Timothy J. Cox
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| Timothy J. Cox | |
|---|---|
| Born | Timothy John Cox November 2, 1976 Philadelphia, Pennsylvania, U.S. |
| 🏫 Education | Marietta College |
| 💼 Occupation | |
| 📆 Years active | 1999–present |
| 👩 Spouse(s) | Jamie Barlow (m. 2013) |
| 👶 Children | 1 |
Timothy J. Cox (born November 2, 1976) is an American character actor who has appeared extensively in film and theatre. He is known for his role in Socks and Cakes.[1]
Biography[edit]
Cox was born in Philadelphia, but did the majority of his growing up in Wilmington, Delaware. While still in grade school, as an excuse to get out of his Math class, Cox auditioned and won the leading role in the school play. He continued his theatrical pursuits in high school and it was during those years that he saw Jack Lemmon's performance in Days of Wine and Roses which he still credits as a major influence. After seeing that performance, Cox knew that he was an actor. He attended Marietta College and played a wide range of character roles during his four years, earning a Bachelor of Arts degree. He also joined the Epsilon Upsilon chapter of Delta Tau Delta, serving as President of the chapter during the 1996-1997 term.
Career[edit]
After graduation from college, Cox moved to New York City with the goal of being a good supporting actor in the theatre and for almost a decade, appeared almost exclusively in theatre productions, with an occasional film appearance thrown into the mix. He appeared in a number of Off-Broadway and Off-Off Broadway productions, including an acclaimed revival of William Shakespeare's Measure for Measure starring Anna Chlumsky and in the long running production of Line at the 13th Street Repertory Company.
Cox has appeared in productions of the following plays:
I Remember Mama, The Taming of The Shrew, The Playboy of the Western World, Arsenic and Old Lace, Line, Hamlet, Much Ado About Nothing, Love's Labours Lost, Measure for Measure, Picasso at the Lapin Agile, Six Degrees of Separation, The Miracle Worker, Servant of Two Masters, As You Like It, A Midsummer Nights' Dream, Run For Your Wife, The 39 Steps, Ivanov, Rounding Third, Talk Radio, Art, Misery (novel)
In 2010, Cox turned his attention to film work, with a specific focus on character / supporting roles. In a 2012 profile and interview with the actor, Robert Carey Wilson of Movie Vine said, "It's quite difficult to categorize Timothy J. Cox, except to say that he is a "scene stealer". In roles large and small, clean shaven, mustached and / or bearded, the character actor, with his stocky physique, twinkling eyes and kindly demeanor can play just about anything and has illustrated his diversity of talent in a wide variety of roles, whether on stage in the works of Shakespeare or in numerous critically acclaimed films roles".[2]
In an interview with Michael Haberfelner of (re) Search my Trash in 2019, Cox himself said "Years ago, a colleague of mine said that I was like "the 6th man" on a basketball team. Not the star player, but the clutch player who comes in for a few plays, scores a few points, makes an impact and the sits back on the bench. I've always liked that. I score my points and then I get out. I would like to think that with each film and theatre performance that I have given, I have brought something different to each role. Variety. That's the challenge — to find roles that are unique and varied. The more unique the better."[3]
In a 2013 interview with the actor, critic Jared Mobarak said, "Cox proves that acting isn't the glamorous escapade one might assume when conjuring images of starlets and celebrities on the red carpet. It's a job that takes passion, time, skill, practice, and of course blood, sweat, and tears. And it's also one he's loved, loves, and undoubtedly will love for decades more to come."[4]
In a May 2020 interview with the actor, Kirk S. Fernwood on OneFilmFan.com had this to say, "Whether as a lead or as a supporting player, Cox shines so brightly in every role I've ever seen him engage in."[5]
Cox's first success in film was the 2010 Woody Allen-esque ensemble dramedy Socks and Cakes, directed by Antonio Padovan. Cox plays misanthropic literature professor Harry Mogulevsky who still pines for his ex-wife Amanda (Kirsty Meares). The film and Cox's performance received praise. Andrew Buckner, in his review for A Word Of Dreams, said that Cox's performance was a sophisticated and outstanding enactment[6] while Graham Blake of Movie-Blogger.com said that Timothy J. Cox steals the show[7] In his review of the film, Richard Propes of The Independent Critic said that Timothy J. Cox, in particular, excels as the rather snooty yet sincere professor who still longs for his wife.[8] Jared Mobarak said that Cox adds a light touch, resembling Alan Tudyk with a perpetual look of embarrassed disgust.[9] and Kirk S. Fernwood on OneFilmFan.com said, Cox, in playing Harry, executes well here and brings both his character's own passive/aggressive stance on the group's attitudes and actions while also addressing us directly as the viewer with skeptical notions about how things will, or possibly will, unfold.[10]
That same year, Cox begin a working relationship with writer and director Sean Meehan and has since appeared in six of his films, the first, a lauded comic performances as obnoxious boss, Hamilton Rice in Over Coffee. For his performance in Over Coffee, Richard Propes of The Independent Critic said that 'Timothy J. Cox is a hoot as the boss with which virtually anyone who has ever worked in an office will identify."[11] and Jared Mobarak felt that 'Cox is having a ton of fun playing up his air of importance until a cute revelation turns his imposing figure on its head.[12] Lorenzo Lombardi of UK Film Review felt that,Over Coffee's standout performance is within the boss, Hamilton Rice, played to a tee in short but memorable screen time by short film veteran Cox. In a scene with Mr. Rice entering the office, we see him conveying his disdaining superiority over his employees, and he dominates the screen funnily.[13]
Cox's other collaborations with Meehan include The Beachcomber, You're Not Safe Here, Mallas, MA, Total Performance and Camera Test Subject. In a 2015 interview with Kirk S. Fernwood of OneFilmFan.com[14] Meehan recalled a story about Cox on the set of Total Performance, "There's a sequence towards the middle of the film where Cori (Tory Berner) is working with a new client, Walter (Cox). We jump forward about an hour, and Walter is in the middle of rehearsing the firing of his best friend. On the first take of Tim's medium close-up, he delivers this heartbreaking, profoundly honest performance, especially for such a short scene. A thought occurred to me towards the end of the take, though. I was about to give the strangest note I'd ever given an actor. I called cut, approached Tim and told him 'that take was great, but I don't think your character is as good of an actor as you are.' The best part of the whole exchange is Tim's response. He considers it for a second, then just nods and goes 'You're right. Got it.' His next take was this fantastic mixture of real trepidation and just the slightest twinge of awkwardness. His character is supposed to be in this new environment, pretending to fire a woman he's never met before, who is supposed to be playing his best friend. It's all kinds of weird, but Tim is such a nuanced performer that he made it feel real. I've worked with Tim on almost everything I've ever made, and one of the many reasons why is his ability to internalize even the strangest note and turn it into something playable and real. Every time I write something, I can't help but find a place for him in the story. He's just too good". Cox has received similar praise from other filmmakers and from film critics over the years.
Also in 2010, Cox appeared as the mysterious shrink, Dr. Orwell, in the thriller The Watchers, a performance praised by Kirk S. Fernwood of OneFilmFan.com who said that, Character actor extraordinaire Cox again brings his prowess to the screen as the very appropriately named Dr. Orwell (wink-wink, nod-nod), a psychologist invested in trying to persuade and assure his frazzled client he's not nuts via the prototypical solutions one might expect a professional shrink to offer. It's a supporting part to play here, yet the character feels completely integral to everything that's unfolding, and hence Cox's acting makes you feel that every moment he's on screen and interacting with (Jeff) Moffitt's John.[15]
In a 2016 interview with Andrew Buckner of A Word Of Dreams, Cox said he often tries to play, genuinely decent men, the kinds of guys we see every day. Not terribly extraordinary men, but men who go out there in the world every day and struggle and survive through all the madness that is thrown at them.[16]
While reviewing the 2017 film To Be Alone, The Independent Critics' Richard Propes had this to say about the actor: "I never know quite what to expect as Cox's mission in life seems to be, well, act. From outrageous and bawdy comedies to thought-provoking and emotionally resonant dramas, Cox tackles it all and continues to stretch himself."[17] Summing up Cox's career in his review of 2020's Camera Test Subject, Propes had this to say: "Cox has always had a bit of an 'ordinary joe' aura going on about him. He's comfortable playing a wide range of characters and he's not beyond going way out of his comfort zone when the script calls for it."[18]
Over the next several years, Cox continued to give acclaimed performances in films like 2011's Gunderson's and 2012's Simple Mind, where the actor was cast against type as a serial killer. In his review of the film, Jeremie Sabourin of Cinema Smack said, "it's just a given that Cox will be great in anything that he's cast in."[19] while Monica Jowett of UK Film Review felt that Cox portrays with ease the conflicted and mysterious Bob.[20]
More praise came for his performances in the comedies Greg's Guardian Angel, Choosing Sides and for his dramatic work as the obsessive Jack in What Jack Built and as the compassionate school principal in Dirty Books. Regarding Choosing Sides, Kyle Bain stated that The acting is superb. Both Cox and Jackson are tasked with being gung ho throughout the course of Choosing Sides. Their enthusiasm is expressly important in Lee Loechler's film, as the constant sarcasm and strong judgements of opposing religions shine throughout its entirety and allow the comedy to come to life. The two never relent, constantly giving one-hundred percent and slowly but surely demeaning every aspect of Catholicism and Judaism alike. Choosing Sides is filmed somewhat like an interrogation, adding another level of hilarity and meaningfulness.[21] while Eleanor Hucklesby of UK Film Review felt that Timothy J. Cox perfectly encapsulates the desperation of his character, bringing a level of frustration to the performance as well.[22] In his review of Matthew Mahler's What Jack Built Lorenzo Lomabardi of UK Film Review felt that, Cox's performance --- as being the case with most of his other turns --- is astounding. He is one of the sole driving forces of this film, and delivers a character that is both oddly compelling and thoughtfully mysterious. Cox manages to portray the character convincingly, adding incredible amounts of nuance. Jack's origins and motives make room for interpretation, which gives a lasting memory to the character too.[23] Cox shared his thoughts on Dr. Bradley in Dirty Books with Kirk S. Fernwood on OneFilmFan.com in 2020. Dr. Bradley in “Dirty Books” was interesting. He was a disciplinarian, but what I liked about him was that I think there was a part of him that admired David (Noah Lewis Bailey's character in the film) for fighting for something, something that he believed in. I think Dr. Bradley admired David's tenacity."[24]
Cox received a Best Supporting Actor in A Short Film nomination from the International Filmmaker Festival of World Cinema in London for his work as Bill, the kind suicide anonymous group leader in Here Lies Joe. Cox appears in one scene, but Bobby LiPire of Film Threat said, "his compassion for everyone in the group shines through."[25] while Graham Blake of Movie-Blogger.com deemed the performance another "ace in his acting deck".[26] Reflecting on the character, Cox said, Bill, to me, was a very gentle, sweet soul. Just a gentle sweet man. He tried to give some sense of comfort to the people in his group who are in pain.[27]
Cox continued to play character roles like the hard nosed magazine editor in Hell-Bent, an alcoholic in Gary From Accounting, a mailman who believes in magic in Mail Time, a suicidal man in Reel Hi-Tech Video and as the sinister Mickey Goldsmith in Psychic Murder, a performance praised by Richard Propes of The Independent Critic who said "Cox has become a bit of an indie master in portraying these types of dark, self-serving fellows and for his performance alone Psychic Murder is worth checking out."[28]
Cox received some of the best reviews of his career as William, a man exploring his faith while in the throes of grief, in Matthew Mahler's drama To Be Alone in 2017. Raves came from David Duprey of ThatMomentIn, "Actor Timothy J. Cox needs not a single word of dialogue to say more than most would with a script a hundred pages long."[29]; Kirk S. Fernwood of OneFimFan.com, 'Cox continues to show his prowess as a go-to character actor in his role as William, a man completely lost in a state of absolute grief and more than evidently struggling to find meaning in it all, given his reactions to hearing about faith. Even as he chooses to try and embrace faith as an outlet of solace for his pain, it only seems to further frustrate him, or perhaps shine a convicting light upon his own shortcomings and precariously hidden secrets. The further into himself he seems to then delve, the more strife and confusion he gets confronted with until the point comes when both his search for faith and his disconcerted mind come crashing together in a release of high emotion that may be both healing and incriminating. It's all so blatant in nature, yet also so overtly contained within the William's demeanor and subdued attitude through most of the film, and Cox just masters the navigation of it beautifully."[30] and Richard Propes of The Indepndent Critic, who deemed the film as an "exploration through one man's grief, loss and transition into a lonelier existence where Cox does some of his finest work to date that has been seen by this critic".[31] In her review, Rachel Pullen of UK Film Review stated, To Be Alone is without any dialogue for the majority of its running time, but Cox does a superb job of conveying his emotions throughout, we feel everything he is going through, from his connection to god, to his intense need to outrun his grief, his compelling acting skills carry this film.[32]
In 2018, Cox appeared in another acclaimed short film, Nicholas Goodwin's Beauty Queen, where the actor played the pivotal role of the sympathetic father to star Christina Gorsky. Mark Ziobro of The Movie Buff had this to say about Cox's performance, “Beauty Queen” is a good film for Cox, as it highlights his ability to play minimized roles and his contentment to fade into the background of his films and let the camera tell the story.[33] Cox himself had to say about the experience of making the film, I was drawn to the film by the quality of Nick Goodwin's script. When I read it, I was immediately taken with how honest and true the relationship between David and Christina was. And when I arrived on set and met Christina Goursky, who was marvelous in the film, we just clicked. We were father and daughter. It was very easy and relaxed .[34]
Cox also scored with his turn in the dark comedy Doll It Up, earning a Best Actor In A Comedy honor from BestActor.com for his performance a man who carries on a marriage with a blow up doll. Rebecca Cherry of Film Carnage said of the performance, Timothy J. Cox gives an almost disturbingly convincing portrayal of Gunther and yet still manages to make you have the tiniest bit of sympathy for this very creepy man.[35] while Kirk S. Ferwood of OneFilmFan.com said, "this film very much belongs exclusively to superior character actor Timothy J. Cox, once again bringing out the best in a character while showcasing his ongoing ability to simply draw you in and keep you engaged with his role as Gunther, a normal enough (seemingly!) 'everyman' who has found that his idea of 'love' has been nurtured by a sex doll for the last three years. Totally immersed in this 'marriage', he treats their 'relationship' as such, working a job, coming home in the evenings, having a quiet dinner and chat with her, and let's be frank, still aiming to–enjoy–himself with her. Yet, Gunther soon ascertains that this particular 'marriage' isn't what it used to be, and chooses with some urgency to just ditch his 'wife' and order a new one. Once he dives wholeheartedly into his new 'marriage', it becomes evident the grass is not always greener when unfaithfulness becomes a sobering and painful actuality, forcing him to charge back towards what is past to find needed comfort, but will he successfully achieve this is in question, possibly leaving him derelict and 'love'-less. Cox is simply magic here."[36]
Reflecting on the film, Cox had this to say, Gunther in “Doll It Up” was probably the most complex character that I have played recently. On paper, he is a man who is in a ”marriage” with a blow up doll, but at it's core, he is a man looking for love and companionship. He has so much love to give, but he's immersed himself so fully into this fantasy world that, sadly, he's blocked himself off from any real human interaction and my heart went out to him when I read the script. He's afraid that if he puts his heart out into the world, it's going to get stomped on so he stays in the fantasy world, where he thinks it's safe, but it isn't. I had such compassion for the man. That film was never a comedy for me.[37]
Matthew Kyle Levine's Miss Freelance was another acclaimed hit, earning Cox a Best Supporting Actor honor from BestActor.com for his performance as the heartbroken Ben. In his review of the film, Film Reviews by Robert James O'Dell said, "Standing out in the cast of male actors playing the men Carly interacts with during the week chronicled in the film is Timothy J. Cox as Ben, perhaps her boyfriend but more likely a player in another bit of role playing that Carly seems to participate in with her clients. Cox gives a nice edge to the character in one of his best dramatic performances using low key approach for optimum effect."[38]while Bobby LePire of Film Threat said, "Timothy J. Cox ably goes from despondent to apprehensive possession in just a few lines of dialogue. The turn works wonderfully, and he is still able to sell how much he cares for Carly all at the same time."[39]
In 2020, Cox received acclaim for his performances in the films The Jungle of Accounting and Camera Test Subject, another collaboration with Sean Meehan. Regarding The Jungle Of Accounting, Graham Blake of Movie-Blogger.com praised the cast in the film and said, "Cox in particular steals every scene he is involved in."[40]
In a September 2020 interview with Graham Blake of Movie-Blogger.com, Cox recounted his experiences making the film, That was a joyous experience. Chase (Pearson) was great to work with. He created such a warm and relaxed set where the actors could play and have fun. The role of Charles was a blast to play; a genuinely decent man. A bit clueless, yes, but a genuinely decent man.[41]
In his review of Sean Meehan's Camera Test Subject, Jeremie Sabourin of CinemaSmack.com had this to say: "'Of course, what really sells Camera Test Subject is its wonderful performance solely from Timothy J. Cox. We've praised the actor numerous times on this site and his work on this film really demonstrates his range and talent. While we do hear Cox's voice during the character's voiceover, it's really the facials that give life to this character. Even if you'd strip away the voiceover, to which Cox also gives a believably annoyed, bored, paranoid, and even creepily satisfied performance given the character's mood at the time, the actor's face tells most of the story. Cox has an electricity onscreen and brings an energy to what must've been a challenging character to portray in the span of three minutes."[42]
Remarking on his experiences working with Meehan, Cox had this to say, I'm happiest when I am working with Sean, because it doesn't feel like work. Sean has such energy and enthusiasm and that energy and enthusiasm rubs off on you and the ideas just flow. We work really well together and have the same sensibilities about film. I respect the heck out of him and trust his judgement and guidance. We laugh a lot too and that keeps things relaxed and cool.[43]
In June of 2021, the short film Paul Laurence Dunbar: An American Poet, was released to critical acclaim. The film, written and directed by Kane Stratton, is about a contentious conversation between the famous poet (played by A. Slate) and the mayor of Dayton, Ohio, Charles D. Snyder (played by Cox) in 1903 at Dunbar's mother's home (the film is actually shot in the Dunbar home, located in Dayton.) The topic of conversation ultimately focuses on Dunbar and keeping his hat on during the national anthem at a Fourth of July celebration. This leads to tension between Dunbar and the Mayor.
Film Threat praised the film, stating that there is enough drama, insight, and enlightenment to fill one's intellectual capacity for knowledge and understanding for days and weeks to come.[44]
Regarding Cox's performance, Richard Propes of The Independent Critic had this to say,Timothy J. Cox finds the subtle nuances of Mayor Snyder and chases them down and refuses to turn him into an easy caricature. There is a human within this man, though it's a human who carries within human both institutional responsibility and years of training and privilege. Cox, as usual, gives a strong performance.[45]
Kirk S. Fernwood on OneFilmFan.com had this to say,How many times will this critic need to bring it up–well, ok, it's going to happen again regardless, so–that I consistently find anticipation and the soon-to-follow accompanying joy through witnessing any performance by Cox, arguably one of the most prominent, hard-working indie character actors in the community. As you might guess, this effort is no exception to the rule, as Cox once more brings his very distinctive acting style and always-engaging presence to his role as Mayor Charles D. Snyder, the “reigning” governing body for the city of Dayton whose notions and nervousness about allowing Dunbar to do more than just entertain at a local holiday event is more than tainted with his own self-interests and related concerns. Yet, in the course of a heated discussion with Dunbar, it seems they reach an impasse until Dunbar surprises Snyder and moves him in a manner not foreseen by the politico. The ensuing interactions become amazingly cordial and filled with a spark of hope that common and equitable ground can be found. Cox just embodies the deeply varied detached/stubborn then genuinely heartening emotional variances the character exudes, done so with Cox's trademark bravado whether muted or exploding.[46]
In October of 2021, Cox released the short film Live Health, a film that he wrote and co-directed with his wife Jamie, who also served as cinematographer and editor. The film follows a day in the life of therapist Dr. Peter Marcus (played by Cox) who, due to the pandemic, now conducts sessions with his patients online. Cox rounded up a cast of friends and colleagues (Bob Rutan, Matthew Harris, Nancy Kellogg Gray, Becca Robinson and Heidi Swarthout) to play his patients and even had his frequent collaborator Matthew Mahler compose the music for the film. The film was warmly received with Richard Propes of The Independent Critic praising the film and Cox's performance,The stories that unfold here are believable in how they manifest, from unresolved issues around sexual abuse to parenting a child whose choices you simply can't seem to fathom. All four stories are compelling and come through as emotionally honest. As Dr. Marcus, Cox seems particularly muted in a realistic way that lets us know the pandemic has had an influence on him and he's caught somewhere between burnout and his own sense of isolation. You can't help but wonder if he has his own therapist and, if not, you can't help but wish he'd get one.[47]
Kirk S. Fernwood of OneFilmFan.com heaped praise as well.What amazes me at this point is that this short is the thirty-sixth (!!) film I have had the opportunity to screen and review that's involved the incredibly prolific, always entertaining, forever multi-faceted, immensely talented character actor Cox, who has more than effectively proven he can cover, basically, ANY kind of role thrown his way. Here is, not at ALL surprisingly, no exception to this ongoing rule as the actor's dramatic chops are flexed with his trademark use-of-understated-delivery-that-leaves-an-impression style via the role of Dr. Marcus, a therapist facing the persistent obstacle of COVID-19 in having to try and be a force for good to clients over the computer screen instead of in person. Even as we see his client sessions unfold, it becomes more and more evident the substantially palpable burden he feels while listening to them, their plights, and consequences of actions taken he suggested is now overwhelming, even detrimental, to his own sense of purpose. Having potentially reached a breaking point, it's a choice that must be made to assuage his inner battle. Throughout, I simply relish the fact that Cox brings about such a firmly grounded yet so blatantly poignant depiction of the sheer amount of responsibility, anxiety, questioning, and need for release the character is feeling, and the ability TO bring this to bear without being conspicuously melodramatic has always been a strength the actor possesses, and it is showcased fantastically here from start to finish. It is part of an ongoing consistency Cox presents in his films, a complete credit to his abilities that still continue to expand.[48]
Speaking with Graham Blake of Movie-Blogger.com in 2020, Cox had this to say about his life and work,This work is still fun and adventurous. It can be painful as well; there are places, dark places we, as actors, have to go to sometimes. You truly give your life to this work. If you give your life to it, hopefully, you'll discover a lot about yourself along the way. That's how I've always approached it. I consider myself a student at this whole thing, so each time I step onto a film set or on to a stage, it's like going to school. I get to play and pretend, step inside someone else's shoes and walk around for a little while. I still get fulfillment from that.[49]
Also in 2021, Cox re-teamed with Matthew Mahler for the horror film, Protanopia.
At the start of 2022, he lent his voice to Matthew Kyle Levine's short Henry.
Filmography[edit]
| Year | Title | Role | Notes |
|---|---|---|---|
| 2002 | It's All About Morisco | William Jefferson Clinton | |
| 2004 | Augustus Carlson: A Man Of Action, Never Words | Augustus Carlson | Short film |
| 2006 | Dante One Shot | Yeats | Short film |
| 2006 | The Offer | Klaus Niemand | Short film |
| 2007 | Why I Fired My Secretary | Bill Withers | Short film |
| 2008 | Yeah, Love | Dad | |
| 2009 | Heart Shaped Box | Chris | Short film |
| 2009 | Overcrowded | Allen Smith | |
| 2010 | Socks and Cakes | Harry Mogulevsky | Short film |
| 2010 | Over Coffee | Hamilton Rice | Short film |
| 2010 | The Beachcomber | Terry Barnes | Short film |
| 2010 | The Watchers | Dr. Orwell | |
| 2010 | Jack Jimminy: The Story Of A Pornstar Extra | Richard Jimminy | |
| 2011 | The Misogynist | W.D. Frost | Short film |
| 2011 | Terry Kendall and Orange Green | Orange Green | Short film |
| 2011 | Argyle | Principal Cox | |
| 2011 | Gunderson's | Principal Cox | |
| 2012 | Linda LeThorn & the Musicbox | Purple Green | Short film |
| 2012 | Simple Mind | Bob | Short film |
| 2012 | You're Not Safe Here | Terry Barnes | Short film |
| 2013 | Trouble | Headmaster | Short film |
| 2013 | We Just Want To Play | Richard Dickerman | |
| 2013 | Greg's Guardian Angel | Elliott Schmaven | Short film |
| 2013 | Dark Romance | Tim Cooper | Short film |
| 2013 | Mallas, MA | Brian Higgins | Short film |
| 2013 | Choosing Sides | Peter | Short film |
| 2013 | It's Not You | Father | Short film |
| 2013 | Transience | George | Short film |
| 2013 | Sky's The Limit | Jason | Short film |
| 2014 | That Terrible Jazz | Mickey | Short film |
| 2015 | What Jack Built | Jack | |
| 2015 | Total Performance | Walter Baron | |
| 2016 | Here Lies Joe | Bill | |
| 2016 | Monday | Harold | Short film |
| 2016 | Dirty Books | Dr. Bradley | |
| 2016 | Hell-Bent | Mr. Bowers | Short film |
| 2016 | Gary From Accounting | Nathan | Short film |
| 2016 | Mail Time | Ted | Short film |
| 2017 | Who Is Elmore Dean? | Elmore Dean | Short film |
| 2017 | Reel Hi-Tech Video | Albert Hesscheck | |
| 2017 | Psychic Murder | Mickey Goldsmith | |
| 2017 | To Be Alone | William | |
| 2017 | Night Job | Mr. Jones | |
| 2017 | Solutions | James Cross | |
| 2018 | The Birthday Rat | Dad | Short film |
| 2018 | Beauty Queen | David | |
| 2018 | Doll It Up | Gunther | Short film |
| 2018 | Simon's Quest | Pat | |
| 2018 | Italian Turtles | John Handy | |
| 2019 | Just Scream | Carl Peterson | Short film |
| 2019 | Miss Freelance | Ben | |
| 2019 | Vera | Jack | Short film |
| 2019 | Denial | John | Short film |
| 2019 | Incognita | Professor Phillips | Short film |
| 2020 | Rooftops | Robert | Short film |
| 2020 | Camera Test Subject | Test Subject | Short film |
| 2020 | The Jungle of Accounting | Charles Bailey (Younger) | |
| 2021 | Paul Laurence Dunbar: An American Poet | Mayor Charles D. Snyder | Short film |
| 2021 | Live Health | Dr. Peter Marcus | Short film (Also producer, writer and director) |
| 2022 | Henry | Henry's Father | Short film |
| 2022 | Ready Cash | Isaiah | (Currently in post production) |
| 2022 | Protanopia | Alan Roscoe, Jr. | (Currently in post production) |
| 2022 | Spelunca | Dr. Kruger | (Currently in post production) |
| 2023 | Breeding | Sheriff Bill Connor | (Currently in pre-production) |
| 2023 | Shadows Over Sulphur Falls | Mr. Hayes | (Currently in pre-production) |
| 2023 | The Girl In The Mask | Commissioner James W. Gordon | (4 part series, currently in production) |
References[edit]
- ↑ "Timothy J. Cox's Theatre Credits and Profile". abouttheartists.com.
- ↑ "Interview With Timothy J. Cox". movievine.com.
- ↑ "An Interview With Timothy J. Cox, Actor". searchmytrash.com.
- ↑ "INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more". jaredmobarak.com.
- ↑ "In Their Own Words: 5 Years & 5 Favorite Films With Actor Timothy J. Cox". onefilmfan.com.
- ↑ "Socks and Cakes Review". awordofdreams.com. 6 March 2016.
- ↑ "Socks and Cakes Film Review". movie-blogger.com. 4 July 2016.
- ↑ "Socks and Cakes Review". theindependentcritic.com.
- ↑ "Socks and Cakes Review". jaredmobarak.com.
- ↑ "Socks and Cakes Review". onefilmfan.com.
- ↑ "Over Coffee Review". theindependentcritic.com.
- ↑ "Over Coffee Review". jaredmobarak.com.
- ↑ {{cite web |url=https://www.ukfilmreview.co.uk/post/over-coffee-short-film-review%7Ctitle=Over Coffee Review|publisher=ukfilmreview.co.uk|
- ↑ "In Their Own Words: Writer/Producer/Director Sean Meehan of 'Total Performance'". onefilmfan.com.
- ↑ "The Watchers Review". onefilmfan.com.
- ↑ "An Interview With Actor Timothy J. Cox". awordofdreams.com. 12 June 2016.
- ↑ "'To Be Alone' a Moving Glimpse at Grief, Loss and Being Alone". theindependentcritic.com.
- ↑ "'Camera Test Subject' an Engaging Short Film". theindependentcritic.com.
- ↑ "Simple Mind Review". cinemasmack.com. 7 December 2018.
- ↑ {{cite web |url=https://www.ukfilmreview.co.uk/post/simple-mind-short-film-review%7Ctitle=Simple Mind Review|publisher=ukfilmreview.co.uk|
- ↑ {{cite web |url=https://baintrain08.wixsite.com/bainsfilmreviews/post/choosing-sides-2013%7Ctitle=Choosing Sides Review|publisher=baintrain.wixsite.com|
- ↑ {{cite web |url=https://www.ukfilmreview.co.uk/post/choosing-sides-short-film%7Ctitle=Choosing Sides Review|publisher=ukfilmreview.co.uk|
- ↑ {{cite web |url=https://www.ukfilmreview.co.uk/post/what-jack-built-short-film%7Ctitle=What Jack Built Review|publisher=ukfilmreview.co.uk|
- ↑ "In Their Own Words: 5 Years & 5 Favorite Films With Actor Timothy J. Cox". onefilmfan.com. 7 May 2020.
- ↑ "Here Lies Joe Review". filmthreat.com. 17 October 2019.
- ↑ "Here Lies Joe Review". movie-blogger.com. 15 March 2016.
- ↑ "In Their Own Words: 5 Years & 5 Favorite Films With Actor Timothy J. Cox". onefilmfan.com. 7 May 2020.
- ↑ "Psychic Murder Allows Timothy J. Cox To Shine". theindependentcritic.com.
- ↑ "To Be Alone Review". thatmomentin.com.
- ↑ "To Be Alone Review". onefilmfan.com.
- ↑ "'To Be Alone' a Moving Glimpse at Grief, Loss and Being Alone". theindependentcritic.com.
- ↑ {{cite web |url=https://www.ukfilmreview.co.uk/post/to-be-alone-short-film%7Ctitle=To Be Alone Review|publisher=ukfilmreview.co.uk|
- ↑ "Exclusive Interview: Stage and Screen Actor Timothy Cox on His Diverse Roles". themoviebuff.net. 1 January 2019.
- ↑ "Exclusive Interview: Stage and Screen Actor Timothy Cox on His Diverse Roles". themoviebuff.net. 1 January 2019.
- ↑ "Doll It Up Review". filmcarnage.com. 18 April 2020.
- ↑ "Doll It Up Review". onefilmfan.com.
- ↑ "In Their Own Words: 5 Years & 5 Favorite Films With Actor Timothy J. Cox". onefilmfan.com. 7 May 2020.
- ↑ "Miss Freelance Review" – via Facebook.
- ↑ "Miss Freelance Review". filmthreat.com. 24 November 2019.
- ↑ "The Jungle Of Accounting Review". movie-blogger.com.
- ↑ "An Interview With Actor Timothy J. Cox". movie-blogger.com. 15 September 2020.
- ↑ "Camera Test Subject Review". cinemasmack.com. 30 September 2020.
- ↑ "An Interview With Actor Timothy J. Cox". movie-blogger.com. 15 September 2020.
- ↑ "Paul Laurence Dunbar: An American Poet Review". filmthreat.com. 21 August 2021.
- ↑ ""Paul Laurence Dunbar: An American Poet" Engages, Stimulates". theindependentcritic.com. 20 June 2021.
- ↑ "Paul Laurence Dunbar: An American Poet Review". onefilmfan.com. 8 July 2021.
- ↑ ""Live Health" a Meaningful, Pandemic-Tinged Short". theindependentcritic.com. 15 October 2021.
- ↑ "Live Health Review". onefilmfan.com. 12 January 2022.
- ↑ "An Interview With Actor Timothy J. Cox". movie-blogger.com. 15 September 2020.
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