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Ingeborg Rocker

From EverybodyWiki Bios & Wiki







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Ingeborg Rocker
BornKrefeld, NWR, Germany
🏳️ NationalityGerman
🎓 Alma materPrinceton University, Columbia University, RWTH Aachen
💼 Occupation
Architect, Senior Business Executive
🌐 Websiterocker-lange.com
🥚 TwitterTwitter=
label65 = 👍 Facebook

Ingeborg Rocker is a German-American engineer, architect, and business executive. She is a co-founder of Rocker-Lange Architects and a former Associate Professor at the Harvard University Graduate School of Design. In 2014 she joined Dassault Systèmes as Vice President of Cross-Industry Innovation.

Rocker is President and Director of Buildafar[1] (a NGO invested in rebuilding education in rural impoverished areas), a member of the Board of Trustees of the DAAD Alumni Association[2], and a Senior Advisor in the Mentorship Program of the German American Business Council (Boston).

Life and Works[edit]

Rocker was born in Krefeld, North Rhine-Westphalia, Germany. She graduated from the Rheinisch-Technische Hochschule Aachen (RWTH Aachen University) in Aachen, Germany, with a Diploma in Engineering summa cum laude, and a Master of Science in Advanced Architectural Design from Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) where she was a student of Greg Lynn, Hani Rashid, Laurie Hawkinson, Jesse Reiser, and Stan Allen. Her education coincided with the seminal 'Paperless Studios'[3] initiated by Bernard Tschumi while he was Dean at the GSAPP from 1992–1999. With Lise Anne Couture, Rocker co-taught a 'Paperless Studio'.

Computing without Computers: Informing Architecture[edit]

Rocker pursued a PhD from Princeton University with the title “Emerging Structures: Information Aesthetics and Architecture of the Digital Medium”[4] advised by Stan Allen, and the late Michael Sean Mahoney and Friedrich Kittler. Her work with Europe's leading Media THeorist Kittler has been recognized for exploring in depth the role of computation and computational paradigms in design, engineering, and applied sciences in Post World War II Germany, in particular the Hochschule für Gestaltung Ulm (HfG Ulm), Marshall Plan-funded education model.

While computer processes have become today prevalent in architecture, engineering and product design, Rocker argued that at the HFG Ulm in late 1950s and early 1960s a form of "computing without computers"[5] took place. This left significant traces on both Ulm’s pedagogy and Ulm design. Distinguished faculty members, like the mathematician Max Bense (Information Aesthetics), design theorist Horst Rittel (Wicket Problems and Scientific Methods)[6], and designer / design theoretician Thomas Maldonado (Ulm Model), developed a new design methodology and theory that can be seen as a forerunner of computation in architecture, in radical extension to the Bauhaus.[7][8] The innovative pedagogy resulted in radical design prepositions that conceptualized computation, and leveraged the simple available technologies to auto-generate computer art (Frieder Nake, Georg Neese), digital poetry (Theo Lutz[9][10]), and electronic music (Werner Meyer-Eppler, Karlheinz Stockhausen). Rocker was one of the first scholar to research the proximity of the HFG Ulm pedagogy to computational paradigms. She coined the phrase “Computing without Computers” in her PhD work.

Re-Writing Architecture: Computing with Computers[edit]

Rocker is also distinguished for her use of computer-aided design and manufacturing to develop and realize architecture and urban designs. At Eisenman Architects she tested these methodologies first as the lead Designer and Architect with Peter Eisenman, whom with she designed many projects such as the Spree Dreieck Tower and the Memorial to the Murdered Jews of Europe in Berlin, Germany.[11] She has presented and published the office's work. In 1997 she co-authored with Peter Eisenman “The Virtual: The Unform in Architecture”[12] that launched Rocker's discourse on the critical digital, the conceptualization of architecture when the digital medium 'takes command.' Rocker coined the phrases "critical digital" and "versioning" in architectural discourse.

At the Harvard Graduate School of Design Rocker was Assistant Professor from 2005–2011 and Associate Professor from 2011–2014, where she taught design studios, organized and coordinated the GSD digital workshops[13] series,and explored with students computer-aided design and manufacturing techniques in architecture. Through exhibitions of her work[14][15][16][17], conferences[18][19], and her publications on the digital[20][21] [22], versioning[23][24][25], and parametricism, she became along with Greg Lynn, Patrick Schumacher, and others, an influential contributor to the discourse around the role of computers in architecture.

Within this context, Rocker coined the phrase "critical digital" and "versioning" in architectural discourse. Her concept of versioning is developed in relation to the concept of Parametricism in architecture, and was explored in her 2002 essay with "Versioning In-forming Architectures”[26], 2003 essay "Versioning: Evolving Architectures - Dissolving Identities"[27], and in 2008 with “Versioning: Architecture as series?"[28]

A critical approach to the role of the digital medium in architecture was deepened with her 2006 article “When Code Matters.”[29] She traces the development of calculus into computation and the subsequent introduction of computers into architecture to question what will be the potential effects of computation on architecture. This move to question Parametricism in architecture is continued in 2009 with "Computation in command? Fading Flamboyant Architectural Aesthetics"[30], and in 2011 with “Apropos Parametricism: If, in what style should we build?”[31] and with “Signs of Their Time: Calculated Formal Excesses of Digital Ornament."[32] For Rocker, the celebration of calculated form, the exuberance of formal and thus material excess in architecture had to come to a hold, in face of the increasing environmental and socio-political challenges worldwide.

Increasingly, the role of the architect and architecture in the discourse and practice of architecture was questioned as being environmentally, socially and economically sustainably relevant.[33][34][35] In 2011 at the 2nd Architectural Education Summit in Segovia she sided with Mark Wigley calling for "more radical thinking in architecture."[36]

Computing Virtual | Real: Searching for Sustainable Futures[edit]

Rocker's own practice Rocker-Lange Architects (USA-Hong Kong), co-founded with Christian Lange in 2006[37], explores the role of the digital medium in informing new sustainable materialities, typologies, and urban configurations in respect to the critical importance of environmental, social, and economic sustainability.[38] Rocker-Lange Architects work during the 2010s focused on hyper-dense urban conditions as a laboratory, in Hong Kong and other Chinese cities, as a means to counter green-wash rhetoric with alternative and more sustainable typologies of dwelling and public space[39]. Resulting works were exhibited at the Hong Kong & Shenzen Biennale[40][41][42] and the Venice Biennale[43] and influenced the design pedagogy of Rocker’s urban design studio held at the Harvard Graduate School of Design in collaboration with South China University of Technology in Guangzhou.[44][45]

In 2014 Rocker joined the software firm Dassault Systèmes where she develops tools and experiences that enable the creation of Digital Twins for sustainable cities[46][47][48], infrastructures and architecture.[49][50][51][52] Digital Twins enable planning, design, and simulation of entire additions to build environment prior to actual construction, operation and recycling, an approach granting social, environmental and economic sustainability.[53] This is suggested in her interview "Optimizing the City of Tomorrow, Today" with Crain's Chicago Business Wire[54]. She has promoted this in international venues such as the 2019 Circular Economy Stakeholder Conference of the European Commission in Brussels. This work focuses on bringing together industry, academy, and governments to give form to the way product design and architectural and urban design create alternative, carbon-free "eco-nomics" and "eco-logics."[55]

Joining international discussions with Smart City and Circular Economy stakeholders[56] ranging from organizations such as the Open Geospatial Consortium[57], to cities of Detroit[58] with the Mackinac Conference[59][60], and New York[61], Toyama[62], the Chilean government[63], and the European Commission and the World Economic Forum[64]. Rocker's work centers on significantly contributing to building a circular sustainable economy through her ongoing efforts as a writer, teacher and innovator.[65][66]



Professional Life[edit]

At the Harvard Graduate School of Design Rocker was Assistant Professor from 2005–2011 and Associate Professor from 2011–2014. With collaborator Christian Lange she has an architectural practice Rocker-Lange Architects between the United States and Hong Kong.[37] In 2014 she joined the international software corporation Dassault Systèmes as a Vice President of Cross-Industry Innovation, where she launched and lead the 3DEXPERIENCITY Industry.[67][68][69]

In 1996 Rocker joined the architecture firm Eisenman Architects as a lead Designer and Architect. With Peter Eisenman she was the lead designer of the Memorial to the Murdered Jews of Europe in Berlin, Germany.[11] She has published about the office's work.[70][71][72]

After Eisenman Architects, Rocker pursued a PhD in Architecture from the Princeton University School of Architecture, completed simultaneous to her teaching at the Harvard Graduate School of Design where she began teaching in 2005.[73] Her PhD “Emerging Structures: Information Aesthetics and Architecture of the Digital Medium” was conducted with advisors Stan Allen, and the late Michael Sean Mahoney and Friedrich Kittler.

Rocker's teaching at the Harvard Graduate School of Design[74][75], where she also organized and coordinated the GSD digital workshops[13] series for students, and of exhibitions of her work[14][15][16][17], conferences[18][19], and her writing on the digital[20][21] [22], versioning[23][24][25], and parametricism, made her an influential contributor to the discourse around the role of computers in architecture during the 2000s and 2010s, and to emerging debates on the role of the architect and architecture in a discourse and practice of architecture increasingly informed by environmental, social and economic sustainability.[33][34][35] In 2011, at the 2nd Architectural Education Summit in Segovia she sided with Mark Wigley calling for "more radical thinking in architecture."[36]

Rocker's professional and academic work turned to the role of the digital medium informing new sustainable materialities, typologies, and urban configurations in respect to the critical importance of environmental, social, and economic sustainability.[38] Rocker-Lange Architects work during the 2010s focused on hyper-dense urban conditions as a laboratory, in Hong Kong and other Chinese cities, as a means to counter green-wash rhetoric with alternative and more sustainable typologies of dwelling and public space[39]. Resulting works were exhibited at the Hong Kong & Shenzen Biennale[40][41][42] and the Venice Biennale[43] and influenced the design pedagogy of Rocker’s urban design studio held at the Harvard Graduate School of Design in collaboration with South China University of Technology in Guangzhou.[44][45]

Rocker joined the software firm Dassault Systèmes in 2014 where she develops tools and experiences that enable the creation of Digital Twins for sustainable cities[46][47][48], infrastructures and architecture.[49][50][51][52] Digital Twins enable planning, design, and simulation of entire additions to build environment prior to actual construction, operation and recycling, an approach granting social, environmental and economic sustainability.[53] Joining international discussions with Smart City and Circular Economy stakeholders[56] ranging from organizations such as the Open Geospatial Consortium[57], to cities of Detroit[58] with the Mackinac Conference[59][60], and New York[61], Toyama[62], the Chilean government[63], and the European Commission and the World Economic Forum[64]. Rocker's work centers on significantly contributing to building a circular sustainable economy through her ongoing efforts as a writer, teacher and innovator.[65][66]



Awards[edit]

Rocker is a frequent recipient of international fellowships and awards. She has received the Woman in Design Award, Boston; the Akademie Schloß Solitude Award, Stuttgart; the Contemporary European Politics and Society Award, Princeton University; an Excellence in Design Award, Columbia University; a research fellowship from the Canadian Center for Architecture, Montreal; and the Sringorum Medal, RWTH Aachen.[76] Rocker was several times a Fellow of the DAAD.

Selected Publications[edit]

  • Ingeborg Rocker, Structures: Information Aesthetics and Architectures of the Digital Medium. Princeton: Princeton University, PH.D., Summer 2010, 908 pages. Semantic Scholar entry
  • Ingeborg Rocker, Re-Coded: Studio Rocker, Exhibition Catalogue. Berlin: Aedes Gallery, 2005, 156 pages. ISBN 978-3937093512 Search this book on .

Selected exhibitions[edit]

Critical Digital[edit]

  • Digital Futures, curated by Neil Leach and Philip Yuan, Tongi University, Shanghai, China, 2011[77]
  • From Mass-production to Mass-customization, Parametric Prototypes: New Computational Paradigms in Architecture. International Exhibition, Xi'an University of Architecture & Technology, Xi'an, China, 2009
  • Re-Coded Studio Rocker, Aedes Gallery East, Berlin, Germany, 2005[78]

Virtual | Real: Searching for Sustainable Futures[edit]

  • Reformative Coral Habitats, Venue: S507, 5/F, Staunton (Block A), PMQ, Central Hong Kong, China, 2021[79][80]
  • 3DEXPERIENCity[81], World Cities Summit, Singapore, 2018[82]
  • On the Bri(n)ck II, Harvard University, Graduate School of Design, Cambridge, USA, 2010[83]
  • On the Bri(n)ck 2009, Studioplex, Venice Biennale 2010, Venice, Italy, 2010
  • On the Bri(n)ck 2009, Beijing Biennale 2010, Bejing, China, 2010

Virtual | Real: Cross Scale Urban & Environmental Interventions[edit]

  • Density and Opening – Refiguring the Civic Ground, Part II, Hong Kong & Shenzhen Bi-City Biennale, Hong Kong, China, 2014[84]
  • Urban Interventions, Woman in Design, Boston Society of Architecture, Boston, USA, 2013[85][86]
  • Collective Visions – 2020 Housing China Exhibition, Hong Kong University, Hong Kong, China, 2013[87]
  • Density and Opening – Refiguring the Civic Ground, Part II, EnCoding Architecture Conference, Carnegie Mellon University, Pittsburg, 2013[88][89]
  • Density and Opening – Refiguring the Civic Ground, Part I, Hong Kong & Shenzhen Bi-city Biennale, Hong Kong, China, 2012[90]
  • Serial Architecture II, Quotidian Architectures – Venice Biennale Response Exhibition, Former Central Police Headquarters, Hong Kong, 2011[91]
  • Serial Architecture I, Quotidian Architectures, Hong Kong Pavilion, Venice Biennale 2010, Venice, Italy, 2010[92]
  • Critical Comments to Ordos, In Exhibition curated by Ai Weiwei Art Architecture, ,” Kunsthaus Bregenz, Austria, 2011[93][94]
  • Urban-Adapter, Hong Kong & Shenzhen Bi-city Biennale, Hong Kong, China, 2010[95][96][97][98][99]
  • London Bridge 800 Competition - Exhibition of All Entries, St Mary-at-Hill Church, London, UK, 2009[100]
  • London Bridge 800 Competition - Exhibition of All Entries, London Bridge Festival Exhibition, London UK, 2009
  • 100 Architects / 42 Artists Convergence at Ordos Art Museum, Ordos Art Museum, Ordos, China, 2009[101]
  • Ordos100, The inevitable cultural negotiations when building a city in the 21st Century, Art Basel, Basel, Switzerland, 2009[102]

References[edit]

  1. ↑ "BUILDAFAR, INC. Massachusetts - INGEBORG ROCKER - Business Profiles". businessprofiles.com. Retrieved 2022-03-21.
  2. ↑ "DAAD Alumni Association of the USA". DAAD Office New York. 2016-04-14. Retrieved 2022-03-21.
  3. ↑ Architecture (CCA), Canadian Centre for. "Paperless Studios". www.cca.qc.ca. Retrieved 2022-03-21.
  4. ↑ Rocker, Ingeborg M. (2010). Emerging structures: information aesthetics and architectures of the digital medium (phd thesis). USA: Princeton University. ISBN 978-1-124-28094-3.
  5. ↑ Rocker, Ingeborg (2010). Emerging structures: information aesthetics and architectures of the digital medium. USA: Princeton University. pp. xxvii. ISBN 978-1-124-28094-3. Computing without computers allowed for the conceptualization of the computer, while computing with computers transposed the traditional modes of operation and thinking into a new medium. It was computing without computers, analyzed in this paper through the School of Ulm, that had led to a radical shift in the understanding of subject and object that had led to a radical rethinking of the production of form. Search this book on
  6. ↑ Rittel, Horst; Webber, Melvin (June 1973). "Dilemmas in a General Theory of Planning". Policy Sciences, Vol. 4, No. 2 (PDF). Springer. pp. 155–169. Search this book on
  7. ↑ Martinez, Claudia (2019-09-11). "After the Bauhaus, the Lesser-Known Ulm School Had a Seismic Impact on Design". Artsy. Retrieved 2022-03-23.
  8. ↑ Spitz, René. HfG Ulm. The view behind the foreground. The political history of the Ulm School of Design (1953-1968). Edition Axel Menges, Stuttgart/London. ISBN 3-932565-17-7. Search this book on
  9. ↑ "The First Digital Poetry : History of Information". historyofinformation.com. Retrieved 2022-03-23.
  10. ↑ "Theo Lutz | Database of Digital Art". dada.compart-bremen.de. Retrieved 2022-03-23.
  11. ↑ 11.0 11.1 Lorenzo-Eiroa, Pablo; Sprecher, Aaron, eds. (2013). "Chapter 4 Evolutionary Information". Architecture in Formation, On the Nature of Information in Digital Architecture. Taylor & Francis. p. 200. ISBN 9780415534901. Search this book on
  12. ↑ Rocker, Ingeborg. "The Virtual: The Unform in Architecture". ANY (New York). The Virtual House, No. 19/20: 10–15.
  13. ↑ 13.0 13.1 "GSD Digital Media Workshops". www.facebook.com. Retrieved 2022-03-21.
  14. ↑ 14.0 14.1 "Wallhouse". www.za.studio. Retrieved 2022-03-21.
  15. ↑ 15.0 15.1 "BSA exhibit features Ingeborg Rocker's winning urban intervention". Harvard Graduate School of Design. 2013-09-27. Retrieved 2022-03-21.
  16. ↑ 16.0 16.1 "On the Bri(n)ck at Graduate School of Design, Harvard University". Dezeen. 2009-05-10. Retrieved 2022-03-21.
  17. ↑ 17.0 17.1 "Aedes Galerie, Berlin 2005 : rocker-lange". rocker-lange.com. Retrieved 2022-03-21.
  18. ↑ 18.0 18.1 "Architecture Technology Pedagogy In An Age Of Disruption". Columbia GSAPP. Retrieved 2022-03-21.
  19. ↑ 19.0 19.1 Bustler. "Innovators: The Uses of Tiles Today". Bustler. Retrieved 2022-03-21.
  20. ↑ 20.0 20.1 Rocker, Ingeborg (2010). "Interface between Analog and Digital Systems" (PDF). In Sprecher, Aaron; Yeshayahu, Shai; Lorenzo-Eiroa, Pablo. IN: LIFE in:formation On Responsive Information and Variations in Architecture Proceedings of the 30th Annual Conference of Association for Computer Aided Design in Architecture (PDF). New York: ACADIA. pp. 53–60. ISBN 9781450734714. Search this book on
  21. ↑ 21.0 21.1 Rocker, Ingeborg (July 2006). "Calculus-bases form: An interview with Greg Lynn". Architectural Design 76. Wiley, John & Sons. pp. 88–95. doi:10.1002/ad.298. Search this book on
  22. ↑ 22.0 22.1 Ingeborg, Rocker (July 2006). "When Code Matters". Architectural Design 76. Wiley & Sons. pp. 16–25. doi:10.1002/ad.289. Search this book on
  23. ↑ 23.0 23.1 Rocker, Ingeborg (18–19 April 2008). "Versioning Architecture as a Series?". What Matter(s) - First International Conference on Critical Digital (PDF). Harvard University Graduate School of Design. OCLC 231800770.CS1 maint: Date format (link) Search this book on
  24. ↑ 24.0 24.1 "Serial Architecture - Systems of Multiplicities / Rocker-Lange". ArchDaily. 2011-01-15. Retrieved 2022-03-21.
  25. ↑ 25.0 25.1 Rocker, Ingeborg (2020). "Versioning: Architecture as Series?". In Burry, Mark. Digital Architecture. Routledge. pp. 157–170. ISBN 9780415816625. Search this book on
  26. ↑ Rocker, Ingeborg. "Versioning In-forming Architectures". Architectural Design (London). Versioning Evolutionary Techniques in Architecture, Vol. 72 (September / October 2002): 10–17.
  27. ↑ Rocker, Ingeborg (2003). "Versioning: Evolving architectures - Dissolving identities 'nothing is as persistent as change.'". AD “Versioning: Evolutionary Techniques in Architecture”. Wiley, John & Sons. pp. 10–17. ISBN 978-0470845691. Search this book on
  28. ↑ Rocker, Ingeborg. "Versioning: Architecture as series?". Proceedings First International Conference on Critical Digital: What Matter (s)?, 18-19 April 2008, Harvard University, Graduate School of Design, ed. Kostas Terzidis. Harvard University, 2008: 157–169.
  29. ↑ Rocker, Ingeborg. "When Code Matters". Architectural Design (London). Special Issue: Programming Cultures, Volume76, Issue 4 (July/August 2006): 16–25.
  30. ↑ Rocker, Ingeborg (17–19 April 2009). "Computation in command? Fading Flamboyant Architectural Aesthetics". Second International Conference on Critical Digital:Who Cares(?). Harvard University Graduate School of Design.CS1 maint: Date format (link)
  31. ↑ Rocker, Ingeborg. "A propos Parametricism: If, in what style should we build". Log (New York). No. 21 (Winter 2011): 89–100.
  32. ↑ Rocker, Ingeborg. "Signs of Their Time: Calculated Formal Excesses of Digital Ornament". Log (New York). No. 26 (Fall 2012): 87–96.
  33. ↑ 33.0 33.1 Carpo, Mario; Meredith, Michael; Rocker, Ingeborg. Picon, Antoine Picon; Cohen, Preston Scott, eds. "The Eclipse of Beauty: Parametric Beauty Symposium". YouTube. Harvard Graduate School of Design. Retrieved 2022-03-21.
  34. ↑ 34.0 34.1 "SoA Lecture: "Digital Geometries" in 2012-2013 Lecture Series "What I Did Next – Princeton's Alternative Architectural Practices" curated by Alejandro Zaera-Polo | Princeton University School of Architecture". soa.princeton.edu. Retrieved 2022-03-21.
  35. ↑ 35.0 35.1 Rocker, Ingeborg (2012). "Calculated: formal excesses of digital ornaments". In Gleiter, Jörg. Ornament Today. Digital Material Structural. Bolzano University Press. ISBN 9788860460486. Search this book on
  36. ↑ 36.0 36.1 Gregory, Rob (2011-07-27). "Segovia, Spain – Mark Wigley calls for more radical thinking at education summit". Architectural Review. ISSN 0003-861X. Retrieved 2022-03-23.
  37. ↑ 37.0 37.1 "partners : rocker-lange". rocker-lange.com. Retrieved 2022-03-21.
  38. ↑ 38.0 38.1 "Rocker-Lange architects release design for the Hong Kong & Shenzhen bi-city biennale". Harvard Graduate School of Design. 2014-02-19. Retrieved 2022-03-23.
  39. ↑ 39.0 39.1 Lange, Christian (2015). "Rocker-Lange Architects: Shanghai Lilong Tower Urbanism, Shanghai, China". Special Issue: Mass‐Customised Cities, Volume85, Issue6. Architectural Design. ISSN 0003-8504. Search this book on
  40. ↑ 40.0 40.1 "Hong Kong & Shenzhen Biennale photos". Dezeen. 2010-01-06. Retrieved 2022-03-23.
  41. ↑ 41.0 41.1 "Urban Adapter by Rocker-Lange Architects". Dezeen. 2010-01-08. Retrieved 2022-03-23.
  42. ↑ 42.0 42.1 Rinaldi, Marco. "URBAN ADAPTER BY ROCKER-LANGE ARCHITECTS – aasarchitecture". Retrieved 2022-03-23.
  43. ↑ 43.0 43.1 "Serial Architecture - Systems of Multiplicities / Rocker-Lange". ArchDaily. 2011-01-15. Retrieved 2022-03-23.
  44. ↑ 44.0 44.1 "Ecologics: Refiguring the Civic Ground". Harvard Graduate School of Design.
  45. ↑ 45.0 45.1 "Option Design Studio, Spring of 2013, GSD, Harvard University | SSP, Studio Sunggi Park, dSS, Delineative Schema Studio". 2014-03-18. Retrieved 2022-03-23.
  46. ↑ 46.0 46.1 Moore, Clayton (2017-10-19). "The Virtual Singapore project is mapping out an entire city in 3D". Digital Trends. OCLC 810203593. Retrieved 2022-03-23.
  47. ↑ 47.0 47.1 "Una piattaforma per le soluzioni alle criticità di Singapore - Il Nuovo Cantiere". il Nuovo Cantiere (in italiano). 2015. Retrieved 2022-03-23.
  48. ↑ 48.0 48.1 "Improving cities through digital technology". Technology Record. Retrieved 2022-03-23.
  49. ↑ 49.0 49.1 Stockschlaeger, Tim (2018). "Digital Twin: Dassault Systèmes builds a second Singapore". Hannover Messe.
  50. ↑ 50.0 50.1 Stackpole, Beth (2016-03-25). "Building a Case for Dassault's Virtual Twin". Digital Engineering. Retrieved 2022-03-23.
  51. ↑ 51.0 51.1 Rocker, Ingeborg (2015). "The Economy of the Digital City Twin". OnWindows Autumn 2015 (PDF). pp. 12–13. ISSN 2044-723X. Search this book on
  52. ↑ 52.0 52.1 BIM World, Keynote by Dr. Ingeborg Rocker, “Building Experiences in the Age of Industrial Renaissance," November 27-28 2018. https://www.immo-kom.com/wp-content/uploads/2018/12/BIM_MAGAZIN-2018_Issue-II.pdf
  53. ↑ 53.0 53.1 Guerrini, Federico. "'Virtual Singapore' Platform Will Help The City-State Address Shortage Of Space, Aging Population". Forbes. Retrieved 2022-03-23.
  54. ↑ "Optimizing the City of Tomorrow, Today, interview with Ingeborg Rocker" (PDF). Crain's Chicago Business Wire. 2017.
  55. ↑ "Circular Eco-nomics: Mapping Architectural & Urban Ecosystems". Harvard Graduate School of Design. Retrieved 2022-02-11.
  56. ↑ 56.0 56.1 Roundtable Circular Economy,” 2019 Circular Economy Stakeholder Conference: Success Stories European Commission, Brussels, Belgium, 6-7 March, 2019
  57. ↑ 57.0 57.1 Rocker, Ingeborg (April 2017). "City Infrastructure Lifecycle Management: a Platform Approach at OGS Workshop, Underground Infrastructure Concept Development Study". Open Geospatial Consortium.
  58. ↑ 58.0 58.1 Keynote Address “Michigan’s Digital Future: Opportunities in the connected world,” Mackinac Conference May 30-June 2, Detroit Regional Chamber May 31, 2017
  59. ↑ 59.0 59.1 “Ingeborg Rocker: Detroit Can Be Leader in Creating Urban Resilience through Technology.” Detroit Regional Chamber, 2 June 2017, https://www.detroitchamber.com/ingeborg-rocker-detroit-can-be-leader-in-creating-urban-resilience-through-technology/
  60. ↑ 60.0 60.1 Wilson, Gary. "Mackinac Policy Conference: "Harmonizing nature and life"". Great Lakes Now. Retrieved 2022-03-23.
  61. ↑ 61.0 61.1 “City Infrastructure Lifecycle Management: A Platform Approach,” Underground Infrastructure Open Geospatial Consortium, New York City, USA April 24-25, 2017 https://docs.ogc.org/per/17-048.html
  62. ↑ 62.0 62.1 “Resilience: The Virtual Twin of Toyama,” Resilient Toyama Conference, City Hall, Toyama, Japan, July 13, 2017. https://resilientcitiesnetwork.org/downloadable_resources/Network/Toyama-Resilience-Strategy-English.pdf
  63. ↑ 63.0 63.1 “Debate y reflexión de cómo mejorar la experiencia de la ciuda ”Do! Smart City Santiago 2017, Santiago di Chile, Chile, 2017. https://www.diariosustentable.com/2017/06/do-smart-city-santiago-2017-futuro-ciudad-se-construye-aqui/
  64. ↑ 64.0 64.1 “WEF | How to regulate Platforms & Ecosystems?” UCL Centre for Law, Economics and Society with London Business School and WEF, February 27-28, 2020. https://www.ucl.ac.uk/laws/events/2020/feb/how-should-we-regulate-platforms-and-ecosystems-invitation-only-workshops
  65. ↑ 65.0 65.1 Sustainable & Smart Cities - Dassault Systèmes, featuring Ingeborg Rocker, YouTube, retrieved 2022-03-23
  66. ↑ 66.0 66.1 Dassault Systèmes and BBC Partner to Explore the Future, YouTube, retrieved 2022-03-23
  67. ↑ "Reimagining Urban Planning with 3DEXPERIENCity: New urban morphologies for connected work- and lifestyles". 3D PERSPECTIVES. 2016-06-16. Retrieved 2022-03-21.
  68. ↑ Lubell, Sam. "Singapore is on an ambitious mission to create a SimCity version of itself". Wired. ISSN 1059-1028. Retrieved 2022-03-21.
  69. ↑ "Reimagining Urban Planning with 3DEXPERIENCity: New urban morphologies for connected work- and lifestyles". 3D PERSPECTIVES. 2016-06-16. Retrieved 2022-03-21.
  70. ↑ Eisenman, Peter; Rocker, Ingeborg (1997). "The Virtual: The Unform in Architecture". The Virtual House, no. 19/20. ANY: Architecture New York. pp. 20.20–20.23. ISSN 1068-4220. Search this book on
  71. ↑ Rocker, Ingeborg (2008). "Architecture of the Digital Realm: Experimentations by Peter Eisenman, Frank O. Gehry". In Bauhaus-Universität Weimar, Fakultät Architektur und Urbanistik, Professur Theorie und Geschichte der modernen Architektur. Schriften der Bauhaus-Universität Weimar. Vol. 120/34. Weimar, Germany. doi:10.25643/bauhaus-universitaet.1332.CS1 maint: Multiple names: editors list (link) Search this book on
  72. ↑ Ingeborg Rocker, Sarah M. Whiting Gabriele Mastrigli, Alejandro Zaera-Polo Greg Lynn in dialogue with Peter Eisenman (2017). Djokić, Vladan; Bojanić, Petar, eds. Peter Eisenman: In Dialogue with Architects and Philosphers. pp. 95–138. ISBN 9788869770388.CS1 maint: Multiple names: authors list (link) Search this book on
  73. ↑ "Ingeborg Rocker, *10". GradFUTURES. Retrieved 2022-03-21.
  74. ↑ "Ingeborg Rocker Lecture, Recursion: Aesthetics + Logics of Computation | Southern California Institute of Architecture (SCI-Arc)". YouTube. Retrieved 2022-03-21.
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