📜 Post with us on Reddit
📝 Create a new article
🏭 Create a company page
🇬🇧 - in English
🇫🇷 - en Français (FR)
🇵🇹 - em Português (PT)
🇩🇪 - in Deutsch (DE)
🇯🇵 - 日本語で (JA)
Sponsored articles

You can edit almost every page by Creating an account. Otherwise, see the FAQ.

Australian hip hop

From EverybodyWiki Bios & Wiki

Australian hip hop traces its origins to the early 1980s and is largely inspired by hip hop and other predominantly African-American musical genres from the United States.[1][2][3] As the form matured, Australian hip hop has become a commercially viable style of music that is no longer restricted to the creative underground, with artists such as 1200 Techniques, Kerser, Manu Crooks, Briggs, Baker Boy, Koolism, Hilltop Hoods and Bliss n Eso achieving notable fame. Australian hip-hop is still primarily released through independent record labels, which are often owned and operated by the artists themselves. Despite its genesis as an offshoot of American hip hop, Australian hip hop has developed a distinct personality that reflects its evolution as an Australian musical style.[4]

History[edit]

Early years (1980s)[edit]

In 1982, the music video for Malcolm McLaren's track, "Buffalo Gals", was shown on the Australian television music show Sound Unlimited. The music show was broadcast on Network Seven. The clip was staged in a Manhattan basketball court and featured images of graffiti and break dancers. The video left an impression on Australian teenagers, who began to copy the dancers' moves.[5]

The first Australian hip hop record released was "16 Tons" / "Humber Mania Time" by Mighty Big Crime[6] via Virgin Records and Criteria Productions in 1987 (Catalogue number VOZC 026).[7] The Melbourne-based duo (Gumpy Phillips and Tricky J a.k.a. Justin Lodge) soon disbanded, in 1991 both were members of flower power group, Freaked Out Flower Children.[8]

Gerry Bloustein wrote in the book, Musical Visions, that Blaze claimed the first "true hip hop" release was, "Combined Talent" / "My Destiny" in 1988 by Just Us (consisting of Maltese DJ Case and Mentor).[9]

In 1988 the first compilation of Australian rap, Down Under by Law (Virgin), was released. It included tracks by Westside Posse, Mighty Big Crime, Swoop, Sharline and Fly Girl 3.[9][10]

Two Western Australian hip hop bands, Def Threat and Gangstarr, both released recordings in 1987. The Def Threat EP, Girls Never learn, reached #4 in the WA Independent music charts. Def Threat played a number of gigs over the next 12 months, and then disbanded. Gangstarr survived for a few more years. [11]

Major label releases (1990s)[edit]

In the late 1980s, Sound Unlimited Posse joined Sony BMG, thereby becoming the first Australian hip hop group signed on to a major record label. In 1992, they released the first major-label Australian rap album titled, A Postcard from the Edge of the Under-side.[9]

In 1991, a 16-year-old Sydney-based solo artist named KIC was signed to Sony/Columbia Records. His first single, "Bring Me On", was popular in Australia, Singapore, and Hong Kong. Also in 1992, independent label company Random Records released Def Wish Cast's album Knights of the Underground Table. After 1992, independent CDs and tapes were released by various artists, primarily from the Western Suburbs of Sydney, a largely immigrant-populated area largely known as a working class, underprivileged, and crime-ridden area.[12]

MC Opi (a.k.a. Opi Nelson) was an underground hip hop and dancehall artist who rose to national success after her performance on Christine Anu and Paul Kelly's 1994 ARIA-nominated single "Last Train", released by Mushroom/EMI (White Label). Prior to this, MC Opi co-produced Women on the Rhyme, the first national radio documentary about Australian female hip hop artists, created at the Australian Broadcasting Corporation (ABC).[13]

MC Opi contributed to Anu's debut album Stylin' Up, which attained platinum status in Australia and won the ARIA Award for Best Indigenous Album. Following the winning of the award, Anu invited MC Opi to perform with her on the first 'Australian Jail Tour' as part of NAIDOC (National Aborigines and Islanders Day Observance Committee) Week in 1993 in order to raise awareness about indigenous deaths in custody.[13]

Later years (2000s)[edit]

The Melbourne hip hop group 1200 Techniques was formed in 1997 by "old-school" 1980s B-boy/aerosol artist DJ Peril (founding member of Melbourne hip hop crew, Island Boys).The group consisted of DJ Peril on production, turntables, and percussion, his brother Kem(Kemstar) on guitar and N'fa on vocals.[14] They released an EP in 2001 called Infinite Styles with the independent label company Rubber Records.[15] 1200 Techniques later released one of the first hip hop crossover hits, a track called "Karma" (from the album Choose One). The song spawned the first ARIA Award for a hip hop act in Australia even before there was a hip hop category. Additionally "Karma" won Michael Gracey an ARIA in the same year for Best Video.[16] In 2003, the band released the first Australian hip hop DVD titled One Time Live, which featured the band's music videos, live footage and two short documentaries. Their second album, Consistency Theory, was released in 2004.[17][18]

Hilltop Hoods, an Australian hip-hop group, have been awarded several ARIA Music Awards.

By the early 2000s, the Australian Record Industry Association (ARIA) began to recognise the growing interest in hip-hop in Australia. In 2004, ARIA introduced a new category in their annual awards: Best Urban Album (R&B, hip-hop, soul, funk, reggae and dancehall). The inaugural award was won by Koolism for their album, Random Thoughts.[19] Koolism DJ Danielsan dedicated the award to the "Australian hip-hop community" and exclaimed: "Be yourselves, keep it real, enough of that American wannabe trash".[12]

At the 2006 and 2007 ARIA Awards, the Urban award was won by Hilltop Hoods for their albums The Hard Road and The Hard Road: Restrung, respectively.[20][21] The Hard Road also became the first Australian hip hop album to rank number 1 on the ARIA Charts in 2006. Other artists who have won the award include Bliss n Eso, for their album Flying Colours,[22] and Melbourne artist Illy, for his album Bring it Back, released on the Obese Records label.[23]

Australian hip-hop artists have also received international recognition. Australians have been featured on albums by artists from the US and Europe. In October 2014, Australian artist K21 appeared on a song, titled "Pas rentable", by French hip hop artist LinkRust.[24]

Women in Australian hip-hop have largely been under-developed; however, many underground MC's have existed and thrived. Notable artists such as Sampa the Great are on the rise.[25]

Style and influences[edit]

Australian hip hop artists are strongly influenced by African American and Latino rappers from the US, and continue to incorporate such influences into their music.[26] Australian artists, however, still utilise an authentic and unique style in their own music.[27] Like many hip hop scenes outside the US, some Australian hip hop artists have also been influenced by funk and dancehall.[28] Indigenous Australian culture is also a strong influence for many hip hop artists.[5][29]

While hip hop artists in the US are predominantly African American, many Australian hip hop artists are of Anglo heritage. Numerous Australian hip hop artists, including N'fa, Remi, Sampa the Great, Diafrix, Tkay Maidza, Miracle, Vida Sunshyne, KillaQueenz, are of African descent, which has influenced their music.[30]

Bliss n Eso consists of an American and two Australians. According to Bliss, "When I [moved] to Australia [in 1992], I met Eso and he was the only guy at my school into hip-hop. It was so scarce you'd be lucky to find a hip-hop record in a store let alone a whole section."[31] Eso is seen here performing in 2011.

American influence[edit]

U.S. artists cited as key inspirations of Australian hip-hop artists include Public Enemy,[3][32] A Tribe Called Quest,[33][34] and Nas.[33][35] Following the release of Drinking From The Sun in 2012, Hilltop Hoods included Organized Confusion, Kraz and De La Soul in their "ideal festival line up".[36]

In Australia, dance moves associated with hip hop, like krumping, footworking, locking and popping, have drawn public interest to hip hop, and contributed to its dynamic popularity.[37] However, these dance moves have been criticized as not being original and a sign that Australia suffers from a lack of its own hip-hop identity.[38]

United Kingdom influence[edit]

In more recent years (2000s onwards), Australian Hip Hop has seen a strong emergence of UK genres such as Grime and Afrobeat. Although these genres have been around for decades their worldwide popularity and acceptance in the mainstream is relatively new. The genre of 'Australian Grime' has been marked by viral artists like HAZRD. Adelaide-based producer Strict Face is also renowned for forward thinking Grime productions and hosts his own show on London's Radar Radio.

Australian identity[edit]

Although hip hop originated in the US, some Australian rappers see their hip hop scene as having its own unique character. Dialectrix has described it as a "mongrel mutation" of Afro-centric and Australian culture.[3] According to the lyrics of Def Wish Cast, it is "down under, comin' up."[5][39]

Australian hip hop has been localised with the introduction of aspects such as the Australian accent, Australian slang, political views, and references to localities and matters of Australian cultural identity. The lyrics of early Western Sydney artists like 046, Def Wish Cast and the White Boys represent the process of localising Australian hip hop. Additionally, the non-Anglo immigrants of these areas were attracted to hip hop because it tackles the theme of racial opposition, as in African American and Chicano hip hop.[12] Australian hip hop has been described as rich with Australian character, but also as inspirational for immigrants, providing "a voice and a purpose for those making their home anew in Australia."[30] For example, Diafrix use migrant experiences in some of their songs, although this is not their main focus.[40]

Numerous Australian hip-hop artists have expressed concern that sections of Australia's hip hop fanbase seem to espouse a "redneck" mentality that is ignorant of the culture's international influences.[3][26] In a 2009 interview, Cross Bred Mongrels member Flak explained: "I don't go for that. [Only listening to Australian hip hop] I think that is a little narrow-minded. If it is dope hip hop, it is dope hip hop. If it is from Germany, Japan or Compton, and it is dope, I go for it."[41] Over time, Australian hip hop diversified, absorbing influences from New Zealand, the United Kingdom and the Caribbean. For example, Def Wish described his style as influenced by reggae from London, rather than North American rap, while also acknowledging Afro-Caribbean roots of that scene.[42]

Gutter rap[edit]

Completely distinguishing itself from most Australian Hip Hop at the time, that rap about Middle-class lifestyle and issues (such as breakups, skating, going to the RSL), a new scene originating from Australia's infamous Housing Commission estates began emerging in the late 2000's called Gutter rap (sometimes known as Lad rap). Gutter rap artists such as Campbelltown's Kerser, Hurstville's Skeamo and Nter, and Blacktown's Fortay rap primarily about Australian Lower-class lifestyle and issues (such as crime, drug addictions, financial struggles), similar to traditional American Gangsta rap, which resulted it in being branded an Australian version of the American music genre. Unlike most other Australian hip hop scenes, which have proper mainstream presence and support, gutter rap remains underground on the internet, but that didn't stop artists from the genre gaining mainstream recognition and success, an example being Kersers second album No Rest for the Sickest reaching No. 15 on the ARIA albums chart,[43].

Indigenous Australian hip hop[edit]

See also: Indigenous music of Australia
Briggs has the name of his Indigenous tribe, the Yorta Yorta people, tattooed on his forearms "so every time I rock the mic people know I’m representing."[44]

Since the early 1980s, many indigenous crews have used hip hop as an outlet to vent their frustration against racial injustice and discrimination. Though not at the forefront of the Australian hip hop scene, Aboriginal rappers such as Brothablack, the South West Syndicate, Local Knowledge, Lez Beckett and the Native Ryme Syndicate produce songs that address the cultural situation of Indigenous Australians.[5][29] One of their musical influences is the American hip hop group Public Enemy.[32]

Munkimuk works on community-based educational hip hop projects around Australia,[29] such as 1999's Desert Rap, conducted with Brothablack from South West Syndicate and Morganics. The Desert Rap project was organised with Tony Collins from Triple J, which made an ABC TV documentary.[45] Munkimuk also hosts a nationally syndicated weekly radio program called "Indij Hip Hop Show", which is produced by Koori Radio in Sydney.

Briggs, a Yorta Yorta man from the rural location of Shepparton, became a prominent feature of the Australian hip hop scene since he began his career as an independent artist in 2005. In August 2014, he released his sophomore studio album, Sheplife, on the Golden Era Records label, owned by Hilltop Hoods. As of 2012, Briggs has been the recipient of two Deadly Awards nominations[46][47] and received the "Best New Talent" award at the 2014 National Indigenous Music Awards (NIMA).[48]

Indigenous producer and MC Daniel Rankine (Trials), of the Adelaide trio Funkoars and Golden Era Records, also releases his own work, including occasional solo work. Rankine's production credits include Drapht,[49] Vents,[50] Reason,[51] Cross Bred Mongrels[52] and K21,[53] while he has provided guest verses for Purpose,[54] Hilltop Hoods,[55] and the Golden Era mixtapes.[56] Trials and Briggs performed together at the "Beat The Drum" event for the Triple J Radio station on 16 January 2015, and released their debut album as the group A.B. Original, titled Reclaim Australia, in 2016.[57][58]

Media[edit]

Radio[edit]

Radio, particularly community radio, plays a significant role in the dissemination of hip hop within Australia. Additionally, the Australian Government funds projects,[59] such as the Australian Music Radio Airplay Project (AMRAP), which seeks to promote Australian music nationwide.[60] 3RRR was the first radio station to present an international hip-hop act to the city—Run-D.M.C.'s 1987 Australian tour—and it highlighted international hip hop culture as well as the local scene.[citation needed]

  • 3MDR (97.1FM): "The Bourne Collective" hosted by Bastian Killjoy[61]
Rob Farley on 3RRR's "Wheels of Steel"
  • 3RRR: "Hood Pass" hosted by Carlos Turner and Rob Steezy[62]
  • 106.7 3PBSFM: "Hippopotamus rex" hosted by Ronin Hamill; "Fresh Produce" hosted by Cosi; "B.P.M." hosted by PBS DJs and guests; "tHE bLEND" hosted by Bevin Campbell[63]
  • Triple J: "Hip Hop Show" hosted by Hau Latukefu[64]
  • Edge 96.1 (96.1 FM): "K-Sera & The Dirty Dozen" hosted by K-Sera[65]
  • 2SER (107.3FM): "Hardcore Classic" hosted by Thomas Rock, Ran-Dee and Raine Supreme[66]
  • 4ZZZ (102.1 FM): "Phat Tape" hosted by Chubba Dubbed, Complex, Dj Dcide and Sean B.[67]
  • Three D Radio (93.7FM): "Hazy Tones" hosted by Anders; "Episodes In Space" hosted by Sam & TimeSpace[68][69]
  • Kiss FM (Australia) (87.6-88.0FM): "StrictlyOZ HipHop Show" hosted by DJ Cook & Big Dip + Lil Marc.
  • Fresh FM (92.7FM): "The Lesson" hosted by DJ Sanchez & Lotek1200 + (Lesson Crew) Sam, Dan, DJ Cal Haslam, Apollo & Ckur.

[70]

  • RTRFM (92.1FM): "Down Underground" hosted by Nick Sweepah; "Full Frequency" (Monday and Friday) hosted by Micah and Philly Blunt (Monday) and Rok Riley (Friday)[71]
  • 89.7FM[permanent dead link]: "BRL" hosted by Gavin Crossley;[72]
  • SYN (90.7FM): "Hip Hop Night" hosted by Christopher Palmer which included "StrictlyOZ HopHop show" from 2009-2010[73]
  • 89.3FM 2GLF: 'Shots and Hits' Hosted by Adam Spinz [74]
  • Beers Beats & The Biz Podcast Established June 2018

Television[edit]

The first appearance[75] of an Australian hip hop act on Australian television was in November 1988, when Skippy The Butcher performed live on the ABC's "The Factory" during the Run DMC tour.[76] The first Australian hip hop documentary, Basic Equipment, was made in 1996 and released in 1997. Narrated by Paul Westgate (a.k.a. Sereck) from Def Wish Cast, the documentary examined the Sydney hip hop culture. It was created by Paul Fenech (creator of SBS' Pizza series) and featured artists such as MC Trey, Def Wish Cast, DJ Bonez, DJ Ask.[77]

During the 1990s, SBS TV's MC Tee Vee, the first Australian dance music show became a hit. In 1992, following an invitation from Annette Shun Wah from the alternative arts show, The Noise, MC Opi became the first hip hop artist to become a reporter and assistant producer for MC Tee Vee. MC Tee Vee is notable for being the first national Australian music program dedicated to dance, rap and house music.[78]

In August 2006, the ABC program Compass showed a documentary entitled The Mistery of Hip Hop, which explored the cultural movement and popularity of hip hop in Australia. The film followed one of the "founding fathers" of the Sydney hip hop scene Matthew "Mistery" Peet. Mistery works full-time as graffiti artist and is also emcee/rapper in the group Brethren. The 28-minute documentary looked at the "four elements of hip hop": breakdancing, DJing, rapping, and graffiti. It features interviews with the then-host of Triple J's hip hop show Maya Jupiter, and the other half of Brethren: Wizdm and DJ Kool Herc.[79][80]

In December 2007, ABC Television aired the documentary Words from the City, which includes interviews with a number of high-profile Australian hip hop artists, including: Hilltop Hoods, Koolism, Downsyde, TZU, MC Layla, Bliss n Eso, MC Trey, Wire MC, and Jupiter.[81]

Film[edit]

Blades

In 2004, independent film-maker Oriel Guthrie[permanent dead link], debuted her documentary "Skip Hop" at the Melbourne International Film Festival (MIFF). The film includes live footage of freestyle battles and prominent gigs around Australia, as well as interviews with Def Wish Cast, DJ Peril, Hilltop Hoods, Koolism, Blades of Hades, Maya Jupiter, The Herd and Wicked Force Breakers.[82]

"Out4Fame presents 2003 MC Battle For Supremacy" was the first (documented) national MC tournament and was responsible for supporting the careers of many MCs across Australia. The following year, MCs were invited to enter the tournament for the chance to compete in New Zealand. MCs who have competed in Battle For Supremacy tournaments include Weapon X, 360, Anecdote, Nfa, Justice, Dragonfly, Robby Bal Boa, Kaos, Tyna, Surreal, Cyphanetics, Delta. Guthrie also documented the 2004 and 2005 events and released them on DVDs. MC Justice went on to win 2005 "Scribble Jam MC Battle" in the US and is the first Australian to win the competition.[citation needed]

In 2007 "Words from the City", a feature documentary on Australian Hip Hop culture from Writers/Directors Natasha Gadd and Rhys Graham was released by The Australian Film Commission and ABC TV. Focusing on the lyrical artistry of Australian Hip Hop, the film documented some of the countries foremost crews such as Hilltop Hoods, Bliss and Eso, and Koolism, as well up and coming artists TZU, Downsyde, Layla, Maya Jupiter, MC Trey, Nick Toth, and Wire MC. Words From The City was nominated for five AFI Awards for Best Documentary, Best Direction in Documentary, Best Cinematography in Documentary, Best Editing In Documentary, and Best Sound in Documentary.[83]

Publications[edit]

One of the oldest hip hop magazines in the world,[84] Vapors, is an Australian publication and is produced by Blaze. Stealth Magazine debuted in 1999 and was distributed worldwide via Tower Records. Notable zines include Hype, Zest, Raptanite, Arfek, Damn Kids, Artillery, Blitzkrieg and Slingshot.

Following the popular Out4Fame: Battle For Supremacy tournaments, Out4Fame Magazine was launched as a free publication. Out4Fame Magazine was later relaunched as Out4Fame presents ACCLAIM Magazine, which then became ACCLAIM Magazine. ACCLAIM Magazine is distributed throughout Australia, as well as other countries including New Zealand, Singapore and the UK.

Online[edit]

  • AustralianHipHopDirectory.com is a comprehensive and up-to-date online database of emcees,deejays and artists within the Australian Hip Hop scene. The Australian Hip Hop Directory was created in 2016[citation needed] after the closure of The Oz Cella made it difficult for fans to discover new artists and learn the history of the culture in Australia. The Directory makes it easy to locate popular and/or influential artists as well as providing a place for new artists to be recognized.[85]
  • OzHipHop.com is an Australian hip hop internet forum that was established in 2002. As of 2004, the website's CEO is Mass MC.[86] In 2011, OzHipHop.Com was sold for an undisclosed amount to LJ Krooker who took over the website administration. The website promptly experienced a sharp decline in patronage and support in response. After a user data breach[87] ozhiphop.com is no longer available or active.
  • allaussiehiphop.com ("aahh") was established in June 2009 and founded by Jim Steps. It features music and game reviews, movie ticket competitions. Steps also hosts the 'aahhRadio' podcast, which featured guests such as Mixmaster Mike of the Beastie Boys, Hilltop Hoods, 360, Illy, Kerser, Jonwayne, Doc Brown and Atmosphere.[citation needed]
  • ozhiphopshop.com Established in 2009, is an independent website and Australia's One Stop Hip Hop Shop that features the latest in Australian hip hop news, interviews, products (Cd's, Digital,Vinyl) and events. The website has many great features including the most comprehensive range of free downloadable Australian hip-hop albums and mixtapes ready to download and play.They also have a massive section of Australian hip hop, graffiti, breakdancing and beatboxing videos ready to watch. Ozhiphopshop.com was the first to implement a calendar style Australian wide hip hop gig guide early in 2014 and is still the go-to online place to keep up to date with what hip hop gigs are happening across Australia.
  • Western Sydney HipHop was established in 2013 by Adam spinZ to predominantly promote Western Sydney based artists, but, also promoted Aussie Hip Hop in General. Have hosted Open Mic Nights and host various shows on the FM radio band.

Rap in Australian politics[edit]

Not to be confused with Political hip hop § Australian hip hop scene.

The earliest political discussion of hip hop in Australia questioned whether controversial rappers from overseas should be permitted to enter and perform in the country, as was the case with Eminem in 2001.[88] Australian hip hop artists have since used their platform to make political statements and drive political change; Urthboy and Thundamentals are among those whose lyrics often highlight and denounce inequality.[89][90] A.B. Original, the collaboration between Indigenous rappers Briggs and Trials, was crucial to initiating debate on changing the date of Australia Day, particularly with their critical 2016 single "January 26".[91] While professional musicians have gone on to enter Australian politics, most notably Midnight Oil frontman Peter Garrett, no hip hop artist has done so, although Briggs appeared to launch a campaign to enter Parliament in 2018.[92]

Elected politicians in Australia have also attempted to utilise rapping to reach a younger audience. In 2012, two Labor Party cabinet members in the Gillard Government briefly delivered original policy-related lyrics backed by music: Trade Minister Craig Emerson commented on the carbon tax by performing an adapted version of the chorus of rock song “Horror Movie”, referred to by some as the “No Whyalla Wipeout” rap;[93][94] while Arts Minister Simon Crean marked a visit to a Parramatta arts centre by recording rhyming lines in a duet with sound artist Tokyo Love-In over the beat of "Ice Ice Baby".[95] Greens Senator Scott Ludlam appeared in the 2014 G20 Brisbane summit episode of Juice Rap News, rapping ten lines criticising the Abbott Government's mandatory data retention law.[96]

The performance of American rapper Macklemore at the October 2017 NRL Grand Final became a topic of political discussion, due to its inclusion of "Same Love" at a time when Australians were voting on whether same-sex marriage should be legalised.[97] Prime Minister Malcolm Turnbull was interviewed on The Project several days before the performance. When asked about his favourite hip hop artist, Prime Minister Turnbull initially claimed that he was “still grieving for Tupac”, later confessing that he finds much of hip hop music to sound the same. He then surprised the hosts by offering to rap, reciting two sport-related lines without backing music: “Waleed, you’re the man, you’re the Tigers fan / You can talk, the Crows can squawk”.[98] A few days later, Opposition Leader Bill Shorten appeared on Fitzy and Wippa in a rap battle segment, rapping twelve lines over the instrumental of 50 Cent’s “In da Club” and concluding his verse by dabbing. While Shorten’s opponents at the rap battle were radio hosts Ryan Fitzgerald and Ray Hadley, several of his lines were directed at Turnbull, such as “Our economy’s in debt but Malcolm’s just chillin’ / Hey Malcolm, can you lend us a couple of million?”.[99]

In the 2018 South Australian state election campaign, former Senator Nick Xenophon released a two-minute musical advertisement for his newly formed SA-Best party, centred upon himself rapping his party’s concerns and policies for South Australia.[100]

Notable artists[edit]

See also: the categories Australian hip hop groups and Australian hip hop musicians.

Record labels[edit]

See also: Category:Australian hip hop record labels

See also[edit]


Other articles of the topic Hip hop : Thi'sl
Some use of "" in your query was not closed by a matching "".Some use of "" in your query was not closed by a matching "".

References[edit]

  1. ↑ Kalantzis-Cope, Phillip (19 September 2002). "Hip Hop – a Way of Life". Community Broadcasting Online (Stephen Hahn). National Ethnic and Multicultural Broadcasters Council (NEMBC), George Zangalis. Archived from the original on 29 October 2007. Retrieved 4 October 2012.
  2. ↑ Quartermaine, Craig. "Hip Hop artist raps against racism". NITV News. Archived from the original on 6 October 2014. Retrieved 16 November 2013.
  3. ↑ 3.0 3.1 3.2 3.3 "Does Aussie hip-hop have a problem with racism?". The Vine. Archived from the original on 16 September 2013.
  4. ↑ "Phat of the land". Sydney Morning Herald.
  5. ↑ 5.0 5.1 5.2 5.3 Maxwell, Ian (2001). "Chapter 11: Sydney Stylee: Hip-Hop Down Under Comin' Up". In Tony Mitchell. Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press. pp. 259–79. ISBN 9780819565020. Search this book on
  6. ↑ Te Koha, Nui (30 September 2007), "Twighlight zone", The Sunday Mail
  7. ↑ "Record Details". 45cat. Retrieved 17 January 2017.
  8. ↑ McFarlane, Ian (1999). "Encyclopedia entry for 'Freaked Out Flower Children'". Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86448-768-2. Archived from the original on 3 August 2004. Retrieved 4 October 2012. Search this book on
  9. ↑ 9.0 9.1 9.2 Bloustein, Gerry (1999). Musical Visions. ISBN 1-86254-500-6. Retrieved 27 March 2008. Search this book on
  10. ↑ "Various – Down Under By Law", Discogs
  11. ↑ "Australian Hip Hop History". Australian Hip Hop Directory.
  12. ↑ 12.0 12.1 12.2 Mitchell, Tony (18 March 1998). "Australian Hip Hop as a 'global' Subculture" (PDF). Archived from the original (PDF) on 25 July 2008. Retrieved 10 April 2008.
  13. ↑ 13.0 13.1 Alfred Aborga (2 October 2014). "Our Chat With MC Opi: First National Female HipHop Artiste in Australia". Loud Sound Ghana. Loud Sound Ghana. Archived from the original on 5 October 2014. Retrieved 5 October 2014.
  14. ↑ Andrew Drever (28 June 2002). "Don't fence me in". The Age. Retrieved 9 October 2014.
  15. ↑ "Infinite Styles – EP 1200 Techniques". iTunes Preview. Apple Inc. 2001. Retrieved 9 October 2014.
  16. ↑ "2002 ARIA Award Winners". ALLdownunder.com.au. ALLdownunder.com.au. 1998–2014. Archived from the original on 8 November 2014. Retrieved 9 October 2014.
  17. ↑ "1200 Techniques: One Time Live". inthemix. inthemix Pty Ltd. 30 July 2003. Archived from the original on 14 October 2014. Retrieved 9 October 2014.
  18. ↑ "1200 Techniques – Consistency Theory". 1200 Techniques on Discogs. Discogs. 2014. Retrieved 9 October 2014.
  19. ↑ "2004: 18th Annual ARIA Awards". ARIA. Archived from the original on 4 March 2008. Retrieved 2008-04-10.
  20. ↑ "2006: 20th Annual ARIA Awards". ARIA. Archived from the original on 12 December 2007. Retrieved 2008-04-10.
  21. ↑ "2007: 21st Annual ARIA Awards". ARIA. Archived from the original on 20 March 2008. Retrieved 2008-04-10.
  22. ↑ Tony Mitchell (30 November 2013). "Hip hop is now on top at the ARIA Awards". The Conversation. Retrieved 10 October 2014.
  23. ↑ Greg Moskovitch (1 December 2013). "ARIA Awards 2013 Winners Rundown". Music Feeds. Music Feeds. Retrieved 10 October 2014.
  24. ↑ "Pas rentable (feat K21)" (Audio upload). LinkRust on SoundCloud. SoundCloud. 3 October 2014. Retrieved 14 October 2014.
  25. ↑ Valentish, Jenny (2018-04-05). "After the Australian Music Prize, Sampa the Great wants to set her story straight". The Sydney Morning Herald. Retrieved 2018-04-30.
  26. ↑ 26.0 26.1 Quartermaine, Craig. "Hip Hop artist raps against racism". NITV News. Archived from the original on 6 October 2014.
  27. ↑ "New York Music News, Concerts and Reviews - Village Voice". Village Voice.
  28. ↑ Marshall, Wayne (29 December 2005). "downunder underground". Archived from the original on 15 April 2008. Retrieved 2008-04-10.
  29. ↑ 29.0 29.1 29.2 "Tony Mitchell, The New Corroboree, 1 April 2006, ''The Age''". Theage.com.au. 1 April 2006. Retrieved 2012-01-05.
  30. ↑ 30.0 30.1 "Phat of the land". Sydney Morning Herald.
  31. ↑ Murffet, Andrew (4 September 2008). "Bliss n Eso". Melbourne: The Age. Retrieved 8 October 2008.
  32. ↑ 32.0 32.1 Shapiro, Michael J. 2004. "Methods and Nations: Cultural Governance and the Indigenous Subject." Routledge.
  33. ↑ 33.0 33.1 "Hayd". Triple J.
  34. ↑ "Byte". Triple J.
  35. ↑ "Diafrix". Triple J. Archived from the original on 3 February 2014. Retrieved 18 November 2013.
  36. ↑ "Hilltop Hoods". Coffs Coast Focus. CREATIVE HOUSE PUBLICATIONS PTY LTD. 2005–2014. Retrieved 27 December 2014.
  37. ↑ Henderson, April K. "Dancing Between Islands: Hip-Hop and the Samoan Diaspora" p.180-197
  38. ↑ Park, M. & G. Northwood. "Australian Dance Culture." http://www.snarl.org/texts/features/dancecult2.htm. Accessed 18 April 2008.
  39. ↑ Mitchell, Tony. "World Music and the Popular Music Industry: An Australian View." Ethnomusicology, Vol. 37, No. 3 (Autumn, 1993), pp. 309–338.
  40. ↑ http://www.redbull.com.au/cs/Satellite/en_AU/Article/Diafrix-on-how-theyre-running-it-in-2013-021243330130007
  41. ↑ Gareth Bryant (30 September 2009). "Cross Bred Mongrels Interview". Scene Magazine. Eyeball Media Pty Ltd. Retrieved 5 October 2014.
  42. ↑ Ian Maxwell (10 November 2003). Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper. Wesleyan University Press. ISBN 978-0-8195-6638-6. Def Wish took pains to tell me that his style is influenced by London reggae rap rather than North American rap, conceding the Afro-Caribbean "roots" of that scene, but carefully distancing himself from charges of imitation or of subjection to a putative American cultural imperialism. Search this book on
  43. ↑ "Chartifacts – Wednesday 14th November 2012". ARIA Charts. 14 November 2012. Archived from the original on 16 October 2013. Retrieved 13 October 2013.
  44. ↑ Matthew Dunn (10 March 2012). "BRIGGS". GiftedandTalented.com.au. G&T. Archived from the original on 15 September 2012. Retrieved 19 August 2012. “Being Koori is me; it’s not a hat I take on or off. I have my tribe tattooed on my arm, so every time I rock the mic people know I’m representing” Briggs explained.
  45. ↑ "Aboriginal Hip-hop: a modern day corroboree, at ''Local Noise''". Localnoise.net.au. Archived from the original on 3 September 2012. Retrieved 2012-01-05.
  46. ↑ "Your 2011 Deadlys Nominees". Deadly Vibe. Retrieved 9 September 2012.
  47. ↑ "Deadlys 2012 Nominees" (PDF). Deadly Vibe. Archived from the original (PDF) on 18 April 2013. Retrieved 26 September 2012.
  48. ↑ Rico Adjrun, Rhianna Patrick (11 October 2014). "Sheplife: Briggs" (Audio upload). Awaye!. ABC. Retrieved 14 October 2014.
  49. ↑ "Drapht – Brothers Grimm". Drapht on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  50. ↑ "Vents – Hard To Kill". Vents on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  51. ↑ "Reason (2) – The Tides Are Turning". Reason on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  52. ↑ "Cross Bred Mongrels – Restore Your Faith". Cross Bred Mongrels on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  53. ↑ "K21 (2) – Single Minded Civilian". K21 on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  54. ↑ "Purpose (5) – Where It Starts". Purpose on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  55. ↑ "Hilltop Hoods – State Of The Art". Hilltop Hoods on Discogs. Discogs. 2015. Retrieved 18 January 2015.
  56. ↑ "03 Macho Man Randy Savage Feat. Trials & Briggs (Scratches by Jaytee)". Golden Era Records on SoundCloud. SoundCloud. 9 April 2013. Retrieved 18 January 2015.
  57. ↑ Street, Andrew P. (2016-11-24). "AB Original on Reclaim Australia, the album: 'Being black, everything you do becomes a protest'". The Guardian. ISSN 0261-3077. Retrieved 2019-01-18.
  58. ↑ Byron, Tim (2016-11-24). "A.B. Original: 'We wrote the hardest shit we could write, and it's being supported'". The Sydney Morning Herald. Retrieved 2019-01-18.
  59. ↑ "Community radio". communications.gov.au/. Australian Department of Communications. Retrieved 28 March 2015.
  60. ↑ "Amrap – Home". amrap.com.au/. Community Broadcasting Association of Australia. Retrieved 28 March 2015.
  61. ↑ "The Bourne Collective". 3MDR FM. 3MDR FM. 8 October 2014. Archived from the original on 13 October 2014. Retrieved 8 October 2014.
  62. ↑ "Hood Pass with Carlos Turner,Rob Steezy". RRR FM. RRR FM. 8 October 2014. Retrieved 8 October 2014.
  63. ↑ "Electronic & Hip Hop". PBS FM. PBS FM. 8 October 2014. Retrieved 8 October 2014.
  64. ↑ "Hip Hop Show". triple j. ABC. 8 October 2014. Retrieved 8 October 2014.
  65. ↑ "K-Sera & The Dirty Dozen". The Edge. Australian Radio Network. 8 October 2014. Archived from the original on 12 October 2014. Retrieved 8 October 2014.
  66. ↑ "Hardcore Classic". 2SER. 2SER. 8 October 2014. Archived from the original on 12 October 2014. Retrieved 8 October 2014.
  67. ↑ "Phat Tape". 4ZZZ. 4ZZZ. 8 October 2014. Archived from the original on 19 October 2014. Retrieved 8 October 2014.
  68. ↑ "Hazy Tones". Three D Radio. Progressive Music Broadcasting Association, Inc. 8 October 2014. Archived from the original on 13 October 2014. Retrieved 8 October 2014.
  69. ↑ "Episodes In Space". Three D Radio. Progressive Music Broadcasting Association, Inc. 8 October 2014. Archived from the original on 13 October 2014. Retrieved 8 October 2014.
  70. ↑ "The Lesson". fresh 92.7. fresh 92.7. 8 October 2014. Retrieved 8 October 2014.
  71. ↑ "Hip Hop". RTRFM. RTRFM 92.1. 8 October 2014. Retrieved 8 October 2014.
  72. ↑ "Hip Hop". 897FM. 897FM 92.1. 8 October 2014. Retrieved 29 August 2015.
  73. ↑ "Hip Hop Night". SYN. SYN Media. 8 October 2014. Retrieved 8 October 2014.
  74. ↑ http://www.893fm.com.au/on-demand#music
  75. ↑ "The Factory", Episode 54. Broadcast 12 November 1988, EntertainmentOnABC, 13 July 2010
  76. ↑ "5 Points on the Star by STB (Skippy the Butcher) on ABC's The Factory 1988" (Video upload). frettebene1 on YouTube. Google Inc. 17 January 2011. Retrieved 7 October 2014.
  77. ↑ "Basic Equipment". Screen Australia. Retrieved 2008-09-15.[permanent dead link]
  78. ↑ "SBS". Retrieved 11 October 2014.
  79. ↑ "Compass program summary – 'The Mistery of Hip Hop' at". Abc.net.au. 6 August 2006. Retrieved 2012-01-05.
  80. ↑ Compass program summary – 'The Mistery of Hip Hop' on YouTube
  81. ↑ "ABC TV guide December 2007". Abc.net.au. 7 December 2007. Retrieved 2012-01-05.
  82. ↑ "Nation Library of Australia – listing 'Skip Hop'". Nla.gov.au. Retrieved 2012-01-05.
  83. ↑ "Words from the City". ABC.net.au. Retrieved 2015-12-05.
  84. ↑ Out4Fame Magazine, Issue #25, 2004, page 32 "DJ Peril's Tales from the Old School – interview with DJ Blaze"
  85. ↑ "Australian Hip Hop Directory Info". australianhiphopdirectory.com.
  86. ↑ Karl (8 July 2004). "Reason – A True Aussie Icon of Hip Hop". Resident Advisor. Resident Advisor Ltd. Retrieved 5 October 2014.
  87. ↑ "The OzHipHop forum has revealed that user accounts have been breached". Tone Deaf. 2018-07-24. Retrieved 2018-12-10.
  88. ↑ "Eminem takes the rap in Australia". CNN. 8 July 2001. Retrieved 27 February 2018.
  89. ↑ Pfister, Sam (17 March 2016). "Politcally charged Urthboy takes aim with The Past Beats Inside Me Like A Second Heartbeat". Happy Magazine. Retrieved 27 February 2018.
  90. ↑ Byatt, Kieron (7 November 2016). "Thundamentals Are Using Their Platform To Fight Ignorance And Inequality In Australia". Tone Deaf. Retrieved 27 February 2018.
  91. ↑ Stafford, Andrew (29 November 2017). "'A mic drop on the nation': how AB Original's January 26 galvanised a movement". The Guardian. Retrieved 27 February 2018.
  92. ↑ "BRIGGS - BRIGGS FOR PM CAMPAIGN PACK". Araca Merch Australia. Retrieved 27 February 2018. Briggs for PM Campaign Pack. Includes: Tee, 3 button badges and bumper sticker! #BriggsForPM
  93. ↑ Heffer, Greg (2 July 2012). "WATCH: Australian politician Craig Emerson's cringe-worthy rap". Daily Star. Retrieved 27 February 2018.
  94. ↑ Newstead, Al (2 July 2012). "Labor MP Raps About Carbon Tax, Murders Rock And Roll". Tone Deaf. Retrieved 27 February 2018.
  95. ↑ "Simon Crean shows off his mad rap skills". The Queensland Times. 14 November 2012. Retrieved 27 February 2018.
  96. ↑ Barbeler, David (24 October 2014). "Greens Senator Scott Ludlum stars in a bizarre, expletive-ridden online rap video". news.com.au. Retrieved 27 February 2018.
  97. ↑ Charleston, Libby-Jane (28 September 2017). "Tony Abbott Joins Call To Ban Macklemore's Same Sex Love Anthem From NRL Grand Final". HuffPost Australia. Retrieved 27 February 2018.
  98. ↑ Mack, Emmy (29 September 2017). "Malcolm Turnbull Backs Macklemore While Trying To Rap On 'The Project'". Music Feeds. Retrieved 27 February 2018.
  99. ↑ Morgan, Riley (6 October 2017). "Bill Shorten takes on Nova's Fitzy in rap battle". SBS News. Retrieved 27 February 2018.
  100. ↑ Baker, David (20 February 2018). "Nick Xenephon raps in SA Best ad campaign". The West Australian. Retrieved 27 February 2018.
  101. ↑ "What Happened To Nurcha?". Nurcha Records. 10 March 2009. Retrieved 2009-07-15.

External links[edit]


This article "Australian hip hop" is from Wikipedia. The list of its authors can be seen in its historical. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.


Retrieved from "https://en.everybodywiki.com/index.php?title=Australian_hip_hop&oldid=386708"
License CC BY-SA 3.0
Powered by MediaWiki
Powered by Semantic MediaWiki