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Timeline of recordings with a flanging effect

From EverybodyWiki Bios & Wiki

Flanging is a time-based effects unit that occurs when two identical signals are mixed together, but with one signal time-delayed by a small and gradually changing amount, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resultant frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum.

Part of the output signal is usually fed back to the input (a re-circulating delay line), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanging sound.

A flanger is a device dedicated to creating this sound effect.

Examples of music recordings with a flanging effect include:

1950s[edit]

  • "Mammy's Boogie" (1952) by Les Paul. Paul invents the technique in his garage studio using two disk recorders, one with a variable speed control.[1][2]
  • "The Big Hurt" (1959) by Toni Fisher – first hit song with a very discernible flanging effect.[3]

1960s[edit]

1970s[edit]

1980s[edit]

1990s[edit]

2000s–2010s[edit]

References[edit]

  1. Bode, Harald (October 1984) "History of Electronic Sound Modification". Journal of the Audio Engineering Society. Vol. 32, No. 10, p. 730. (Convenience archive).
  2. Thompson, Art (1997) The Stompbox: A History of Guitar Fuzzes, Flangers, Phasers, Echoes and Wahs. Backbeat Books, p. 24. ISBN 0-87930-479-0 Search this book on .
  3. 3.0 3.1 3.2 3.3 3.4 3.5 Lacasse, Serge (2004) 'Listen to My Voice’: The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression.
  4. Brennan, Joseph. "The Usenet Guide to Beatles Recording Variations". Version 2. Retrieved on July 7, 2008.
  5. Grimshaw, Jeremy. "It's Gonna Rain, for tape". Allmusic. Retrieved on July 7, 2008.
  6. Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Anthology. Oxford University Press. p. 104. ISBN 0-19-512941-5 Search this book on .
  7. 7.0 7.1 7.2 7.3 7.4 Hodgson, Jay (2010). Understanding Records, p.142. ISBN 978-1-4411-5607-5 Search this book on ..
  8. Forte, Dan (December 2003). "Music Reviews". Vintage Guitar Magazine. Retrieved on November 14, 2007.
  9. Fairchild, Michael (1993) Axis: Bold as Love [CD liner notes]. MCA Records.
  10. Hicks, Michael (1999). Sixties Rock: Garage, Psychedelic, and Other Satisfactions. University of Illinois Press, p. 72.
  11. Cooper, Kim, Smay, David, and Austen, Jake (2001). Bubblegum Music Is the Naked Truth Feral House, p. 241 ISBN 0-922915-69-5 Search this book on .
  12. 12.0 12.1 Borthwick, Stuart & Moy, Ron (2004). Popular Music Genres: An Introduction Edinburgh University Press, p. 53 ISBN 0-7486-1745-0 Search this book on .
  13. Morten, Andy (January 2004). "Shindig! January 2004 Reviews – Part 1" ShinDig! Magazine. Retrieved on November 14, 2007.
  14. Cassidy, Jude & Shaver, Phillip R. Rough Guide to Rock. Rough Guides, p. 712
  15. 15.0 15.1 Hunter, Dave. Guitar Effects Pedals: The Practical Handbook p. 15.
  16. Bamberger, Bill (February 1999). "Strictly Personal/Mirror Man". Perfect Sound Forever. Retrieved on November 15, 2007.
  17. Rogan, Johnny (1998). The Byrds: Timeless Flight Revisited : the Sequel. Rogan House, p. 466. ISBN 0-9529540-1-X Search this book on .
  18. Hinton, Brian (1999). Handbook of Attachment: Theory, Research, and Clinical Applications. Rough Guides, p. 730. ISBN 1-84353-105-4 Search this book on .
  19. "Koetsu Urushi MC phono cartridge". Stereophile. Retrieved on 11 December 2015.
  20. Brewster, Bill & Broughton, Frank (2000). Last Night a DJ Saved My Life: The History of the Disc Jockey. Grove Press, p. 159. ISBN 0-8021-3688-5 Search this book on .
  21. Bartlett, Bruce & Bartlett, Jenny. (2008) Practical Recording Techniques, Fifth Edition. Focal Press, p. 219.
  22. Mangum, Eric (2000). 100 Superstar Guitar Sounds on a Stompbox Budget. Cherry Lane Music Company. ISBN 978-1575603421 Search this book on .. p. 94.
  23. Mix Magazine. 1999.
  24. Dias, Denny. "Katy and The Gremlin". steelydan.com.
  25. "Jeff Lynne Song Database – Electric Light Orchestra – Evil Woman song analysis". Retrieved on March 26, 2013.
  26. Cromelin, Richard (March 1976). "The Return Of The Thin White Duke". Circus.
  27. Hermann, Andy. "100 from 1977 – 2003". PopMatters. Retrieved on January 6, 2008.
  28. "Tony Visconti FAQ – Bowie". Retrieved on January 6, 2008.
  29. "Kraftwerk FAQ – Equipment" Vol. 14.2. September 23, 2007.
  30. "Back to the Batcave". Guitar & Bass Magazine UK. 2005.
  31. Ross, Michael (1998). Getting Great Guitar Sounds. Hal Leonard, p. 70. ISBN 0-7935-9140-6 Search this book on .
  32. "Inside the Synth Lab". November 1997. Sound On Sound. Retrieved on November 14, 2007.
  33. Gill, Chris (January 30, 2007). MXR EVH-117 Flanger". Guitar World. Retrieved on November 14, 2007.
  34. Mulhern, Tom (February 1983). "I'm Different". Guitar Player Magazine.
  35. Maconie, Stuart (1999). Blur: 3862 Days, The Official History. Virgin Books. ISBN 0-7535-0287-9 Search this book on .
  36. Kitts, Jeff. 1998. Guitar World Presents Nirvana and the Grunge Revolution. Hal Leonard, p. 68.
  37. Noble, Douglas J (1995). "Steve vai Interview". The Guitar Magazine Vol. 5 No. 5. Retrieved on November 14, 2007.
  38. Blink-182 (liner notes). Blink-182USGeffen. 2003. 000133612.
  39. Koroneos, George (February 18, 2006). "Morningwood: Morningwood". LiveInABungalo.com.
  40. Cleveland, Barry (September 2006). "Red Hot Chili Peppers' John Frusciante". Guitar Player. Retrieved on November 15, 2007.
  41. Zakk Wylde 2011 Ultimate Guitar Interview


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