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Rita Pavone

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Mrs.

Rita Pavone
Black and white photo of Rita Pavone holding a bouquet of flowers in front of a jet plane.
Pavone in 1965
Background information
Birth nameRita Ori Filomena Pavone
Also known asRita Merk-Pavone
Born (1945-08-23) August 23, 1945 (age 80)
Turin, Piedmont, Kingdom of Italy
Genres
Occupation(s)
  • Singer
  • Actress
  • Showgirl
  • Entertainer
Years active1962–present
LabelsRCA Italiana, Dischi Ricordi, Ritaland
Websitewww.ritapavone.it

Rita Ori Filomena Merk-Pavone (née Pavone, it; born August 23, 1945)[1] is an Italian-Swiss pop singer, actress and showgirl, who enjoyed success through the 1960s. Selling more than 50 million records worldwide and recording in seven different languages,[2] she is also one of eight Italian pop singers to have ever entered the UK charts.[3] She also became known as "la Zanzara di Torino" ("the Mosquito of Turin"), as well as "Pel di carota" ("Carrot Hair") because of the red color of her hair.[4]

Early Life

Rita Pavone was born and spent her early years at Via Malta 43, in the Borgo San Paolo district of Turin.[1] Her family of origin consisted of her father, Giovanni Pavone, a Sicilian-born worker at the Fiat Mirafiori plant, her mother Maria, a housewife originally from Ferrara, and her brothers Piero, Carlo, and Cesare. She spent holidays in the hamlet of Grandi Tanze in Mattie, a province of Turin, where she had a house built for her mother.

Rita enrolled in the first year at the Santorre di Santarosa State Technical Institute. However, during the winter of 1959 and 1960, the family moved to another district, settling in the Fiat workers' housing on Via Chiala 19, in the area of Mirafiori Sud.

During this, encouraged by her father, she made her stage debut at the Vittorio Alfieri Theater in Turin as part of a children’s show called Telefoniade, produced by Italian telecommunications company Stipel (now TIM Group)[5]. Her two-act performance, which was the first time Rita had performed before an audience, included "Swanee"—made up as an African American girl and wearing a black satin tailcoat—and "Arrivederci Roma", where Rita performed as an English girl visiting Rome. Between late 1959 and 1961, she performed at student events and in local Turin venues and nightspots such as Apollo Danze[6], La Serenella[7], La Perla[8] and Hollywood Dance[9]. Her preference for songs by Canadian singer Paul Anka earned her the nickname Paul Anka in Gonnella ("Paul Anka in a skirt")[7].

Needing to support her family, she also took occasional work at a shirt factory. She also attempted to obtain a diploma through summer courses, but work commitments ended up overwhelming her ability to study.

In 1962, she won the first Festival degli sconosciuti ("Festival of the Unknown"), a song competition for amateur artists[1] in Ariccia, performing covers of "Moliendo Café" and other songs by Italian pop star Mina. The event’s creator, Teddy Reno, became her mentor. Her victory at Ariccia also led Pavone to a successful audition with RCA Italiana that promptly secured her a recording contract[10].

Career

1963–1967: RCA Italiana and rise to fame

Her self-titled 1963 album, led by the hit single "La partita di pallone" ("The Soccer Game") made her a national star at 17, and international attention soon followed. "La partita di pallone" sold over one million copies and was awarded a gold disc.[11] Her recording of "Cuore" ("Heart") also sold a million copies in 1963 and topped the charts for nine weeks[11] [12]. More hits followed, including: "Alla mia età"; "Come te non c’è nessuno", which held the top spot for nine weeks from March 2th[13]; "Il ballo del matton", which reached number one on June 8th and remained there for three weeks[14]; "Non è facile avere 18 anni", which led the charts for two weeks from January 25th, 1964[15]; and "Datemi un martello", an Italian version of "If I Had a Hammer", with Italian lyrics by Sergio Bardotti.

In 1964, she starred in the television miniseries Giornalino di Gian Burrasca, based on the children’s novel by Vamba, directed by Lina Wertmüller, with music by Nino Rota and arrangements by Luis Bacalov. The show’s theme song, "Viva la pappa col pomodoro", featured zither player Anton Karas, famous for his work on Carol Reed's film The Third Man, and was recorded by Pavone in multiple languages: "The Man Who Makes The Music" (United Kingdom), "Ich frage meinen Papa" (Germany), and "Qué ricas son la papas" (Spanish-speaking countries). Pavone also hosted her own variety talk show, Stasera Rita ("Tonight Rita"), as well as other variety shows such as Studio Uno and Alta Pressione.[16]

File:Pavoneburrasca.jpg
Rita Pavone in Il giornalino di Gian Burrasca, 1964
File:Disco 45 giri - Musei del cibo - Pomodoro - 251.jpg
Italian single of Viva la pappa col pomodoro, 1964

In 1965, she won the Cantagiro music competition with the song Lui. Other successful singles followed, including "Solo tu"; "Stasera con te" (the theme song for Stasera Rita), "Plip", which reached number one for three weeks on December 25, 1965, "Qui ritornerà", which performed as well on June 18, 1966, "Il geghegé", "Fortissimo", "La zanzara", "Gira gira", and "Questo nostro amore".

During these years, Pavone also starred in a number of highly successful musical films: Clementine Cherie (1963), Rita, la figlia americana in 1965 with Totò, directed by Piero Vivarelli; Rita la zanzara in 1966 with Giancarlo Giannini, directed by Lina Wertmüller; and Non stuzzicate la zanzara in 1967, with Giannini and Giulietta Masina, also directed by Wertmüller. In 1967, she won the Cantagiro again with "Questo nostro amore", written by Luis Bacalov and Lina Wertmüller as the theme song for Non stuzzicate la zanzara. That year also saw the release of Little Rita nel West, co-starring Terence Hill and directed by Ferdinando Baldi, and La feldmarescialla, also with Terence Hill, and directed by Steno.

International success

In the United States, Pavone appeared five times on The Ed Sullivan Show, her first on May 17th, 1964, until her last in 1970.[17] On one occasion, she was listed third on the bill, following Duke Ellington and Ella Fitzgerald. She later appeared on other American television programs such as Hullabaloo and Shindig!, performing alongside acts like The Beach Boys, Marianne Faithfull, Orson Welles, Paul Anka, The Animals, and The Supremes.

RCA Victor in the U.S. released three albums by Pavone: 1964's The International Teen-Age Sensation, whose English-language single “Remember Me”, backed with "Just Once More", remained on the Cashbox and Billboard Hot 100 charts for 10 weeks, peaking at number 26 and number 16 in Canada; Small Wonder, both recorded at RCA Victor Studios in New York; and Rita Pavone, recorded in Nashville and produced by guitarist Chet Atkins. For the latter album, she collaborated with musicians including Floyd Cramer, Al Hirt, and the Anita Kerr Singers.

On 20 March 1965, Pavone made her U.S. concert debut at Carnegie Hall in New York City, introduced by Ed Sullivan. In the United Kingdom, her English-language single Heart reached number 12 on the UK Singles Chart in 1966.

In 1967, the BBC in London produced a television special titled Segni personali: lentiggini ("Personal Features: Freckles"), featuring Herman's Hermits as guests. On the special, Pavone was accompanied by the Italian rock band Collettoni.

Meanwhile she scored a string of hits, both ballads and rock songs in Spain, where she became a teen idol, enjoying so much fame there that it was commented during a 2005 Spanish television documentary that such success there for a foreign singer is rare.

In the United States, she sang alongside other artists, including Diana Ross and The Supremes, Ella Fitzgerald, Tom Jones, Duke Ellington, and Paul Anka. She also sang at Carnegie Hall in New York City.

Pavone was also popular in the UK during 1966 and 1967. RCA Victor issued two of her singles in quick succession; both were hits with "Heart" peaking at number 27 and "You Only You" peaking at number 21 in the UK Singles Chart.[18] During this same period, she appeared at the London Palladium. She also recorded Andrew Lloyd Webber's "Try It And See", which later became "King Herod's Song" in the rock opera, Jesus Christ Superstar.

1968–1970: Marriage to Teddy Reno and Ritaland

By March 1968, Rita Pavone’s controversial marriage to Teddy Reno appeared to substantially hurt her career. The public perceived a dissonance between her young image and her decision to marry a man nineteen years her senior who was already married and had a child. This shift in public sentiment was intensified by tabloid media coverage, which focused heavily on other personal issues such as the separation of Pavone’s parents.

Despite the controversy, Pavone signed a contract with music publishing house Ricordi and founded the Ritaland label, through which she released a series of children’s songs that failed to chart.

She later recorded three singles aimed at a more mature audience: Pippo non lo sa, a well-known song by Gorni Kramer that was used as the theme for a children's afternoon television program, and two others—Il mondo nelle mani and Nella mia stanza. Neither of these releases succeeded in returning her to the top of the Italian charts, although during the same period, she gained notable popularity in South America.

In 1969, she made her debut at the Sanremo Music Festival with the song Zucchero, placing 13th. Overall, her time with Ricordi proved unsuccessful. The summer single Per tutta la vita—a cover of a 1950s hit—failed commercially. Pavone competed and was eliminated early from the singing competition show Canzonissima with another new song, Dimmi ciao bambino, an Italian cover version of a German song.

Further tensions arose following legal complaints filed by Pavone and Teddy Reno against RAI, prompted by their disapproval of Alighiero Noschese's impersonation of her on the show Doppia coppia. As a result, her television appearances were significantly reduced.

The following year, Ricordi pushed for her to return to the Sanremo Festival, but she declined and instead rejoined RCA. At that point, Pavone’s commercial appeal had diminished considerably, and the terms of her new contract with RCA were less favorable than before. Nevertheless, the label entered her into the 1970 Sanremo Festival with the song "Ahi ahi ragazzo!", a track she personally disliked despite the song achieving moderate success in Spain and other Spanish-speaking countries.

1970–1980: Ciao Rita, Bonjour la France, and Che combinazione

File:Rita Pavone.jpg
Rita Pavone, 1973

After a brief hiatus, Rita Pavone re-emerged by participating again in Canzonissima, where she performed two well-received cover songs: "Stai con me" ("Stand by Me") and "Finalmente libera" ("Free Again")

In 1971, she began exploring more singer-songwriter material, including songs such as "Se casomai..." and "La suggestione", both written by a then-unknown Claudio Baglioni. She returned to television with the special Ciao Rita, where she appeared not only as a singer, but also as a dancer, impersonator, and presenter. The show was a massive hit and held excellent ratings. She returned to Canzonissima, where she outperformed Ombretta Colli, Milva, and Dalida with performances of La suggestione and a new version of her classic hit Cuore. In the semi-finals, she sang "Lasciati andare a sognare" but was defeated by Iva Zanicchi and Rosanna Fratello.

In 1972, she returned to the Sanremo Music Festival with the ballad "Amici mai", but again failed to reach the final. However, shortly afterward, her appearance on Guy Lux’s French TV show with "Bonjour la France" (the French version of "La suggestione") brought her unexpected success in France, where the single reached number two on the charts. She subsequently performed at the Olympia in Paris. Her French-language covers of Montagne verdi by Marcella Bella and "Questo piccolo grande amore" were also well-received in France.

In 1973, on her second appearance in Un Disco per l’estate, she performed with another Baglioni song, "L’amore è un poco matto", which failed to attract public interest. Despite recording a significant amount of material in 1974, RCA did not release any of it.

In 1975, she released Rita per tutti (initially titled Rita in discoteca), an album of 1960s Italian pop songs. Featuring new arrangements by Victor Bach, the album included tracks like "Io che amo solo te" originally by Sergio Endrigo and "Sapore di sale" by Gino Paoli. It became a major success in Brazil, where the former was used as the theme song of a popular telenovela.

Pavone also gained recognition as a stage actress. In 1975, she starred alongside actor Erminio Macario in the play "Due sul pianerottolo", which was later adapted into a film directed by Mario Amendola. She later appeared with Carlo Dapporto in Risate in Salotto.

In 1976, she promoted the single "...E zitto zitto", presented at the Sanremo Festival, where she appeared as a guest performer.

In 1977, Pavone returned to the top of the charts with "My Name Is Potato", the theme song of her new television show Rita ed io, co-starring Carlo Dapporto. The show's animated opening sequence was created by Bruno Bozzetto. Her following album was also titled the same that year. The success continued with "Paperita", a children's song used as the theme for Buonasera con... Rita al circo.

In 1978, she returned to the stage alongside Milanese actor Piero Mazzarella in Quel diavolo di Santarellina. That same year, she recorded "Heidi-Di", the theme for the Italian dubbed version of the Japanese animated film and TV series Heidi, Girl of the Alps, with music by Giuni Russo and Maria Antonietta Sisini and lyrics by Umberto Napolitano.

In 1979, she released a single featuring a cover of Blame It on the Boogie by The Jackson 5, performed with the group Anonima Ragazzi—a troupe of young singers and dancers who accompanied her for several years. This collaboration also yielded the album Rita e l'Anonima Ragazzi, which included a contribution from Giuni Russo, who wrote the song "Il mondo dei ragazzi".

The decade concluded with Pavone hosting the prime-time television show Che combinazione on Italy's second channel, and releasing the album "R. P. '80". However, tensions arose due to the unexpected hiring of actor Gianni Cavina as co-host, despite contractual agreements listing Pavone as the sole presenter (with Cavina appearing only as a guest). The show ran until the end of January 1980, drawing an average of 12 million viewers per episode. A single was also released, featuring the show's theme songs "Prendimi" and "Mettiti con me".

1981–1989: Finito and Gemma e le altre

In the spring of 1982, she starred in the Saturday night variety show Come Alice ("Like Alice"), which became a hit on Italian television on TSI 1. This would be Pavone’s final role as a television host, as she subsequently stepped away from variety programming to focus solely on her music career.

Throughout the 1980s, Pavone intensified her work as a singer-songwriter, collaborating with Italian-American lyricist Laura Trentacarlini. The partnership began with the album Rita e l’Anonima Ragazzi, and afterwards with songs such as "Crisi d’identità", "Equivoci d’amore", and "Come la prima volta", all of which were featured on Pavone's 1985 album Dimensione donna. From the album, the song "Finito" became a major hit after it was selected as the theme for the Brazilian soap opera Sassaricando on TV Globo.

In 1987, she co-wrote the single "La valigia" with Trentacarlini. That same year saw the release of the album Rita Special, which included "Triangolo d’amore", a track originally written in 1977 through a collaboration with Giuni Russo, Maria Antonietta Sisini, and Cristiano Malgioglio.

In late 1989, Pavone released her final album of original material, "Gemma e le altre". With the music composed by Trentacarlini, and lyrics by Pavone herself—who also co-arranged the album—the work centered on themes of love from a female perspective.

During the 1980s, Pavone acted in a handful of comedies including 2 sul Pianerottolo, Risate in Salotto, and Santarellina.

In a interview on Verissimo, a Canale 5 talk show hosted by Silvia Toffanin, Pavone revealed that she had been essentially blacklisted from the Sanremo Festival during the 1980s by presenter Pippo Baudo, who deliberately rejected her all of her submissions and did not invite her to appear on any of his TV shows.

1990–1999: Return to United States and theater acting

In 1991, Pavone was featured on Cristiano Malgioglio’s album Amiche, alongside artists such as Milva, Sylvie Vartan, and others.

In 1992, she returned to the United States and performed in a concert at the Sands Hotel in Atlantic City, sharing the stage with Whitney Houston, Frank Sinatra, the Bolshoi Ballet, and Cher.

In 1995, she took on her first classical stage role, playing Maria in Twelfth Night by William Shakespeare at the Teatro Romano in Verona, alongside Franco Branciaroli, Renzo Montagnani, Pino Micol, and Marco Sciaccaluga.

In 1999, she portrayed Gelsomina in La Strada (co-starring with Fabio Testi), a stage adaptation of Federico Fellini’s film. The production featured a script by Tullio Pinelli and Ennio Flaiano, direction by Filippo Crivelli, costumes by Danilo Donati, and music by Nino Rota. For the occasion, Academy Award-winning composer Luis Bacalov wrote the original song "Che senso ha", with lyrics by Pavone.

2000s: Retirement and Senate run

In June 2000 and 2001, Pavone was among the featured performers on I ragazzi irresistibili, a musical variety show broadcast on Canale 5, alongside Maurizio Vandelli, Adriano Pappalardo, and Little Tony.

In 2002, she co-created and co-produced, with her husband Teddy Reno, the television film Gian Burrasca, which also aired on Canale 5. That same year, she also held a concert at the Miami-Dade County Auditorium.

File:Consegna del Sigillo Trecentesco a Ferruccio Merk.jpg
(Left to Right) Pavone, Ferruccio Merk Ricordi (Teddy Reno), and the Mayor of Trieste Roberto Dipiazza in 2016

In 2004, the remains of her father were lost during excavation work for exhumations at the Cimitero monumentale di Torino. In March 2018, the Regional Administrative Court (TAR) of Piedmont ordered the Municipality of Turin to compensate three of his family members for the incident.

On 1 January 2006, during the RAI 1 show "L’anno che verrà", Pavone officially announced her retirement from public life after giving her final public performance. In March of the same year, she ran for the Italian Senate representing the Overseas Constituency as part of the center-right list Per l'Italia nel Mondo (For Italy in the World), led by minister Mirko Tremaglia. Despite her candidacy, she was not elected.

2010–2018: Return to music and touring

On October 6th, 2010, Rita Pavone appeared as a guest at a concert in Rome celebrating Renato Zero’s 60th birthday. Together, they performed several of Pavone’s hits. Her entire performance was later included in a DVD released by Renato Zero. That same year, she also appeared as a guest on Dario Gay’s duet album Ognuno ha tanta storia, performing the song Domani è primavera with him.

On December 27th, 2011, during the 16th edition of the Hollywood International Film Festival in Capri, Pavone received the Capri Legend Award 2011, alongside Oscar-winner Ben Kingsley and choreographer Lindsay Kemp. The event was produced by Pascal Vicedomini, with Lina Wertmüller serving as honorary president and Tony Renis as vice president.

On September 8, 2013, Pavone returned to music after a 24-year hiatus from studio albums and seven years after announcing her retirement. She released the double album Masters, preceded by the single I Want You With Me, a cover of the Elvis Presley song.

In May 2014, she launched the "Rita is Back!" tour, performing in six theatrical concerts.

In February 2016, she competed in the eleventh season of the talent show Ballando con le stelle, partnered with professional dancer Simone Di Pasquale. The pair reached the finals and finished in third place.

In 2018, she recorded the duet Ballando sul prato with Franco Simone, a song written for her by Simone. In May of that year, she also returned to Brazil for a concert tour.

2020–present: Return to Sanremo

File:Rita Pavone di Sanremo 2020IMG 2100.JPG
Pavone at the 2020 Sanremo Music Festival

In 2020, after a 48-year absence, Pavone returned to the Sanremo Music Festival, performing the song Niente (Resilienza 74), composed by her son Giorgio Merk.[19] She placed 17th in the competition. On February 28th, the compilation RaRità was released in CD format, followed by a limited-edition LP on May 15th.

In autumn of 2020, and again in autumn of 2021, she served as a judge on the third and fourth seasons of the talent show All Together Now – La musica è cambiata, aired on Canale 5.

In early 2025, she was invited to serve as a coach on the musical program Ora o mai più.

Personal Life

In Switzerland in 1968, Pavone married her mentor Teddy Reno amid public controversy due to his pre-existing marriage to Vania Protti and the significant age difference. Since divorce had been outlawed in Italy until 1970, they remarried in Italy the following year.

In 1968, the couple settled in Switzerland (currently in Ticino) and had two sons: Alessandro (born 1969) and Giorgio (born 1974). Their elder son Alessandro is a radio-show host, and their younger son Giorgio is a musician singer. Like her contemporary Mina, Pavone holds Swiss citizenship.

In 1995, Pavone released her autobiography Nel mio piccolo.

Appearances at the Sanremo Music Festival

Year Category Song Placement Partner
1969 Zucchero 13th Dik Dik
1970 Ahi ahi ragazzo! Non-finalist Valeria Mongardini
1972 Amici mai
2020 Campioni Niente (Resilienza 74) 17th Amedeo Minghi

Appearances as guest

Year Artists Song Author
2005 Toto Cutugno and Annalisa Minetti Come noi nessuno al mondo S. Cutugno

Discography

Pavone mainly recorded for RCA Italiana until 1968, then signed briefly with Ricordi, which launched her vanity label RitaLand. She eventually returned RCA and recorded three more albums with the company. She also enjoyed major popularity internationally as well. She recorded for various labels outside Italy: Decca in the United Kingdom; Teldec and Polydor in Germany; Barclay, and the French divisions of RCA and Phonogram in France; and RCA Victor in the United States, Japan, and throughout South America.[20]

Studio Albums

  • 1963 – Rita Pavone (RCA Italiana, PML 10350)
  • 1964 – Non è facile avere 18 anni (RCA Italiana, PML 10360)
  • 1965 – Il giornalino di Gian Burrasca (RCA Italiana, PML 10380)
  • 1965 – Stasera Rita (RCA Italiana, PML 10404)
  • 1966 – La "Vostra" Rita (RCA Italiana, Serie Special, S 10)
  • 1966 – È nata una stella (RCA Italiana, Serie Special, S 20)
  • 1967 – Ci vuole poco... (RCA Italiana, Serie Special, S 24)
  • 1967 – Little Rita nel West (RCA Italiana, PML 10427)
  • 1968 – Viaggio a Ritaland (Ritaland/Dischi Ricordi, SRTL 1001)
  • 1969 – Rita Pavone presenta: Pierino e il lupo / Storia di Babar l'elefantino (Ritaland/Dischi Ricordi, SRTL 1002)
  • 1969 – Rita (Dischi Ricordi, SMRL 6067)
  • 1970 – Gli italiani vogliono cantare (RCA Italiana, PSL 10489)
  • 1971 – Ciao Rita (RCA Italiana, LP8S 21166)
  • 1975 – Rita per tutti (RCA Italiana, TPL1 1164)
  • 1977 – Rita ed io (RCA Italiana, PL 31201)
  • 1979 – Rita e l'anonima ragazzi (RCA Italiana, PL 31439)
  • 1979 – R.P. '80 (RCA Italiana, PL 31488)
  • 1985 – Dimensione donna (Ros Record, RRLP 1172)
  • 1989 – Gemma e le altre ("21" Compagnia Generale Dello Spettacolo, RP 30)
  • 1993 – Rita is Magic (Discomagic Records, CD 809)
  • 1997 – Nonsolonostalgia (Joker, CD 22153)
  • 2013 – Masters (Sony Music)
  • 2020 – RaRità (BMG, 20SC0025)

RCA singles (1963–1970)

  • "La Partita di Pallone" / "Amore Twist" (1963)
  • "Come te non c'è nessuno" / "Clementine Cherie" (1963)
  • "Alla Mia Età" / "Pel di Carota"
  • "Cuore" / "Il Ballo del Mattone" (1963)
  • "Non è Facile Avere 18 Anni" / "Son Finite le Vacanze" (1964)
  • "Che m'importa del mondo" / "Datemi un Martello" (1964) (Italian cover of "If I Had a Hammer")
  • "Scrivi" / "Ti Vorrei Parlare" (1964)
  • "L'amore Mio" / "San Francesco" (1964)
  • "Viva la Pappa col Pomodoro" / "Sei la Mamma" (1965)[21][22]
  • "Lui" / "La Forza di lasciarti" (1965)
  • "Il Plip" / "Supercalifragilispiespiralidoso" (1965)
  • "Stasera Con Te" / "Solo Tu" (1965)
  • "Il Geghegè" / "Qui Ritornerà" (1965)
  • "Fortissimo / La Sai Troppo Lunga" (1966)
  • "Mamma Dammi la Panna" / "Col Chicco" (1966)
  • "La Zanzara" / "Perchè Due non-Fa Tre" (1966)
  • "Dove Non-So" / "Gira Gira" (1967)
  • "Una Notte Intera" / "Questo nostro amore" (1967)
  • "Una Notte Intera" Promo Jolly Hotels
  • "I Tre Porcellini" / "Con un Poco di Zucchero" (1967)
  • "Non Dimenticar le Mie Parole" / "Da Cosa Nasce Cosa" (1967)
  • "Tu Sei Come" / "Ma Che Te Ne Fai" (1968)
  • "Zucchero" (1969)
  • "Ahi, Ahi Ragazzo" (1970)

U.S. discography

French discography

  • Dame Baby Poupée (Philips – 9101 209) (1979)[23]

Filmography

Films
Title Year Role Notes
Carosello 1963 (Cornetto Ice Cream) Herself TV ad program
Il giornalino di Gian Burrasca 1964 Giannino Stoppani ('Gian Burrasca') TV miniseries
Rita the American Girl 1965 Rita Benvenuti Feature film debut
Rita the Mosquito 1966 Rita Santangelo
Don't Sting the Mosquito 1967 Rita Santangelo
Rita of the West 1967 Little Rita
The Crazy Kids of the War 1967 Rita
Carosello 1968 (Cinzano Soda apertif) Herself TV ad program
Due sul pianerottolo 1975 Guglielmina 'Mimma' Castigliano TV movie
Due sul pianerottolo 1976 Guglielmina 'Mimma' Castigliano Feature film
Gian Burrasca 2001 Gertrude/Narrator TV movie

Television

  • High pressure ( National Program , 1962)
  • Studio One (National Program, 1962-1963; 1965-1966)
  • Tonight: Rita! (National Program, 1965)
  • The proof of the nine (National Program, 1965)
  • Partitissima (National Program, 1967)
  • Tonight we play with Rita (National Program, 1967)
  • Without a Net (National Program, 1968)
  • Canzonissima (National Program, 1969-1972)
  • Italians want to sing (National Program, 1970)
  • Hello Rita (National Program, 1971)
  • Rita and I ( Network 1 , 1977)
  • Macario Plus (Network 1, 1978)
  • Good evening with... Rita at the circus ( Rete 2 , 1979)
  • What a coincidence (Network 2, 1979-1980)
  • Like Alice (Network 1, 1982)
  • Songs under the tree ( Channel 5 , 1996) Judge
  • Happy Sunday (Channel 5, 1997-1998, 2000-2001)
  • The Irresistible Boys (Channel 5, 2000-2001)
  • The Track (Rai 1, 2014) Jury
  • Dancing with the Stars (Rai 1, 2016) Contestant
  • Sanremo Young (Rai 1, 2019) Juror
  • Woodstock - Rita tells (Rai 2, 2019)
  • All Together Now - The Music Has Changed (Channel 5, 2020-2021) Judge
  • All Together Now Kids (Channel 5, 2021) Judge
  • Now or Never (Rai 1, 2025) Juror and Coach

Awards

References

  1. 1.0 1.1 1.2 Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. p. 1922. ISBN 0-85112-939-0. Search this book on
  2. "La voce delle donne". La voce delle donne. Archived from the original on September 30, 2015. Retrieved June 28, 2024.
  3. "RITA PAVONE | Songs and Albums | full Official Charts history". Official Charts. Retrieved June 28, 2024.
  4. "Rita Pavone e Patty Pravo, tornano le regine del pop". Corriere della Sera. Archived from the original on 7 November 2015. Retrieved 14 June 2025. Unknown parameter |url-status= ignored (help)
  5. "In scena stasera all'Alfieri la rivista della Stipel". La Stampa. 1 December 1959. p. 2.
  6. La Stampa del 5 dicembre 1959, n. 289, p. 4
  7. 7.0 7.1 La Stampa del 30 gennaio 1960, n. 26, p. 4
  8. La Stampa del 29 aprile 1961, n. 102, p. 4
  9. La Stampa del 19 novembre 1960, n. 277, p. 4
  10. Gianfranco Manfredi, La strage delle innocenti, Lato Side, Roma, 1982; p. 30
  11. 11.0 11.1 Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 164. ISBN 978-0-214-20512-5. Search this book on
  12. "Cuore". HitParadeItalia. Archived from the original on 17 March 2018. Retrieved 27 February 2016. Unknown parameter |url-status= ignored (help)
  13. "Come te non c'è nessuno". HitParadeItalia. Archived from the original on 2018-03-17. Retrieved 27 February 2016. Unknown parameter |url-status= ignored (help)
  14. "Hit Parade del 08 Giugno 1963". HitParadeItalia. Archived from the original on 2011-09-17. Retrieved 18 November 2019. 1º Il ballo del mattone Unknown parameter |url-status= ignored (help)
  15. "Non è facile avere 18 anni". HitParadeItalia. Archived from the original on 17 March 2018. Retrieved 27 February 2016. Unknown parameter |url-status= ignored (help)
  16. Brioni, Cecilia (2017). "Between Two Stages: Rita Pavone and i Giovani on Studio Uno (1961–1966)". Italian Studies. 72 (4): 414–427. doi:10.1080/00751634.2017.1370895. Unknown parameter |s2cid= ignored (help)
  17. Ackerman, Paul, ed. (9 May 1964). "Rita Pavone Arrives for RCA's Promotion Tour" (PDF). Billboard. Vol. 76 no. 19. Cincinnati, OH, USA: Cook, Hal B. p. 3. ISSN 0006-2510. Archived (PDF) from the original on 2021-01-21. Retrieved 13 September 2024. [Pavone] is set to appear on the Ed Sullivan show on May 17
  18. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 421. ISBN 978-1-904994-10-7. Search this book on
  19. Scarpone, Cristian (6 January 2020). "Sanremo 2020: colpo di scena di Amadeus, due Big in più in gara". eurofestivalnews.com (in italiano). Retrieved 5 February 2020.
  20. "Encyclopédisque - Discographie : Rita PAVONE". www.encyclopedisque.fr. Retrieved 2023-05-03.
  21. Michael McKenna (6 November 2012). "Rita Pavone – Viva La Pappa Col Pomodoro". YouTube.
  22. "Heineken – The Match". Vimeo.com.
  23. "Rita Pavone - Dame Baby Poupée". Discogs. 1979. Retrieved 1 October 2022.

External links

  • Media related to [[commons:Lua error in Module:WikidataIB at line 466: attempt to index field 'wikibase' (a nil value).|Lua error in Module:WikidataIB at line 466: attempt to index field 'wikibase' (a nil value).]] at Wikimedia Commons
  •  Script error: The function "name_from_tag" does not exist. Wikiquote has quotations related to: Rita Pavone
  • Official website
  • Rita Pavone on IMDb
  • Rita Pavone discography at Discogs
  • Cecilia Brioni, 'Between Two Stages: Rita Pavone and i giovani on Studio Uno (1961–1966), Italian Studies, 72:4, p. 414–427. [1]


References


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