Martin Höfer
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| Martin Höfer | |
|---|---|
 Martin Höfer im August 2018.jpg Martin Höfer in August 2018 | |
| Born | 25 October 1982 Sondershausen, East Germany (now Germany) |
| 🏳️ Nationality | German |
| 🏫 Education |
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| 💼 Occupation | |
| Known for | |
| Notable work |
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| Movement | Conceptual art, Media art |
| 🌐 Website | martinhoefer |
| Twitter= | |
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Martin Höfer (born 25 October 1982) is a German artist who works in conceptual and media art. In his work he explores interventions of visual art, and the relationship between performer and audience in relaation to sports and society. His research and teaching is focused on media, public communication, and technology.
Early life[edit]
Höfer was born in Sondershausen, the son of the German writer Gerald Höfer and the therapist Ute Höfer, and spent his childhood in Sondershausen and Bendeleben near the Kyffhäuser. He came into contact with art at an early age through his father. For example, in the mid-1980s his father organized the event series Das Café Pille Experiment in Sondershausen with readings, cabaret, performances and exhibitions.[1][not specific enough to verify]
Career[edit]
Starting in 1998 he and his father participated in Barbara Rossa, a pseudonym that presented as a "multimedia literary project".[2][3][4] The aim of the project is to present literary texts in multimedia form and at performances.[5]
In 2005 he began studying media art at the Academy of Fine Arts Leipzig[6][7] In the years that followed, he participated in several international residencies.[8][9][10] In 2013, he graduated with a degree in Fine Arts. In 2015, he received a six-month Artist in Residence grant funded by the Kulturstiftung des Freistaates Sachsen to participate in the International Studio & Curatorial Program (ISCP) in New York.[11]
In 2010 he created Siegen im Auftrag der Kunst (Victory on behalf of art), an artwork where the artist himself becomes the client for a racing team.[12][13] From 2014 to 2018, he created interventions with the German National Bobsled Team,[14] and in 2016, he made work in response to the basketball Bundesliga game Science City Jena against Alba Berlin.[15][16][17] In the same year, he staged a participatory performance with 7.500 fans in the Allianz Arena during the Bundesliga soccer match FC Bayern Munich against RB Leipzig.[18] In the exhibition Mythos Tour de France at the NRW-Forum Düsseldorf, he created the work The surplus self of mine promotes my triumph (Eigenblutdoping) in response to the 2017 Tour de France in Düsseldorf.[19]
In 2018, he received a European Union grant from the Thuringian Ministry of Economics at Thüringer Zentrum für Existenzgründungen und Unternehmertum (ThEx) for "innovation-based projects" promoting "artists in our pool in such a way that they rise in the ArtFacts ranking. In this way we increase the value of your works of art."[20][21] Also in 2019, he served as artistic director of ANHYDRITE — Biennale of Media Art.[22] In 2015 he curated the exhibition Inauguration — Dialektik zeitgenössischer Kunst (Inauguration - Dialectics of Contemporary Art)[23] and 2018 real unreal.[24]
Notes[edit]
- ↑ Jürgen Hauskeller: The party carousel in January 1990. In: TLStU (Hrsg.): The Peaceful Revolution in Sondershausen. Thüringer Landesbeauftragte für Stasi-Unterlagen, 2009, ISBN 978-3-932303-62-3, S. 155ff. Erfurt 2009 — Abb.: Eine der letzten gemeinsamen Aktionen des Neuen Forum in Sonderhausen „Plakate ab!“ am 24. März 1990 im Borntal. (FOTO: Michael Glaser)
- ↑ "Höfer, Gerald : Rossa, Barbara (Pseudonym)". Deutsche National Bibliothek. Retrieved 4 January 2022.
- ↑ Claudia Feger (2006), Das Vater–Sohn–Projekt Barbara Rossa. (in German), Lingua et opinio - Zeitschrift für Sprache und KommunikationCS1 maint: Unrecognized language (link)
- ↑ Ulrich Bemmann (2004), Lichtreigen 7. Altes Gut, Jena (in German), club-debil.comCS1 maint: Unrecognized language (link)
- ↑ Christian Kapke (2004), Lichtreigen Altes Gut (in German), Jena: Nonpop.deCS1 maint: Unrecognized language (link)
- ↑ Katja Schubach: „... für die Autonomie der Kunst einstehen“ GESPRÄCHE MIT KÜNSTLERN. In Martin: mass media research and new artistic strategies in public media space. ARTE FAKT Verlagsanstalt, 2013. ISBN 3-937364-40-4, S. 28–35.
- ↑ Martin Höfer: KLASSE SELICHAR at the Wayback Machine (archived 2016-01-10), www.hgb-leipzig.de/fkselichar, 11. August 2013.
- ↑ Heba Mostafa, Fatma El Zahraa, Nancy Nabil, Doha El Demerdash, Martin Höfer und Rozbeh Asmani: Hiwar Fanni – Künstlerischer Dialog (Film, 19:05 min) In: Edgar Blume und Moritz Remé (Hrsg.): Streit zwischen Wort und Bild – HIWAR FANNI Projektdokumentation, Eurient e.V., Leipzig, 2006
- ↑ Fritz Best: Orientation: A ramble in a foreign climate. In: Orientierung - Hiwar Fanni 2. Hochschule für Grafik und Buchkunst (HGB), Leipzig, Eurient e.V. sowie gefördert vom Deutschen Akademischen Austauschdienst (DAAD), 2008
- ↑ Henrik B. Andersen: A Short Note to Günther Selichar Concerning Space and Time. In: editing spaces. reconsidering the public, ger./engl. An Exhibition in the Public [Media] Space of Vilnius/Lithuania, ARTE FAKT Verlagsanstalt, 2012, ISBN 978-3-937364-51-3. S. 31–39.
- ↑ Kulturstiftung des Freistaates Sachsen: Stipendiaten 2015 at the Wayback Machine (archived 2015-07-20), www.kdfs.de/foerderung/stipendien/gefoerderte, 20. July 2015.
- ↑ Dr. Jens Kassner, Siegen im Auftrag der Kunst. LVZ Kultur, 16.07.2013
- ↑ Susanne Reinhardt: Martin Höfer „Centerfold“. In: DLF 1874 – Die Biografie der Bilder Eine Inventur der Voraussetzungen, ger./engl. FOTOHOF Edition, Salzburg, 2012, ISBN 978-3-902675-69-9, S. 11.
- ↑ Prof. Dr. Martin Hochleitner (Direktor Salzburg Museum) und Thomas Schwab (Generalsekretär Bob- und Schlittenverband Deutschland, BSD) In: Im blinden Fleck des Eiskanals, Interviewausschnitt, Februar 2016 [1]
- ↑ Dr. Erik Stephan, Direktor Kunstsammlung Jena, Radio OKJ, 10.11.2016
- ↑ Benjamin Engelhardt, Marketingmanager Science City Jena, Mitteldeutsche Zeitung, 23.09.2016
- ↑ Dr. Claudia Tittel Kunsthistorikerin Bauhaus Universität Weimar, Radio OKJ, 10.11.2016
- ↑ Hanna Schmalenbach: Höfer inszeniert auf der Tribüne. In: Münchner Merkur vom 21. Dezember 2016
- ↑ Klas Libuda: Ruhm, Schmerz und ein Beutel Eigenblut – "Mythos Tour de France" im NRW-Forum. In: Rheinische Post vom 20. Mai 2017
- ↑ Marktscheffel, Dan (2020-01-13). "Innovative Vermarktung von Kunstwerken | ThEx Mentoring" (in Deutsch). Retrieved 2021-11-28. Unknown parameter
|url-status=ignored (help) - ↑ Nominierungen für den ThEx AWARD 2019, Martin Höfer / Gerald Höfer. In: Nominiertenbroschüre ThEx AWARD 2019. Thüringer Zentrum für Existenzgründungen und Unternehmertum (ThEx), 2019. S. 37.
- ↑ Künstlerische Leitung Martin Höfer: KUNST IM CAVE CUBE – Erste Medienkunst–Biennale in der Barbarossahoehle. In: Zeitkunst, 07/08 2019
- ↑ "Inauguration — Dialektik zeitgenössischer Kunst". Archived from the original on 2016-01-25.
- ↑ "Thüringer Zentrum für Existenzgründungen und Unternehmertum (ThEx), der Thüringer Agentur für die Kreativwirtschaft (THAK) und Gesellschaft zur Förderung der Künstlerischen Avantgarde (GFKA) — Ausstellung: REAL – UNREAL". 18 October 2018.
External links[edit]
- Official website (in German)
- Literature by and about Martin Höfer in the German National Library catalogue
This article "Martin Höfer" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Martin Höfer. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.
- 1982 births
- New media artists
- Censorship in the arts
- German contemporary artists
- Hochschule für Grafik und Buchkunst Leipzig alumni
- East German artists
- People from Leipzig
- 20th-century male artists
- 21st-century male artists
- German conceptual artists
- German installation artists
- Post-conceptual artists
- German performance artists
