Moinak Biswas
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| Moinak Biswas | |
|---|---|
| Born | |
| 🏳️ Nationality |  India |
| 🏳️ Citizenship | Indian |
| 🏫 Education | Ph.D. 2002 Monash University
M.Phil. 1992 Jadavpur University M.A. 1985 Jadavpur University B.A. 1983 Jadavpur University |
| 💼 Occupation | Academician, Scholar, Filmmaker, Author |
| Known for | Sthaniya Sambaad |
| Title | Professor of Film Studies |
| 👴 👵 Parent(s) |
|
| 🏅 Awards | Best Feature Film Award for film 'Sthaniya Sambaad', Frank and Cindy Liu Distinguished Visitor |
Moinak Biswas (Bengali:মৈনাক বিশ্বাস) is an Indian film scholar, author and filmmaker. He is a Professor Emerita and the Coordinator of The Media Lab at Kolkata's Jadavpur University.[1][2][3][4]
Works cited list[edit]
- Art Cinema and India’s Forgotten Futures Film and History in the Post colony by Rochona Majumdar.[5]
- Uttam Kumar A Life in Cinema by Sayandeb Chowdhury.[6]
- Tagore's Ideas of the New Woman The Making and Unmaking of Female Subjectivity by S Kar Chaudhuri and C. Chakravarty[7]
- Conjugations Marriage and Form in New Bollywood Cinema by Sangita Gopal.[8]
- Bengali Cinema: An Other Nation by Sharmistha Gooptu.[9]
- Cinemas Dark and Slow in Digital India by Lalitha Gopalan.[10]
- Ideology of the Hindi Film A Historical Construction by M. Madhava Prasad.[11]
- Being Bengali At Home and in the World by Mridula Nath Chakraborty.[12]
- Marathi Cinema, Cultural Space, and Liminality: A History by Hrishikesh Sudhakar Ingle.[13]
- Third Cinema, World Cinema and Marxism by Ewa Mazierska.[14]
- A Companion to Indian Cinema by Neepa Majumdar, Ranjani Mazumdar.[15]
- Provincialising Europe in South Asia: A reply to Moinak Biswas.[16]
Bibliography[edit]
- Vision of a land: Bibhutibhusan Bandopadhyay's Bengal in Satyajit Ray's cinema.[17]
- The Many Absences of Abbas Kiarostami.[18]
- Ingmar Bergman's World of Dreams.[19]
- For a Political Cinema to Come.[20][21]
- Ritwik Ghatak and an Indian Project of Modernism.[22]
- Coming to the City: Indian Cinema and Making of the Modern Self.[23]
- Teaching Film Studies In India : Curricula and Crises.[24]
- The Citizen's Journey and the Eternal Return.[25]
- The City and the Real: Chinnamul and the Left Cultural Movement in the 1940s.[26]
- Reason, Debate and a Tale.[27]
Publications[edit]
- Apu and After: Re-visiting Ray's Cinema[28][29][30]
- Historical Realism: Modes of Modernity in Indian Cinema, 1940-60.[31][32]
- New Cinephilia.[33]
- Mourning and Blood-Ties.[34]
- Ujan gang baiya[4]
Filmography[edit]
| Year | Film | Director | Writer | Ref. |
|---|---|---|---|---|
| 2009 | Sthaniya Sambaad | Yes | Yes | [35][36][37] |
| 2016 | Across the Burning Track | Yes | Yes | [38] |
References[edit]
- ↑ "Biswas, Moinak". SAGE Publications Inc. 2022-08-11. Retrieved 2022-08-13.
- ↑ "'In East Pakistan, Partition was seen as a good thing'". DNA India. Retrieved 2022-08-21.
- ↑ FilmiClub. "Moinak Biswas - Biography, Movies, Photos, Videos". FilmiClub. Retrieved 2022-08-21.
- ↑ 4.0 4.1 "Moinak Biswas". Take Art Magazine. Retrieved 2023-03-13.
- ↑ Majumdar, Rochona (2021). Art cinema and India's forgotten futures : film and history in the postcolony. New York. ISBN 978-0-231-55390-2. OCLC 1246672915. Search this book on
- ↑ Chowdhury, Sayandeb (2021). Uttam Kumar : a Life in Cinema. New Delhi. ISBN 978-93-90358-01-4. OCLC 1280049364. Search this book on
- ↑ Tagore's Ideas of the New Woman : the Making and Unmaking of Female Subjectivity. Chandrava Chakravarty, Sneha Kar Chaudhuri (1st ed.). New Delhi. 2017. ISBN 978-93-81345-28-3. OCLC 989061843. Search this book on
- ↑ Gopal, Sangita (2011). Conjugations : Marriage and Form in New Bollywood Cinema. Chicago. ISBN 978-0-226-30427-4. OCLC 772845698. Search this book on
- ↑ Gooptu, Sharmistha (2018). Bengali Cinema. Delhi: Roli Books. ISBN 978-81-937049-5-0. OCLC 1252423949. Search this book on
- ↑ Gopalan, Lalitha (2020). Cinemas dark and slow in digital India. Basingstoke. ISBN 978-3-030-54096-8. OCLC 1237558382. Search this book on
- ↑ Prasad, M. Madhava (2000). Ideology of the Hindi film : a historical construction. Delhi: Oxford University Press. ISBN 0-19-565295-9. OCLC 46816596. Search this book on
- ↑ Being Bengali : at home and in the world. Mridula Nath Chakraborty. London: Routledge. 2014. ISBN 978-1-315-81911-2. OCLC 875098666. Search this book on
- ↑ Ingle, Hrishikesh Sudhakar (2022-08-01). Marathi Cinema, Cultural Space, and Liminality: A History. Oxford University Press. ISBN 978-0-19-267593-4. Search this book on
- ↑ Third cinema, world cinema and Marxism. Ewa Mazierska, Lars Lyngsgaard Fjord Kristensen. New York. 2020. ISBN 978-1-5013-4829-7. OCLC 1175923172. Search this book on
- ↑ MAJUMDAR, NEEPA (2021). COMPANION TO INDIAN CINEMA. [S.l.]: WILEY-BLACKWELL. ISBN 978-1-119-04819-0. OCLC 1236850780. Search this book on
- ↑ Chakrabarty, Dipesh (2002-08-01). "Provincialising Europe in South Asia: A reply to Moinak Biswas". South Asia: Journal of South Asian Studies. 25 (2): 281–282. doi:10.1080/00856400208723486. ISSN 0085-6401. Unknown parameter
|s2cid=ignored (help) - ↑ "Satyajit Ray's Political Vision of the Doubly Colonized", The Cinema of Satyajit Ray, Cambridge University Press, pp. 177–212, 2000-01-13, doi:10.1017/cbo9781139173148.005, ISBN 9780521629805, retrieved 2022-08-21
- ↑ "The Many Absences of Abbas Kiarostami". The Wire. Retrieved 2022-08-21.
- ↑ "Ingmar Bergman's World of Dreams". The Wire. Retrieved 2022-08-21.
- ↑ "For a Political Cinema to Come". Economic and Political Weekly. 49 (33): 7–8. 2015-06-05.
- ↑ BISWAS, MOINAK (2014). "For a Political Cinema to Come". Economic and Political Weekly. 49 (33): 23–26. ISSN 0012-9976. JSTOR 24480442.
- ↑ Biswas, Moinak (2021-01-01). "Ritwik Ghatak and an Indian Project of Modernism". Take Art Magazine. Retrieved 2022-08-21.
- ↑ "Moinak Biswas, Coming to the City: Indian Cinema and Making of the Modern Self — Centre for the Study of Culture and Society". cscs.res.in. Retrieved 2022-08-21.
- ↑ https://jmionline.org/articles/2012/presentation_1_day_one__teaching_film_studies_in_india_curricula_and_crises.pdf
- ↑ "Her Mother's Son: Kinship and History in Ritwik Ghatak". www.rouge.com.au. Retrieved 2022-08-21.
- ↑ "The City and the Real: Chinnamul and the Left Cultural Movement in the 1940s | Occasional Paper".
- ↑ "Reason, Debate and a Tale". Film at Lincoln Center. Retrieved 2022-08-21.
- ↑ Biśvāsa, Maināka; Biswas, Moinak (2006). Apu and After: Re-visiting Ray's Cinema. Seagull Books. ISBN 978-1-905422-26-5. Search this book on
- ↑ "9781905422265 - Apu and After Re-reading Ray's Cinema by Moinak Biswas".
- ↑ "APU AND AFTER: RE-VISITING RAY'S CINEMA By Moinak Biswas **BRAND NEW**". eBay. Retrieved 2022-08-21.
- ↑ Biswas, Moinak (2002). Historical Realism: Modes of Modernity in Indian Cinema, 1940-60. Monash University. Search this book on
- ↑ Biswas, Moinak (2002). "Historical realism : modes of modernity in Indian cinema, 1940-60". Unknown parameter
|s2cid=ignored (help) - ↑ "Moinak Biswas - New Cinephilia | PDF | Cultural Studies | Filmmaking". Scribd. Retrieved 2022-08-21.
- ↑ Biswas, Moinak (2016). "Mourning and Blood-Ties: Macbeth in Mumbai". In Kishore, Vikrant; Sarwal, Amit; Patra, Parichay. Salaam Bollywood. doi:10.4324/9781315625720. ISBN 9781317232865. Search this book on
- ↑ "New York Indian Film Festival 2011". iaac.us. Retrieved 2022-08-21.
- ↑ "Sthaniya Sambaad (2009)". Indiancine.ma. Retrieved 2022-08-21.
- ↑ "Event: Film Screening at TARQ | 'Sthaniya Sambaad' (Spring in the Colony)". TARQ. Retrieved 2022-08-21.
- ↑ "Across the Burning Track, a film by Moinak Biswas". southasia.rutgers.edu. Retrieved 2022-08-21.
External links[edit]
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