Guru Dutt

Guru Dutt
File:Guru Dutt dans Mr and Mrs 55 (1955).jpgGuru Dutt dans Mr and Mrs 55 (1955).jpg Guru Dutt dans Mr and Mrs 55 (1955).jpg Dutt in Mr. & Mrs. '55
Born	Vasanth Kumar Shivashankar Padukone (1925-07-09)9 July 1925 Padukone, South Canara, Madras Presidency, British India (present-day Udupi District, Karnataka, India)
💀Died	10 October 1964(1964-10-10) (aged 39) Bombay, Maharashtra, India (present-day Mumbai)10 October 1964(1964-10-10) (aged 39)
🏳️ Nationality	British Indian (1925–1947) Indian (1947–1964)
💼 Occupation	Actor, Film Producer, Film Director, Choreographer
📆 Years active	1944–1964
Notable work	Sahib Bibi Aur Ghulam, Kaagaz Ke Phool, Pyaasa, Chaudhvin Ka Chand
👩 Spouse(s)	Geeta Dutt (m. 1953; his death 1964)
👶 Children	3
👪 Relatives	Lalita Lajmi (sister)

Vasanth Kumar Shivashankar Padukone (9 July 1925 – 10 October 1964), better known as Guru Dutt, was an Indian film director, producer and actor. He made 1950s and 1960s classics such as Pyaasa, Kaagaz Ke Phool, Sahib Bibi Aur Ghulam and Chaudhvin Ka Chand. In particular, Pyaasa and Kaagaz Ke Phool have been included among the greatest films of all time, Pyaasa by Time magazine's "All-TIME" 100 best movies list and by the 2002 Sight & Sound critics' and directors' poll, where Dutt himself is included among the greatest film directors of all time.

In 2010, he was included among CNN's "top 25 Asian actors of all time".

He is most famous for making lyrical and artistic films within the context of popular Hindi cinema of the 1950s, and expanding its commercial conventions, starting with his 1957 film Pyaasa. Several of his later works have a cult following. His movies attract full houses when re-released; especially in Germany, France and Japan.

Early life and background

Guru Dutt was born on 9 July 1925, in Padukone in the present-day state of Karnataka in India into a Konkani Hindu family. He was originally named Vasanth Kumar Shivashankar Padukone but this was changed to Guru Dutt following a childhood accident, the belief being that it was an auspicious choice. His parents were originally settled in Karwar but relocated. Dutt spent his early childhood in Bhowanipore, Kolkata. He spoke fluent Bengali. His sister Lalita Lajmi is a famous Indian painter. His niece Kalpana Lajmi was also a well known Indian film director, producer and screenwriter.

Career

Early career

Dutt wired home to say he had got the job of a telephone operator at a Lever Brothers factory in Calcutta. But soon he got disenchanted by the job and left it. He later joined his parents in Bombay in 1944.

However, his uncle found him a job under a three-year contract with the Prabhat Film Company in Pune in 1944. This once premier film producing centre had already seen the departure of its best talent, V. Shantaram, who had by then launched his own production company called Rajkamal Kala Mandir. It was at Prabhat Film Company that Dutt met two people who would remain his good friends for life – actors Rehman and Dev Anand.

Dutt acted in a small role as Sri Krishna in Chand in 1944. In 1945, he acted as well as assisted director Vishram Bedekar in Lakhrani, and in 1946 he worked as an assistant director and choreographed dances for P. L. Santoshi's film, Hum Ek Hain.

This contract ended in 1947, but Dutt's mother got him a job as a freelance assistant with Baburao Pai, the CEO of the Prabhat Film Company and Studio. However, after that, for almost ten months, he was unemployed and stayed with his family at Matunga in Bombay. During this time, Dutt developed a flair for writing in English, and wrote short stories for The Illustrated Weekly of India, a local weekly English magazine.

Choreographer, actor and assistant director

While Dutt was hired by Prabhat Film Company as a choreographer, he was pressed into service as an actor, and even as an assistant director. After Prabhat failed in 1947, Dutt moved to Bombay, where he worked with two leading directors of the time, with Amiya Chakravarty in Girls' School, and with Gyan Mukherjee in the Bombay Talkies film Sangram. Then, Dev Anand offered him a job as a director in his new company, Navketan, after the first movie had flopped.

Dutt's first film, Navketan's Baazi, was released in 1951. It was a tribute to the 1940s film noir genre of Hollywood with the morally ambiguous hero, the transgressing siren, and shadow lighting.

Dev Anand and Dutt had reached an agreement that if Dutt were to turn filmmaker, he would hire Anand as his hero, and if Anand were to produce a film then he would use Dutt as its director. Anand subsequently used Dutt in his movie Baazi, while Dutt employed Anand in C.I.D.. After Dutt's death, Anand said that "He was a young man, he should not have made depressing pictures."

Dutt and Anand would make two super-hit films together, Baazi, and Jaal. Creative differences between Dutt, and Chetan Anand (Anand's elder brother), who was also a director, made future collaborations difficult.

As director

Baazi was an immediate success. Dutt followed it with Jaal and Baaz. Neither film did well at the box office, but they brought together the Guru Dutt team that performed so brilliantly in subsequent films. He discovered, and mentored, Johnny Walker (comedian), V.K. Murthy (cinematographer), and Abrar Alvi (writer-director), among others. He is also credited for introducing Waheeda Rehman to the Hindi cinema. Baaz was notable in that Dutt both directed and starred, not having found a suitable actor for the principal character.

Fortune smiled on Dutt's next film, the 1954 blockbuster Aar Paar. This was followed by the 1955 hit, Mr. & Mrs. '55, then C.I.D., Sailaab and in 1957, Pyaasa – the story of a poet, rejected by an uncaring world, who achieves success only after his apparent death. Dutt played the lead role in three of these five films.

His 1959 Kaagaz Ke Phool was an intense disappointment. He had invested a great deal of love, money, and energy in this film, which was a self-absorbed tale of a famous director (played by Guru Dutt) who falls in love with an actress (played by Waheeda Rehman, Dutt's real-life love interest). Kaagaz Ke Phool failed at the box office and Dutt was devastated. All subsequent films from his studio were, thereafter, officially headed by other directors since Dutt felt that his name was anathema to the box office.

Dutt also influenced his box office smash hit Chaudhvin Ka Chand. A Muslim love-triangle, the film starred Guru Dutt alongside Waheeda Rehman and Rehman. The film was directed by M. Sadiq and had its title track "Chaudhvin Ka Chand Ho" in a special colour sequence. This is the only time one can see Guru Dutt in colour.

Sahib Bibi Aur Ghulam, a critically and commercially successful film, was directed by his protégé, writer Abrar Alvi, which won him the Filmfare Best Director's award. The film starred Tragedy Queen Meena Kumari and Guru Dutt along with Rehman and Waheeda Rehman in supporting roles. The film's star, Waheeda Rehman, denied rumours that the film was ghost-directed by Dutt himself.

Last productions

In 1964, Dutt acted in his last film Sanjh Aur Savera, directed by Hrishikesh Mukherjee, opposite Meena Kumari. Baharen Phir Bhi Aayengi was the last film he was working on at the time of his death. He was replaced as the lead by Dharmendra and the film released in 1966 as his team's last production.

Death

On 10 October 1964, Dutt was found dead in his bed in his rented apartment at Pedder Road in Bombay. He is said to have been mixing alcohol and sleeping pills. His death may have been suicide, or just an accidental overdose. It would have been his third suicide attempt.

Dutt's son, Arun Dutt, considered the death to be an accident. Dutt had scheduled appointments for the next day with actress Mala Sinha and actor Raj Kapoor for his movie Baharen Phir Bhi Aayengi, to discuss the making of colour films. According to him, "My father had sleeping disorders and popped sleeping pills like any other person. That day he was drunk and had taken an overdose of pills, which culminated in his death. It was a lethal combination of excessive liquor and sleeping pills."

At the time of his death, Dutt was involved in two other projects – Picnic starring actress Sadhana, and director K. Asif's epic, Love and God. Picnic remained incomplete and Love and God was released two decades later with Sanjeev Kumar replacing Dutt in the leading role.

The extra-feature on the DVD of Kaagaz Ke Phool has a three-part Channel 4-produced documentary on the life and works of Dutt titled In Search of Guru Dutt.

A Doordarshan documentary on Dutt aired on 10 October 2011.

Personal life

In 1953, Dutt married Geeta Roy Chaudhary, later Geeta Dutt, a well-known playback singer. They had been engaged for three years and had to overcome a great deal of family opposition to marry. They had three children, Tarun, Arun and Nina, who grew up in the homes of Dutt's brother Atma Ram and Geeta Dutt's brother Mukul Roy after their parents died.

Dutt had an unhappy marital life. According to his brother Atmaram, he was "a strict disciplinarian as far as work was concerned, but totally undisciplined in his personal life". He smoked and drank heavily and kept odd hours. Dutt's relationship with actress Waheeda Rehman also worked against their marriage. At the time of his death, he had separated from Geeta and was living alone. Geeta Dutt died in 1972 at age 41, after excessive drinking, which resulted in liver damage.

Legacy

Dutt on a 2004 stamp of India

Contrary to a general belief about the viability of his film projects, Dutt more or less produced commercially successful films. Over the years the commercial nature of his projects saw a trade-off with his creative aspirations. Movies such as C.I.D., Baazi, Pyaasa, Kaagaz Ke Phool, Chaudhvin Ka Chand and Sahib Bibi Aur Ghulam were the first of their kind in Hindi cinema. The only movie produced by Dutt that was considered a box office disaster was Kaagaz Ke Phool, which is now a cult classic. He lost over Rs. 17 crore producing that film, a large amount by the standards of that time, which was more than recovered by his next project, Chaudhvin Ka Chand. He never lost faith in his team or in the distributors of his films. Once a project was over, he would begin anew – with little concern about the commercial success of the previous project. He, along with Raj Kapoor, Mehboob Khan and Bimal Roy, was one of the few Indian film directors able to achieve a healthy blend of artistic and commercial success between the mid-1950s and mid-1960s. His brother Atma Ram dedicated his 1969 directorial Chanda Aur Bijli to him. Pyaasa was rated as one of the best 100 films of all time by Time magazine.

In the 2002 Sight & Sound critics' and directors' poll, two of his films, Pyaasa and Kaagaz Ke Phool, were among the top 160 greatest films of all time. The same 2002 Sight & Sound poll ranked Dutt at No. 73 in its list of all-time greatest directors, thus making him the eighth-highest-ranked Asian filmmaker in the poll.

A postage stamp featuring Dutt was released by India Post on 11 October 2004.

Selected filmography

Film	Year	Actor	Director	Producer
Baharein Phir Bhi Aayengi	1966			Yes
Sanjh Aur Savera	1964	Yes
Suhagan	1964	Yes
Bahurani	1963	Yes
Bharosa	1963	Yes
Sahib Bibi Aur Ghulam	1962	Yes		Yes
Sautela Bhai	1962	Yes
Chaudhvin Ka Chand	1960	Yes		Yes
Kaagaz Ke Phool	1959	Yes	Yes	Yes
12 O'Clock	1958	Yes
Pyaasa	1957	Yes	Yes	Yes
Gauri (Incomplete)	1957			Yes
Sailaab	1956		Yes
C.I.D.	1956			Yes
Mr. & Mrs. '55	1955	Yes	Yes
Aar Paar	1954	Yes	Yes	Yes
Baaz	1953	Yes	Yes
Jaal	1952		Yes
Baazi	1951		Yes
Hum Ek Hain	1946	Yes
Lakha Rani	1945	Yes
Chand	1944	Yes

See also

• Films directed by Guru Dutt

Further reading

• Guru Dutt, 1925–1965: A Monograph, Firoze Rangoonwalla, National Film Archive of India, Govt. of India, 1973.
• My Son Gurudutt, Vasanti Padukone, India, serialised in The Imprint and Screen magazine, April 1979 & 2004.
• Nanna maga Gurudatta, Vasanti Padukone, Kannada, Manōhara Granthamāle, Dharwad, India, 1976, 120pp.
• Guru Dutt, un grand cinéaste encore pratiquement inconnu hors de l'Inde, Henri Micciollo, Films sans Frontières, 1984.
• Profiles, Five Film-makers from India, Shampa Banerjee. Directorate of Film Festivals, National Film Development Corp., 1985. ISBN 81-201-0007-7 Search this book on ..
• In Black and White: Hollywood and the Melodrama of Guru Dutt, Darius Cooper, Seagull Books, 2005. ISBN 81-7046-217-7 Search this book on ..
• Yours Guru Dutt: Intimate Letters of a Great Indian Filmmaker, Nasreen Munni Kabir, Lustre Press, Roli Books, 2006. ISBN 81-7436-388-2 Search this book on ..
• Ten Years with Guru Dutt: Abrar Alvi's journey, Sathya Saran. 2008, Penguin, ISBN 0-670-08221-X Search this book on ..

External links

• Guru Dutt on IMDb
• That magician called Guru Dutt. thefrustratedindian.com
• Website dedicated to Guru Dutt – Biography, Filmography & more
• Cousin, Mark. "Guru Dutt: such sweet sorrow". Sight & Sound.
• Review of Ten Years with Guru Dutt: Abrar Alvi's journey
• Interview with Dev Anand
• Interview with Guru Dutt's cameraman, V. K Murthy
• Urbain Bizot, Thirst and Mourning

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