reputation in the US.[5]:119

D[edit]

Film Year of release Notes
Desire Me 1947 The film earned $1,451,000 in the US and Canada and $1,125,000 elsewhere but because if its huge cost recorded a loss of $2,440,000.[7][8][9]

F[edit]

Film Year of release Notes
Fantasia 1940 Fantasia was first released in theatrical roadshow engagements held in thirteen U.S. cities from November 13, 1940. While acclaimed by critics, it was unable to make a profit due to World War II cutting off distribution to the European market, the film's high production costs, and the expense of leasing theatres and installing the Fantasound equipment for the roadshow presentations. The film was subsequently reissued multiple times with its original footage and audio being deleted, modified, or restored in each version. As of 2012, Fantasia has grossed $76.4 million in domestic revenue and is the 22nd highest-grossing film of all time in the U.S. when adjusted for inflation.

I[edit]

Film Year of release Notes
It's a Wonderful Life 1946 Despite initially performing poorly at the box office because of stiff competition at the time of its release, the film has become regarded as a classic and is a staple of Christmas television around the world.[10] The film is considered one of the most loved films in American cinema and has become traditional viewing during the Christmas season. Theatrically, the film's break-even point was $6.3 million, approximately twice the production cost, a figure it never came close to achieving in its initial release. An appraisal in 2006 reported: "Although it was not the complete box office failure that today everyone believes ... it was initially a major disappointment and confirmed, at least to the studios, that Capra was no longer capable of turning out the populist features that made his films the must-see, money-making events they once were."[11] The film, which went into general release on January 7, 1947, placed 26th ($3.3 million) in box office revenues for 1947[12] (out of more than 400 features released),[13] one place ahead of another Christmas film, Miracle on 34th Street. The film was supposed to be released in January 1947, but was moved up to December 1946 to make it eligible for the 1946 Academy Awards. This move was seen as worse for the film, as 1947 did not have quite the stiff competition as 1946. If it had entered the 1947 Awards, its biggest competition would have been Miracle on 34th Street. The number one grossing movie of 1947, The Best Years of Our Lives, made $11.5 million.[12] The film recorded a loss of $525,000 at the box office for RKO.[14]

M[edit]

Film Year of release Notes
The Magnificent Ambersons 1942 The film managed to earn $1 million in rentals in the U.S. and Canada, according to Variety.[15] However it was not enough to recoup the film's cost and it recorded a loss of $620,000.[16]
Mr. Bug Goes to Town 1941 Mr. Bug Goes to Town was previewed on December 5, 1941 in advance of its scheduled Christmas release. While it was well received by critics, theater operators rejected it. Two days later, the Japanese attack on Pearl Harbor signaled America's entrance into World War II, and Paramount cancelled the Christmas release. Three weeks later, Paramount president Barney Balaban activated Max Fleischer's resignation. Paramount finally released the film in California on February 13, 1942 (February 20 in New York City).[17] In the UK, it opened during January 1942 under the name Hoppity Goes to Town. Mr. Bug was a financial disaster. Paramount reorganized Fleischer Studios as Famous Studios.[18][19] Before the film's release, Walter Lantz, Paul Terry, and Leon Schlesinger all considered producing animated feature films, but after seeing the disappointing box-office of this film and the initial failures of Walt Disney's new films Pinocchio and Fantasia (both 1940), they cancelled any potential animated feature projects. Paramount later re-released Mr. Bug as Hoppity Goes to Town (the original title is a parody of the title of the 1936 film Mr. Deeds Goes to Town.[18]). The film cost $713,511 to make, but by 1946 had only made $241,000 back, and was withdrawn from circulation.[18] Under the reissue title, Hoppity has had multiple re-releases on home video throughout the 1970s (most with inferior image quality) to its DVD release by Legend Films, in which the studio re-titled the film again to Bugville (presumably to position against Pixar's A Bug's Life).

O[edit]

Film Year of release Notes
The Ox-Bow Incident 1943 It earned $750,000 in the United States.[20]

P[edit]

Film Year of release Notes
Pinocchio 1940 Initially, Pinocchio was not a box-office success.[21] The box office returns from the film's initial release were both below Snow White's unprecedented success and below studio expectations.[22] Of the film's $2.289 million negative cost – twice the cost of Snow White – Disney only recouped $1 million by late 1940, with studio reports of the film's final original box office take varying between $1.4 million and $1.9 million.[23] Animation historian Michael Barrier notes that Pinocchio returned rentals of less than one million by September 1940, and in its first public annual report, Walt Disney Productions charged off a $1 million loss to the film. Barrier relays that a 1947 Pinocchio balance sheet listed total receipts to the studio of $1,423,046.78. This was primarily due to the fact that World War II and its aftermath had cut off the European and Asian markets overseas, and hindered the international success of Pinocchio and other Disney releases during the early and mid-1940s.[24] Joe Grant recalled Walt Disney being "very, very depressed" about Pinocchio's initial returns at the box office.[22] The distributor RKO recorded a loss of $94,000 for the film from worldwide rentals of $3,238,000.[25]

I[edit]

Film Year of release Notes
It's a Wonderful Life 1946 Despite initially performing poorly at the box office because of stiff competition at the time of its release, the film has become regarded as a classic and is a staple of Christmas television around the world.[10] The film is considered one of the most loved films in American cinema and has become traditional viewing during the Christmas season. Theatrically, the film's break-even point was $6.3 million, approximately twice the production cost, a figure it never came close to achieving in its initial release. An appraisal in 2006 reported: "Although it was not the complete box office failure that today everyone believes ... it was initially a major disappointment and confirmed, at least to the studios, that Capra was no longer capable of turning out the populist features that made his films the must-see, money-making events they once were."[11] The film, which went into general release on January 7, 1947, placed 26th ($3.3 million) in box office revenues for 1947[12] (out of more than 400 features released),[13] one place ahead of another Christmas film, Miracle on 34th Street. The film was supposed to be released in January 1947, but was moved up to December 1946 to make it eligible for the 1946 Academy Awards. This move was seen as worse for the film, as 1947 did not have quite the stiff competition as 1946. If it had entered the 1947 Awards, its biggest competition would have been Miracle on 34th Street. The number one grossing movie of 1947, The Best Years of Our Lives, made $11.5 million.[12] The film recorded a loss of $525,000 at the box office for RKO.[14]

T[edit]

Film Year of release Notes
That Lady in Ermine 1948 Although Ernst Lubitsch received sole credit as director, he died after only eight days of filming, and the project was completed by Otto Preminger.[26] The film was Lubitsch's first musical project since directing The Merry Widow for MGM in 1934. It proved to be his last film. Eight days after principal photography began, he died of a heart attack, and Otto Preminger, who had completed A Royal Scandal when Lubitsch was forced to withdraw due to illness in 1944, took over the reins. He stipulated sole screen credit should go to Lubitsch "as a mark of respect and admiration for the departed master."[27] Douglas Fairbanks Jr thought that Otto Preminger "ruined everything. No sense of humour, no fun, everything light in the... script was squeezed out... It just wrecked by [career] momentum, just wrecked it."[28]
Two-Faced Woman 1941 The film is generally regarded as a box-office bomb and an unsuccessful attempt to "Americanize" Greta Garbo in order to increase her United States fan base. By mutual agreement, Garbo's contract with MGM was terminated shortly after Two-Faced Woman was released, and it became her last film. Most sources have said that the film also did poorly at the box office. According to MGM records, it earned $875,000 in the United States and Canada, and $925,000 elsewhere, resulting in a loss of $62,000.[7] Despite the previous success of Ninotchka, audiences had difficulty accepting Garbo as a comedian. Attendance was also impacted by the Japanese attack on Pearl Harbor, which occurred three weeks before the film was released.[29] A few sources have challenged the general perception that the film was a flop, with at least one saying that it made back five times its budget. Later in 1942, Garbo's MGM contract was terminated, probably by mutual agreement. She intended to return to films after World War II, but post-war projects did not come to fruition, leaving Two-Faced Woman as her final film.

W[edit]

Film Year of release Notes
Wilson 1944 Though the film was mostly critically acclaimed[30] and won five Oscars (see below), it is also remembered for being a big financial failure at the box office. The film lost a reported $2 million for Fox.[31]

See also[edit]

References[edit]

  1. Michael, Barrier, 1999, Hollywood Cartoons, Oxford University Press, United Kingdom
  2. Variety puts the figure at $1.5 million - "101 Pix Gross in Millions" Variety 6 Jan 1943 p 58 Archived September 10, 2016, at the Wayback Machine
  3. 3.0 3.1 "Walt's Masterworks: Bambi". Disney. Archived from the original on February 28, 2007.
  4. "Top250 Tous Les Temps En France (reprises incluses)". Retrieved March 15, 2018.
  5. 5.0 5.1 Carringer, Robert L. (1985). The Making of Citizen Kane. Berkeley and Los Angeles: University of California Press. ISBN 978-0-520-20567-3. Search this book on
  6. Sarris, Andrew (1956). "Citizen Kane: The American Baroque". Film Culture, number 9.
  7. 7.0 7.1 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  8. Scott Eyman, Lion of Hollywood: The Life and Legend of Louis B. Mayer, Robson, 2005 p 398
  9. "Top Grossers of 1947", Variety, 7 January 1948 p 63
  10. 10.0 10.1 "It's a Wonderful Life". Encyclopædia Britannica. Retrieved July 15, 2012.
  11. 11.0 11.1 Eliot 2006, p. 206.
  12. 12.0 12.1 12.2 12.3 Willian 2006, p. 4.
  13. 13.0 13.1 American Film Institute Catalog of Motion Pictures (online database).
  14. 14.0 14.1 Richard Jewell & Vernon Harbin, The RKO Story. New Rochelle, New York: Arlington House, 1982. p215
  15. "101 Pix Gross in Millions". Variety. 1943-01-06. p. 58. Retrieved 2018-07-08 – via archive.org.
  16. Richard Jewell, 'RKO Film Grosses: 1931-1951', Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p45
  17. "'Mr. Bug Goes to Town' Opens at Loew's". The New York Times. 20 February 1942. Retrieved 18 January 2017.
  18. 18.0 18.1 18.2 Barrier, Michael (1999). Hollywood Cartoons. New York: Oxford University Press. Pgs. 303-305. ISBN 0-19-516729-5 Search this book on ..
  19. [https://www.washingtonpost.com/wp-dyn/content/article/2007/07/27/AR2007072700732.html Dispute From an article at the Washington Post website.
  20. Aubrey Solomon, Twentieth Century-Fox: A Corporate and Financial History Rowman & Littlefield, 2002 p 220
  21. Barrier 1999, pp. 269–73.
  22. 22.0 22.1 Thomas 1994, p. 161.
  23. Barrier 1999, pp. 318, 602.
  24. Barrier 1999, pp. 269–73, 602.
  25. "Richard B. Jewell's RKO film grosses, 1929–51: The C. J. Trevlin Ledger: A comment". Historical Journal of Film, Radio and Television, Volume 14, Issue 1, 1994.
  26. "Movies". Retrieved 15 February 2017.
  27. "Notes for 'It's a Wonderful Life'". Retrieved October 29, 2011. TCM Movie Database, 2010. Retrieved: November 8, 2010.
  28. Bawden, James; Miller, Ron (4 March 2016). Conversations with Classic Film Stars: Interviews from Hollywood's Golden Era. University Press of Kentucky. p. 103. Search this book on
  29. [1]
  30. Codevilla, Angelo (2010-07-16) America's Ruling Class Archived 2011-02-25 at the Wayback Machine The American Spectator
  31. "You Can Sell Almost Anything", Variety 20 March 1946

External links[edit]


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