Anamodernism
Anamodernism is the philosophical movement of 21st century occupied with the questions of contemporaneity and modernity of after-post-modernity in art accompanied with new generational decadence, languid action and theoretical absurdity.
Anamodernity asserts to constant actuality of now in art and possibility of free non-tagged ingenious act in every art.[1] The main artistic techniques of anamodernism are: generative art, generated text, conceptual act, anagram literature, interactive art, lateral act, underperformance, de-abstraction, linguistic and nominalism, algorithmic art, scam writing, glitch.
Contextualization[edit]
In the new, anamodernist tendencies, the contextualization of art, the contextualization of acts and processes, the tendency that emerged in performance and interactive art (eg, active performance then participatory performance) its reliable affirmation found in relational art, which has transformed this multi-ferential, in collaboration with installation, instructional art, place art, public media art, into one complex relationship. Development of art, out-institutional, out-of-place, transitive, non-conformist, or in the example of an adversive act of non exhibit, a non-arbitrated act, a parallel and a counter-act, an out-exhibit that can only derive its meaning from a non-exhibit, non-event, event, etc. Work exists as action, idea, attitude, concept, pre-concept, pre-context.
However, each act is inventive. Instead of the system of concepts, the concept of systems is set. Art does not devalue any art movement, but it is the interpretation of one of many possible art systems. This implies the question of continuity. There are those who think the avant-garde is a historic category that has now been superseded, and those thinking that the avant-garde is still very much an unfinished project.
Poly-lateral synthesis[edit]
Basically, modernism is a binary reaction, and post-modernism is a poly reaction. The theories are bilateral and multilateral controversies. Instead of ejections, it is necessary to talk about synthesis, it is necessary to introduce poly-lateral synthesis at the place of bilateral ones. Let's not forget the arts are the system, and as such they are multifaceted relations. Anamodernism insists on a polyvalent synthesis of -isms, more precisely in their introduction into a system of values, which as elements can be used and revalidated. The value of the system is reflected in its contribution to the overall system as new possibilities for modernity, and hence to the individual system. Functional art, science art, functional concept, art only performs the function affected to perform the function of exposure, zero art, art that is reduced to the minimum, with the convergence of art without art, for example, exhibit with just one act in order to distinguish it from non-art, art without art.
Neofluxus, neodada, stuckism, experiment art, are noncontinuous, usable concepts. The avant-garde is a connotation, every act here is a connotative value.
Conceptual art has made quite progression from Malevich’s White on White canvas (1916) to Luba’s Blank Canvas (2019), and non-tangible objectivity.
Anamodernity is an act of reality, a real paradigm, an act-concept, not a pre-concept.
Figurative and fine art[edit]
In non-figurative art, the emergence of non-exhibits occurs with the simultaneous revalidation of the boundary between figurative and fine art. The non-object of new conceptual art brings to the fore the problem of the medium. The medium does not have to exist as such in order for art to exist. What is more, the achievement of the new conceptual art informs us that the art of media exists without media as such. The medium is, therefore, a modality, a position, a human perception. Media is a concept and art is modal, yes, but since the new art of the 21st century, it seems that the activity or viewpoint of the artist is more important than the means or action (final product).
The design applies equally to the usable and interpretation. The purpose of the object is not as important as the value or interaction. Design is the concept of the object, the concept of activity. Design is the art of the object. Object is understood here in the strict sense, as a sculptural element, even as a sculptural act, product, object, found object, consumable good, used product, conceptual object, non-object, para-object, non-exhibit, underart, imaginative form, non-art , declarative art. [2]
Transgressive theatre[edit]
Anamodernism is expressed through conceptual act and transgressive theatre plays of V. Kuzmanovic as Apollo, 50 Conceptual Plays.
Works[edit]
- Anamodernité est Metropologisme (Série Nominalisme), Roman-poème-dictionnaire anamoderniste, Éditions Muse, 2020.
See also[edit]
References[edit]
- ↑ Kuzmanović, V. Alluring Anamodernist Action, Idea, Attitude, Pre-concept, Concept, Form and Medium. 2020, 1-17. DOI: 10.13140/RG.2.2.25331.55840. Retrieved 14 November 2020.
- ↑ Fricke S.; Klar A.; Maske S. Fluxus at 50. Kerber Verlag: Berlin, Germany, 2012. Retrieved 14 November 2020.
This article "Anamodernism" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:Anamodernism. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.
